Red Jade: A Detective Jack Yu Investigation Hardcover - 2010 - 1st Edition

Excerpt

Dark Before Dawn

“Rise up! Yu! Yuh got bodies!”

It was the overnight sarge calling from the 0-Nine, the
Ninth Precinct, growling something about Manhattan South
detectives into his ear, barking out a location with two bodies
attached to it.

As soon as Jack Yu caught the address, he knew: Chinatown
again. He was going back to the place he’d left behind
when he moved to Brooklyn’s Sunset Park, just across the
river but a world away.

It always started with the rude awakening, the alarms
going off in his head, the angry clamor, and then the Chinatown
darkness snatching him off again, back into the
Fifth Precinct, back to unfinished business. . . .

He’d been dead asleep, dreaming he was still partying at
the After–Chinese New Year’s party that Billy Bow had
pulled together at Grampa’s, aka the Golden Star Bar and
Grill, a favorite Chinatown haunt. In this dream, Jack was
picturing himself feeding quarters into the big jukebox
setup, a rock tune with a deep bass pounding out, Hey son
where ya going with dat gun in ya hand? He’s gulping back a
beer, scoping out the revelers. Gonna shoot ma lady, she
cheat’in wit annuda man.

Jack spots Alexandra. Alex. Friend and confidante, wearing
a bright red Chinese jacket, the color of luck, glowing in
the darkness of the bar. She nods at him and jiggles her
smile to the backbeat, her long black hair shimmering in
the dim blue light. Gonna shoot her down, down to the ground,
wailing from the jukebox. He wants to pull Alex close, to
bring her heart to heart, to kiss her eyes lightly and find out
what she’s thinking. But suddenly there’s this clamor, from
the back of his head, accelerating to his frontal lobe, like a
thundering lion drum starting up, following the raucous
clash of brass cymbals and iron gongs, exploding suddenly
into jarring, blinding consciousness.

He reached toward the frantic pleas of the noise, the cell
phone’s cry, the alarm clock’s clang. The clock radio banged
out a steady beat. Jack looped the beaded chain over his
head; the gold detective’s badge tumbled, then its weight
held the chain taut. He’d moved to Brooklyn and changed
precincts after Pa’s death, but still he hadn’t escaped the old
neighborhood. He rolled his neck, popped the ligaments,
pulled on his clothes.

He patted down his thermal jacket for the plastic disposable
camera, and dropped his Colt Detective Special into a
pocket.

He took the stairs down and stepped into the freezing
wind, letting the cold rain pelt his face, pumping up his
adrenaline. He jogged down to Eighth Avenue in the desolate
darkness, and jumped into one of the Chinese see gay,
car service lined up along the street of all-night fast-food
soup shacks. He badged the driver, giving the address in
Cantonese while slipping him a folded ten-spot.

“Go,” Jack said, “Faai di, quick. I’m in a hurry.”

The driver made all the green lights and the short-cut
turns. He blazed the black car across the empty Brooklyn
Bridge and dropped Jack off at Doyers Street, off the Bowery
in the original heart of Chinatown.

The trip had taken twelve screeching minutes.

Seven Doyers was a four-story walk-up right on the bend
of the old Bloody Angle, where the tong hatchetmen of the
past battled and bled over turf and women, butcher-sharp
cleavers hidden under their quilted Chinese jackets.

Jack knew the street well; it was around the corner from
where he’d grown up, where his pa had passed away recently.
And around the corner from where his former blood
brother Tat “Lucky” Louie had met his fate: shot in the
head, he was now comatose at Downtown Hospital.

The Bloody Angle was a serpentine, twisting street that
was anchored on the Bowery end by a Chinese deli, two
small restaurants, and a post office branch. Where the street
cut to the right and dipped down, there was a stretch of
Chinese barbershops and beauty salons on both sides.

Doyers was a Ghost street and everyone knew it. The
Ghost Legion was the dominant local gang that terrorized
Chinatown, and Lucky had been their dailo, their leader.
Normally, Lucky would have been Jack’s source for information
about gangland politics, but his condition had ended
such cooperation.

