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ABUSANT DE LA PERMISSION QUE LES ARTISTES

ABUSANT DE LA PERMISSION QUE LES ARTISTES

by DAUMIER, HONORE (1808-1879)

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1857. Sur Blanc. Lithograph. As published in Le Charivari. D. 2967 ii. Prov: unidentified collector's stamp on verso. Image: 8¼ x 10. Margins: 10 x 13½.
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CES ARTISTES SONT PRESQUE TOUS FOUS

CES ARTISTES SONT PRESQUE TOUS FOUS

by DAUMIER, HONORE (1808-1879)

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1847. Sur Blanc. Lithograph with contemporary hand-coloring. D. 1527iii/iii. From Les Bons Bourgeois. Plate 51. Image: 10½ x 8½. Margins: 13 x 10 .
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DIRE QU'ARSINOE..

DIRE QU'ARSINOE..: (As if it weren't enough for Arsinoe to have her portrait painted)

by DAUMIER, HONORE (1808-1879)

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1844. Sur Blanc. Lithograph. From Las Bas Blues, pl. 12. D. 1232 ii/iii, very rare in this state. Image: 9 x 7½. Margins: 13¾ x 10¼.
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HONORE DAUMIER

by (DAUMIER) LEJEUNE, ROBERT

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Zurich., Büchergilde Gutenberg., 1945. Large 4to. 159 pp. 194 illustrations. Silk over boards with clear woven dust jacket.
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LE BOURGEOIS AU SALON

LE BOURGEOIS AU SALON: (WHAT...A PORTRAIT OF MR. BRACUSSAT)

by DAUMIER, HONORE (1808-1879)

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Sur Blanc. Lithograph with contemporary hand-coloring. 1842. As published in La Caricature. D. 986 ii/iii. Image: 8¼ x 7 . Margins: 9 x 14 .
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LE PORTRAIT AU DAGUEREOTYPE

LE PORTRAIT AU DAGUEREOTYPE

by DAUMIER, HONORE (1808-1879)

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1844. Sur Blanc. Lithograph. From Les Etrangers à Paris, pl. 16. D. 1287 ii/ii. Image: 8 x 7½. Margins: 13¾ x 10¼. Some foxing.
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PRIMO SAIGNARE, DEINDE PURGARE, POSTEA CLYSTERIUM DONARE (FIRST HE BLEEDS THEM, THEN HE PURGES...

PRIMO SAIGNARE, DEINDE PURGARE, POSTEA CLYSTERIUM DONARE (FIRST HE BLEEDS THEM, THEN HE PURGES THEM, THEN HE GIVES THEM AN ENEMA)

by DAUMIER, HONORE (1808-1879)

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DAUMIER, HONORE (1808-1879). PRIMO SAIGNARE, DEINDE PURGARE, POSTEA CLYSTERIUM DONARE (FIRST HE BLEEDS THEM, THEN HE PURGES THEM, THEN HE GIVES THEM AN ENEMA). Lithograph with contemporary hand coloring, sur blanc. Dec. 5, 1833. Ref: Delteil 73, as published in La Caricature No. 161, pl. 337 and 338. 131.4mm x173.8mm. 13 x17. With full margins. Framed.This lithograph depicts the bleeding, purging and medication of a man. The print shows from left to right: King Louis-Philippe, a coachman (the French people?), Ferdinand Duc d'Orléans, and Marshal Lobau with his famous syringe. Louis-Philippe in 1833 bleeds a mail messenger (postillon) who has fallen off his horse, thereby saving his life. The King had learned the art of blood-letting in a hospital in his youth and always carried a bleeding-knife on him. Symbolically it is not the postillon, but rather the French nation which is being bled.Brandeis Univ.
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