Description:
1906. ETCHING. Schiefler 57. From an edition of 200. Signed in Pencil.7 1/8 x 9 1/8,. (193mm. x 342mm). With full margins.
Search Results: German Expressionist Prints And Works On Paper from L'Estampe Originale
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DIE JUDENSTRASSE IN AMSTERDAM. (Jewish Lane in Amsterdam)
by LIEBERMANN, MAX. (1847-1935)
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GEBÃœRT (BIRTH)
by FELIXMÃœLLER, CONRAD (1897-1977)
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1917 Sohn 118. Woodcut, on Japan paper. Signed and numbered "24" in pencil of 100. h: 11.8 x w: 11.8 in / h: 30 x w: 30 cm. In very good condition.
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PORTRAIT OF BARLACH II
by PANKOK, OTTO
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1943. Woodcut. Z.W.H. 176. Ed. of 50. Signed in pencil. Printed on heavy Bütten paper with deckled edge. 19 3/8 x 13.
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THE SEVENTH DAY: from the suite: The Metamorphosis of God (Die Wardlungen Gottes).
by BARLACH, ERNST (Germany, Wedel, Holstein, 1870 - 1938)
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1922. Woodcut #7 from the suite: The Metamorphosis of God (Die Wardlungen Gottes). Edition of 110. Schult 171. Signed in pencil. Image: 10¼ x 14¼. Margins: 17 x 13. Die Wandlungen Gotes: Sieben Holzschnitte . Artworks within this Set The cathedrals The divine beggar Dance of death 2 The god "Paunch" The rocks The seventh day The first day
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Two LANDSCAPES
by LANGE, OTTO (1879-1944)
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1910?. Watercolor. Double watercolor on the recto and the verso. In blue tones in a traditional style. Verso: Expressionist Mountain Landscape on one side and a more traditional landscape on the other that includes a lonely figure. Beautiful sensitive image. Signed lower right. Image: 13 ¾ x 21. Please request photos. This is an original watercolor not a book.After an apprenticeship as a decorator, he became a pupil of the Kunstgewerbeschule in Dresden and then studied at the Otto Gussmann Academy of art. From 1919 he lived in Dresden, where, alongside Otto Dix, Conrad Felixmueller, Otto Schubert and Lasar Segall, he co-founded the Dresdner Sezession group, a short-lived collaboration of German Expressionism. The works of this new generation of disillusioned artists placed a much greater emphasis on political and social reformation through pacifistic means, rather than adopting the nihilistic social criticism and cynicism of their Die Brücke predecessors.References Richard Stiller: Otto Lange.… Read More
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THE VILLAGE STREET
by PECHSTEIN, MAX (1881-1955)
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THE VILLAGE STREET. Woodcut from the suite, Ein Dorf, A Village. 1919. Signed and numbered 4/75. Published on F.W. Zanders laid paper with margins measuring: 17 x 22 . Plate V. Kruger 198, first state. Fechter H.129. Image: 12 x 16.
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THE VILLAGE ENTRANCE
by PECHSTEIN, MAX (1881-1955)
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THE VILLAGE ENTRANCE. Woodcut from the suite, Ein Dorf, A Village. 1919. Signed and numbered 4/75. Published on F.W. Zanders laid paper with margins measuring: 17 x 22 . Plate VI. Kruger 199, first state. Fechter H. 130. Image 13 x 16 1/4.
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