Seven Doyers stood above a Vietnamese restaurant and
the Nom Hoy Tea Parlor on an empty street lined with the
closed, roll-down gates used overnight. The uniformed officer
standing outside was a solitary figure beneath the yellow
glow of the old pagoda-style streetlamp; a tall, baby-faced
Irish kid, a rookie. Jack wondered how he’d pulled the
overnight shift. Had he been desperate for overtime or had
he fucked up somehow; was this a reward or punishment?

Jack, letting his gold badge dangle, asked, “So who called
it in?”

“Dunno,” the rookie answered with a shrug, “Sarge just
told me to stay here and secure the scene. Wait for you. Yu?”
The kid grinned.

“Where’s the sarge at?” Jack asked, looking at the entrance.

“Dunno,” the rookie repeated. “He got a call from the
captain and he left.”

Jack didn’t see a squad car anywhere. His watch read 5:45
am. “Who was here when you arrived?”

“An old Chinaman,” he answered, pausing, allowing for a
reaction from Jack, who didn’t rise to the bait. Jack offered
instead the inscrutable yellow face.

“He said he was the father,” the rookie continued. “And
that there were two dead bodies inside.”

“So where’s he now?”

“Dunno. He left after the sarge left.”

“Did he say anything?”

“Who?”

“The old Chinese-American,” Jack said.

“Oh. Said he had to make a phone call. Or something.
Hard to understand his funky English.”

Jack shook his head disdainfully, scanning the empty
street. “Keep an eye out,” he advised.

“Ten-four,” the rookie responded, straightening up as
Jack entered the building.
 

Death Before Dishonor

The door at the top of the first flight of rickety stairs was
slightly ajar. Yellow Crime Scene tape crossed its frame.

Jack pulled the tape back and took a breath. He pushed
the door gently, stepping into the space illuminated by dim
fluorescent light. The old apartment was a typical Chinatown
walk-up: a big rectangular room, sparsely furnished,
with a kitchenette and a small bathroom against a long wall.
Worn linoleum covered the floor. The rest of the space was
open. A little table nestled in the corner to his left, a puffy
jacket draped over a chair.

The place looked neat; there were no signs of a struggle.

Even in the half-light, Jack saw them right away: two bodies,
holding hands but sprawled apart, on their backs, across
the width of a bed in the far corner. Their legs dangled off
the side of the bed. One man, one woman, Chinese, as far
as he could make out in the shadowy distance.

The woman still had her quilted coat on.

There was a lady’s handbag placed neatly against the foot
of the bed.

On the linoleum at the headboard end was a small clock
radio, crash-tilted at an angle to the floor, its digital display
frozen at 4:44 am.

As he stepped closer, he figured the dead couple to be in
their mid-thirties. He couldn’t find a pulse, but the bodies
were still warm to the touch. Rigor had not set in.

Dead less than two hours, Jack thought.

He pulled the plastic disposable camera from his jacket.

The man still had two fingers of his right hand on the butt
of a gun, a small black revolver, just at the end of his grasp,
dangling askew off the duvet cover. He was grimacing; dark
blood spread from the back of his head. In the firm grip of
his left fist was the woman’s right hand, their fingers laced, as
if he was taking her with him somewhere. There was blood on
the back of her right hand, blood on the comforter that had
come from inside her palm, and a small red hole in the center
of her forehead. Beneath that, a dark puddle had formed
in the turned-up collar of her coat. Her eyes were open, and
her lips slightly parted; she wore a look of disbelief.

In the space between the two bodies was a crumpled business
card. Protruding from the man’s shirt pocket was a
folded piece of notepaper.

Jack stepped back and snapped photographs from different
angles and distances, wide shots and close-ups fixing the
images in his mind before Crime Scene arrived.

At 4:44 am, the woman wasn’t going out, Jack thought.
She’d just come home. And he was waiting for her, his jacket
draped over the chair. No sign of forced entry. He’d had a
key. Or she’d let him in.

