Description:
Wien: Tobias Haslinger [PN] T.H. 6079, 1833. Oblong folio. Unbound as issued. 15 pp. Engraved. With decorative title within ruled border. Includes publisher's catalogue. Contains Der Sanguiniker, Der Melancholiker, Der Choleriker and Der Phlegmatiker. Slightly browned. With Fischer overpaste. First Edition. Weinmann p. 12. Schonherr & Reinohl pp. 89-90.
L'Art du Facteur d'Orgues by [ORGAN]. Bédos de Celles, Dom François 1709-1779 - 1778
by [ORGAN]. Bédos de Celles, Dom François 1709-1779
L'Art du Facteur d'Orgues
by [ORGAN]. Bédos de Celles, Dom François 1709-1779
- Used
- first
[Paris]: [L.F. Delatour], 1778. First Edition. 2 volumes. Large folio (ca. 444 x 290 mm). Full dark brown leather-backed dark brown pebbled cloth, spine in gilt-ruled compartments with titling gilt, marbled endpapers.
Vol. I:
Part I: 1f. (recto title, verso blank), 1f. (recto "Avertissement," verso blank), xxvi (Préface), xxvii-xxx ("Table des Chapitres"), xxxi-xxxii ("Corrections & Additions à la Préface ... Avis au Relieur"), 142 pp. With "Corrections & Additions" and printed note "De L'Imprimerie de L.F. Delatour, 1766" to foot of final page.
Part II: [1] (title), 2-4 (i.e., pp. 143-146), 147-[475], [i] ("... Corrections & Additions ...") pp.
Part III: Pp. 477-536
Part IV: 1f. (recto title, verso blank), pp. [537]-646[!650], 647[!651]-671[!675] ("Table Alphabétique des Matieres et des Termes ..."), 672[!676]-676[!680] ("Tables des Planches).
Vol. 2:
137 large engraved plates, a number double-page or larger and/or folding, some incorporating musical notation.
Quite a nice, crisp copy internally overall, with wide margins.
Binding quite worn, rubbed and bumped; head and tail of spines slightly chipped with minor loss; upper board of Vol. 1 detached. Vol. I: Light uniform browning; occasional foxing and soiling, a bit heavier to some leaves; minor paper loss and very small tears to a few outer margins; creasing to a number of leaves from original presswork; very occasional mispagination, especially pp. 619-646; Vol. 2: Slightly worn, soiled, and creased; occasional minor foxing; light dampstaining to small area of blank outer margins of several plates; some plates with early paper tape repairs to verso, most often to inner margins, including plate 50 (large folding plate of the Gabler organ), with two small holes along central fold, left margin slightly creased, and one minor tear to central area with small early paper tape repair to verso and plate 77 (large folding plate of the Weingarthen organ); plates 30, 32, and 33 slightly trimmed and laid down; occasional minor imperfections. First Edition. Liebenow p. 3. Gregory-Bartlett I, p. 27. Cortot p. 18. Hirsch I, 54. Wolffheim I, 1124. RISM BVI p. 130.
"These impressive volumes were published as part of the 'Description des arts et métiers.' The plates, many of which are folding, are engraved by Gardete, Goussier and others, and depict organ design and construction in elaborate detail as well as illustrating a number of other keyboard instruments and a hurdy-gurdy; of particular note is the very large folding plate of an organ built by Gabler in 1750, with a fine view of the interior of the Abbey at Weingarthen."
"Bédos de Celles is best known for his writings, particularly his L'art du facteur d'orgues. This work is among the earliest to describe in detail the design and physical construction of the pipe organ and provides a valuable description of classical French organ building. His extensive and highly detailed plates, charts and diagrams deal with aspects of organ design, mixture compositions, pipe scales, pipes and pipe making, and tools and their use. Working from the writings of Marie Dominique Joseph Engramelle, he gave exhaustive instructions on the transfer of musical scores to organ barrels for mechanical playing and provided two complete pieces in the form of pinning charts. This aspect of his work inspired the makers of mechanical organs from his time forward. Bédos de Celles also described a mechanism for a square piano combined with an organ, a claviorgan and a vielle organisée and included a detailed discussion of ornamentation, articulation and principles of organ registration." Guy Oldham and Arthur W.J.G. Ord-Hume in Grove Music Online.
