Search Results: Prints from Alan Wofsy Fine Arts

[Paris: Thurett, circa 1711].. Engraving. 33.5 x 27 cm. plate size. 47 x 31 cm. sheet size. On laid paper with “GF” watermark. Very Good. Berain's work was very influential and was adopted for the decoration of Boulle marquetry, tapestries, and other textiles, as well as faience. Berain, was named chief designer to the French court in 1690.

Greenwich, Conn.: New York Graphic Society, 1959.. 8vo. Wraps un pp. Illustrated catalogue of the additions to their general catalogue.

ca. 1800.. Engraving. 12 x 15 inches. Worn through in three spots.

Paris: Daumont, circa 1750.. Hand-colored engraving. 25.5 x 41 cm. (image). 27.5 x 42 cm. (sheet). Very Good. Sheet trimmed, light specks of foxing, some surface soiling.

London: W. B. Cooke, 1829. . Black and white engraving. 16.5 cm x 24.5 cm. Unbound sheet mounted on black framed foam core board with plastic encasing. Good with staining along top and bottom edges. Text at bottom reads: “London, Published June 1, 1829 by W. B. Cooke, 9, Soho Square.” Caption attributed to Thomas Hood.

[France: French Publisher, circa 1856].. Hand-colored etching. 10 x 13 1/2 in. (image). Good, tears along sheet edges, some toning.Provenance: From the Collection of the late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.

London: Vanity Fair, 1875.. Chromolithograph. 31 x 18.5 cm. (image). 38.5 x 25.5 cm. (sheet). Dated 27 November 1875. Vincent Brooks, Day & Son (Lithographers). Very Good. Light toning along sheet edges.Abraham Hayward Q.C. was an English man of letters.

Mid-20th cent.. Hand colored drawing. Ltd. ed. 22 x 15". Signed lower left; numbered "IV/LX" and "132" lower right. Slight foxing visible on reverse.

[U.S.: 20th Century Publisher], 1970.. Lithograph in colors on Arches paper. Signed, dated, and numbered 64/150 in pencil. 76 x 56.5 cm (sheet). Very Good. A few, light handling creases. Toning along sheet edges.

Ca. 1950.. Linoleum relief print. Hand-colored. 26 x 15.5 cm. Rubbed/fading across the image.

[U.S.: 20th Century Publisher, circa 1982].. Color monotype on wove paper. Signed in pencil. 91 x 61 cm (sheet). Very Good. A few tears and loses along sheet edges.

ca. 1970s.. Color intaglio and embossing on deckled paper. Graphic, abstract. 6.25 x 6 inches. Signed and titled with edition in pencil; 56/150.

Los Angeles: Lynton Kistler, 1973.. Folio. Fifteen Prints, plus one sheet (recto & verso) of commentary in Portfolio. VG. [First Edition].From the collection of the late Frederick G.Ruffner, Jr., founder of Gale Research, Detroit.

Berlin, Germany: Verlag von Richard Bong, 1903.. 16" x 22". Folded Print of Richard Bong engraving of Schmutzler Painting. Very Good with faint staining, minor creasing. Copyright 1903 by Franz Hanfstaengl, Munchen.

Munich: Johann Baptist Stuntz, circa 1810-1816.. Lithograph. 15.8 x 20.5 cm. (image). 23.7 x 28.5 cm. (sheet). Very Good. Light surface soiling. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques, choix de dessins d'après les grands maitres de toutes les Ecoles, tirées du Musée de S.M. le roi de Bavière par Strixner, Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty, and was published by J Stuntz in Munich in 72 parts each of 6 sheets, with 432 prints in total, between 1810 and 1816 (so Düssler: no complete copy is recorded in London, and the BM only has oddments from it). It was followed by the separate series of plates after paintings, the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv', 87 1965, pp.139-79.....Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die… Read More

1991.. Ketubah, color offset lithograph on heavy stock, calligraphy, 30 x 22". Artist's proof, dated & signed by artist in pencil below image. Light crease top margin, else NF.

Paris: Vor. Quetin, circa 1855.. Chromolithograph. 13 x 9 1/4 in. (image). Very Good. Provenance: From the Collection of the late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.

London: Vanity Fair, 1872.. Chromolithograph. 30.5 x 18.7 cm. (image). 37 x 24.5 cm. (sheet). Dated 2 March 1872. Very Good. Light toning along sheet edges, tear at lower left sheet corner.Alexander William Kinglake (1809-1891) was an English travel writer and historian. He was born near Taunton, Somerset, and educated at Eton College and Trinity College, Cambridge. He was called to the Bar in 1837, and built up a thriving legal practice, which, in 1856, he abandoned to devote himself to literature and public life.

London: Vanity Fair, 1871.. Chromolithograph. 31.8 x 19 cm. (image). 37 x 24.5 cm. (sheet). Dated 22 July 1871. Very Good. Light toning along sheet edges, tear at lower left sheet edge.Alfred Tennyson, 1st Baron Tennyson FRS (6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu".

[England: 18th Century English Publisher, circa 1775].. Engraving. 32 x 45 cm. (image and sheet). Good. Sheet trimmed to image, light speck of foxing, some surface soiling, tears along sheet edges.