The layout of the bodies made it look like she’d sat down
at the edge of the bed, placed her handbag on the floor,
and then he’d shot her. She’d fallen straight back, nestled
neatly into the comforter. Dead on impact, a bullet in her
brain, the back of her head bleeding out, he concluded.

Sometime after, the man had seated himself, taken her
hand in his, and then eaten the gun.

Jack imagined it with a cold clarity—the gun jerking out
of the man’s mouth, the wild swing of his arm smashing into
the clock radio, sending it to the floor. The revolver bouncing,
sliding onto the comforter.

The crashed clock radio on the floor was blinking 4:44
am, offering the three worst numbers a Chinese could get:
the number four in Cantonese sounded like death. Triple
death.

The man had drop-twisted to his right, as if he were dragging
her into the next life—holding hands—toward oneness
with the universe.

The gun was an older model H&R 622, a .22-caliber
revolver that fit the Saturday Night Special profile. Someone
had filed off the serial numbers. Only two shots had
been fired. With such a cheap revolver, he’d had to have
shot her at close range, almost point-blank. There’d probably
be some gunshot residue on her face and hand as
well. Jack made a mental note to advise Crime Scene, and
the ME, then carefully spread open the crumpled-up business
card. It was from the Golden Galaxy Karaoke Bar, with
a handwritten telephone number scrawled across the back.
Jack snapped photos front and back, checked his watch.

6:06 am.

There was nothing in the man’s jacket draped on the chair.

Jack took the note from the man’s shirt pocket, and
opened it up on the table. The word characters were written
out in broken lines, like a Chinese poem, in a Three-
Kingdoms-period style. Jack mouthed the words silently,
reading through the series of vertical sentences, using his
schoolboy Cantonese.

Black Clouds
have covered the sky
like ink.
The whirlwind
sweeps in
from the rivers.
Even the air itself
Is frozen.

Inside,
A growing sorrow
I cannot bear.
There is no one
to turn to,
not even a reflection
in the mirror.

I cannot Face
anyone.
A man
without a face,
I am ready
to do
What I must do . . .

The man had lost face, mo sai meen, and had become
despondent. A hopeless predicament, according to the
poem. Overwhelmed, he’d given in to despair.

Jack pushed back from the table, turned toward the bed.
The scene looked like a textbook open-and-shut murder-suicide,
one that any of the murder squad cops could have
stepped up to, way before he’d gotten the call. Even a sergeant
and a couple of uniforms could have managed it.

So why me? Jack had to ask himself. Because I’m Chinese?
Not that he was complaining. Murder was murder,
any way you colored it.

Still.

He went back down the stairs to where the uniformed
rookie was leaning against the wall of the little vestibule,
half-nodding his way toward the end of the overnight shift.
The cold draft of air at the door invigorated Jack.

“What’s the deal with Crime Scene?” he asked.

“Sarge said they were en route.”

“What about the ME?” Jack frowned. “I need a wagon
here.”

“I’ll notify the sarge again.”

Jack took a deep gulp of the cold air before quickstepping
back upstairs. Inside the apartment, he emptied
the woman’s handbag onto the linoleum floor. There was
nothing unusual: cell phone, makeup, change purse, pen,
eyeglasses. A wallet, containing a photo of herself with a
karaoke microphone in her hand, smiling; various credit
cards, and a non-driver’s license that identified her as May
Lon Fong, thirty-one years old. Another photo of her with
two infants; scrawled across the back of the photo, the Chinese
words ma, jai neui, mother and children.

The refrigerator was stocked for a single person: two
bricks of tofu, some gai choy, vegetables, and a gallon jug of
dao jeung, bean milk. There were leftover salad greens, a
half-dozen eggs, a piece of flank steak, dumplings, and noodles
in the freezer.

Jack sat down at the little table and waited for the coroner’s
wagon. Crime Scene would arrive soon enough.
Nobody here was going anywhere. The waiting made him
wonder again why he’d caught the case, and reminded
him of all the Chinatown events that had led up to his
recent transfer from the Fifth Precinct. The adrenaline
had begun to ebb from his body. Fatigue slowly crept
back in.

