EVEN COWGIRLS GET THE BLUES by Robbins, Tom - 1976

London and New York: Hodder and Stoughton, 1913. Elaborate gilt pictorial cover. Spine slightly sunned. Free edges a bit foxed, as is generally noted. Seven mounted color plates illustrated by HUGH THOMSON. An altogether enchanting book with a striking cover. Also issued in a blue binding with the same cover designs. See Spielmann 57. 138pp.. First Thomson Edition. Bright Crimson Cloth.. Almost No Wear/No Jacket. Octavo.

Hatje Cantz Publishers. vg/vg dj. 4to, 361 pp. Hardcover. Dust jacket. 160 color illustrations. A massive work.

Stamford: The New Overbrook Press, 1984. This copy in a unique binding by Jack & Emma Craib: full black morocco with mother-of-pearl onlays forming design of characters from the play climbing out of the cylinder tube in which Beckett has set the play. The design reveals itself as a pictorial image only with the use of an anamorphoscope which is a 6 inch silver tube sitting on top of one of the marble onlays. Limited to 250 copies on Rives, each copy signed by Samuel Beckett. Each of the seven etchings is hand-numbered and signed by the artist, Charles Klabunde. Charles Klabunde, master engraver, was born in Nebraska where he spent the first two formative decades of his life. He received his MFA at the University of Iowa where his unusual talents were discovered by master print-maker Mauricio Lazansky who invited Klabunde to join his Print Workshop. Following his one-man exhibition at The Minneapolis Institute of Art, the artist moved to New York where he established his own printmaking studio and… Read More

Paris: Lefuel, 1825. First Edition, eight volumes each with one engraving PRINTED IN COLOR, heightened by hand, original white wrappers printed with color lithographs housed in original double-compartment box with lithograph printed in color on cover (lid), gold foil which is stamped bordering edge of box, original pink and blue ribbon pulls. Page size: 6 x 4". The eight volumes are titled: The Little Milkmaid, The Little Schoolgirl, The Little Flower Seller, The Little Harvester, The Little Savoyard, The Little Shepherd, The Little Boatman, and The Little Firewood Gatherer (5 girls and 3 boys). Each volume has an engraving printed in color of a child dressed in the manner suiting the occupation in the title. The neo-classic colored bordered lithographs on the covers of each title have elements of the occupation included, such as flowers in La Petite Marchande des Fleurs and fish, seashells, and seaweed in The Little Boatman. The text of this charming children's set is titled Simple Stories, and they… Read More

Prague, FR. Borovy, 1937. Uncut. 150pp. small 4to. In very good condition. With a card from the publisher Fr. Borovy.Nezval, Vitìzslav. Most. (The bridge). Praha, Fr.Borový, (1937). 2nd edition. (21,4 x 13, 5 cm). 148, 1 pp. Typography by Teige. Title page and 2 photomontages by Teige. Original wrappers, designed by Teige. 375,- ¶ A new edition of Nezvals first book of poems from the period 1919-1921 (first ed., published in Brno, S.Koci, 1922, under the auspices of Devìtsil, and not illustrated) is remarkable for the lenghty introductory essay Introduction to my work to-date, an overview of Nezvals literary output since his debut. The remarkable title page, with traditional elements, in strange contrast with the two surrealist photomontages. With a new publishers device and a composition with the letter N, designed by Teige.

Boston: New York Graphic Society, 1980. First edition. Hard Cover. nf/vg. A couple of small tears to dust jacket otherwise a very nice copy.

New York: Alfred A. Knopf, 1927. FIRST EDITION. Hardcover. Near fine/No dust jacket. New York: Alfred A. Knopf, 1927. FIRST EDITION. Frontispiece and 56 plates, some in color, by Covarrubias. Unpaginated. Hardcover. Large 8vo. Brown Modern art binding: full, polished morocco; front and back covers each has a stylized African-American head outlined in gilt. Top edge gilt. A few spots of foxing on the front fly-leaf and the margins of the final plate, still a beautiful copy. Near fine/No dust jacket. (Insurance required to ship this item).

Hartford, Conn.: Clark & Smith, 1883. 1st edtion. Octavo, rebound in brown buckram, top edge gilt, uncut, 144 pp. Plates, fold-out map. Very Good.

London: Chapman and Hall, 1837. First edition in book form with ‘S. Veller’ on page 342, line 5; ‘this friends’ for ‘his friends’ on page 400, line 21 and ‘f’ in ‘of’ imperfect in the headline on page 432. Octavo, bound by Morrill in full tan polished calf, calf labels, gilt-decorated spine, all edges gilt. Extra-illustrated with 9 additional plates by Buss and Miller. Near-Fine; front joint is tender.

A Moonlight Boy, Ticknor and Company, 1886, first edition, slight wear and rubbing to spine extremities and fore edge corner tips, else a tight vg copy in the publishers original pictorial binding. While not a fantasy title per se, chapter 12, "The Attic Ghost," does indeed contain 12 pages of an encounter with a talking ghost. A very scarce book.