Vol. I:
Part I: 1f. (recto title, verso blank), 1f. (recto "Avertissement," verso blank), xxvi (Préface), xxvii-xxx ("Table des Chapitres"), xxxi-xxxii ("Corrections & Additions à la Préface ... Avis au Relieur"), 142 pp. With "Corrections & Additions" and printed note "De L'Imprimerie de L.F. Delatour, 1766" to foot of final page.
Part II: [1] (title), 2-4 (i.e., pp. 143-146), 147-[475], [i] ("... Corrections & Additions ...") pp.
Part III: Pp. 477-536
Part IV: 1f. (recto title, verso blank), pp. [537]-646[!650], 647[!651]-671[!675] ("Table Alphabétique des Matieres et des Termes ..."), 672[!676]-676[!680] ("Tables des Planches).
Vol. 2:
137 large engraved plates, a number double-page or larger and/or folding, some incorporating musical notation.
Quite a nice, crisp copy internally overall, with wide margins.
Binding quite worn, rubbed and bumped; head and tail of spines slightly chipped with minor loss; upper board of Vol. 1 detached. Vol. I: Light uniform browning; occasional foxing and soiling, a bit heavier to some leaves; minor paper loss and very small tears to a few outer margins; creasing to a number of leaves from original presswork; very occasional mispagination, especially pp. 619-646; Vol. 2: Slightly worn, soiled, and creased; occasional minor foxing; light dampstaining to small area of blank outer margins of several plates; some plates with early paper tape repairs to verso, most often to inner margins, including plate 50 (large folding plate of the Gabler organ), with two small holes along central fold, left margin slightly creased, and one minor tear to central area with small early paper tape repair to verso and plate 77 (large folding plate of the Weingarthen organ); plates 30, 32, and 33 slightly trimmed and laid down; occasional minor imperfections. First Edition. Liebenow p. 3. Gregory-Bartlett I, p. 27. Cortot p. 18. Hirsch I, 54. Wolffheim I, 1124. RISM BVI p. 130.
"These impressive volumes were published as part of the 'Description des arts et métiers.' The plates, many of which are folding, are engraved by Gardete, Goussier and others, and depict organ design and construction in elaborate detail as well as illustrating a number of other keyboard instruments and a hurdy-gurdy; of particular note is the very large folding plate of an organ built by Gabler in 1750, with a fine view of the interior of the Abbey at Weingarthen."
"Bédos de Celles is best known for his writings, particularly his L'art du facteur d'orgues. This work is among the earliest to describe in detail the design and physical construction of the pipe organ and provides a valuable description of classical French organ building. His extensive and highly detailed plates, charts and diagrams deal with aspects of organ design, mixture compositions, pipe scales, pipes and pipe making, and tools and their use. Working from the writings of Marie Dominique Joseph Engramelle, he gave exhaustive instructions on the transfer of musical scores to organ barrels for mechanical playing and provided two complete pieces in the form of pinning charts. This aspect of his work inspired the makers of mechanical organs from his time forward. Bédos de Celles also described a mechanism for a square piano combined with an organ, a claviorgan and a vielle organisée and included a detailed discussion of ornamentation, articulation and principles of organ registration." Guy Oldham and Arthur W.J.G. Ord-Hume in Grove Music Online.
- Bookseller J & J Lubrano Music Antiquarians LLC (US)
- Book Condition Used
- Quantity Available 1
- Edition First Edition
- Publisher [L.F. Delatour]
- Place of Publication [Paris]
- Date Published 1778
- Keywords 18th century French musical literature, 18th century French organ literature, 18th century French musical instrument literature, organology, organs, organ building
[Op. 59]. Die vier Temperamente. Walzer für das Piano Forte
by STRAUSS, Johann, Sr. 1804-1849
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Syosset, New York, United States
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A$253.75
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Autograph musical manuscript from the composer's opera bouffe La femme à barbe
by DELVINCOURT, Claude 1888-1954
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- Used
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Syosset, New York, United States
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A$1,087.51
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2 pp. Folio (ca. 348 x 268 mm.). 56 measures scored for both spoken and sung voices, including sections for chorus with instrumental accompaniment. Apparently complete. Marked "Scène IX les mêmes: puis les trois emissaires du Sultan - puis Croquendot ..." Notated in black and red ink with some markings in blue crayon. Unsigned. Slightly worn; creased at central fold. La femme à barbe, in two acts to a libretto by A. de la Tourrasse, was first performed at Versailles on 2 June 1938. Delvincourt, a French composer, was appointed director of the Versailles Conservatory in 1931 and of the Paris Conservatoire in 1941, a position he held until his death in 1954; he received the Prix de Rome in 1913 for his cantata Faust et Helene. "His most important decisions were the founding of the Orchestre des Cadets and a chorus (so avoiding the evacuation of his pupils to Germany), and his invitation to Messiaen, despite much comment, to teach the philosophy of music ... After Debussy and Ravel, he was one…
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[K. 621]. La Clemenza di Tito [Piano-vocal score]: Opera seria ... Ernsthafte Oper in Zwey Akten ... Klavierauszug von A.E. Müller.
