Description:
Cannes. 1966. NP. 1966. Quarto (285mm x 233mm). 20 typed sheets in French (rectos only), legibly hand-corrected throughout by Brassai in black ink. Housed in a black cloth album, with each sheet in a separate clear plastic file. In excellent condition, the final page a little creased and with minor loss to right-hand side, affecting one letter. Overall fresh and clean. ------ A superb unpublished and heavily corrected manuscript in French, in which Brassai recounts his visit to Picasso, a long-standing friend, at his home near Cannes. Brassai, who photographed much of Picasso's work in the 1940s, had published Conversations with Picasso in 1964, in which he created an intimate portrait of Picasso, covering their friendship and artistic collaboration, and recording each of their meetings with minute detail. Picasso said of the volume, "Read this book if you want to understand me." This account is written in a similar style, and during the course of the afternoon, Picasso speaks about his nostalgia…
Read More An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China. Including Cursory Observations made, and Information obtained, in travelling through that Ancient Empire, and a small part of Chinese Tartary. by STAUNTON. Sir GEORGE - 1797
by STAUNTON. Sir GEORGE
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An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China. Including Cursory Observations made, and Information obtained, in travelling through that Ancient Empire, and a small part of Chinese Tartary.
by STAUNTON. Sir GEORGE
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Printed by W. Bulmer & Co. for G. Nicol. London. 1797. FIRST EDITION. Three volumes. - 2 quarto text volumes (12 x 9.4 inches), and a folio atlas of plates (16.6 x 12.3 inches). Complete.
Text volumes in contemporary full brown calf boards with decorative gilt borders. Re-spined in recent brown calf with raised bands, the compartments ruled in blind, two red morocco labels, lined and lettered in gilt. Gilt inner dentelles. Marbled endpapers. All edges marbled. The atlas volume bound in recent half brown calf. Spine with raised bands, each decorated in gilt. Compartments ruled in gilt. Red title label, gilt. Marbled paper on boards.
Text volumes with engraved portrait frontispiece to each, 1 plate and 26 vignettes after William Alexander et al. in all, atlas with 44 engraved views, plans, plates and maps and charts, including large folding world map, 3 natural history subjects and 25 views. Some foxing and sporadic spotting to both text and atlas, a couple of the maps have professional repairs to splits to the folds and slight losses to the fore-edges, but overall a very good set with good strong impressions of the engravings.
First edition of the official account of the first official British Embassy to China, headed by George, Earl Macartney. Macartney was dispatched to Peking in 1792, travelling via Madeira, Tenerife, Rio de Janeiro, the Cape of Good Hope and Indonesia. He was accompanied by Staunton, and a retinue of suitably impressive size, including Staunton's 11 year-old son George Thomas, who was nominally Macartney's page. It emerged on arrival that the boy was the only one in the party who had bothered to learn Chinese, and was therefore the only one able to converse with the Emperor during the Ambassador's two audiences. The Embassy "sought to improve commercial relations with China, through Canton (Guangzhou), and to establish regular diplomatic relations between the two countries. Though Macartney and Staunton had an audience with the emperor their proposals were rebuffed. In China [Staunton] closely observed and noted all that he saw, and during expeditions he was able to collect botanical specimens" (DNB) The party returned via Macao and St. Helena, arriving back in 1794. Young George Thomas Staunton became a writer at the HEIC's Canton factory in 1798, advancing to supercargo in 1804 and chief interpreter in1808, and in 1816 he accompanied Amherst's ill-fated Embassy to Peking as chief of the Canton factory. Hill considers this a "remarkable account of Chinese manners and customs a the close of the eighteenth century," and draws attention to the descriptions of the places visited en route, which are "also of considerable interest," and the "important" atlas.
Text volumes in contemporary full brown calf boards with decorative gilt borders. Re-spined in recent brown calf with raised bands, the compartments ruled in blind, two red morocco labels, lined and lettered in gilt. Gilt inner dentelles. Marbled endpapers. All edges marbled. The atlas volume bound in recent half brown calf. Spine with raised bands, each decorated in gilt. Compartments ruled in gilt. Red title label, gilt. Marbled paper on boards.
