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119. Vüe Perspective du Palais du Duc d'Aveiro à Lisbonne. Original 18th Century vue optique.

119. Vüe Perspective du Palais du Duc d'Aveiro à Lisbonne. Original 18th Century vue optique.

by Daumont, Jean-François, editeur.

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Paris: Daumont, circa 1760.. Handcolored engraving. 25.5 x 40 cm. sheet size cm. Mounted on a support sheet. Provenance: Frédéric Laurent de Rummel, St-Germain-en-Laye , France. Las vistas ópticas estuvieron muy de moda en el siglo XVIII, son grabados, fundamentalmente en plancha de cobre, hechos para ser vistos a través de una caja óptica (con inversión del texto y la imagen), que constaba de un espejo inclinado y una gran lente, para poder ver las estampas
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123. Vüe Perspective du Portail de l'Eglise Cathédrale de Tolède.  Original 18th Century vue...

123. Vüe Perspective du Portail de l'Eglise Cathédrale de Tolède. Original 18th Century vue optique.

by Daumont, Jean-François, editeur.

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Paris: Daumont, circa 1760.. Handcolored engraving. 24.5 x 39.5 cm. sheet size cm. Mounted on a support sheet. Provenance: Frédéric Laurent de Rummel, St-Germain-en-Laye , France. Las vistas ópticas estuvieron muy de moda en el siglo XVIII, son grabados, fundamentalmente en plancha de cobre, hechos para ser vistos a través de una caja óptica (con inversión del texto y la imagen), que constaba de un espejo inclinado y una gran lente, para poder ver las estampas.
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3e Emprunt de la Défense Nationale. Souscrivez pour la France qui combat! Pour celle qui chaque...

3e Emprunt de la Défense Nationale. Souscrivez pour la France qui combat! Pour celle qui chaque jour grandit... First edition of the poster.

by Leroux , Auguste (Auguste [Jules Marie] Leroux,1871-1954)

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Paris : Joseph Charles, [1917]. Original lithograph poster. 112 x 72cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. ..-Notes - Translation of title: The 3rd National Defense Loan. Subscribe for the France that fights! For the one who grows bigger each day. - Signed: Auguste Leroux. - Promotional goal: Fr. J8. 1917. - Item is no. 48 in a printed checklist available in the Library of Congress Prints and Photographs Reading Room.
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482... Le Comte de T. et sa famille. Le Salon.

482... Le Comte de T. et sa famille". Le Salon.

by Gavarni.

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Paris: Le Charivari, 1839.. Lithograph. Image: 22 x 20.5 cm Sheet: 31 x 23 cm. Armelhault & Bocher, no. 952. Published in Le Charivari, text verso.
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4e Emprunt National: Souscrivez. Société Centrale des Banques de Province..First edition of...

4e Emprunt National: Souscrivez. Société Centrale des Banques de Province.. First edition of the poster.

by Droit, Jean (1884-1961).

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Paris : Devambez, Imp., [1918] . Original lithograph poster. 113 x 76cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. ... Waterstain in upper portion. Notes - Translation of title: The 4th National Loan. Subscribe. Société Centrale des Banques de Province. - Signed: L[ieut] Jean Droit, 70e D. - Promotional goal: Fr. J8. 1918. - Item is no. 21 in a printed checklist available in the Library of Congress Prints and Photographs Reading Room.
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83. Vue de la Ville et du Pont de Londres. . Original 18th Century vue optique.

83. Vue de la Ville et du Pont de Londres. . Original 18th Century vue optique.

by Daumont, Jean-François, editeur.

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Paris: Daumont, circa 1760.. Handcolored engraving. 27.5 x 41 cm. sheet size cm. Mounted on a support sheet. Provenance: Frédéric Laurent de Rummel, St-Germain-en-Laye , France.... Les vues d’optique étaient des gravures coloriées à la main et destinées à être contemplées à travers la lentille d’une boîte d’optique (zograscope). Les images, réalisées à l’aide d’une camera obscura, présentaient une perspective très accusée afin de donner une impression de profondeur. Les sujets représentés étaient très variés : paysages urbains, rues, places, monuments, jardins, intérieur de grands édifices, etc. Du temps de l’essor du spectacle de zograscope, aussi appelé mondo nuovo, c’est-à-dire pendant la seconde moitié du XVIIIe siècle, il y avait quatre grands centres de production de vues d’optique : Londres, Paris, Bassano et Augsbourg. Cette production était distribuée dans toute l’Europe.
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A. D. Joseph Vendoios. Assemblée Nationale 1848.