by MOZART, Wolfgang Amadeus 1756-1791
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- Used
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- Quantity Available
- 1
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Syosset, New York, United States
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A$389.30
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Leipzig: Breitkopf & Härtel [PN 3610], 1824. Oblong folio. Contemporary paper boards. 1f. (title), 88 pp. Lithographed. With label of the late 19th century lending library of Fritz Möller of Hamburg, Germany to upper board and advertising to front pastedown. Binding worn and rubbed; partially detached; spine chipped; joints split; endpapers lacking. Moderately foxed throughout; title browned. Köchel 8, p. 720. Hirsch IV, 1227. RISM M5105. La Clemenza di Tito, an opera seria in two acts to a libretto by Pietro Metastasio adapted by Caterino Mazzolà, was first performed in Prague at the National Theatre on September 6, 1791, approximately 3 months before Mozart died on December 5, 1791. He had arrived in Prague on August 28 and, despite his illness, finished work on the opera on the eve of the performance. "Although mostly composed after Die Zauberflöte, La clemenza di Tito was performed first... The reception was modest until a triumphant last night was reported to Mozart (who had left…
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Thurber's Dogs. Suite for Orchestra after Drawings by James Thurber. Movement VI: Hunting Hounds. Autograph musical manuscript sketches in condensed score of almost the entire final movement of the work, consisting of music for sections B-N, i.e., pp. 111-137 of the published full score
by SCHICKELE, Peter b. 1935
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- Used
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Syosset, New York, United States
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A$5,075.04
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Folio (ca. 356 x 278 mm.). Unbound. 9 leaves notated in pencil on one side of each leaf of 18-stave AZTEC C-18 music manuscript paper. A working manuscript, with erasures, alterations and cancellations. Together with: A copy of the published full score of the movement, i.e., pp. 107-138, and a 1-1/2 page printed commentary by the composer discussing the background of the work and briefly describing the music: "I should say, however, that as I was working on the last movement, I found myself thinking as much about the fox as about the hunting hounds. This, coupled with the fact that I recently acquired a recording of background music from the old movie serials that I used to go to as a kid, probably accounts for the quite ungentlemanly, almost lurid quality of the chase music." "Thurber's Dogs was commissioned for the ProMusica Chamber Orchestra of Columbus and the Thurber House to commemorate the 100th birthday anniversary of author James Thurber. It was completed on August 13, 1994. The first…
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Autograph letter signed "Bellini" to Count Rodolphe Apponyi
by BELLINI, Vincenzo 1801-1835
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- Used
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Syosset, New York, United States
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A$6,887.56
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2 pp. of a bifolium. Octavo. Dated Monday morning. Postmarked [?]January 12, 1835. With "Weynen Superfin" blindstamped to upper portions of leaves. Integral address panel with the recipient's name and the address of the Austrian Embassy in Paris to final page. With fully intact red wax seal. In Italian and French (with translation). Bellini tries to secure the Count a place at the première of his latest opera and invites the Count's wife to one of its dress rehearsals. "... I met your cousin at Madame Graham's and I begged him to tell you that I had gone to the Bureau des Italiens to try to grant your wish ... therefore, if the day of the first performance falls on a day when the halls are occupied almost entirely by subscribers, you'll get priority ... Tell [the Countess] I am sorry I am not yet able to leave my desk, since I'm always working on the opera. I hope she will want to honor me by coming to some dress rehearsal, to give me advice with her delicate musical taste ... " Slightly worn and…
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[Op. 91]. Kronungs-Walzer für das Piano-Forte
by STRAUSS, Johann, Sr. 1804-1849
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- Condition
- Used
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- Quantity Available
- 1
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Syosset, New York, United States
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A$253.75
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Wien: Tobias Haslinger [PN] T.H. 7061, 1837. Oblong folio. Unbound as issued. 10 pp. Engraved. With decorative vignette to title. Slightly soiled. First Edition. Weinmann p. 18. Schonherr & Reinöhl pp. 140-142.
