Search Results: 20th Century Prints from L'Estampe Originale

Paris, Imprimerie Mourlot., 1962. Mourlot 382, Bloch 1298. Original lithograph exhibition poster in 3 colors, 652 x482 (25.66" x 18.97") on paper with two Arches watermarks. From the edition of 2000 impression published by Alex Maguy. In perfect condition with full deckle edge margins.

1904. From Douze Lithographs Originales de Pierre-Auguste Renoir. Lithograph. Delteil 39; second and last state. Image: 7 x 7 . Margins: 13 x 10. Signed in the plate. With deckled edge.

Turner Broadcasting System, Inc., 1993. Serigraph signed in felt pen by both Bill Hanna and Joe Barbera. 21 x 24. TM and Hanna Barbera, Inc. Framed. In Fine condition with full margins. This print was signed in my presence at a television broadcasting event celebrating the career of Hanna Barbera. Since 1957 when the Ruff and Ready Show first appeared to the present the H-B company has produced over 300 animated films. A partnership that started in 1944 by Metro-Goldwyn-Mayer when they formed the Hanna Barbera Animation Company. William Hanna was born in 1910 died in 1991, Joe Barbera born in 1911.

1906. ETCHING. Schiefler 57. From an edition of 200. Signed in Pencil.7 1/8 x 9 1/8,. (193mm. x 342mm). With full margins.

Dying Day, Siren on the Sea, Lower Manhattan. Lithograph with hand colored pastels. 10 1/4 x 14 1/4". Signed Gerald K. Geerlings. 1983. lower right
Gerald Geerlings was a printmaker, architect and author born in Wisconsin in 1897. Having served both world wars, Geerlings returned to printmaking with emphasis and expertise in architecture and cityscape, which became Geerlings' predominant interests.

RENOIR, PIERRE-AUGUST (1841-1919) FEMME COUCHÉE (TOURNÉE À GAUCHE) Paris, Gazette des Beaux- Arts, 1906. Etching. From the 2nd edition published for Gazette des Beaux- Arts, XXXVII, 1907, facing P. 260. Stella 15, ii/ii. 5 1/2 x 7 3/4. (139mm x 199mm) In fine condition on watermarked paper. With full margins with the exception of a very small clipped right corner.

Paris, Gazette des Beaux- Arts, 1906. Etching. From the 2nd edition published for Gazette des Beaux- Arts, XXXVII, 1907, facing P. 260. Stella 15, ii/ii. 5 1/2 x 7 3/4. (139mm x 199mm) In fine condition on watermarked paper. With full margins with the exception of a very small clipped right corner.

Vollard, 1926. Etching. 1926-1929. 19.8 x 29.8 cm. 45 x 57.6 cm (sheet). Edition not noted; an unknown number of proofs on Arches wove paper. Signed "Matisse" in plate only. Dutuit 86, Cramer, cat. 7, no. 79, illus; Keller, no. 86, Johnson 80. In excellent condition.

Paris. Gazette des Beaux- Arts, 1906. Etching. From the 2nd edition published for Gazette des Beaux- Arts, XXXVII, 1907, facing P. 260. Stella 15, ii/ii. 5 1/2 x 7 3/4. (139mm x 199mm) In fine condition on watermarked paper. With full margins with the exception of a very small clipped right corner.

Lithograph. Cailler 168. RARE with the remarque. One of 35 with the remarque. On chine volant paper with very wide full margins. Lithograph from POEMS by Francis Thompson 1939-1942. Some light foxing in margins. 245mm. x 180mm, 9 5/8 x 7, margins 455mm x 325mm, 16 x 12 3/4.

Monte Carlo, André Sauret., 1965. Signed Lithograph. Frontispiece. Published with the book in a separate folder usually not signed. 250 x 325mm. This lithograph SIGNED in ink on the verso. Mourlot 434. In excellent condition. "This work is devoted to the ceiling of the Paris Opera, which will always count as one of the great achievements of monumental painting in the 20th century." Marc Chagall specially designed a full page lithograph for the frontispiece of this book. "That frontispiece has never been separately printed, and there is no signed proof." André Sauret. This signed in ink lithograph may be one of the few that Chagall signed according to Sauret. Published for the edition of the First French language edition. 4to. Monte Carlo French Edition. ORIGINAL LITHOGRAPH SIGNED BY CHAGALL IN PEN ON THE VERSO housed inside a separate folder.

Woodcut. 1919-1920. From the suite of 4 prints title M.E.Z. Signed, dated and titled in red ink lower right. Grohn 28c, Sprengel Museum 28c. Woodcut printed in silver on black paper. A small ed. of unknown size. 15 7/8 x 19 ¼, with full one inch margins all around.

1904. Lithograph from Douze Lithographs Originales de Pierre-Auguste Renoir. Lithograph. Delteil 37. From the first and only edition of 1000 published by Vollard, 1919. On white wove Arches paper. 9 x 6¾. Signed in the plate.

Lithograph from Douze Lithographs Originales de Pierre-Auguste Renoir. Lithograph. Pub. 1919. From the edition of 50 lithographs on Japan, aside from the larger edition, deckled edge on top and left side, right and bottom has a cut side. D. 38; Stella 38, Roger-Marx 13.Image 11 3/4 x 10 1/4. (298mm x 230mm). Margins:14 ¼ x 10 ¼. (360mm 260mm). Foxing. This portrait of the close friend of Renoir, Louis Valtat, is a relaxed representation of the artist at 35 years of age. He was a painter and printmaker who influenced the Fauve movement.