A. D. Joseph Vendoios. Assemblée Nationale 1848.

by Boubomme (Artist); Peronard (Engraver).

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Paris: Chardon aine, 1848.. Original B&W engraving. 12.5 x 9.5 inches. Very Good. Minor wear along edges. Some toning and foxing, mostly along edges. Signed in the plate.
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Abbaye du Castle Acre.

Abbaye du Castle Acre.

by Tiringer.

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[Paris]: [19th Century French Publisher], [1800s].. Original B&W engraving. 5.75 x 8.5 inches. Good. Toning from age, especially along outer edges. Two inch vertical crease at center-top. Light matting.
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Actualités. Costume d'un Parfait Gentilhomme...

Actualités. "Costume d'un Parfait Gentilhomme..."

by CHAM (1819-1879).

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Paris, 1847.. Lithograph. Image: 23 x 17.5 cm. Sheet: 36 x 26 cm. Published in Le Charivari, text verso.
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Actualités. Fin de la Question d'Orient.

Actualités. "Fin de la Question d'Orient."

by CHAM (1819-1879).

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Paris, 19th cent.. Lithograph. Sheet: 27 x 24.5 cm. Published in Le Charivari, text verso.
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Affaire de Claye (1814). First edition of the lithograph.

Affaire de Claye (1814). First edition of the lithograph.

by LamI, Eugene (1800-1890)

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Paris: L'Artiste, 1831.. Lithograph. 20.5 x 26.5 cm. Published in L'Artiste : journal de la littérature et des beaux-arts. Vol. IV. Foxing. Printed by Louis Pierre Alphonse Bichebois...La cavalerie française essaya à son tour de déboucher de Claye ; mais elle fut ... 1 L ' affaire de Claye et de Ville - Parisis coûta aux fusiliers prussiens 16 morts Catalogued in "Les Estampes de L'Artiste, 1831-1904" by Pierre Sanchez and Xavier Seydoux, no. 1831-39. Fondée en 1831 aux plus beaux jours de la révolution romantique, la revue L'Artiste connut une longue vie, se transformant et se renouvelant plusieurs fois au cours du XIXe siècle, pour ne s'éteindre définitivement que dans les toutes premières années du XXe siècle. C'est dire que, durant ses soixante-quatorze ans d'existence, cette revue porte un témoignage direct sur l'évolution des mouvements artistiques et littéraires, ayant joué souvent un rôle actif soit dans la légitimation de la modernité et de l'innovation, soit au… Read More
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Affiches Illustrées, no. 6. Au Theatre français...

Affiches Illustrées, no. 6. "Au Theatre français..."

by Gavarni.

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Paris: Le Charivari, 1846.. Lithograph. Image: 19 x 16.5 cm. Sheet: 36.5 x 24 cm. Armelhault & Bocher, no. 1003. Published in Le Charivari, text verso.
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Affiches Illustrées, no. 3. Mosieu, quelle est la meilleure troupe de Paris...

Affiches Illustrées, no. 3. "Mosieu, quelle est la meilleure troupe de Paris..."

by Gavarni.

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Paris: Le Charivari, 1846.. Lithograph. Image: 19.5 x 17.5 cm. Sheet: 36.5 x 24.5 cm. Armelhault & Bocher, no. 1000. Published in Le Charivari, text verso.
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Affiches Illustrées, no. 4. Plus de cheveux blancs..

Affiches Illustrées, no. 4. "Plus de cheveux blancs.."

by Gavarni.

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Paris: Le Charivari, 1846.. Lithograph. Image: 19 x 16.5 cm. Sheet: 36.5 x 24 cm. Armelhault & Bocher, no. 1001. Published in Le Charivari, text verso.
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Agriculture:  Labourage,  Semoirs, Jardinage, Jardin potager,  Fontainier, culture de la vigne. [...

Agriculture: Labourage, Semoirs, Jardinage, Jardin potager, Fontainier, culture de la vigne. [ Plowing, Sowing, Vegetables, Vignoble, Fountains]. Engravings from Denis Diderot and Jean Baptiste Le Rond d'Alembert: Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers.

by Bénard, Robert (1734 -1777), Defehrt, A. J. (1723-1774), Prevost, Bonaventure (1735-1804?) and Jacques Goussier (1722-1799) (artists)

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Paris: Chez Briasson, David & Le Breton, 1762-1767.. Mainly 39.5 x 25.5 cm. A collection of 26 plates
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Ah! faut-il qu'un homme soit....indiscrett.  First edition of the lithograph.