He remembered how, seven months earlier, he’d gotten
a hardship transfer out of Anti-Crime, to be closer to Pa in
Chinatown, who’d been terminally ill. The transfer had
brought Jack back to the 0-Five, back to the old neighborhood,
where he’d grown up, where he’d lost boyhood
friends and his innocence, and from which he’d thought
he’d finally escaped.

The old man had died recently, and Jack’s grief and guilt
were still fresh in his heart. He’d moved out on Pa, but only
because Chinatown was no longer the same place for him as
it was for his father. Jack’s Chinatown was colored by violence,
death, and a feeling of helplessness that he hated.

He’d become a cop, thinking he’d make a difference.
The difference was he’d become as cynical and hard as the
gangboys he’d left behind.

He was on the job, working Canal Street with the Anti-
Crime plainclothes squad, when Pa passed away. Jack had
found him, after stopping to pick up jook, congee, for the
old man, after the day shift. He’d missed the chance to say
good-bye, to try and apologize for the clashes they’d had.
And now Jack was the last man standing in the Yu bloodline.
Two hundred years of family history on the edge, in Mei
Kwok, America.
 

Not long after the burial, a Chinatown tong big shot had
gotten himself murdered. Jack was given the case. Uncle
Four, leader of the Hip Chings, had been shot coming out
of an elevator at 444 Hester Street. One man was in custody,
awaiting trial. Another suspect had vanished.

During the investigation, Jack had been suspended by
Internal Affairs, but still managed to bring back from San
Francisco’s Chinatown a New York limousine driver whose
name was Johnny “Wong Jai” Wong. A person of interest, a
Hong Kong Chinese woman, was still at large. They knew
her only as Mona.

The case was pending trial.

Johnny Wong’s name brought back memories: a short
heavyset body lying on the floor, halfway out of a small elevator,
the doors bumping up against his ample waist. The
vic was Uncle Four. Someone had popped a couple of
.25-caliber hi-vels into the back of his head.

Jack had followed Mona’s words, her phone tips to him,
to California. But when he arrested Johnny Wong for the
murder, Johnny, in turn, had pointed the finger at Mona,
Fat Uncle’s mistress.

Now Johnny was in a cell in Rikers, still claiming he had
been framed.

Jack remembered chasing a woman, thirty yards distant,
a gun in her hand, desperately pulling a rolling carry-all
behind her. She’d escaped from that San Francisco rooftop
and disappeared.

Jack knew he’d have to testify to that. So far, none of the
Wanteds they’d put out on her had come back, but they had
Johnny and the murder weapon, with his prints on it. Sooner
or later, the case was going to have its day in court.

Jack recalled the picture of Hong Kong songstress Shirley
Yip, torn from Star! Entertainment, a Chinese magazine. It
was the closest likeness they had of Mona; according to
Lucky she was a dead ringer for the celebrity.
 

Toward the end of his tour in the Fifth, Jack had bumped
up against his boyhood friend Tat “Lucky” Louie, who’d
tried to recruit him into the ranks of dirty cops on the On
Yee tong’s payroll. Lucky would have known about the
Golden Galaxy, a karaoke dive that was operating on his
turf. But Lucky was only being kept alive now by a respirator
at Downtown CCU; he’d been caught in a gangland shootout
between disgruntled Ghost Legion factions. The shootout
had left seven bodies outside Chinatown OTB, and a
possible shooter in flight.

Lucky’s luck had run out.
 

Then there was Alex. Alexandra Lee-Chow, Chinatown
activista lawyer. Pretty and hard-nosed, but with a soft
heart. She was going through a bitter yuppie divorce. And
she was drifting in and out of alcoholic self-medication,
just like he was.

Since they’d known one another, Jack had steered her
past a drunk and disorderly charge, and she’d helped him
with his Chinatown cases. During bouts of grief and misery,
they’d commiserated and become drinking buddies.

Two budding alcoholics working their way up.

Jack noted that he could use Alex’s connections in the
Administration for Children’s Services for the newly
orphaned children, as well as Victim’s Services. In addition,
there was faith-based support for young victims left parentless.
The man and his wife were dead, but their children had
to be cared for.
 

