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1st Battalion (West Melbourne) Victorian Infantry

1st Battalion (West Melbourne) Victorian Infantry

by Bunnett, Henry Richard Sharland

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1900. Very good condition. Original chromolithographic illustration of infantry from the Australian state of Victoria. Showing an infantryman in red coat, gray trousers and spiked helmet marching with rifle over shoulder. In the background is a soldier on horseback, with a bugler standing next to him. Matted. 8 x 10". In 1883, after Sir Frederick Sargood had been appointed Victoria's first Minister of Defense, the volunteer system of recruiting used to that point was replaced by a part time paid militia system. The 1st Battalion, which had formed in 1854, carried on, changing its name over time; today it is part of the 4th Brigade, 2nd Division which has earned battle honors in the Boer War, World War I and World War II.
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A.A.A. (Montague Shearman)
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A.A.A. (Montague Shearman)

by Vanity Fair, Wag

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London: Vanity Fair. Athletic judge standing at the finish tape with umbrella and top hat! Published July 4th 1895. Vanity Fair was an English magazine that published satirical caricatures from 1868-1914. The handsome chromolithographs are prized for their portraits of important scientists, sportsmen, judges & politicians. Approximately 20 x 36 cm.
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Abricot de Portugal, Plate V, from Traite des Arbres Fruitiers

Abricot de Portugal, Plate V, from "Traite des Arbres Fruitiers"

by Duhamel Du Monceau, Henri Louis

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Paris: Saillant & Desaint, 1768. First edition. Print. Very good condition. Original copper engraved plate of Portugal apricot with later hand color, from Duhamel Du Monceau's important 18th century fruit book. Only 1000 copies of the work were published. The artists include Aubriet, Basseport and Le Berriays. Bright, strong impressions. Henri Louis Duhamel du Monceau (1700-1782) was one of the most important French writers on fruit, plant physiology and agriculture, and "in this field he was one of the outstanding botanists of the eighteenth century" (Raphael). Image size 8.25 x 10", Paper size 9 7/8 x 13", printed on laid paper, fruit tinged with orange and bronze, with green serrated edged leaves. Page evenly toned. Book reference: Nissen 550; Great Flower Books, p. 55; Dunthorne 100; Stafleu TL2 1546; Oak Spring Pomona, 28.
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Abricotee de Tours, Plate XIII, from Traite des Arbres Fruitiers

Abricotee de Tours, Plate XIII, from "Traite des Arbres Fruitiers"

by Duhamel Du Monceau, Henri Louis

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Paris: Saillant & Desaint, 1768. First edition. Print. Good + overall. Original copper engraved plate of apricots with later hand color, from Duhamel Du Monceau's important 18th century fruit book. Only 1000 copies of the work were published. The artists include Aubriet, Basseport and Le Berriays. Bright, strong impressions. Henri Louis Duhamel du Monceau (1700-1782) was one of the most important French writers on fruit, plant physiology and agriculture, and "in this field he was one of the outstanding botanists of the eighteenth century" (Raphael). Image size 8.25 x 10", Paper size 9 7/8 x 13", printed on laid paper, colors are orange with brown tones. Page toned evenly, some greyish marking in lower right and top right of image. Book reference: Nissen 550; Great Flower Books, p. 55; Dunthorne 100; Stafleu TL2 1546; Oak Spring Pomona, 28.
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Adelaide. Hindley St. from the Corner of King William St

Adelaide. Hindley St. from the Corner of King William St

by Gill, S.T. Angas, George French

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London, 1847. Handsome hand-colored lithograph of Adelaide, plate 41 from "South Australia Illustrated." Folio size print, image size 16x12 1/2" on wide margined paper. Period hand color. Some slight mat burn with sml. watermark in lower margin. The classic early depiction of Adelaide.
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Aesculapius, Flora, Ceres and Cupid honouring the Bust of Linnaeus. Engraving

Aesculapius, Flora, Ceres and Cupid honouring the Bust of Linnaeus. Engraving

by Thornton, Dr. Robert. [Linnaeus]

