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Ames: Iowa State University Press, 1964. 1st Edition 1st Printing. Hardcover. Fine/Fine. Xv, 386 Pp. Fine In Fine Dj. Inscribed By Armitage To Artist Pasquale Giovanni Napolitano, Who Illustrated Many Of Armitage's Books, Was The Subject Of A 1935 Book By Armitage, And Was A Friend Since The Early 1930'S: "To Dear Jonnie And Emmy From Their Old Friend Merle / Christmas 1965." Fine In Fine Dj, No Wear Or Fading At All, No Chipping, Not Price Clipped.
Search Results: Art-Archives of Merle Armitage from Arroyo Seco Books
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Accent On Life
by Armitage, Merle, Foreword By John Charles Thomas
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The Architectural League Of New York: Circular Of Information, Twenty-Sixth Annual Exhibition 1911
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The Architectural League Of New York, 1911. 1st Edition . Soft cover. Fine. 8 Pp. 8 1/2" X 11" Information About The League, Procedure For Submitting Exhibits, Etc. From The Collection Of Pasquale Napolitano, Muralist And Artist.
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Der Kunstlerische Tanz Unserer Zeit
by Aubel, Hermann Und Marianne; Ownership Signature Of California Muralist And Artist Pasquale G. Napolitano
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Leipzig: Karl Robert Langewiesche, 1928. 1st Edition 1st Printing. Soft cover. Near Fine/Very Good. 110 Photographs Throughout. Viii, 110+ Ads At Rear. Stated First Printing. Short Text, 108 Pp Of Photographs. Lightly Used, No Chips Or Tears Or Fading Or Stains, In Dj With Light Wear, 1/8" Tears At Top And Bottom Spine Edges.Ownership Signature Of California Muralist And Artist Pasquale G. Napolitano Dated In 1930 In New York.
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Flower Arrangement
by Edwards, Norman De Kalb, Foreword By Armitage, Merle
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Yucca Valley: Merle Armitage, Manzanita Press/ L R Kistler, 1961. 1st Edition 1st Printing. Hardcover. Near Fine/Near Fine DJ. Photography By Alean And John Miller, Design By Merle Armitage. First Edition, Trade Issue, Not The Signed Limited Edition. This Example Inscribed By Armitage To His Long-Time Friend And Illustrator Pasquale Giovanni Napolitano And His Wife, "Jonnie & Emmie Christmas 1961 From Merle". Near Fine, Slight Rubbing At Corners, A Little Faint Foxing At Top Edge And Foredge Of Page Block, In Very Near Fine Dj.
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Group Of 15 Original Unmounted Photographs Of Native Americans, By Sculptor Julia Braden Wendt
by Wendt, Julia
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Circa 1890 - 1910, 1910. 1st Edition . No Binding. Near Fine. A Group Of Photographs Of Native Americans Taken By Mrs. Wendt, Along With A Few Others: 8 Smaller Photographs, Some With First Names Of Subjects On Reverse, Individual Men, Women, Children; One Larger Photograph With Stamp Of School Of American Research And Pencil Number 1402-12 On Reverse; One Larger Group On Native Americans In Full Dress Apparently In A Ceremonial Dance; 4 Photographs Of Pottery Designs With Pencil Names And Initials O. S. H. At Bottom Edge; (And One Photograph Of Native Americans In Ceremonial Dance, Trimmed From A Pehoto Postcard). In Box With Pencil Annotation "Indian Photos / Mrs. Wendt" Written By Artist Pasqual G Napolitano, Student And Friend Of Mrs. Wendt, From Her, And Then From His Collection.
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Hand-Stoff-Farberei Wachsschutz (Batik)
by Dubbers, L. [Leonie] [Inscribed To Emmie Goetz By Pasquale Napolitano]
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Munich: Staatl. Kunstgewerbeeschule, 1921. 1st Edition . Soft cover. Very Good +. 102 Pp. Green Wrappers With White Cover Label Printed In Black. Slight Usage, 1/2" Tear Along Top Of Rear Spine Edge, Pages Are Browning. Dubbers Was A Prominent Textile Maker In Germany; She Showed At The Munchen Expressionist Werkstatten Circa 1920, Where She Might Have Been A Teacher At That Time. Inscribed By Los Angeles Muralist Pasquale Giovanni Napolitano To His Wife, Emmie Goetz; She Was A Trained Textile Maker, Who Worked For Maria Kipp In Los Angeles And Executed Many Designs For Her Husband In Addition To Her Own Designs; She Went Back To Germany To Study With Dubbers And Others At The Same Institutions Where Kipp Studied, At The Suggestion Of Herman Sachs, Los Angeles Artist And Craftsman, Who Founded The Munchen Expressionist Werkstatten Circa 1918 And Later Did The Architectural Decorations On Buildings Such As Los Angeles City Hall, The Bullock's Wilshire Building, And Other Landmarks.…
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The Literary Notebooks Of Winfield Townley Scott "A Dirty Hand
by Scott, Winfield Townley, Foreword By Merle Armitage
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Austin: University Of Texas Press, 1969. 1st Edition 1st Printing. Hardcover. Fine/Very Good + Dust Jacket. Frontispiece Photograph. Xiii, 161 Pp. A Fine Book In A Complete, Slightly Used Dj With 1 1/2" Tear At Top Of Rear Panel, Traces Of Wear.
