Search Results: Fin De Siecle Prints from L'Estampe Originale

Elisabeth Sonrel (1874 Tours – 1953 Sceaux), AUTUMN. (Allegory of AUTUMN). 1901 Lithograph. Rare Image: 21½ x 15¼ Margins: 23 x 16 ¼. Repaired tear in the lower right margin Printed on Creme Velin with good margins.
Born in Tours France, Sonrel was the daughter of the painter Stephan Sonrel and was the student of famous artist Jules Lefebvre at his Ecole des Beaux-Arts in Paris. She showed at the The Société des Artistes Français in Paris from 1893 to 1941 She embraced the Symbolist themes of mysticism, mythology and idealism and combined it with a delicate style reminiscent of Botticelli.
Elisabeth Sonrel was rediscovered, after many years of neglect , in a sale at Hôtel Drouot in November of 1974. At that time one of her paintings sold for $100,000ff, an astounding sum for a Symbolist artist at that time. She illustrated the poems of Charles Cros for L'Archet. $1,600.00

TOULOUSE-LAUTREC, HENRI DE (1864-1901).CARNOT MALADE. Lithograph in black. Delteil 25; Adhémar 24; Wittrock 12, from ed. after 1901 on imitation Japan paper. Image 235 x 178 mm. Margins: 380 x 280 mm. In fine condition.

As issued April, 1898. LITHOGRAPH FROM L'ESTAMPE MODERNE. L'Estampe Moderne (1897-1898), a more commercial and later version of L'Estampe Originale, was a monthly publication of print portfolios, producing twenty-four issues containing four color lithographs each. Only a few prints exhibiting Japanese influence were issued, mostly by minor artists, yet they were equally as beautiful in image as their predecessors.

Photo relief. Czechoslovakia. June and December 1897. LITHOGRAPH FROM L'ESTAMPE MODERNE. L'Estampe Moderne (1897-1898), a more commercial and later version of L'Estampe Originale, was a monthly publication of print portfolios, producing twenty-four issues containing four color lithographs each. Only a few prints exhibiting Japanese influence were issued, mostly by minor artists, yet they were equally as beautiful in image as their predecessors.one of 2000.

1907. Woodcut. Curtis 63; BN inv 522. Image: Signed. 12 x 6½. Margins: 11 x 15 . RARE.

Lithographic transfer. c. 1900. Image: 10½ x 7¼. Margins: 14¾ x 11½.

1897. Lithograph. From the suite "Chansons des femmes" in which there were 15 images of women represented. Crauzat 189. Image: 7 x 5.