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London, 1806. Stunning original mezzotint & colored stipple aquatint of allegorical figures paying homage to a bust of the famed scientist, Carl Linnaeus, famous for his work in taxonomy, the science of identifying, naming and classifying organisms, particularly plants. The richly colored print was produced through an elaborate engraving technique using mezzotint, aquatint, etching and line engraving on a single plate. It is from one of the most admired flower books ever assembled, Thornton's "The Temple of Flora". Linnaeus is honored by, from left, Asclepius (god of medicine), Cupid (god of desire, winged infant seated in foreground), Flora (goddess of flowers and a symbol of nature), and Ceres (goddess of agriculture). Flora offers a garland of flowers, Ceres crowns the bust with a golden wreath, and an additional winged cupid sprinkles flowers from a cloud above the bust. From Thornton's renowned "Temple of Flora", the third and final part of Robert Thornton's 'New illustration of the sexual… Read More
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Album Pintoresco de la Isla de Cuba
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Album Pintoresco de la Isla de Cuba

by Miahle, Pierre Toussaint Frederic

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Berlin: Oilprinting Storch & Kramer (for) B. May y Ca., 1855. One of two pirated editions printed in Germany in the 1850's, a marvelous album of views based on the work of Cuba's master lithographer Frederic Mialhe depicted in his Viaje Pintoresco al Rededor de la Isla de Cuba (Havana, 1847-1848); this edition with captions in Spanish only and without vignettes on the maps (the other pirated edition was printed in either Berlin or Hamburg, with tinted lithographs instead of the color lithographed plates, as here, the captions were in Spanish, English and German, and a series of vignettes were printed around the border of the two maps); the lithographs in this issue are much more detailed than in the other pirated edition. Perhaps the finest pictorial record of daily life in Cuba in the 19th century, with port and city views of Havana, countryside scenes, a bullfight and a cockfight. This copy with all plates fully and beautifully color lithographed. Sabin 17748 (for the other pirated edition which… Read More
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Album of the Finest Birds of all Countries, Undulated Parrot. Wellenformiger Papagei. Budgerigar...
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Album of the Finest Birds of all Countries, "Undulated Parrot. Wellenformiger Papagei." Budgerigar in a flowering gum (eucalyptus) tree

by Anon

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Philadelphia: Weik & Weik, 1860. A beautiful and rare print of a budgerigar. The album consists of 25 hand-coloured lithographed plates. The bird species are grouped by continent. There are five plates of Australian birds. The National Library of Australia holds a copy, but there are no other recorded holdings in Australia. 10 x 14", very faint crease but otherwise in beautiful condition.
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Album of the Finest Birds of all Countries. America. Macaw. Blau und Gelber Arras. Toucan....

Album of the Finest Birds of all Countries. America. Macaw. Blau und Gelber Arras. Toucan. Rothschnab Pfefferfresser

by Anon

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Philadelphia: Weik & Weik, 1860. Handsome print of a Macaw and a Toucan sitting on a tree branch. From the rare "Album of the Finest Birds of all Countries", published ca. 1860 in Philadelphia. The album consists of 25 hand-coloured lithographed plates, with the plates hand-coloured in Germany. The species are arranged by continent. 10 x 14", beautiful condition.
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Album of the Finest Birds of all Countries, Titmouse. Glanzmeise. (with) Wren. Punktirter...
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Album of the Finest Birds of all Countries, Titmouse. Glanzmeise. (with) Wren. Punktirter Zaunkonig Wurger The blue fairy wren and another wren on the same plate

by Anon

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Philadelphia: Weik & Weik, 1860. A beautiful and rare print of two wrens: one the blue fairy wren and the other strongly colored with a red body, blue cap, blue wings and tail. Sitting on a fuchsia, with a butterfly and a landscape in the background. The album consists of 25 hand-coloured lithographed plates. The bird species are grouped by continent. There are five plates of Australian birds. The National Library of Australia holds a copy, but there are no other recorded holdings in Australia. 10 x 14", beautiful condition.
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Album of the Finest Birds of all Countries, Thread - Tailed Epimachus. Fadenschwanziger...
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Album of the Finest Birds of all Countries, Thread - Tailed Epimachus. Fadenschwanziger Epimachus. Red Bird of Paradise. Rother Paradiesvogel

by Anon

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Philadelphia: Weik & Weik, 1860. A beautiful and rare print of two birds of paradise on a tree branch. The album consists of 25 hand-coloured lithographed plates. The bird species are grouped by continent. There are five plates of Australian birds. The National Library of Australia holds a copy, but there are no other recorded holdings in Australia. 10 x 14", beautiful condition.
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Album of the Finest Birds of all Countries, Parrots. Papagaien. Pennant's Parrot and a green...
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Album of the Finest Birds of all Countries, Parrots. Papagaien. Pennant's Parrot and a green Australian parrot

by Anon

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Philadelphia: Weik & Weik, 1860. A beautiful and rare print of two parrots, one Pennant's parrot (red and royal blue) and the other possibly a 28 (green parrot, yellow head, red collar, blue on wings), sitting in a eucalyptus. The album consists of 25 hand-coloured lithographed plates. The bird species are grouped by continent. There are five plates of Australian birds. The National Library of Australia holds a copy, but there are no other recorded holdings in Australia. 10 x 14", beautiful condition.
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Allocco diurno, Plate LXXXXIII, engraving from Storia naturale degli uccelli trattata con metodo...