Text volumes with engraved portrait frontispiece to each, 1 plate and 26 vignettes after William Alexander et al. in all, atlas with 44 engraved views, plans, plates and maps and charts, including large folding world map, 3 natural history subjects and 25 views. Some foxing and sporadic spotting to both text and atlas, a couple of the maps have professional repairs to splits to the folds and slight losses to the fore-edges, but overall a very good set with good strong impressions of the engravings.
First edition of the official account of the first official British Embassy to China, headed by George, Earl Macartney. Macartney was dispatched to Peking in 1792, travelling via Madeira, Tenerife, Rio de Janeiro, the Cape of Good Hope and Indonesia. He was accompanied by Staunton, and a retinue of suitably impressive size, including Staunton's 11 year-old son George Thomas, who was nominally Macartney's page. It emerged on arrival that the boy was the only one in the party who had bothered to learn Chinese, and was therefore the only one able to converse with the Emperor during the Ambassador's two audiences. The Embassy "sought to improve commercial relations with China, through Canton (Guangzhou), and to establish regular diplomatic relations between the two countries. Though Macartney and Staunton had an audience with the emperor their proposals were rebuffed. In China [Staunton] closely observed and noted all that he saw, and during expeditions he was able to collect botanical specimens" (DNB) The party returned via Macao and St. Helena, arriving back in 1794. Young George Thomas Staunton became a writer at the HEIC's Canton factory in 1798, advancing to supercargo in 1804 and chief interpreter in1808, and in 1816 he accompanied Amherst's ill-fated Embassy to Peking as chief of the Canton factory. Hill considers this a "remarkable account of Chinese manners and customs a the close of the eighteenth century," and draws attention to the descriptions of the places visited en route, which are "also of considerable interest," and the "important" atlas.
- Bookseller Paul Foster Books (GB)
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- Publisher Printed by W. Bulmer & Co. for G. Nicol. London. 1797
- Date Published 1797
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Unpublished typescript with manuscript corrections. --- Un apres-midi avec Picasso 85 ans. (An Afternoon with Picasso at 85).
by PICASSO. PABLO. -- BRASSAI. (HALÃSZ, Gyula)
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PUBLIUS VIRGILIUS MARO.
by VIRGIL. --- Miniature book
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Impensis Gul Pickering. Londini. (London). 1821. MINIATURE BOOK. (3.3 x 2.1 inches). Portrait frontis, title page, 284pp (including second title page. A fine copy of this expertly printed little volume in a highly attractive leather binding of beautiful full dark green morocco by Lanscelin. Spine with five raised bands, each with gilt piping. Compartments double ruled, lettered and fully decorated in gilt. Boards with triple gilt ruled borders. Stamped monogram to the front board. Board edges double ruled in gilt. Turn-ins with elaborate gilt roll. Marbled endpapers. All edges gilt. Orange, gold and green silk book marker sewn in. A fine copy, housed in a marbled paper covered slip-case. The slip-case has seen some damage and has been repaired with sticky tape to the edges, but has done the job of keeping the book in fine condition. A marvellous piece of book production, both the text and the binding.
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PUBLIUS TERENTIUS AFER.
by TERENCE. --- Miniature book
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Impensis Gul Pickering. Londini. (London). 1823 /22. MINIATURE BOOK. (3.3 x 2 inches). Portrait frontis, vi, 220pp. Two title pages, one dated 1822, the other 1823. A fine copy of this expertly printed little volume in a highly attractive leather binding of beautiful full plum morocco by Lanscelin. Spine with five raised bands, each with gilt piping. Compartments ruled, lettered and fully decorated in gilt. Boards with triple gilt ruled borders. Stamped monogram to the front board. Board edges double ruled in gilt. Turn-ins with elaborate gilt roll. Marbled endpapers. All edges gilt. Orange, gold and green silk book marker sewn in. A fine copy, housed in a marbled paper covered slip-case. A marvellous piece of book production, both the text and the binding.
