Description:
[Paris?]: [19th Century French Publisher], [1880s].. Original B&W engraving. 17 x 11 inches. Very Good. Small crease at top left corner, else fine. Light matting. Extremely scarce.
Search Results: Prints - American from Alan Wofsy Fine Arts
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19th century village scene.
by [19th Century French Artist].
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2 San Francisco Bay side cottages.
by Chandler, R.
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ca. 1955.. Watercolored lithograph on paper. 26x 19 inches. Signed twice in print by the artist.
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4 California Desert Sceens.
by Serratoni, Frank, J.
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ca. 1950.. Watercolor over offset. 26x 20 inches. Signed 4 times in print by the artist.
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4 Images of the Sierras.
by Serratoni, Frank, J.
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ca. 1950.. Watercolor over offset. 20x 26 inches. Signed in print by the artist.
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A. Katy's Alphabet Book.
by Young, Susan.
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San Francisco, California, United States
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1979.. Color etching. Signed and titled in pencil. 1.8 x 8.5 inches.
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AD. 1926. Christmas!
by Kent, Rockwell
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San Francisco, California, United States
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1926. Woodcut on cream stock folded once. Printed in black and red. 4-3/8 x 6-1/4 inches. Robert Rightmire, "The Greeting Cards of Rockwell Kent," no. 123. Designated as "Rarity 6" = 2 to 4 copies extant.
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Abstract Tones.
by Bowker, Victor Wayne.
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San Francisco, Calif., 1952.. Hand-colored aquatint etching. Signed in pencil by the artist. 7.5 x 5.5 inches. The artist graduated from Washington High School, San Francisco in 1948 and then attended local colleges. He exhibited in the Annual Exhibitions of Drawings and Prints of the San Francisco Museum of Art from 1951-1953. In his later years he was a self-employed building designer with offices at 333 Kearny Street. This work is from the artist's estate, which we represent.
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Adobe.
by Dussett, Barbara.
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San Francisco, California, United States
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ca. 1950s.. Silkscreen and offset. Signed and titled and annotated E25 in pencil. 21.5 x 35.5 inches.
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Alborado.
by Urbach, Theo.
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Ca. 1971.. Two color aquatint etching. Signed in pencil by the artist with edition numbered 5 / 125. 26 x 7.5 inches. Borders cropped with tape marks (in borders).
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Aloha Moon.
by Griffith, Porter M. (artist).
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Meany, Ray. Golden Gate Publications.. Oakland: Ray Meany, Golden Gate publications, 1941. Cover for sheet music. 4 pp.
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Aloha from Hawaii.
by Griffith, Porter M.
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Oakland, Calif.: Golden Gate Pubs., 1941.. Cover for sheet music. 4 pp.
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The American Amateur Photographer, Volume VII, January-December, 1895. (With the original Alfred Stieglitz photograph "At Lake Como."). First Edition.
by Alfred Stieglitz (1864 - 1946)
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New York: The Outing Company, Limited, 1895. 8vo. Rebound by the artisan binder Sasha Mosalov in half morocco with marbled boards. 23.5x16 cm (9¼x6¼"). First Edition....National Gallery of Art: 1949.3.44Stieglitz Estate Number 64CKey Set Number 471887, printed 1895/1896platinum print...568 pp. Includes technical and aesthetic essays, reviews, camera club announcements, and over 150 photogravures and other illustrations including a hand-pulled photogravure from a photograph by Alfred Stieglitz. Notably, the volume includes a promotional sample -- Stieglitz's photograph "At Lake Como" (1887) which was made in 1895 on matt surface Velox photographic paper and inserted into the December issue....Featuring a very early gelatin silver print—printed on Velox photographic paper. Photo Seed describes this photograph as follows: "This promotional sample of the Stieglitz photograph At Lake Como...was made in 1895 on matt surface Velox photographic paper and inserted into the December, 1895 issue…
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American President Lines. Round the World. S.S. President Garfield. San Francisco-Oakland Bay Bridge.
by Sawyer, Allan G.
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Oakland, Calif.: American President Lines, 1940.. Color print. 16 x 22 inches. Signed and dated in the image.
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American Antiquarian Society. 175 Years. 1812-1987. Worcester, Massachusetts.
by Hidy, Lance.
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San Francisco, California, United States
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Worcester, Mass., 1987. Distributed graphics by Dow and Frosini.. Hand silkscreen print. 32-15 x 18 inches. Edition of 275. Signed in pencil.
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Amston Pond.
by Nason, Thomas Willoughby (1889-1971
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Alexandria, VA: The Society of Print Connoisseurs, circa 1947.. Line engraving. 7 x 10.5 inch image on 9.75 x 12.8 inches laid paper. Dry stamp of the publisher. Signed in pencil. Tape remnants upper corners.Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. He spent much of his early years at the Boston Public Library studying the work of printmakers, from Durer and Rembrandt to the 18th century English, French and Italian masters.Like many American artists of the time MacLaughlan traveled to Europe to study in Paris, enrolling in the Ecole des Beaux Arts and studied further with Jean Leon Gerome and Jean Paul Laurens. In 1899 he began producing etchings, which became his major interest until his death in 1938. In 1900 he created a set of 25 etched views of…
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Angelo Pellegrini. Statue of Liberty.
by Hidy, Lance.
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Hidy. Distributed graphics by Dow and Frosini.. Portrait of Italian Immigrants with Statue of Liberty. Hand silkscreen. Earthtone background. 19-3/4 x 14-1/2 inches. Edition of 70. Signed in pencil.
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Angelo Pellegrini. Statue of Liberty.
by Hidy, Lance.
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Hidy. Distributed graphics by Dow and Frosini.. Hand silkscreen print. Purple background. 19-3/4 x 14-1/2 inches. Edition of 70. Signed in pencil.
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Anna.
by Hidy, Lance.
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San Francisco, California, United States
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1982. Distributed graphics by Dow and Frosini.. Hand silkscreen print. 22.5 x 15 inches. Edition of 150. Signed in pencil.
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Announcement for Fifth Annual Book Arts Seminar
by DePol, John.
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San Francisco, California, United States
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Madison, NJ: Farleigh Dickinson University,. 1985.. Small Folio. 4 page flyer with reproduction of 4 wood engravingsa and 6 photos of the master at work.
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Annulated Marmot Squirrel - Plate 79 (LXXIX) from The Viviparous Quadrupeds of North America. First Imperial Folio edition.
by Audubon, John James (1785-1851)
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Philadelphia: J.T. Bowen, 1845. Original handcolored lithograph. Mounted on archival paper with repaired marginal tears. Soiling in the margins but fresh colors. 53.5 x 69 . 21 x 27 inches.
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