Allocco diurno, Plate LXXXXIII, engraving from "Storia naturale degli uccelli trattata con metodo e adornata di figure intagliate in rame e miniate al naturale"

by [Owl] Manetti, Saviero

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Florence, Italy: Giuseppe Vanni, 1766. Print. Very good condition. Period hand-colored copper engraving from the [Natural History of the Birds Treated Systematically and Adorned with Copperplate Engraving Illustrations, in Miniature and Life-Size], 1766-1777. The work carries some interesting historical importance according to Peter Dance: "The production of its five massive folio volumes must have been one of the most remarkable publishing ventures ever undertaken in Florence. Begun in 1767, and [based on birds taken from the collection of Giovanni Gerini], it was completed ten years later. It was larger, better engraved and more vividly coloured than any previous work on birds, but these are not its only claim to fame. The attitudes of the birds themselves give this book its unique character. Strutting, parading, posturing, and occasionally flying....are birds whose real-life counterparts would surely disown them, and not without reason, for Manetti seems in these pictures to be depicting the… Read More
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Allocco bianco, Plate LXXXXII, engraving from Storia naturale degli uccelli trattata con metodo e...

Allocco bianco, Plate LXXXXII, engraving from "Storia naturale degli uccelli trattata con metodo e adornata di figure intagliate in rame e miniate al naturale"

by [Owl] Manetti, Saviero

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Florence, Italy: Giuseppe Vanni, 1766. Print. Very good condition. Period hand-colored copper engraving from the [Natural History of the Birds Treated Systematically and Adorned with Copperplate Engraving Illustrations, in Miniature and Life-Size], 1766-1777. The work carries some interesting historical importance according to Peter Dance: "The production of its five massive folio volumes must have been one of the most remarkable publishing ventures ever undertaken in Florence. Begun in 1767, and [based on birds taken from the collection of Giovanni Gerini], it was completed ten years later. It was larger, better engraved and more vividly coloured than any previous work on birds, but these are not its only claim to fame. The attitudes of the birds themselves give this book its unique character. Strutting, parading, posturing, and occasionally flying....are birds whose real-life counterparts would surely disown them, and not without reason, for Manetti seems in these pictures to be depicting the… Read More
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Allons Voir Les Singes: Tailleur et Robes de Fillettes, De Jeanne Lanvin Print from the Gazette...

Allons Voir Les Singes: Tailleur et Robes de Fillettes, De Jeanne Lanvin Print from the Gazette du Bon Ton

by Brissaud, Peter

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Paris, 1920. Print. Lithograph print with pouchoir color, an intensive process that uses stencils to apply the vibrant color. 7 1/4 x 9 1/2". The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue. The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers' fashions were shown only in the pages of the Gazette. An annual subscription was 100 francs, the equivalent of over $400 today.
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Altre pretesa varieta di Manucodiala, Plate LXV, engraving from Storia naturale degli uccelli...

Altre pretesa varieta di Manucodiala, Plate LXV, engraving from "Storia naturale degli uccelli trattata con metodo e adornata di figure intagliate in rame e miniate al naturale"

by [Bird of Paradise; Tail feathers] Manetti, Saviero

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Florence, Italy: Giuseppe Vanni, 1766. Print. Very good condition. A somewhat bizarre example of tail feathers, with an attenuated beak, head and body attached, of birds of paradise. Period hand-colored copper engraving from the [Natural History of the Birds Treated Systematically and Adorned with Copperplate Engraving Illustrations, in Miniature and Life-Size], 1766-1777. The work carries some interesting historical importance according to Peter Dance: "The production of its five massive folio volumes must have been one of the most remarkable publishing ventures ever undertaken in Florence. Begun in 1767, and [based on birds taken from the collection of Giovanni Gerini], it was completed ten years later. It was larger, better engraved and more vividly coloured than any previous work on birds, but these are not its only claim to fame. The attitudes of the birds themselves give this book its unique character. Strutting, parading, posturing, and occasionally flying....are birds whose real-life… Read More
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Ambrette, Plate XXXI, from Traite des Arbres Fruitiers