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BIRKET FOSTER'S PICTURES OF ENGLISH LANDSCAPE. Engraved by The Brothers Dalziel. With pictures and words by Tom Taylor.
by FOSTER, BIRKET, Illustrates: TAYLOR, TOM
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Routledge, Warne, And Routledge. London. 1864. EARLY REPRINT (originally published in 1862). 4to. (10.4 x 8.2 inches). Illustrated with 30 full page plates. Some foxing to several pages but overall a very good example in a fine early leather binding of full dark green morocco. Spine with five raised bands, each with blind ruled line. Compartments ruled, lettered and decorated in gilt. Both boards have bevelled edges and are decorated and lettered with elaborate floral and ruled line designs and decorative lettering. Turn-ins with decorative and ruled gilt designs. Marbled endpapers. All edges gilt. Some rubbing to the extremities but overall a very good and attractive copy of this delightful example of Victorian book production. The binding is unsigned but is certainly the work of a highly skilled binder.
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THE FEMALE OF THE SPECIES.
by KIPLING. RUDYARD
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Doubleday, Page and Company. New York. 1912. FIRST AMERICAN TRADE EDITION, IN PUBLISHERS DELUX LEATHER BINDING. Oblong 8vo. (4.4 x 6.4 inches). 8 unnumbered leaves. Each text leaf has a green rule and dot border, the text printed in black with green initial letters. Pages are sewn in with the original white cord. In the rare original delux publishers dark green morocco leather binding with gilt ruling and lettering to the front panel. A little rubbing to the edges but overall a superior copy of this fragile book. Small printed paper label of a New York Bookseller on the rear blank endpaper. An attractive copy of this uncommon little book. Published on 28th March 1912 in two binding variants; beige printed paper covered boards, issued at 25 cents, and this delux leather version at 50 cents. -- Richards A254.
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Unpublished typescript with manuscript corrections. --- Un apres-midi avec Picasso 85 ans. (An Afternoon with Picasso at 85).
by PICASSO. PABLO. -- BRASSAI. (HALÃSZ, Gyula)
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Cannes. 1966. NP. 1966. Quarto (285mm x 233mm). 20 typed sheets in French (rectos only), legibly hand-corrected throughout by Brassai in black ink. Housed in a black cloth album, with each sheet in a separate clear plastic file. In excellent condition, the final page a little creased and with minor loss to right-hand side, affecting one letter. Overall fresh and clean. ------ A superb unpublished and heavily corrected manuscript in French, in which Brassai recounts his visit to Picasso, a long-standing friend, at his home near Cannes. Brassai, who photographed much of Picasso's work in the 1940s, had published Conversations with Picasso in 1964, in which he created an intimate portrait of Picasso, covering their friendship and artistic collaboration, and recording each of their meetings with minute detail. Picasso said of the volume, "Read this book if you want to understand me." This account is written in a similar style, and during the course of the afternoon, Picasso speaks about his nostalgia…
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PUBLIUS VIRGILIUS MARO.
by VIRGIL. --- Miniature book
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Impensis Gul Pickering. Londini. (London). 1821. MINIATURE BOOK. (3.3 x 2.1 inches). Portrait frontis, title page, 284pp (including second title page. A fine copy of this expertly printed little volume in a highly attractive leather binding of beautiful full dark green morocco by Lanscelin. Spine with five raised bands, each with gilt piping. Compartments double ruled, lettered and fully decorated in gilt. Boards with triple gilt ruled borders. Stamped monogram to the front board. Board edges double ruled in gilt. Turn-ins with elaborate gilt roll. Marbled endpapers. All edges gilt. Orange, gold and green silk book marker sewn in. A fine copy, housed in a marbled paper covered slip-case. The slip-case has seen some damage and has been repaired with sticky tape to the edges, but has done the job of keeping the book in fine condition. A marvellous piece of book production, both the text and the binding.
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PUBLIUS TERENTIUS AFER.
by TERENCE. --- Miniature book
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Impensis Gul Pickering. Londini. (London). 1823 /22. MINIATURE BOOK. (3.3 x 2 inches). Portrait frontis, vi, 220pp. Two title pages, one dated 1822, the other 1823. A fine copy of this expertly printed little volume in a highly attractive leather binding of beautiful full plum morocco by Lanscelin. Spine with five raised bands, each with gilt piping. Compartments ruled, lettered and fully decorated in gilt. Boards with triple gilt ruled borders. Stamped monogram to the front board. Board edges double ruled in gilt. Turn-ins with elaborate gilt roll. Marbled endpapers. All edges gilt. Orange, gold and green silk book marker sewn in. A fine copy, housed in a marbled paper covered slip-case. A marvellous piece of book production, both the text and the binding.