Ah! faut-il qu'un homme soit....indiscrett. First edition of the lithograph.

by Bellangé, Hippolyte ; Joseph-Louis-Hippolyte Bellangé (1800-1866); Villain, lithographer.

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Paris: Gihaut Frères, 1825.. Lithograph. 23.2 x 17.8 cm. sheet size. A soldier seated by a hearth, lighting a cigarette; behind him, at right, woman motions towards him, with a disparaging air; beyond at right, a kitchen table and pots hung from the ceiling; taken from an album published in 1825. Ref: Jules Adeline, "Hippolyte Bellangé et son Oeuvre,"1880, no. 36... Bibliographic references IFF / Inventaire du Fonds Français: Bibliothèque Nationale, Département des Estampes (36) Adeline 1880 / Hippolyte Bellangé et son oeuvre (36) Beraldi 1885-92 / Les Graveurs du dix-neuvième siècle (4)
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Album de Paysages à la Plume. First edition.

Album de Paysages à la Plume. First edition.

by Tudot, Edmond (1805-1861), artist; Champagnat, J. Bariau, V. Lange, Pierdon, A. Montillot, Ragon, lithographers.

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Moulins, France: P. A. Desrosier, circa mid- 19th Century.. Portfolio of 17 tinted lithographs. Loose as issued with old paper wrappers. 24 x 32 cm. A few lithographed by Tudot himself. Some sheets with foxing. .. All the plates are titled. The ones with identified locations are: Rue de Murat; Faubourg d'Aurillac; Village près St. Flour; Chateau de Veauce; Aubijoux; La Chaise-Dieu; Rue de Pierrefort Very rare. No copies in OCLC.
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Album lithographique  par Charlet. First edition.

Album lithographique par Charlet. First edition.

by Charlet, Nicolas Toussaint (1792-1845)

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Paris: Gihaut frères, 1832-1837. Oblong 4to, 34 x 25.5 cm. Original publisher's cloth, faded, With 24 mainly military images of the Napoleonic wars. The images are from the 1832 to 1837 albums described in De la Combe, Charlet: nos. 787-895... Toile éditeur intérieur frais (couverture défraîchie)..
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Album lithographique  par Charlet. La vieille armée française. (Costumes d'Infanterie, armée...

Album lithographique par Charlet. La vieille armée française. (Costumes d'Infanterie, armée de 1809) First edition.

by Charlet, Nicolas Toussaint (1792-1845)

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Paris: C. Motte, 1820-1821. Original lithographs. 30.5 x 21cm. to 35 x 27cm., most mounted on support sheets 39.5 x 28cm. 19th Century qtr. cloth. With 11 of 12 from the suite described in De la Combe, Charlet on p. 234: nos. 187-190, 192-195. 197, 199, 201. Lacking only Combe no. 191....LA VIEILLE ARMEE FRANCAISE (Armée de 1809): Ce nom recouvre un ensemble de 12 lithographies, imprimées chez l'éditeur Motte, d'Octobre 1820 à Février 1821. Ces pièces, considérées comme parmi les meilleures de l'artiste dans le genre du costume militaire, sont toutes rares ou très rares. Dans le catalogue du colonel de La Combe, elles portent les numéros 187 à 195, 197, 199 et 201. Les numéros 196 (1ère idée du numéro 195), 200 (première idée du numéro 199) et 198 n'ont été tirés qu'à 3 épreuves: elles sont donc rarissimes et on ne sait pas si elles existent encore; stricto sensu elles ne font pas partie de cet ensemble, mais s'y rapportent directement.... Dans le chapitre VI de sa… Read More
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Amateur contemplant une gravure dans l'Atelier. Original etching.

Amateur contemplant une gravure dans l'Atelier. Original etching.

by Pierre, Gustave René (1875-1939)

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Paris: circa 1920-1930. Etching on laid paper folded to thesize of the image 23.5 x 18.5cm. Provenance: Galerie Schmit, Paris and Jacques-Antoine Bibours, La Tronche, France.... Expertise by Alain NICOLAS; 41, quai des Grands Augustins - 75006 PARIS France ...
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