Search Results: Lithographs from Charles Agvent

Cambridge: Limited Editions Club, 1951. Hardcover. Moderate foxing to first and last few pages and bulked text edges; spines evenly sunned. Near Fine, lacking the plain dustwrappers, in an intact, Very Good slipcase. Barnett Freedman. Two octavo volumes (5-7/8" x 8-3/4") bound in cloth decorated with lithographic drawings by Barnett Freedman drawn on and printed from the stones. Illustrated with color autolithographs drawn on the stone (225 separate stones!) by Barnett Freedman and printed from the stones at the Curwen Press. Translated by Constance Garnett. Copy #323 of 1500 SIGNED by the artist on the colophon page.

Cambridge: Limited Editions Club, 1951. Hardcover. Slight sunning to the spines. About Fine in a close to Fine slipcase with light wear to the open edge. Barnett Freedman. Two octavo volumes (5-7/8" x 8-3/4") bound in cloth decorated with lithographic drawings by Barnett Freedman drawn on and printed from the stones. Illustrated with color autolithographs drawn on the stone (225 separate stones!) by Barnett Freedman and printed from the stones at the Curwen Press. Translated by Constance Garnett. Copy #1087 of 1500 SIGNED by the artist on the colophon page. Monthly Letter laid in.

Cambridge: Limited Editions Club, 1951. Hardcover. Spines a little darkened and rubbed. Near Fine, lacking the plain dustwrappers and the slipcase. Barnett Freedman. Two octavo volumes (5-7/8" x 8-3/4") bound in cloth decorated with lithographic drawings by Barnett Freedman drawn on and printed from the stones. Illustrated with color autolithographs drawn on the stone (225 separate stones!) by Barnett Freedman and printed from the stones at the Curwen Press. Translated by Constance Garnett. Copy #200 of 1500 SIGNED by the artist on the colophon page.

Paris: Limited Editions Club, 1937. Hardcover. Near Fine in a worn slipcase missing the bottom edge. Mariette Lydis. Small folio (9-1/2" x 13-1/2") bound in gilt-decorated full blue buckram. Preface by A. P. Herbert. Illustrated with 15 full-page ORIGINAL MONOCHROME LITHOGRAPHS drawn on the stone by Mariette Lydis and pulled in Paris by F. Mourlot. SIGNED by the artist on the colophon page. This copy is marked "Office Copy" by the publisher and has the LEC Presentation blindstamp on the colophon page stating, "This is one of 15 Presentation Copies. Out of Series."

[1887]. VG. B&W litho. 24" x 19". From Binion's book on Egypt, this litho. contains 10 images of varying mummified remains.

Leipzig: Limited Editions Club, 1930. Hardcover. Fine in a Near Fine, soiled slipcase. Hugo Steiner-Prag. Small folio (8-3/4" x 14") bound in linen-backed handmade Japanese paper boards with a decorative medallion stamped on the front panel; 120 pages. Translated by Curtis Hidden Page with an introduction by Brander Matthews. Illustrated with lithographs drawn on the stone by Hugo Steiner-Prag. Copy #4 of 1500 SIGNED by the artist who also designed the book. Limited Editions Club titles with low limitation numbers are fairly scarce.

Leipzig: Limited Editions Club, 1930. Hardcover. Some splitting of the paper at the front hinge, covers tight. Near Fine, lacking the slipcase. Hugo Steiner-Prag. Small folio (8-3/4" x 14") bound in linen-backed handmade Japanese paper boards with a decorative medallion stamped on the front panel; 120 pages. Translated by Curtis Hidden Page with an introduction by Brander Matthews. Illustrated with lithographs drawn on the stone by Hugo Steiner-Prag who also designed the book. Of a total of 1500 copies SIGNED by the artist on the colophon page, this copy is not numbered (in place of the number is written in ink "Office Copy") and bears the Club's blindstamp stating it is one of 15 presentation copies.

Leipzig: Limited Editions Club, 1930. Hardcover. Small university bookplate on the front pastedown. Near Fine in a Good, soiled slipcase. Hugo Steiner-Prag. Small folio (8-3/4" x 14") bound in linen-backed handmade Japanese paper boards with a decorative medallion stamped on the front panel; 120 pages. Translated by Curtis Hidden Page with an introduction by Brander Matthews. Illustrated with lithographs drawn on the stone by Hugo Steiner-Prag. Copy #810 of 1500 SIGNED by the artist who also designed the book.