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The Lithographs Of Richard Day
by Armitage, Merle; Foreword By Carl Zigrosser
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New York: E. Weyhe / Merle Armitage/ Will A. Kistler, 1932. 1st Edition 1st Printing. Hardcover. Near Fine/No Jacket. Lithographic Frontispiece And Plates By Richard Day; Photographis Portrait By Edward Weston. White Boards With Blind Stamped Lettering On Spine And Front Cover. Tissue Guarded Lithograph At Front Book Is Near Fine, No Wear But Tiny Surface Chip At Bottom Of Spine Next To A 1/4" Closed Tear, And Thin Strip Of Browning To Op And Bottom Edges Of Front And Rear Panels.
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Martha Graham
by Merle Armitage; Additional Articles By John Martin, Lincoln Kirstein, Evangeline Stokowski, Stark Young, Wallingford Riegger, Edith J R Isaacs, Roy Hargreave, James Johnson Sweeney, George Antheil, Margaret Lloyd, Louis Danz, Martha Graham; Biography By W
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New York: Dance Horizons, 1966. 2nd Edition 1st Printing. Soft cover. Fine. 132 Pp. First Printing Of The Softcover Reprint Of The 1937 Book Designed By Armitage, With A New (1966) Appreciative Foreword By Graham. This Copy Inscribed By Merle Armitage To Pasquale Giovanni Napolitano, Illustrator Of Many Armitage Books, And His Wife: " For Emmie And Jonnie, Two Of The People This Book Was Made For- With Love Merle 1968". Also With A Clipping Of January 1982 La Times Article On A Social Event Promoting Graham.
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Merle Armitage Bibliography (Inscribed By Merle Armitage)
by Marks, Robert, With Merle Armitage
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New York: E. Weyhe, 1956. 1st Edition 1st Printing. Hardcover. Fine. Design By Merle Armitage. 99 Pp. Red And Beige Cloth, Lettered In Black, With White Ma Monogram. Fine, No Wear. Inscribed From Armitage To His Long-Time Friend Pasquale Giovanni Napolitano, Who Contributed Illustrations To Many Of Armitage's Books 1935-1956, And Who Was The Subject Of Armitage's 1935 Book "Napolitano": "P G Napolitano, To Jonnie Dear Friend Of Many Years, Inwho Esthetics And Spirit Meet. Merle 1958".
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Merle Armitage Bibliography (Inscribed By Merle Armitage)
by Marks, Robert, With Merle Armitage
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New York: E. Weyhe, 1956. 1st Edition 1st Printing. Soft cover. Fine. Design By Merle Armitage. 99 Pp. Red And Beige Soft Cover, Lettered In Black, With White Ma Monogram. Fine, Just A Few Touches Of Rubbing At Edges. Inscribed From Armitage To His Long-Time Friend Pasquale Giovanni Napolitano, Who Contributed Illustrations To Many Of Armitage's Books 1935-1956, And Who Was The Subject Of Armitage's 1935 Book "Napolitano": "To Emmy & Jonnie Napolitano From All The Snakes At Manzanita Ranch / Isabelle & Merle 1958".
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Merle Armitage Was Here! A Retrospective Of A 20Th Century Renaissance Man
by Purcell, Robert M.
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Morongo Valley: Sagebrush Press, 1981. 1st Edition 1st Printing. Hardcover. Fine/Fine. Photographs; Endpapers From Design By Merle Armitage. 192 Pp. Black Cloth Over Yellow Boards Printed In Black. #192 Of 475 Copies. Fine In Fine Glassine Dj, No Wear. With The Prospectus For The Book. Inscribed By The Author To The Wife Of Armitage's Friend Pasquale Giovanni Napolitano, The Subject Of Armitage's 1935 Book, And Later Illustrator Of Many Of Armitage's Other Books: "Emma Napolitano, Via Our Mutual Friend Merle. Our Home Enjoys Some Of The Napolitano Art." Emmie Napolitano Was A Professional Weaver For Many Decades, Including Work For A Modernist Fabric Maven In La, And Who Often Worked With Napolitano On His Own Designs Including Many For Churches In The Southwest.
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Mural Design: Original Watercolor Sketches Of Christian Figures On Single Sheet 19 1/2" X 2
by Napolitano, Pasquale G.
