Search Results: Art from ANTHOLOGY BOOKSELLERS

New York: Metropolitan Museum of Art. Limited edition. Cloth. Very Good Minus. 112/500. 4to, 222 pp., b/w plates. Stains to spine and front board, interior clean and unmarked. Slipcase stained.

Sherbrooke, 1983. Stapled Wraps. Very Good. 4to, 36 pp., b/w illus. Head and heel of spine and corners lightly bumped; wrappers sunned, handled and edgeworn.

New York: New York University Press, 1981. First Edition. Cloth. Very Good/No dust jacket. Square 4to. 386pp. Illus. b&w photos. Cloth. No dj. First Edition. 112 Greene Street in Soho was the original home of 112 Workshop, a raw space open between 1970 and 1980, offering exhibition space for installation and performance for the new generation of conceptual artists who emerged from the radicalized minds and cultural upheavals of the previous decade. With artists having complete control to curate their shows, the space put on challenging and inspirational work of hundreds of people. During the life of this laboratory it produced a list of influential performers and artists that helped shape the cultural cityscape over next 30 years, including names like Vito Acconci, Laurie Anderson, Joseph Beuys, Louis Bourgois, Chuck Close, Spalding Gray, Phillip Glass, Fran Lebowitz, Jeffrey Lew (co-founder), Gordon Matta Clarke (co-founder), Richard Mock, Richard Serra, William Wegman. No dj. Book shows minor wear… Read More

New York: Whitney Museum of American Art / W.W. Norton, 1987. Self-wrappers. Very Good. 4to, 213 pp., color and b/w plates throughout. Light edge and corner wear to wrappers.

New York: Museum of Modern Art, 1940. First printing. Cloth. Very Good. A couple of light scratches at upper righthand corner of front cover, otherwise a nice bright copy.

London: Heinemann, 1935. Cloth. Near Fine/Very Good. First Edition. 8 " x 11 ". 17 pages of text by Laver and 40 full-page drawings by Brodzky. Small chip at top of spine. Tape residue at bottom of spine.

Albuquerque: Hoshour Gallery, 1988. First edition. Unbound in Slipcase. Near Fine. 4to. Unbound plates and texts in original double slipcase (as issued). Trade edition limited to 1500 copies. Exterior of box has one small spot and light sunning and dustsoiling; contents Fine.

Boston: Barre, 1972. First printing. Cloth. Near Fine in Near Fine Dust Jacket. Short Closed tear at top of jacket.

New York: Hudson Hills, 1980. First edition. Cloth. Fine/Fine. 4to. Square. 233pp. Illus. b&w color. Comprehensive study of three hundred years of American Folk Painters. Contains over 150 color plates of American Folk art. Contains biographies of leading Folk Artists.

washington, D.C//New York: National Gallery of Art/Abrams, 2003. First edition. Cloth. Fine/Near Fine. 334pp Illus. B&W. Color plates. Hardback. First Edition.Chronological List of Works in the Exhibition, Notes, Bibliography, Index. Contributors include: Mary Lee Corlett, Nnamdi Elleh, Jacquelinw Fancis, Abdul Coler, and Sarah Kannel. Light 4" scratch on rear pane of djl, otherwise a fine copy.

New York: G. P. Putnam's Sons, 2004. First edition. Cloth. Near Fine/Near Fine. 8vo., ix, 406 pp., illus., bibliography. notes, index. Cloth. First Edition. The rear panel of the dj shows minor wear. "The Art of the Steal tells the story of several larger-than-life figures - the billionaire tycoon Alfred Taubman; the most powerful woman in the art world, Dede Brooks; and the wily British executive Christopher Davidge - who conspired to cheat their clients out of millions of dollars. It offers an unprecedented look inside this secretive, glamorous, gold-plated industry, describing just how Sotheby's and Christie's grew from clubby, aristocratic businesses into slick international corporations.

Boston: Bullfinch, 1998. First Paperback Printing. Paperback. Fine/No dust jacket. 410pp illus, Paperback. Published in conjunction with an exhibition originated by the Museum of Fine Arts in Boston, the first to synthesize the decorative arts and architecture of this period in America. Works include such objects as furniture, glass, silver, ceramics, textiles,wallpaper, books, and architectural drawings.

New York: Helander Gallery, 1992. Staplebound Wraps. Fine. 4to, 24 pp., color plates.

Santa Fe, NM: Janus Gallery, 1990. Staplebound Wraps. Fine. 4to, pp. unnumbered, [7] color plates.

New York: Kennedy Galleries, 1970. Staplebound Wraps. Very Good. 4to, pp. unnumbered, 26 color & b/w plates. Head of spine bumped, wrappers a bt rubbed and worn at edges and corners, previous owner name.

Tulsa: Gilcrease Museum, 2006. Cloth. Fine in Fine DJ. 4to, 96 pp., color plates. Includes paintings by Catlin, Bodmer, Bierstadt, Moran, et al.

Princeton, NJ: Princeton Unversity Press, 1996. First edition. Cloth. Fine/Fine. 8vo. 239pp.

Tokyo: K&M Arts, 1991. Wraps. Very Good. 4to, 66 pp., color plates. Lighte xterior handling and dustsoiling.

Roswell, NM: Pintores Press, 1979. First printing. Cloth. Near Fine in Near Fine Dust Jacket. 4to, 95 pp., color plates. Hand lettered certificate (in plastic envelope mounted on front free endpaper) identifies this as copy No. 1 of the Collector's Edition, issued with an original work by the artist, no longer present in this copy. Signed by author. Spine rubbed, light edgewear to jacket. IN slipcase.

Chico, CA: University Art Gallery, 1982. First edition. Paperback. Fine/No dust jacket. Square 8vol. Unpaginated. Illus. b&w plates. Paperback. Perfect binding. American sculptor who was active in the Fluxus movement.