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Bluebird, a setting of Herman Melville's poem for two female voices with instrumental accompaniment. Autograph musical manuscript. Signed and dated 2007. A complete working draft
by TSONTAKIS, George b. 1951
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- Signed
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- Used
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Syosset, New York, United States
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A$2,447.68
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5 pp. Folio (355 x 280 mm.). Notated in pencil with additional markings in coloured ink. Signed and dated 2007. Tsontakis studied with Hugo Weisgall, Felix Greissle, and Roger Sessions. His honours include the Charles Ives Living Award, the Grawemeyer, two Kennedy Center Friedheim Awards (1989, 1992), a lifetime achievement award from the American Academy of Arts and Letters (1995), a Guggenheim Memorial Fellowship, (1996) and numerous commissions. "[His] early works are written in a dissonant chromatic idiom not unlike that of Sessions. His musical language soon shifted, however, towards a classically-influenced style characterized by large-scale harmonic prolongations and what he calls 'the timeless gesture', a reference to the past through evocation rather than quotation. With the String Quartet no. 3 'Carragio' (1986) he arrived at an idiosyncratic tonal language propelled by a non-minimalist, Beethovenian use of repetition. Another primary feature of his work, particularly notable in the…
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Drammaturgia di Lione Allaci accresciuta e continuata fino all' anno MDCCLV
by ALLACCI, Leone 1586-1669
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- Condition
- Used
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Syosset, New York, United States
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A$1,087.51
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Venezia: Pasquali, 1755. Small quarto. Quarter vellum with dark orange decorative title label gilt to spine. 4ff., 1,016 columns (= 508 pp.), including the supplement (columns 837-946), additions and corrections (947-950), and an index of authors (951-1016). With a fine woodcut device to title and occasional woodcut head- and tailpieces. A very good, wide-margined, uncut copy, with only occasional minor foxing and staining. Second edition, substantially revised and expanded. Cortot, p. 4. Hirsch I, Anh. 2. Wolffheim II, 908. Gregory-Bartlett I, 12. RISM BVI, p. 81. "A compendious and surprisingly accurate list of dramatic works of all kinds, including opera librettos, published in Italy; it also lists many unpublished works." Thomas Walker in Grove Music Online Allacci's bibliography of plays, operas, and ballets was first published in 1666 and revised by Giovanni Cendoni, Apostolo Zeno, and others for this updated edition of 1755.
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A$1,087.51
[Op. 58]. Elektra Tragödie in einem Aufzuge von Hugo von Hofmannsthal ... Klavier-Auszug mit Text von Otto Singer. [Piano-vocal score]
by STRAUSS, Richard 1864-1949
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- Used
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Syosset, New York, United States
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A$181.25
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Berlin: Adolph Fürstner [PN A.5654F.], 1935. Folio. Original publisher's full gray cloth. [i] (title), [ii] (blank), [iii] ("Dramatis Personae"), [iv] (blank), [5]-250 pp. Text in German. With illustration by Lovis Corinth to page [5]. Binding very slightly worn and rubbed. Trenner 223. Mueller von Asow p. 409. First performed on January 25, 1909 at the Königlichen Opernhaus in Dresden under Ernst von Schuch. "[Elektra] ... marked the beginning of [Strauss's] artistic association with Hugo von Hofmannsthal, whom he had first met in Berlin in 1899. Having seen Reinhardt's riveting production of Hofmannsthal's Elektra in the autumn of 1905, Strauss was convinced the play would make a compelling opera. Not entirely sure he should compose consecutive tragedies, he nonetheless gave in to Hofmannsthal's pleading and vigorously began composing Elektra in the summer of 1906. As he had with Oscar Wilde's Salome, he set the play to music, which was finished in 1908 and given its première in 1909 as…
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Autograph letter signed "Bellini" to Count Rodolphe Apponyi
by BELLINI, Vincenzo 1801-1835
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- Used
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Syosset, New York, United States
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A$6,887.56
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2 pp. of a bifolium. Octavo. Dated Monday morning. Postmarked [?]January 12, 1835. With "Weynen Superfin" blindstamped to upper portions of leaves. Integral address panel with the recipient's name and the address of the Austrian Embassy in Paris to final page. With fully intact red wax seal. In Italian and French (with translation). Bellini tries to secure the Count a place at the première of his latest opera and invites the Count's wife to one of its dress rehearsals. "... I met your cousin at Madame Graham's and I begged him to tell you that I had gone to the Bureau des Italiens to try to grant your wish ... therefore, if the day of the first performance falls on a day when the halls are occupied almost entirely by subscribers, you'll get priority ... Tell [the Countess] I am sorry I am not yet able to leave my desk, since I'm always working on the opera. I hope she will want to honor me by coming to some dress rehearsal, to give me advice with her delicate musical taste ... " Slightly worn and…
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Trial by Jury
by W. S. Gilbert, Arthur Sullivan
- Used
- very good
- Paperback
- Condition
- Used - Very Good
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- Paperback
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Lake Huntington, New York, United States
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A$34.67
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69 pp. + ads. Plate 17453. Vocal score, wraps, quarto 8.5 x 11 in. Front cover reattached with Japan paper, some wear to spine and edges, yet very good. Likely a printing from 1992-, given the 62 W. 45th St. address on the wraps. Printed in England. Trial by Jury is a one-act comic opera that could be considered a seminal venture in their partnership. It premiered at the Royalty Theatre in London in March, 1875.
