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San Francisco: Film Arts Foundation, 2002.. Program. 4to. [20 pp.] Stapled Wraps, Very Good with minor creasing. B&W Photos from films.Provenance: From the Peter Selz collection.
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The 18th Annual Film Arts Festival. November 13 - 17th, 2002.
by Film Arts Foundation (San Francisco).
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1984 Southern Circuit.
by South Carolina Arts Commission Media Arts Center; National Endowment for the Arts; Japan Foundation; David Audet (des.); Ishmael Reed; John Hanson; Tony Buba; Judy Irving; Dan Curry; Lisze Bechtold; Bill Viola; Kinachiro Kawamoto.
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[Atlanta, GA]: Southern Circuit, 1984.. Folded Poster. 28 x 63 cm. Very Good with some creasing. "The Southern Circuit is a tour of eight internationally recognized independent film/video makers to six Southeastern cities. Each artist screens and discusses his/her work with the audiences." Illustrated; photographs.
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24 Hours To Kill.
by Seven Arts Pictures.
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[Hollywood, CA]: Seven Arts Pictures, 1965. . Black and white movie still, 8 x 10". Starring Mickey Rooney, Lex Barker, Walter Slezak. Very Good, with some light creasing.
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24 Hours To Kill.
by Seven Arts Pictures.
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[Hollywood, CA]: Seven Arts Pictures, 1965. . Black and white movie still, 8 x 10". Starring Mickey Rooney, Lex Barker, Walter Slezak. Very Good.
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24 Hours To Kill.
by Seven Arts Pictures.
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[Hollywood, CA]: Seven Arts Pictures, 1965. . Black and white movie still, 8 x 10". Starring Mickey Rooney, Lex Barker, Walter Slezak. Very Good, with some light creasing.
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The 2nd Annual Los Angeles International Film Exposition, November 1972.
by Filmex (Los Angeles, Calif.).
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Los Angeles, Calif.: Filmex, 1972.. Program for exhibition held November 9-19, 1972 at Grauman's Chinese Theatre. 4to. 48 pp., illus. 44 films described. Very good in staple-bound wraps.
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The 47th San Francisco International Film Festival. April 15 - April 29th, 2005.
by San Francisco International Film Festival; San Francisco Film Society.
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San Francisco International Film Festival, 2005.. Program. 4to. 12 pp. Stapled Wraps, Very Good with minor creasing. B&W stills from films.Provenance: From the Peter Selz collection.
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“A Drinking Bee at White Chapel Dawson.”
by Larss & Dulcos
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City of Dawson, Yukon: Larss & Dulcos, [1900]. . 7 x 9.5 inch black & white glossy photograph. Very Good. Some weathering.
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A. I. Stepanova - Aktrisa Hudozhestvennogo Teatra = A. I. Stepanova - Actress of the Art Theatre.
by Vul’f, V.
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Moscow, Russia: Iskusstvo, 1985. . 8vo. 342 pp. White Buckram with Pictorial Jacket. Very Good. Photographs B&W. Text in Russian.
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The Academy of Motion Picture Arts and Sciences and the Academy Foundation Present A Tribute to Alfred Hitchcock, Wednesday December 5, 1984.
by The Academy of Motion Picture Arts and Sciences and the Academy Foundation.
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Hollywood: Margaret Herrick Library, 1984.. 8vo. Very Good, Promotional Card, with some shelf wear. Opening remarks by Gregory Peck & James Stewart. Film clips assembled by Peter Bogdanovich.
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Agreements, contracts, and other material pursuant to the "Meeting At A Far Meridian" film project.
by Levin, Sidney H.; Mitchell Wilson; Lester Cowan; Drake Investment Company; Continental Distributing; Stillman & Stillman.
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New York: Lester Cowan, 1962.. 8vo., 34 pp., Very Good+. TLS Sidney H. Levin to Lester Cowan 2/13/1962; 3 typed contracts signed by Wilson, Continental and Drake 2/13/1962; typed contract signed by Wilson, Continental and Drake 2/9/1962; plus copies of related contracts and material.
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Agreement On The Coproduction of the Soviet-American Full-Length 70 mm Color Feature Film "Meeting At A Far Meridian."
by Cowan, Lester; Mosfilm (USSR); Lester Cowan Associates (USA); Vladimir Surin; Frank G. Siscoe & Turner B. Shelton (US State Dept.); Lars Almstrom (Stockholm Chamber of Commerce).
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New York, Moscow & Washington: Lester Cowan, 1962-65.. 8vo., 63 pp., Very Good, with minor tears, some yellowing. In addition to agreement are copies of related material, mostly correspondence between the authors. Also included is a copy of the 1962 Preliminary Agreement.
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Alec Guiness and Alec Guiness in “The Scapegoat”, 1959.
by Metro-Goldwyn-Mayer British
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Denham, UK: Metro-Goldwyn-Mayer British, 1959. . 8x10 black & white glossy publicity photo. Very Good. Features full synopsis on back.
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Alice Fay in “Lillian Russell”, 1940.
by Twentieth Century Fox
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Los Angeles, CA: Twentieth Century Fox, 1940. . 7 x 9 inch black & white glossy publicity photograph. Very Good.
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The All-Americans.
by Parish, James Robert and Don E. Stanke.
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New Rochelle, N.Y.: Arlington House, 1977.. 448 pp.; illustrated in black and white. Featuring chapters on Henry Fonda, William Holden, Rock Hudson, Fred MacMurray, Ronald Reagan, and James Stewart. Fine in cloth-covered boards in very good shelf-worn dust jacket.
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The Americanization of Emily.
by MGM; James Garner, Julie Andrews.
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Hollywood: MGM, 1964. . Black and white movie still, 8 x 10". Starring James Garner, Julie Andrews. Very Good.
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Anthology Film Archives. Volume 36, No. 2. April - May - June, 2007.
by Anthology Film Archives (New York).
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New York: Anthology Film Archives, 2007.. Periodical. 4to. 31 pp. Stapled Wraps, Good with minor tear to cover. B&W stills from films.Mailed to: Carol Nakaso @ San Francisco Museum of Modern Art.Provenance: From the Peter Selz collection.
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Anthology Film Archives. Volume 39, No. 1. January - March, 2009.
by Anthology Film Archives (New York).
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New York: Anthology Film Archives, 2009.. Periodical. 4to. 31 pp. Stapled Wraps, Very Good. B&W stills from films.Mailed to: Curator, San Francisco Museum of Modern Art.Provenance: From the Peter Selz collection.
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Anthology Film Archives. September - December, 2004.
by Anthology Film Archives (New York).
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New York: Anthology Film Archives, 2004.. Periodical. 4to. 31 pp. Stapled Wraps, Very Good. B&W stills from films.Mailed to: Curators @ San Francisco Museum of Modern Art.Provenance: From the Peter Selz collection.
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Anthology Film Archives. Volume 37, No. 2. April - May - June, 2008.
by Anthology Film Archives (New York).
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New York: Anthology Film Archives, 2008.. Periodical. 4to. 31 pp. Stapled Wraps, Good with minor tear to cover. B&W stills from films.Mailed to: Carol Nakaso @ San Francisco Museum of Modern Art.Provenance: From the Peter Selz collection.
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