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BIRKET FOSTER'S PICTURES OF ENGLISH LANDSCAPE. Engraved by The Brothers Dalziel. With pictures and words by Tom Taylor.
by FOSTER, BIRKET, Illustrates: TAYLOR, TOM
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Routledge, Warne, And Routledge. London. 1864. EARLY REPRINT (originally published in 1862). 4to. (10.4 x 8.2 inches). Illustrated with 30 full page plates. Some foxing to several pages but overall a very good example in a fine early leather binding of full dark green morocco. Spine with five raised bands, each with blind ruled line. Compartments ruled, lettered and decorated in gilt. Both boards have bevelled edges and are decorated and lettered with elaborate floral and ruled line designs and decorative lettering. Turn-ins with decorative and ruled gilt designs. Marbled endpapers. All edges gilt. Some rubbing to the extremities but overall a very good and attractive copy of this delightful example of Victorian book production. The binding is unsigned but is certainly the work of a highly skilled binder.
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THE FEMALE OF THE SPECIES.
by KIPLING. RUDYARD
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Doubleday, Page and Company. New York. 1912. FIRST AMERICAN TRADE EDITION, IN PUBLISHERS DELUX LEATHER BINDING. Oblong 8vo. (4.4 x 6.4 inches). 8 unnumbered leaves. Each text leaf has a green rule and dot border, the text printed in black with green initial letters. Pages are sewn in with the original white cord. In the rare original delux publishers dark green morocco leather binding with gilt ruling and lettering to the front panel. A little rubbing to the edges but overall a superior copy of this fragile book. Small printed paper label of a New York Bookseller on the rear blank endpaper. An attractive copy of this uncommon little book. Published on 28th March 1912 in two binding variants; beige printed paper covered boards, issued at 25 cents, and this delux leather version at 50 cents. -- Richards A254.
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An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China. Including Cursory Observations made, and Information obtained, in travelling through that Ancient Empire, and a small part of Chinese Tartary.: Taken chiefly from the papers of His Excellency the Earl of Macartney.
by STAUNTON. Sir GEORGE
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Printed by W. Bulmer & Co. for G. Nicol. London. 1797. FIRST EDITION. Three volumes. Complete. - Two quarto text volumes (12 x 9.4 inches), and a folio atlas of plates (16.6 x 12.3 inches). ---- Both text volumes in contemporary full brown calf boards with decorative gilt borders. Re-spined in recent brown calf with raised bands, the compartments ruled in blind, two red morocco labels, lined and lettered in gilt. Gilt inner dentelles. Marbled endpapers. All edges marbled. The atlas volume bound in recent half brown calf. Spine with raised bands, each decorated in gilt. Compartments ruled in gilt. Red title label, gilt. Marbled paper on boards. Text volumes with engraved portrait frontispiece to each, 1 plate and 26 vignettes after William Alexander et al. in all, atlas with 44 engraved views, plans, plates and maps and charts, including large folding world map, 3 natural history subjects and 25 views. Some foxing and sporadic spotting to both text and atlas, a couple of the maps have professional…
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Tan, Amy | Opposite of Fate, The | Signed & Numbered Limited Edition Book
by Tan, Amy
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Norwood Press, 2011. Hardcover. New. Limited Edition Hardcover Book. 2011 OR: Norwood Press Limited Numbered edition, first printing, mint, new/unread in a black leather binding with gold stamping and dust cover, signed by the author. Limited to one of 200.
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Cussler, Clive & Blackwood, Grant | Kingdom, The | Double-Signed Numbered Ltd Edition
by Cussler, Clive & Blackwood, Grant
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Norwood Press, 2011. Hardcover. New. Limited Collector's Edition June 2011 OR: Norwood Press Limited Numbered Edition, signed by both authors. Numbered editions are numbered 1-98, have custom 3/4 marbled boards in a matching slip-case and are stamped in gold.
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Cussler, Clive & Du Brul, Jack | Jungle, The | Double-Signed Numbered Ltd Edition
by Cussler, Clive & DuBrul, Jack
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Norwood Press, 2011. Hardcover. New. Limited Collector's Edition March 2011 OR: Norwood Press Limited Numbered Edition, signed by both authors. Numbered editions are numbered 1-98, have custom 3/4 marbled boards in a matching slip-case and are stamped in gold.