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A$34.67
PIOBAIREACHD AND ITS INTERPRETATION: CLASSICAL MUSIC OF THE HIGHLAND BAGPIPE
by MacNEILL, SEUMAS & FRANK RICHARDSON
- Used
- very good
- Paperback
- first
- Condition
- Used - Very Good
- Jacket Condition
- No Jacket, As Issued
- Edition
- 1st Edition
- Binding
- Paperback
- ISBN 13
- 9780859764407
- ISBN 10
- 0859764400
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Uxbridge, Ontario, Canada
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A$45.65A$36.52Save A$8.00!
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Edinburgh: John Donald Publishers, 1996. 1st Edition . Soft cover. Very Good/No Jacket, As Issued. 8vo - over 7¾ - 9¾" tall. pp: 130. FIRST PAPERBACK EDITION. The author, an acknowledged authority on the subject, describes the structure and history of Piobaireachd. A very good copy with moderate edge wear on the covers and some fading of the colour on the rear panel.
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Nijinsky and the Last Years of Nijinsky
by Nijinsky, Romola
- Used
- good
- Hardcover
- first
- Condition
- Used - Good
- Jacket Condition
- Very Good
- Edition
- First Edition
- Binding
- Hardcover
- ISBN 13
- 9780671411237
- ISBN 10
- 0671411233
- Quantity Available
- 1
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Salem, Oregon, United States
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A$63.04A$37.83Save A$16.00!
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Nijinsky, Romola. Nijinsky and the Last Years of Nijinsky. The Definitive Biography Copyright 1980. Simon and Schuster stated First Impression Thus. Number line starts with 1. EXLIB. Good Condition/ VG original dust jacket. 260 pages, indexed. ISBN0671411233. PERFORMING ARTS, RUSSIA, BALLET, VASLAV NIJINSKY. Summary: "The life of Vaslav Nijinsky is not merely a record of a great dancer's artistic triumphs; it is one of the strangest stories ever written. There is madness everywhere. From the child's first appearance with a troupe of wandering Russians to that last terrible performance, his "Marriage With God" , it is a growing chaos of madness, abnormality, distortion, genius and beauty." 260 pages, indexed. 5 3/4 X 8 3/4.
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SKIFFLE:; The Story of Folk-song with a Jazz Beat. With a Foreword by Lonnie Donegan (The King of Skiffle)
by Bird, Brian
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- very good
- Hardcover
- first
- Condition
- Used - Very Good
- Jacket Condition
- Good +
- Edition
- First Edition
- Binding
- Hardcover
- Quantity Available
- 1
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Roosevelt, New Jersey, United States
- Item Price
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A$39.40
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London: Robert Hale, 1958. First Edition. Hardcover. Very Good/Good +. 119pp, index; 13pp illus from photographs. Bound in pictorial boards, dust jacket. 8" x 5.25" This first book on the subject traces the history of skiffle from its slave and jazz roots through the 1950s. The second part of the book is a how-to for forming a skiffle band as well as a look at the "origins, progress and personalities" of Britain's most popular skiffle bands.
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A$39.40
The Pirates of Penzance in Full Score: New Edition by Carl Simpson and Ephraim Hammett Jones
by W. S. Gilbert, Sir Arthur Sullivan
- Used
- near fine
- Paperback
- Condition
- Used - Near Fine
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- Paperback
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- 1
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Lake Huntington, New York, United States
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A$44.13
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272 pp. Quarto, 9 x 12 in. Illustrated wraps, near fine, only the slightest wear covers. Full score. New edition by Carl Simpson and Ephraim Hammett Jones. Official Premiere: December 31, 1879, Fifth Avenue Theater, New York, New York, USA; London Premiere: April 3, 1880, The D'Oyly Carte Opera Company, Orchestra and Chorus Opera Comique, Arthur Sullivan, conductor.
