ALICE'S ADVENTURES IN WONDERLAND. --- & ---THROUGH THE LOOKING GLASS, AND WHAT ALICE FOUND THERE. by CARROLL. LEWIS. (The Rev Charles Dodgson). ; Tenniel. John. Illustrates - 1927

Au Bureau de l'Ami des Enfans, Rue de l'Universite, au coin de celle du Ba, No.28. d'adresse a M. Le Prince, Directeur. 1784. FIRST FRENCH EDITION. 6mo. (5.1 x 3.5 inches). 3 parts in one volume. 184,108,116pp. Finely bound in recent full dark green panelled calf. Spine with raised bands. Compartments ruled and lettered in gilt. A very good copy. Published 2 years after the English edition.

Henry and Co. London. 1893. FIRST EDITION. Octavo. Original blue buckram, lettered in gilt. Housed in a custom green cloth slipcase and chemise. Small bookplate to front pastedown, related bibiliographic material pasted to endpapers. Shaw's very scarce first play, published in an edition, according to Laurence, of "not more than 500" copies. It was not an overwhelming bestseller. Shaw wrote to John Lane (quoted in Laurence) that the publisher "never advertised it even once; and the sale, which was only effected by great perseverance & determination on the part of the purchasers, was 150 copies." When the publisher retired in December 1897, they ceded to Shaw 194 sets of unbound sheets, which Shaw claimed to have commissioned Sotheran & Co. to bind for him. "So few of these [in purple cloth] in the Sotheran binding have turned up, however, that it is unlikely Shaw had all of the copies bound; a considerable number must eventually have been pulped â¦" Copies in green cloth have been noted as well,… Read More

William Heinemann Ltd. London. 1961. THREE VOLUMES. Reprint of the 1951 Edition. 8vo. (8 x 5.4 inches). Fine and clean set in the rare Publishers delux leather bindings of full red Morocco. Spines with blind ruled bands and lettered in gilt. Gilt stamped Author's symbol device to the front boards. Blue marbled endpapers. Top edges gilt. Each volume with a red silk page marker. Housed in a red cloth covered slip case with marbled paper lining. The spines are a bit rubbed and there are a couple of small scratches but overall this is an attractive set of this important collection. Only a few sets were issued in these publishers delux leather bindings and they seldom turn up on the market.

Chapman and Hall Ltd. London. 1938. FIRST EDITION. 8vo. (7.5 x 5.1 inches). A bright, clean copy. Finely bound in recent full dark red morocco, spine with five raised bands, gilt. Compartments with gilt lettering and decorative centre pieces. Single ruled gilt ruled border to boards. Top edge gilt. A fine copy.

Williams and Norgate. London. 1917. FIRST EDITION. 8vo. (9 x 6.2 inches). xciii, 372, 2 pp. Cheap war-time paper browned to the edges but overall a very good copy in publishers blue cloth with gilt ruled lines and lettering to the spine. In the rare original printed dustwrapper which has long thin areas of loss to the top of the front and rear panel and both inner hinges are split, but the wrapper is essentially complete. A scarce title in first edition, and rare in the original dustrapper. ---- A detailed study of Cinema in Britain during it's infancy, including the opinions of Children, moral guardians, and many British film makers of the day.

Au Bureau de l'Ami des Enfans, Rue de l'Universite, au coin de celle du Ba, No.28. d'adresse a M. Le Prince, Directeur. 1784. FIRST FRENCH EDITION. 6mo. (5.1 x 3.5 inches). 3 parts in one volume. 184,108,116pp. Finely bound in recent full dark green panelled calf. Spine with raised bands. Compartments ruled and lettered in gilt. A very good copy. Published 2 years after the English edition.

Henry and Co. London. 1893. FIRST EDITION. Octavo. Original blue buckram, lettered in gilt. Housed in a custom green cloth slipcase and chemise. Small bookplate to front pastedown, related bibiliographic material pasted to endpapers. Shaw's very scarce first play, published in an edition, according to Laurence, of "not more than 500" copies. It was not an overwhelming bestseller. Shaw wrote to John Lane (quoted in Laurence) that the publisher "never advertised it even once; and the sale, which was only effected by great perseverance & determination on the part of the purchasers, was 150 copies." When the publisher retired in December 1897, they ceded to Shaw 194 sets of unbound sheets, which Shaw claimed to have commissioned Sotheran & Co. to bind for him. "So few of these [in purple cloth] in the Sotheran binding have turned up, however, that it is unlikely Shaw had all of the copies bound; a considerable number must eventually have been pulped â¦" Copies in green cloth have been noted as well,… Read More

William Heinemann Ltd. London. 1961. THREE VOLUMES. Reprint of the 1951 Edition. 8vo. (8 x 5.4 inches). Fine and clean set in the rare Publishers delux leather bindings of full red Morocco. Spines with blind ruled bands and lettered in gilt. Gilt stamped Author's symbol device to the front boards. Blue marbled endpapers. Top edges gilt. Each volume with a red silk page marker. Housed in a red cloth covered slip case with marbled paper lining. The spines are a bit rubbed and there are a couple of small scratches but overall this is an attractive set of this important collection. Only a few sets were issued in these publishers delux leather bindings and they seldom turn up on the market.

Chapman and Hall Ltd. London. 1938. FIRST EDITION. 8vo. (7.5 x 5.1 inches). A bright, clean copy. Finely bound in recent full dark red morocco, spine with five raised bands, gilt. Compartments with gilt lettering and decorative centre pieces. Single ruled gilt ruled border to boards. Top edge gilt. A fine copy.

Williams and Norgate. London. 1917. FIRST EDITION. 8vo. (9 x 6.2 inches). xciii, 372, 2 pp. Cheap war-time paper browned to the edges but overall a very good copy in publishers blue cloth with gilt ruled lines and lettering to the spine. In the rare original printed dustwrapper which has long thin areas of loss to the top of the front and rear panel and both inner hinges are split, but the wrapper is essentially complete. A scarce title in first edition, and rare in the original dustrapper. ---- A detailed study of Cinema in Britain during it's infancy, including the opinions of Children, moral guardians, and many British film makers of the day.