Description:
Artimo, 2004. paperback. near fine. 6 3/4 x 8 1/2 " Foreword by Jan Gruiters, introduction by Michael Hirsh. photography by Geert van Kesteren, Texts by Michael Hirsh & Geer van Kesteren. some of the text is in Arabic, nearly all in English. first page has vertical crease. disturbing photographic text of war in Iraq.
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Geert Van Kesteren: Why Mister, Why? Paperback - 2005
by Geert Van Kesteren (Photographer); Michael Hirsh ()
Details
- Title Geert Van Kesteren: Why Mister, Why?
- Author Geert Van Kesteren (Photographer); Michael Hirsh ()
- Binding Paperback
- Edition Bilingual
- Pages 544
- Volumes 1
- Language ENG
- Publisher Artimo, Amsterdam
- Date March 15, 2005
- Illustrated Yes
- ISBN 9789085460091 / 9085460093
- Weight 1.63 lbs (0.74 kg)
- Dimensions 8.34 x 6.32 x 0.85 in (21.18 x 16.05 x 2.16 cm)
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Stock Photo: Cover May Be Different
Why Mister, Why? Iraq 2003 - 2004
by Geert van Kesteren
- Used
- near fine
- Condition
- Used - near fine
- ISBN 10 / ISBN 13
- 9789085460091 / 9085460093
- Quantity Available
- 1
- Seller
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Washburn, Wisconsin, United States
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A$313.76A$8.63 shipping to USA
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WHY MISTER, WHY? GEERT VAN KESTEREN, IRAQ 2003-2004
by (VAN KESTEREN, GEERT). van Kesteren, Geert & Michael Hirsh. Foreword by Jan Gruiters
- Used
- first
- Condition
- Used - Fine.
- Edition
- First Edition
- ISBN 10 / ISBN 13
- 9789085460091 / 9085460093
- Quantity Available
- 1
- Seller
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Culver City, California, United States
- Item Price
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A$345.14A$13.33 shipping to USA
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Description:
(VAN KESTEREN, GEERT). van Kesteren, Geert & Michael Hirsh. Foreword by Jan Gruiters. WHY MISTER, WHY? GEERT VAN KESTEREN, IRAQ 2003-2004. Amsterdam, THE NETHERLANDS: Artimo, 2004. First Edition. 8vo. Pictorial Wrappers. Photography Monograph. Fine. np (544pp), 245 color illustrations. Text in English and Arabic. "Why Mister, Why?" is a compelling account from Dutch photojournalist Geert van Kesteren. For the most part of 2003 and into 2004, van Kesteren made these images in a struggling Iraq, intertwining them with his personal experience of the situation in diary-like notes. In that way, this body of work resonates with an honesty found only when the narrator and photographer of a story are one and the same. The situation in Iraq, following the declaration of "mission accomplished," represented a culture clash of rare proportions, and van Kesteren was witness to what went wrong. He saw clouds of sadness coming from the mass graves created by the Saddam regime, while…
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