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Cussler, Clive & Scott, Justin | Race, The | Double-Signed Numbered Ltd Edition
by Cussler, Clive & Scott, Justin
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Norwood Press, 2011. Hardcover. New. Limited Collector's Edition September 2011 OR: Norwood Press Limited Numbered Edition, signed by both authors. Numbered editions are numbered 1-98, have custom 3/4 marbled boards in a matching slip-case and are stamped in gold.
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Jacobson, Alan | Inmate 1577 | Signed & Numbered Limited Edition Book
by Jacobson, Alan
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Norwood Press, 2011. Hardcover. New. Limited Edition Hardcover Book. July 2011 OR: Norwood Press Limited Numbered Edition, hand signed by Alan Jacobson. Numbered editions are numbered 1-100, in custom slipcase.
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The Night the Bear Came Off the Mountain
by Sinclair, John L
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Albuquerque, New Mexico, United States
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Santa Fe: Rydal, 1991. First Edition . Hardcover. Very Good+. Limited Edition, No. 2 of 5 copies: this is a proof copy of the First Edition, bound in fine gilt-stamped black leather with marbled endpapers. 8vo, black leather; vg+ (scratch and two faint scrapes to front cover; faint smudge to side edge); 108pp.
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The Autobiography of Benjamin Franklin: The Unmutilated and Correct Version
by Franklin, Benjamin; Bigelow, John
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Webster, New York, United States
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New York: G.P. Putnam's Sons / The Knickerbocker Press, 1927. Half-Leather. Very Good/No Jacket. Corners a bit rubbed, boards faintly soiled, ink date and owner bookplate of Robert N. Cherry on front flyleaf. 1927 Half-Leather. iv, 325 pp. 8vo. No binder's ticket, but appears to be a contemporary custom rebinding: blue leather spine and corners over blue cloth, gilt titles and rules, top edge gilt, new end sheets. "The Autobiography of Benjamin Franklin is the traditional name for the unfinished record of his own life written by Benjamin Franklin from 1771 to 1790; however, Franklin himself appears to have called the work his Memoirs. Although it had a tortuous publication history after Franklin's death, this work has become one of the most famous and influential examples of an autobiography ever written. Franklin's account of his life is divided into four parts, reflecting the different periods at which he wrote them.
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Ikebana Arranging Images
by Kamata, Soseke
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Swampscott, Massachusetts, United States
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Ikebana Arranging Images; Kamata, Soseke, 1950's. A nice publication given to Julia Jane Jeffers Dodge while here husband was helping Japan recover after the war. Her husband Joseph Morrell Dodge had a long and distinguished career and tried to help reform Europe but later wound up as financial advisor to Douglas MacArthur in the economic revitalization of Japan. This edition is in very good condition internally. Photos of Ikebana arrangements by the famous Japan Ikebana master. A gift given to Julia Jeffers Dodge and placed in her library. 38 single sided (double page but other side blank) on high quality Japan paper with photo examples of Ikebana, black and white. A rare publication.
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The Mote in God's Eye: Easton Press Leather Edition
by Larry Niven and Jerry Pournelle
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Carrollton, Texas, United States
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A$139.15
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Brown leather boards with gold writing and images and raised bands on spine; embossed image of planet, sky, and tree in gold on front and back board. Novel not issued with dust jacket. Top corner of back board shows slight wear; top edges of pages show some spotting (see pic). This is a special Collector's Edition Easton Press printing (with white bookmark) bound in leather, illustrated by Bob Eggleton with an introduction by Charles Sheffield. Niven and Pournelle's classic science-fiction tale in a Very Fine copy. Hardcover, but no dust jacket, so novel cannot be protected by archival Mylar cover.
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SONNETS FROM THE PORTUGUESE
by Browning, Elizabeth Barrett. Mott, A. S. (introduction)
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Salisbury, Connecticut, United States
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Oxford: Shakespeare Head Press, 1945. First Edition Thus. Hardcover. Very Good. 8vo, 3/4 red morocco over marbled boards, matching endpapers, gte, gilt to spine, (xii), 26. Errata statement printed at bottom of xii. Top edge slightly darkened/soiled, and marbled boards a wee dulled. Internals fine. No names or bookplates and desirable thus.
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