Ambrette, Plate XXXI, from "Traite des Arbres Fruitiers"

by Duhamel Du Monceau, Henri Louis

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Used - Very good condition
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Paris: Saillant & Desaint, 1768. First edition. Print. Very good condition. Original copper engraved plate of pears with later hand color, from Duhamel Du Monceau's important 18th century fruit book. Only 1000 copies of the work were published. The artists include Aubriet, Basseport and Le Berriays. Bright, strong impressions. Henri Louis Duhamel du Monceau (1700-1782) was one of the most important French writers on fruit, plant physiology and agriculture, and "in this field he was one of the outstanding botanists of the eighteenth century" (Raphael). Image size 8.25 x 10", Paper size 9 7/8 x 13", printed on laid paper, fruit is olivy green, page toned evenly. Book reference: Nissen 550; Great Flower Books, p. 55; Dunthorne 100; Stafleu TL2 1546; Oak Spring Pomona, 28.
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The  America Schooner, 170 Tons, Winning the Royal Yacht Squadron Cup & Passing the Victoria &...

The " America" Schooner, 170 Tons, Winning the Royal Yacht Squadron Cup & Passing the "Victoria & Albert" Off the Needles Friday, August 22nd 1851

by [America's Cup] Butler, Augustus

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London: Stannard & Dixon, 7 Poland St, 1852. Otherwise very good condition. Tinted & hand colored lithograph of "The "America", which defeated 15 British yachts to bring the cup to the US, where it stayed for 132 years until Australia won it in Newport, Rhode Island, in 1983. This is the original engraving, not a later reprint. Image 13 3/4 x 11 1/2" on larger paper, original hand color, a little toned. Trimmed to within half an inch of the neat line and caption, laid down on period paper.
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American Scenery; or, Land, Lake, and River Illustrations of Transatlantic Nature. From Drawings...
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American Scenery; or, Land, Lake, and River Illustrations of Transatlantic Nature. From Drawings by W. H. Bartlett

by Willis, N. P.

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London: George Virtue, 1840. Hardcover. Good + condition. Two volumes bound in one. The engravings provide some lovely Bartlett views of the Hudson River Valley, such as View From West Point, Crow's Nest from Bull Hill, View From Ruggle's House, Newburgh, Peekskill Landing, and Indian Falls near Cold Spring. Arguably Bartlett's most famous work. He visited Canada and the United States repeatedly and the illustrations show many of the principal cities of North America as well as the most famous scenic vistas of the day. There are also plates of Boston (Faneuil Hall), New York (The Ferry at Brooklyn), Washington DC (View of the Capitol), and the Catskill Mountains. Thick 4to, frontispiece, iv, 140pp, map, 66 engravings; Vol II: iv, 106pp, 52 plates. All edges gilt; marbled end papers. Period brown stamped leather with gilt title at spine, raised bands. Covers rubbed at corners and spine ends. Internally, damp stain to margins of 2 plates in Vol II; the majority of the plates bright and clean, with… Read More
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American Scenery; or, Land, Lake, and River Illustrations of Transatlantic Nature, Volume I only
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American Scenery; or, Land, Lake, and River Illustrations of Transatlantic Nature, Volume I only

by Willis, N.P.

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Used - Very good overall
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London: George Virtue, 1840. First edition. Hardcover. Very good overall. Many of the 66 steel engravings are of the Hudson River Valley, such as View From West Point, Crow's Nest from Bull Hill, View From Ruggle's House, Newburgh, Peekskill Landing, and Indian Falls near Cold Spring. There are also plates of Boston (Faneuil Hall), New York (The Ferry at Brooklyn), Washington DC (View of the Capitol), and Catskill Mountain plates. This is arguably Bartlett's most famous work. He visited Canada and the United States repeatedly and the illustrations show many of the principal cities of North America as well as the most famous scenic vistas of the day. First volume of a two volume set. 4to, 66 steel engraved plates of American scenes, (iv) 140pp, 1 map. Fine American binding, period half brown leather with gilt rules on front cover and gilt title on a black stamped ground. Gilt title on decorative spine with raised bands. Covers are rubbed at edges and at corners. Two different owner signatures at… Read More
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