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American Icons: Transatlantic Perspectives on Eighteenth- And Nineteenth-Century
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American Icons: Transatlantic Perspectives on Eighteenth- And Nineteenth-Century American Art Hardcover - 1996 - 1st Edition

by Thomas W. Gaehtgens (Editor); Heinz Ickstadt (Editor)


From the publisher

American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World
syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons
initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr., Franoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen Pyne.

Details

  • Title American Icons: Transatlantic Perspectives on Eighteenth- And Nineteenth-Century American Art
  • Author Thomas W. Gaehtgens (Editor); Heinz Ickstadt (Editor)
  • Binding Hardcover
  • Edition number 1st
  • Edition 1
  • Pages 372
  • Volumes 1
  • Language ENG
  • Publisher Oxford University Press, USA, U. S. A.
  • Date June 6, 1996
  • Illustrated Yes
  • ISBN 9780892362462 / 0892362464
  • Weight 2.8 lbs (1.27 kg)
  • Dimensions 10.5 x 7.9 x 1.4 in (26.67 x 20.07 x 3.56 cm)
  • Library of Congress Catalog Number 92022423
  • Dewey Decimal Code 759.13

About the author


Thomas W. Gaehtgens is professor of art history at the Institute for Art History of the Free University, Berlin. Heinz Ickstadt is professor of American literature at the John F. Kennedy Institute for North American Studies of the Free University, Berlin.
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American Icons explores American self-definition through the creation of a national art. Like their writer counterparts, American artists of the eighteenth and nineteenth centuries yearned to create their art in terms of a uniquely American experience of history and nature. Paradoxically, however, when they insisted upon American originality and uniqueness, they could not but mediate these qualities through European conventions. European methods and motifs were, nonetheless, used differently in the social, economic, and communicative contexts of the New World. For American artists, Europe was an ensemble, not to say a warehouse, of traditions and styles from which they could choose according to their interests and preferences. Innovation was therefore… Read More
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