The Art of Surimono: Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin (Vols 1 and 2) by Keyes, Roger - 1994

London: Sotheby Parke Bernet Pubns. 1994. Hardcover. 0856671762 . F/NF+, folio ; 288 pages .

London: Sotheby Publications / Philip Wilson Publishers, 1985. Hardcover. Fine in Fine dust jacket. Slipcase shows handling and use with a couple of small spots and approx 1x1 inch area where cloth on slipcase has been torn with 2 approx 3 inch scrapes to cloth below it. ; Two volume set in slipcase. "This lavishly illustrated book will provide an essential source of reference for collectors and students of Japanese prints." shipping will be extra for this large and heavy set. Priority and international shipping will be costly. ; 9 3/4 x 13 1/8"; 569 pages.

Sotheby's Publications. Used - Very Good. 1994. 1St Edition. Hardcover. Cloth, dj. Folio. Two volume set, slipcased. 569 pp. Profusely illustrated. Mild shelf wear and scuffing to slipcase. Altogether a complete set in Very Good condition. Very Good. (Subject: Asian Art).

London: Published for Sotheby Publications by Philip Wilson Publishers, 1985. Hardcover. Fine/Fine. 2 vols. Illustrated (some color), index, 288, [290]-569p. Original red cloth. djs. 33cm. Lightly soiled cloth-covered slipcase. title-pages.

Sotheby's Publications, 1985-04-01. Hardcover. Like New. 1st HB 1985 Sothebys; two volumes in slipcase; both volumes like new unread copies; very slight wear to slipcase;a definitive catalogue of the Surimono ( or prints made for private groups or associations) by all the leading Japanese Ukiyo-e artists that are held in the Chester Beatty Library

New York: Museum of Modern Art, 1966. Small Quarto (9 1/2 x 8 1/4 inches; 240 x 210 mm), 116 pages, in illustrated wrappers (soft cover). Catalogue for a U.S. traveling exhibition of 46 Japanese artists. Short bios of each artist, along with black-and-white illustrations of their works. The catalogue also features 13 color illustrations at the beginning of the book. Introduction by the curator, William S. Lieberman. CONDITION: Light edge wear and soiling to wrappers, toning to page edges. Very Good.

N. Nomura & Co., Ltd., 1986. Book. Like New. Boxed Set. 8vo - over 7¾ - 9¾" tall. A hardcover book and a softcover book in a cloth-covered box, all in like-new condition. Clamshell box is covered in natural-covered linen with brown lettering to spine and brown facsimile signature on top. Hardcover with three-quarter charcoal-gray cloth with blue marbled (faux) boards; no text other than a tipped-in plate with title, etc. in English; pages are facsimile reproductions of the sketched art--b&w and color of Leda and Swan; no title on binding. Softcover is staplebound with blue cardstock cover with title etc. in English on front; approx. 27 pages; b&w photo frontispiece of artist; 7 plates of art; text in Japanese. Books are about 9-1/2" by 6-1/4". Box is 10-1/2" by 6-3/4"..

Book cover like new, slight wear at end caps - pages clean, bright and unmarked – spine like new.
Jacket like new.
Proceeds benefit Friends of the Library.
"Honest and reliable service - every book hand-packaged with care."
The Sakuteiki, or "Records of Garden Making," was written nearly 1000 years ago, making it the oldest work on Japanese gardening; in fact, the oldest book on gardening in the world! In this edition of the Sakuteiki, the authors provide both an English-language translation of this classic work; and an introduction to the cultural and historical context that led to the development of Japanese gardening. A Japanese court noble wrote the Sakuteiki during the Heian period (794-1184). During this critical era in Japanese history cultural influences on poetry, clothing-and gardening-that had been imported from China and Korea over the previous centuries were reexamined and reinterpreted into their unique Japanese forms. The Sakuteiki contains the first systematic record of this new… Read More

Rosemary Bandini, London, 1999, Fine Hardcover / Near Fine Dustjacket, 174 pages, 8.75" x 11.25", slight edgewear on dustjacket, otherwise clean and tight. Collector Harriet Szechenyi concentrated on collecting "netsuke" of animals and mythical beings.

NY: Braziller, 1988. First edition. Hard cover in dust jacket. Published NY: Braziller, 1988, first printing. Folio, 10 1/4" x 14 1/2", 192pp., illustrated with 91 full color plates. Fine in near fine. price clipped dust jacket.. 1st. Hard. Fine/Near Fine. Folio.

New York: Asia Society Museum / Harry N. Abrams: 2010. First edition / First printing. Illustrated laminated boards in die-cut illustrated slipcase. Very fine in a very fine slipcase.

Kodansha International, 1986. First Edition. Fine in Near Fine DJ. Minor shelf and handling wear to DJ. Else Fine. Photo is of the copy at Barbed Wire Books.

Kodansha, 2009. Paperback with dust jacket. Used- Fine condition. Book is in Japanese. Book is clean and tight. Book shows very light shelf wear. Very light scuffing along to top edges of the dust jacket. Small tear on the top right corner of the bottom black banner on the front cover. No markings on the inside of the book.Photos are of the book we have here at Barbed Wire Books.

Leiden: Brill, 2011. First Edition. Boards. Near fine/near fine. Vol 2 in the series, Japanese Visual Culture. Tall 8vo. (25.5cm). Boards, lettered title to cover. In unclipped dust jacket. pp. 296. W/ 98 colour plates. Some faint edgewear to jacket, minor signs of use, a very sound, almost as new copy.

Stated First Edition.
Book cover like new, slight shelf wear - pages clean, bright and unmarked – spine like new.
Jacket like new, slight shelf wear, price-clipped. Cardboard slipcase near new, light soil/shelf wear.
Proceeds benefit Friends of the Library; books sold are NOT ex-library.
"Honest and reliable service - every book hand-packaged with care."
From flyleaf: Between the years 1814 and 1878 there was published in Japan a series of woodblock printed volumes entitled Hokusai Manga, or Hokusai's Sketches from Life, which was destined to be one of the most popular art publications ever issued anywhere in the world. With its rich tapestry of life as it was lived in the boisterous Tokyo of the day and its magical evocation of the beauties of the Japanese countryside, it was an immediate best-seller in Japan, and then, upon the West's discovery of Japanese art, went on to win the hearts of people everywhere. It is from this amazing book, amazing both in execution and breadth of scope, that the… Read More