[Manuscript]: One Lonely Night by SPILLANE, Mickey

London: Alfred A. Knopf, 1931. Hardcover. Near Fine. First edition, preceding the American edition, and first issue, with the Knopf imprint (later issues have the Cassell imprint). Attractive engraved bookplate on the front pastedown, slightly cocked, and with a small, not too obtrusive stain on the front board, otherwise near fine, lacking the rare dustwrapper. A very attractive copy of the author's fourth book. This true first, English edition is exceptionally uncommon, and flat out rare in the jacket (which this copy lacks). Knopf published in the U.K. for only a few years, and generally produced very small editions.

New York: McBride, 1938. Hardcover. Fine/Near Fine. First edition. Minute bumps to the crown and foot else fine in a lovely, about near fine example of the scarce dustwrapper with a few rubbed spots and slight loss at the spinal extremities (affecting a couple of letters), and some very neat professional reinforcing at the folds. A lost classic of hardboiled fiction; when it came out it was compared to *The Postman Always Rings Twice* and *They Shoot Horses, Don't They?* An Oklahoma man comes home and finds his wife and child gone, perhaps to California, and he sets out after them. The only mystery novel written by Eric Knight, an excellent and very versatile writer (he also wrote *Lassie, Come Home*) who died in a plane crash during WWII. An uncommon book, and genuinely rare in jacket.

London: Jonathan Cape, 1961. First Edition. Near fine in dust jacket. Presentation copy; inscribed by the author, “To Jonathan Miller from the Author.” Fleming, an antiquarian book collector himself, was clearly very much aware of old conventions slipping away, and often adhered to this old custom of inscribing books from “the Author.” In the nineteenth-century, it is not uncommon to find the closest associations; to a wife, mother, child, friend, etc., presented in this manner. In our day, this would seem cold, peculiar, or incomplete, but it does have a certain old-fashioned charm that antiquarian books are supposedly cherished for.

London: Hodder & Stoughton. Very Good in Good dust jacket; Jacket soiled and lightly tattered, pages . toned.. 1966. First Edition. Hardcover. The prolific mystery author's second book, featuring an auto racing detective, Beau Pepys, that chronologically precedes the storyline in Hammond's first published novel, Fred in Situ. Stamp of literary agent Curtis Brown on front free endpaper and title page. Jacket art by Peter Calcott. ; 8vo 8" - 9" tall; 192 pages .

Five Star Waterville, Maine, 2006 HBDJ, August 2006, stated 1st edition, NF+/VG+, This book is very good +condition except for minor shelf wear.287 pgs,Alex Night moves out of the private eye business on Larchmont Boulevard in Hollywood and into the mystery writing profession at the WRITERS AND ARTISTS BUILDING in Beverly Hills, where he intends to follow in the footsteps of Dashiell Hammett and Raymond Chandler. But Night is persistently plagued by former clients who won't let him get past the title page of his potential Edgar Award mystery novel The Big Changeover. After too many false starts and near fatal distractions, Night finds himself on the treacherous trail of two missing objects. The first: an Imperial Fabergi Egg, The Tear of Russia, given by William Randolph Hearst over a half century ago to his mistress - --a Fabergi now valued at over ten million dollars. The second: his missing fianci, the beautiful Goldie Rose. It's soon evident that Goldie has been kidnapped, but by whom - and… Read More

London: Alfred A. Knopf, 1931. Hardcover. Near Fine. First edition, preceding the American edition, and first issue, with the Knopf imprint (later issues have the Cassell imprint). Attractive engraved bookplate on the front pastedown, slightly cocked, and with a small, not too obtrusive stain on the front board, otherwise near fine, lacking the rare dustwrapper. A very attractive copy of the author's fourth book. This true first, English edition is exceptionally uncommon, and flat out rare in the jacket (which this copy lacks). Knopf published in the U.K. for only a few years, and generally produced very small editions.

New York: McBride, 1938. Hardcover. Fine/Near Fine. First edition. Minute bumps to the crown and foot else fine in a lovely, about near fine example of the scarce dustwrapper with a few rubbed spots and slight loss at the spinal extremities (affecting a couple of letters), and some very neat professional reinforcing at the folds. A lost classic of hardboiled fiction; when it came out it was compared to *The Postman Always Rings Twice* and *They Shoot Horses, Don't They?* An Oklahoma man comes home and finds his wife and child gone, perhaps to California, and he sets out after them. The only mystery novel written by Eric Knight, an excellent and very versatile writer (he also wrote *Lassie, Come Home*) who died in a plane crash during WWII. An uncommon book, and genuinely rare in jacket.

London: Jonathan Cape, 1961. First Edition. Near fine in dust jacket. Presentation copy; inscribed by the author, “To Jonathan Miller from the Author.” Fleming, an antiquarian book collector himself, was clearly very much aware of old conventions slipping away, and often adhered to this old custom of inscribing books from “the Author.” In the nineteenth-century, it is not uncommon to find the closest associations; to a wife, mother, child, friend, etc., presented in this manner. In our day, this would seem cold, peculiar, or incomplete, but it does have a certain old-fashioned charm that antiquarian books are supposedly cherished for.

London: Hodder & Stoughton. Very Good in Good dust jacket; Jacket soiled and lightly tattered, pages . toned.. 1966. First Edition. Hardcover. The prolific mystery author's second book, featuring an auto racing detective, Beau Pepys, that chronologically precedes the storyline in Hammond's first published novel, Fred in Situ. Stamp of literary agent Curtis Brown on front free endpaper and title page. Jacket art by Peter Calcott. ; 8vo 8" - 9" tall; 192 pages .

Five Star Waterville, Maine, 2006 HBDJ, August 2006, stated 1st edition, NF+/VG+, This book is very good +condition except for minor shelf wear.287 pgs,Alex Night moves out of the private eye business on Larchmont Boulevard in Hollywood and into the mystery writing profession at the WRITERS AND ARTISTS BUILDING in Beverly Hills, where he intends to follow in the footsteps of Dashiell Hammett and Raymond Chandler. But Night is persistently plagued by former clients who won't let him get past the title page of his potential Edgar Award mystery novel The Big Changeover. After too many false starts and near fatal distractions, Night finds himself on the treacherous trail of two missing objects. The first: an Imperial Fabergi Egg, The Tear of Russia, given by William Randolph Hearst over a half century ago to his mistress - --a Fabergi now valued at over ten million dollars. The second: his missing fianci, the beautiful Goldie Rose. It's soon evident that Goldie has been kidnapped, but by whom - and… Read More