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READING LOLITA IN TEHRAN: A MEMOIR IN BOOKS: THE UNCORRECTED PROOF

READING LOLITA IN TEHRAN: A MEMOIR IN BOOKS: THE UNCORRECTED PROOF

READING LOLITA IN TEHRAN: A MEMOIR IN BOOKS: THE UNCORRECTED PROOF

READING LOLITA IN TEHRAN: A MEMOIR IN BOOKS: THE UNCORRECTED PROOF

by Nafisi, Azar

  • Used
  • Fine
  • Paperback
  • Signed
  • first
Condition
Fine/No Dust Jacket, As Issued.
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Seller rating:
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About This Item

New York City, NY: Random House, 2003. First Edition. First Printing.. Softcover. Fine/No Dust Jacket, As Issued.. New York City, NY: Random House, 2003. Softcover. Fine/None, As Issued. First Edition/First Printing. 347 pages. The author's memoir on subject. Azar Nafisi's finest achievement. Uncorrected Proof. Precedes and should not be confused with all other subsequent editions. Published in a tiny print run as a softcover original only for the exclusive use of the publisher and author. There is no ISBN. The Uncorrected Proof is now rare. Presents, in its earlier publication state, Azar Nafisi's "Reading Lolita In Tehran". Her breakthrough and masterpiece. A Professor of English literature at the University of Tehran, Azar Nafisi was expelled when she refused to wear the veil and eventually found political asylum in the United States, where she teaches at Johns Hopkins University. "I was enthralled and moved by Azar Nafisi's account of how she defied, and helped others to defy, radical Islam's war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher" (Susan Sontag). "A memoir about teaching Western literature in revolutionary Iran, with profound and fascinating insights into both. A masterpiece" (Bernard Lewis). "We rediscovered that we were also living, breathing human beings; and no matter how repressive the state became, no matter how intimidated and frightened we were, like Lolita we tried to escape and to create our own little pockets of freedom" (Azar Nafisi). An absolute "must-have" title for Azar Nafisi collectors. This copy of the Uncorrected Proof is very prominently and beautifully signed twice, in both Roman ("English") and Arabic ("Persian") alphabets and dated, in black ink-pen on the title page by the author: "Azar Nafisi Nov 11, 06". It is signed directly on the page itself, not on a tipped-in page. This title is a great book. As far as we know, this is the only such double-signed and dated copy of the Uncorrected Proof available online and is in especially fine condition: Clean, crisp, and bright. Please note: The first print run was small, and there were just a handful of the Uncorrected Proof that ever made it online. Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A rare signed copy thus. One of the greatest writers of our time. A fine copy. (SEE ALSO OTHER AZAR NAFISI TITLES IN OUR CATALOG).

Synopsis

We all have dreams--things we fantasize about doing and generally never get around to. This is the story of Azar Nafisi's dream and of the nightmare that made it come true.For two years before she left Iran in 1997, Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. They were shy and uncomfortable at first, unaccustomed to being asked to speak their minds, but soon they began to open up and to speak more freely, not only about the novels they were reading but also about themselves, their dreams and disappointments. Their stories intertwined with those they were reading--Pride and Prejudice, Washington Square, Daisy Miller and Lolita--their Lolita, as they imagined her in Tehran.Nafisi's account flashes back to the early days of the revolution, when she first started teaching at the University of Tehran amid the swirl of protests and demonstrations. In those frenetic days, the students took control of the university, expelled faculty members and purged the curriculum. When a radical Islamist in Nafisi's class questioned her decision to teach The Great Gatsby, which he saw as an immoral work that preached falsehoods of "the Great Satan," she decided to let him put Gatsby on trial and stood as the sole witness for the defense.Azar Nafisi's luminous tale offers a fascinating portrait of the Iran-Iraq war viewed from Tehran and gives us a rare glimpse, from the inside, of women's lives in revolutionary Iran. It is a work of great passion and poetic beauty, written with a startlingly original voice.From the Hardcover edition.

Reviews

On Feb 15 2015, The Old Library Bookshop said:
If you’ve ever questioned the value of literature--particularly of fiction--to transform and inspire, you’ve only to read this memoir by a talented Iranian woman, a professor of Western literature. Nafisi’s university classrooms during the chaotic years of the Iranian revolution were filled with young people defined by their various “-isms.” They seemed to be more like political battlegrounds than places of learning and discovery. Finally, in 1995, Dr. Nafisi came to the realization that she no longer could function within the strictures imposed by the Islamic Republic, not only the punitive dress requirements for women but also the demands to screen all literature through the prism of Islamic fundamentalism and its moral code. Leaving the halls of academia, she chose from among her students seven women who shared her fondness for Western literature to meet in her home one morning a week to discuss assigned readings. As Nafisi and her “girls” studied their favorite authors--among them Jane Austen, Flaubert, Henry James, and, of course, Nabokov--they also came to better understand the society in which they lived and their own individual hopes and needs. Of particular poignancy was the wrenching decision by the Nafisis and a few of the students to leave their homeland. The many strands of this beautifully written memoir come together flawlessly. The reader comes away with a better understanding of 20th-century Iranian history and several great works of Western literature, along with a detailed portrait of seven unique Iranian women and their remarkable teacher.

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Details

Seller
Modern Rare US (US)
Seller's Inventory #
11050
Title
READING LOLITA IN TEHRAN: A MEMOIR IN BOOKS: THE UNCORRECTED PROOF
Author
Nafisi, Azar
Format/Binding
Softcover
Book Condition
Used - Fine
Jacket Condition
No Dust Jacket, As Issued.
Quantity Available
1
Edition
First Edition. First Printing.
Binding
Paperback
Publisher
Random House
Place of Publication
New York City, NY
Date Published
2003
Pages
347

Terms of Sale

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About the Seller

Modern Rare

Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Biblio member since 2003
CHICAGO, Illinois

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Glossary

Some terminology that may be used in this description includes:

Crisp
A term often used to indicate a book's new-like condition. Indicates that the hinges are not loosened. A book described as crisp...
Fine
A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...
First Edition
In book collecting, the first edition is the earliest published form of a book. A book may have more than one first edition in...
Title Page
A page at the front of a book which may contain the title of the book, any subtitles, the authors, contributors, editors, the...
Uncorrected Proof
An uncorrected proof is a printed copy of a book that needs to be reviewed for errors and corrections. They are released prior...
Jacket
Sometimes used as another term for dust jacket, a protective and often decorative wrapper, usually made of paper which wraps...

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