The karaoke photo of the woman reminded him vaguely of
Mona. She was like a chameleon. From the little popgun
she’d squeezed off firecracker shots at him as he chased her
across that rooftop.

Then she was gone. “In the wind.” He wondered how far
she had flown.
 

The trilling of his cell phone broke his reverie. The number
on the readout was one he didn’t recognize.

“Detective Yu?” The voice spoke Toishanese, the old Chinatown
dialect.

“Yes, who’s this?”

“I am the father.” The words froze Jack. “Of the dead man.”

“You were here earlier,” said Jack.

“Yes, I found the”—a hesitation—“Say see, the bodies . . .”

“Sir, I need to speak with you,” Jack said in dialect.

“We can meet with you. About half an hour.”

“We?” Jack asked.

“Myself,” the voice answered, “and the father of the dead
woman.”

Jack checked his watch. It was 6:18 am, dark still, but
dawn around the edges. He heard the sounds of Crime
Scene arriving outside on the quiet street, the voice of the
rookie uniformed cop.

“Where?” Jack asked, rechecking his watch.
 

He left CSU to their work and canvassed the adjacent apartments.
The neighbors had heard nothing. No arguments,
yelling, sounds of struggle. In the middle of the night, som
gong boon yeh, they’d been dead asleep.

An old couple in the apartment above heard a bang, but
couldn’t agree whether there had been one or two. They’d
thought it was the street door slamming or the noise of the
overnight garbage trucks. Or maybe some lon jaai, prankster
kids, blasting firecrackers.

He left the building as dawn broke over Chinatown, made
a left on Bowery, and headed north toward Canal.

Media reviews

Praise for Red Jade

“An action-packed plot and a carefully detailed mystery make this a feast for readers who crave insight into the cultural melting pot that is the United States.”
—Library Journal, Starred Review
 
“Chang depicts the intricacies of life in Chinatowns where ancient customs crash against the contemporary world. But Chang doesn't just show these colorful neighborhoods. He delves into the reality of the Chinatowns, portraying long-time residents dismayed at the change going around them, gangsters trying to maintain their control and tight-knit neighbors united in their beliefs, customs and desire to keep crime from ebbing further. Chang captures the sights, sounds and smells of the various Chinatowns, showing the common threads and uniqueness of each as well as their histories. Chang also depicts how the cultures of various Asian countries make the Chinatowns diverse areas. ‘Red Jade’ also delves into the racism that Asian cops often encounter both among their fellow officers and on the streets of Chinatown. But even cynical Jack can be surprised when a seemingly racist cop is anything but. ‘Red Jade’ is a gripping police procedural full of surprising twists.”
—Kansas City Star
 
“In his third entry in the Jack Yu series, Chang continues to provide insight into the Chinese American community and its culture. Series fans will also be pleased to see that the much-interrupted relationship of Jack and district attorney Alexandra Lee-Chow moves to a new level. A fast-moving police procedural with added sociological depth."
—Booklist
 
“A sharp mix of action, post-Wire procedural and cultural commentary aimed squarely at readers who aren’t overly attached to happy, or even conclusive, endings.”
—Kirkus Reviews

Praise for the Jack Yu series:

"Destiny could find no better assistant than the decent, determined Det. Jack Yu."
—The Wall Street Journal

"Chinatown is the hero here. Better say antihero, because while the picture is vivid and often compelling, it's anything but pretty."
—Kirkus Reviews

"[Chang] paints, in miniature, a harsh world of neon and shadows but doesn't slight the Big Questions. . . . [He takes] genre fiction to a deeper level, focusing on the mysteries of the human mind that a murder brings to light in those with some connection to the deceased. Mysteries, quirks, that might otherwise lie buried, but that subtly define who we are."
—Ron Rosenbaum, Slate

"A vivid, street-level portrait . . . evokes the spirit, sights, smells and language of his setting in compelling and original fashion."
—The New York Times

"This is a dense, moody, and intelligent glimpse at Chinese life in New York as seen through the world-weary eyes of a young man with a foot firmly planted in two cultures."
—Booklist