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Bob Dylan: From a Hard Rain to a Slow Train
by Barry; Dowley, Tim Dunnage
- Used
- Hardcover
- first
- Condition
- Used - Very Good+
- Jacket Condition
- Very Good+
- Edition
- First Edition
- Binding
- Hardcover
- ISBN 13
- 9780859362597
- ISBN 10
- 0859362590
- Quantity Available
- 1
- Seller
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St. Paul, Minnesota, United States
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A$50.44
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Turnbridge Wells: Midas Books; New York: Hippocrene Books, [1982], First Edition, 8vo, [11] 176pp [2], photos on 2 plates. Hardcover, red cloth covered boards with dust jacket. Very Good + condition. Pages are unmarked with slight toning and slight foxing to top page edges. Slight shelf wear to dust jacket. Please see photos for specifics. A portion of all book sales from Babcock & 68th are donated to charity.
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A$50.44
The Influence Of Music On History And Morals: A Vindication Of Plato
by Scott, Cyril
- Used
- good
- Hardcover
- first
- Condition
- Used - Good
- Jacket Condition
- No Jacket
- Edition
- 1st Edition 1st Printing
- Binding
- Hardcover
- Quantity Available
- 1
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Pasadena, California, United States
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A$47.28
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London: The Theosophical Publishing House Ltd., 1928. 1st Edition 1st Printing. Hardcover. Good/No Jacket. X, 245 Pp. First Printing. Blue Cloth, Gilt, With Blindstamped Border On Front Cover. Lightly Used, Pinpoint Fray At Each Of Two Lower Tips, But Spine Frayed Across Top Down To Edge Of Page Block, 1/2" Fray Along Top Spine Edges And Bottom Rear Spine Edge, Hinges Tight, No Names Or Marks, Very Light Foxing To Endpapers, Title Page, And To Edges Of The Page Block. Quite Scarce In The Trade.
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A$47.28
The Sorcerer: An Original Modern Comic Opera
by W. S. Gilbert, Arthur Sullivan
- Used
- very good
- Paperback
- Condition
- Used - Very Good
- Binding
- Paperback
- Quantity Available
- 1
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Lake Huntington, New York, United States
- Item Price
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A$55.16
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137 pp. Vocal score, a slight tilt to spine, light wear to wraps, else fine. Quarto, 8.5 x 11 in. "New Edition." An original modern comic opera in two acts, words by W. S. Gilbert, music by Arthur Sullivan. G&S's third production. Based on a story, The Elixir of Love, that Gilbert published in 1876 in The Graphic.
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A$55.16
OH BOYS, CARRY ME LONG:; A Plantation Melody. Written & Composed by Stephen C. Foster
by Oh Boys...sheet music
- Used
- very good
- Condition
- Used - Very Good
- Edition
- 20th Edition
- Quantity Available
- 1
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Roosevelt, New Jersey, United States
- Item Price
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A$63.04
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Description:
NY: Firth, Pond, 1851. 20th Edition. Decorative Wraps. Very Good. 6pp; embellished cover title; spine reinforced. Contains words and music to four verses and a chorus. 13" x 10.25" In part: "Oh! carry me 'long; Der's no more trouble for me: I's gwine to roam In a happy home Where all de niggas am free...." First published in 1851.
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A$63.04
Whitney's Rapid Method for the Piano-Forte: Foreign Fingering Edition
by W. W. Whitney
- Used
- Hardcover
- Condition
- Used - Fair Condition
- Jacket Condition
- No Dust Jacket
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- Hardcover
- Quantity Available
- 1
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Oak Point, Texas, United States
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A$63.04
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Description:
D. W. Crist, Alliance, OH, 1902. Hardcover. Fair Condition/No Dust Jacket. Size: 4mo - over 9 3/4" - 12" tall. 182 pp. Pages are yellowed, but are tight and clean. Heavy shelfwear to the cover. Quantity Available: 1. Shipped Weight: 2 - 3 pounds. Category: Music; Pictures of this item not already displayed here available upon request. Inventory No: 001390. . Additional shipping charges may apply.
Item Price
A$63.04