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Los Angeles: Pasquale G. Napolitano, 1935. Original Artwork . No Binding. Fine. Sheet Of Thin Vellum-Like Paper 19 1/2" X 2" With 6 Groups Of Color Figures Of Holy Family, Probably A Sketch For A Mural. Napolitano Studied At Chouinard And Otis In 1922-925, Engaged In Wor On Architectural Murals 1925-1930 Working For Designer Herman Sachs On Such Buildings As Bullocks Wilshire, Los Angeles City Hall, The Palm Beach Biltmore, Etc.; Studied Pottery In Ny And Mural Painting In Germany 1929-1931, Returned To Architectural And Other Work In The U.S., Completed Many Wpa Murals In Southern California 1934-1938 And Some Private Commissions, Illustrated Many Books For Merle Armitage 1935-1960, Worked As A Set And Prop Designer And Artist In The 1940'S, And Notably Did Church Art Work For Th Next Twenty Years Including Full Church Interiors, Monumental Sculptures, Etc. He Is The Subject Of The Monograph "Napolitano", 1934, By Merle Armitage.
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No Going Back: Odyssey Of A Conversion
by Phillips, Margaret, Foreword By Merle Armitage; Drawings By Edward O'brien
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Academy Guild Press, 1964. 1st Edition 1st Printing. Hardcover. Fine/Near Fine. Viii, 101 Pp. Fine, No Wear, In Near Fine Dj With Touch Of Wear At Corners, 1/8" Tear At Bottom Of Front Panel, Top Front Flap Fold, And Top Of Front Flap, Not Price Clipped.
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Original Modernist Embroidery, Circa 1918/1930
by Sachs, Herman (Hermann) [From His Estate]
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1925. No Binding. Fine. Original Textile Embroidery, Abstract Design, Wool On Linen, 7 1/4" X 4 7/8". From The Estate Of Artist Herman (Hermann) Sachs. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New…
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Original Modernist Embroidery, Circa 1918/1925
by Sachs, Herman (Hermann) [From His Estate]
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1920. No Binding. Fine. Original Textile Embroidery, Abstract Design, Wool On Silk, 7 5/8" X 5 1/2". From The Estate Of Artist Herman (Hermann) Sachs. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New…
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Original Preliminary Drawing For Mural Panel Wpa "Science" Circa 1935, Framed
by Napolitano, P (Pasquale) G (Giovanni)
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Los Angeles: Pasquale G Napolitano , 1935. 1st Edition . No Binding. Fine. Original Drawing In Black, Five Standing Figures And Globe, Subtitled Science With Later Pencil Subtitle "Babblers", In The Artist's Frame. Image Size 13" X 9". Signed In Pencil. A Study For His Long Beach School Murals Under The Wpa. Napolitano Studied At Chouinard And Otis To 1925, Worked With Herman Sachs And Later On His Own Doing Architectural Murals (Los Angeles City Hall, The Miami Beach Biltmore, And Many Prominent Buildings And Estates). He Then Studied Ceramics In Ny And Mural Painting In Germany 1929-1931. After Returning To Los Angeles In 1933 Napolitano Began Working In All Media, Including Many Murals For The Wpa, Where He Met Armitage. Armitage Published A Book About Napolitano In 1935 And Used His Illustrations In Many Books 1934-1960.
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Original Modernist Embroidery By Herman Sachs
by Sachs, Herman (Hermann)
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1925. No Binding. Fine. Original Embroidery On Silk, Overall 19" X 17", From The Estate Of Artist Herman (Hermann) Sachs. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A…
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Original Modernist Tempera Painting Of A Woman
by Napolitano, Pasquale G.
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Germany 1931 Or Los Angels Circa 1931-1935: Pasquale G. Napolitano, 1935. Original Artwork . No Binding. Fine. Undated. Matted, With Exposed Image 17" X 11". Signed By Napolitano. Napolitano Studied At Chouinard And Otis In 1922-925, Engaged In Wor On Architectural Murals 1925-1930 Working For Designer Herman Sachs On Such Buildings As Bullocks Wilshire, Los Angeles City Hall, The Palm Beach Biltmore, Etc.; Studied Pottery In Ny And Mural Painting In Germany 1929-1931, Returned To Architectural And Other Work In The U.S., Completed Many Wpa Murals In Southern California 1934-1938 And Some Private Commissions, Illustrated Many Books For Merle Armitage 1935-1960, Worked As A Set And Prop Designer And Artist In The 1940'S, And Notably Did Church Art Work For Th Next Twenty Years Including Full Church Interiors, Monumental Sculptures, Etc. He Is The Subject Of The Monograph "Napolitano", 1934, By Merle Armitage.
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Original Photograph Of Martha Graham, Considered For Incluson In "Modern Dance" (1935)
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New York: E Weyhe / Lynton R. Kistler / Merle Armitage, 1935. Original Photograph . No Binding. Fine. 10 1/4" Tall. Photograph By Ben Pinchot. Photograph 9 1/.2" X 7 5/8" Of Head Of Martha Graham, Eyes Closed, Head Uplifted Slightly. One Of The Photograph Considered By Merle Armitage For The Book "Modern Dance" That He Designed That Year. The Photograph Is Annotated By Stamp On The Reverse In Red Ink "Photograph By Ben Pinchot, N. Y. Please Credit - Thank You
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