Farewell, My Lovely by CHANDLER, RAYMOND - 1940

New York: McBride, 1938. Hardcover. Fine/Near Fine. First edition. Minute bumps to the crown and foot else fine in a lovely, about near fine example of the scarce dustwrapper with a few rubbed spots and slight loss at the spinal extremities (affecting a couple of letters), and some very neat professional reinforcing at the folds. A lost classic of hardboiled fiction; when it came out it was compared to *The Postman Always Rings Twice* and *They Shoot Horses, Don't They?* An Oklahoma man comes home and finds his wife and child gone, perhaps to California, and he sets out after them. The only mystery novel written by Eric Knight, an excellent and very versatile writer (he also wrote *Lassie, Come Home*) who died in a plane crash during WWII. An uncommon book, and genuinely rare in jacket.

London: Jonathan Cape, 1961. First Edition. Near fine in dust jacket. Presentation copy; inscribed by the author, “To Jonathan Miller from the Author.” Fleming, an antiquarian book collector himself, was clearly very much aware of old conventions slipping away, and often adhered to this old custom of inscribing books from “the Author.” In the nineteenth-century, it is not uncommon to find the closest associations; to a wife, mother, child, friend, etc., presented in this manner. In our day, this would seem cold, peculiar, or incomplete, but it does have a certain old-fashioned charm that antiquarian books are supposedly cherished for.

London: Hodder & Stoughton. Very Good in Good dust jacket; Jacket soiled and lightly tattered, pages . toned.. 1966. First Edition. Hardcover. The prolific mystery author's second book, featuring an auto racing detective, Beau Pepys, that chronologically precedes the storyline in Hammond's first published novel, Fred in Situ. Stamp of literary agent Curtis Brown on front free endpaper and title page. Jacket art by Peter Calcott. ; 8vo 8" - 9" tall; 192 pages .

New York. Alfred A. Knopf. 1930. Extravagantly bound in full, gilt ruled ebony Morocco by Zahensdorf for Asprey of London. gilt-ruled spine compartments with gilt titles. Gilt-tooled raised bands, head and tailpieces. Extremely elaborate fleural turn-ins. Marbled endsheets. All edges gilded. 8vo.(5"x7.5"). The First Printing of The First Edition. Innocuous tiny patch of rubbing to front cover, else a Very Fine, flawless, exquisitely bound copy of perhaps the most significant work of American Crime Fiction.

Five Star Waterville, Maine, 2006 HBDJ, August 2006, stated 1st edition, NF+/VG+, This book is very good +condition except for minor shelf wear.287 pgs,Alex Night moves out of the private eye business on Larchmont Boulevard in Hollywood and into the mystery writing profession at the WRITERS AND ARTISTS BUILDING in Beverly Hills, where he intends to follow in the footsteps of Dashiell Hammett and Raymond Chandler. But Night is persistently plagued by former clients who won't let him get past the title page of his potential Edgar Award mystery novel The Big Changeover. After too many false starts and near fatal distractions, Night finds himself on the treacherous trail of two missing objects. The first: an Imperial Fabergi Egg, The Tear of Russia, given by William Randolph Hearst over a half century ago to his mistress - --a Fabergi now valued at over ten million dollars. The second: his missing fianci, the beautiful Goldie Rose. It's soon evident that Goldie has been kidnapped, but by whom - and… Read More

First UK edition 1st printing, the 1985 Edgar winning title, Near Fine book flawed by uncut final two pages; these were opened badly resulting in a small closed tear and small chip to last page edge, while next to last page edge has a 3/4 by 1/4 inch triangular shaped chip, slight page edge toning, in a Near Fine jacket that is lightly sunned on spine with two very light, unobtrusive, overwrite lines on front panel. Signed by Wright on the title page. Very rare with price (flap shows pounds 9.50 net) and very rare signed by Wright.

Lettered limited first edition bound in quarter morocco and marbled boards. Fine book, dust jacket, and slipcase new from publisher. This was first in a planned new McMillan series of Woolrich books that sadly did not happen. This book features Woolrich stories that are light and breezy in the style of F. Scott Fitzgerald. These stories were published in several magazines during the late 1920s and the 1930s. Woolrich scholar Nevins has written an introduction and a short note about each story. He feels that the early Woolrich stories provide an essential prefiguring for Woolrich's transition to the mystery genre. This is copy VVV of 156 such copies, still in publisher's shrinkwrap and signed by Nevins on the limitation page.

New York: McBride, 1938. Hardcover. Fine/Near Fine. First edition. Minute bumps to the crown and foot else fine in a lovely, about near fine example of the scarce dustwrapper with a few rubbed spots and slight loss at the spinal extremities (affecting a couple of letters), and some very neat professional reinforcing at the folds. A lost classic of hardboiled fiction; when it came out it was compared to *The Postman Always Rings Twice* and *They Shoot Horses, Don't They?* An Oklahoma man comes home and finds his wife and child gone, perhaps to California, and he sets out after them. The only mystery novel written by Eric Knight, an excellent and very versatile writer (he also wrote *Lassie, Come Home*) who died in a plane crash during WWII. An uncommon book, and genuinely rare in jacket.

London: Jonathan Cape, 1961. First Edition. Near fine in dust jacket. Presentation copy; inscribed by the author, “To Jonathan Miller from the Author.” Fleming, an antiquarian book collector himself, was clearly very much aware of old conventions slipping away, and often adhered to this old custom of inscribing books from “the Author.” In the nineteenth-century, it is not uncommon to find the closest associations; to a wife, mother, child, friend, etc., presented in this manner. In our day, this would seem cold, peculiar, or incomplete, but it does have a certain old-fashioned charm that antiquarian books are supposedly cherished for.

New York. Alfred A. Knopf. 1930. Extravagantly bound in full, gilt ruled ebony Morocco by Zahensdorf for Asprey of London. gilt-ruled spine compartments with gilt titles. Gilt-tooled raised bands, head and tailpieces. Extremely elaborate fleural turn-ins. Marbled endsheets. All edges gilded. 8vo.(5"x7.5"). The First Printing of The First Edition. Innocuous tiny patch of rubbing to front cover, else a Very Fine, flawless, exquisitely bound copy of perhaps the most significant work of American Crime Fiction.