Search Results: Illustrated Books from L'Estampe Originale

Berlin, Der Malik-Verlag, 1903. 4to. Paperwraps. In very good condition. Original wrappers almost perfect, interior fine. Kleine Revolutionare Bibliotek/Band 10.

Hans Heinrich Tillgner Verlag., 1922. 36pp. with 20 etchings of America from the Brooklyn Bridge to palm trees in California. Large 4to. With vellum spine over boards. One of 300 copies signed on the colophon by the artist. Binding and interior of book in fine condition. Double folded pages (uncut) printed on only one side. In perfect condition. HERMANN STRUCK was born Hayyin Aharon ben David and educated in Berlin. He was an etcher, lithographer and painter. He was an early Zionist, traveling to Palestine as early as 1903 and settling in Haifa in 1923. In 1915 he enlisted in the German army and served in (Polish, Lithuanian, Latvian, and White Russian) Russia. While there during the war, he produced a large number of prints with subject matter that included: the landscapes of the small towns inhabited by Jews; Jewish character studies and studies of German officers and enlisted men as they went about their housekeeping duties and leisure-time activities on the war front. Struck was best known… Read More

New York, Random House, Inc., 1967. Silver foil wrappers with b&w photo. Contributors include Andy Warhol, Stephen Shore, Billy Name, Nat Finkelstein, Paul Morissey, Ondine, Nico, Christopher Cerf, Alan Rinzler, Gerald Harrison, Akihito Shirakawa and David Paul. Unpaginated (74 pages), with pop-ups, fold-outs and affixed items, one flexi 45-rpm record and black-and-white illustrations throughout. 11-1/8 x 8-5/8 inches. CONDITION: Binding and spine are tight; Covers have some surface wear, scuffing, and minor creasing, very minor edge wear, sharp corners. Castle pop-up is in excellent condition, red accordion is attached, complete and excellent in form but only inhales and exhales with gentle silence, bi-plane pop-up is attached, complete, clean ready for lift-off and fully-functioning; "The Chelsea Girls" paper wheel mounted on a spring is in fine shape, the self-inflating dodecahedron is complete (rubber band is slack), on string and with sharp corners revolving around subject's nipple, the Lou Reed… Read More

1959. Paris/Monte Carlo, Club International de Bibliophile, 1959. First and only edition limited to 255 copies. Folio. Original Covers and Folder. 142pp with 16 original lithographs each with tissue guards. With an additional lithograph signed by the artist and annotated "bon a tirer". Text in French. This is Tamayo's most beautiful and ambitious book. Published on Velin de Rives. Contained within publisher's folder and decorative folding box and a 3/4 Moroccan clam shell box made for this copy in 2005. References: Monod 322; "The Artist & The Book", p.200; "The Artist & The Book in France", p.342; Pereda 58-72.

Paris, Libririe Ollendorff, 1899. Preface by Armand Sylvestre. 8mo. Original paper wraps with original glassine. The small limited edition of 30 on Japan paper numbered and signed by the author, HENRI BOUTET ON THE COLOPHONE. Includes one ORIGINAL DRAWING in pencil signed by HENRI BOUTET and titled in pencil tipped in opposite the frontispiece. Includes TWO ETCHINGS printed in black and sanguine, 3 suites , one on Japon printed in sanguine and blue with the text, one printed in colors on Japon without the text and the last suite on china paper without the text. In perfect condition.

4to. New York., E.P. Dutton and Co., 1930. Uncut bright and clean copy includes DJ in fine condition.. Quarterbound, coated black cloth spine, gilt lettering and decorative elements, patterned blue paper boards, frontispiece, tissue guards. 124pp. Illus. (b/w plates). Conceptions by John Vassos. Vassos second work, following his breakthrough work with Salome in 1927.

London, The Petersburg Press, 1977. Square 8vo. First Edition. Hard Cover, 217 x 214 Mm. 51 pages, 20 reproductions in full colour. The Blue Guitar Etchings By David Hockney who was inspired by Wallace Stevens who was inspired by Pablo Picasso. This catalog documents the publication of "The Blue Guitar", a group of etchings by David Hockney, Accompanied here by the poem of Wallace Stevens "The Man with the Blue Guitar" . The portfolio contains 20 etchings by the artist in London in the autumn of 1976 and spring of 1977. the book and the cover in a very fine condition. Fine/Very Good.

Paris., Mourlot Freres., 1948. Maeght. Folio. 94 compositions and writings in the artist's hand. Original lithograph wrappers bound in. Folio. One of 750 copies on velin du Marais, from a total edition of 850 copies. Bound in 3/4 white vellum and marble boards. Originally issued loose in publishers wrappers.

USA (New York), Tudor Publishing Co., 1971. Mozart's "Zauberflöte". (The Magic Flute). Lg. 4to. Over 100 color illustrations. Folio. 156pp. Published in English. In perfect condition with original slipcase. Metropolitan Opera. Linen Hardcover with gold stamped title on spine and cover with dustjacket in slipcase Beautifully illustrated in full color. Fine in perfect dustjacket in fine blue paper covered slipcase. Text by Emily Genauer. Profusely illustrated. Scarce in this fine condition. 52 full-page color reproductions, as well as B&W and color sketches, costume designs. LOC 75-169707

Chicago., The Peacock Press., 1930. From a limited edition of 2000 copies. Small 4to. Bound in cloth with gilt embossed letters and design on spine and cover. 294 pp. 16 color ill. Corners rubbed. Interior fine.

Paris., 1924. Foreword by Paul Valery. Small 8vo. Bound in original wrappers and glassine. Frontispiece: lithograph by Edouard Vuillard: Portrait of Paul Valery, R.M. 52. One of 1000 numbered copies on Navarre paper. Editions de la Nouvelle Revue Francaise. Minor foxing on the endpapers, otherwise good.

London., C. Baldwyn., 1824. Tall octavo. Blue leather with gilt spine and raised dentelles. Albert M. Cohn bookplate . Front hinge partially detached, mild foxing (not affecting plates), page edges browning. Overall very good. [4],68pp. with 12 hand-colored etchings. A light-hearted play illustrated with high-spirited, hand-colored etchings by George Cruikshank. This copy from the private collection of Albert M. Cohn, author of GEORGE CRUKSHANK: A CATALOGUE RAISONNE, London, 1924.

Berlin., Neurer Deutscher Verlag., 1929. (Germany, Germany, above all, a picture book by Kurt Tucholsky and many photographs assembled by John Heartfield). 236 pp.. 4to. With 194 photographic illustrations of which many are photomontages, with a photomontage on the covers. There may have been an edition of 20,000 or more, but few remain. The Nazi's destroyed as many as they could. Printer: Pass & Garleb A.-G., Berlin. Considered one of the greatest illustrated books of the 20th century, despite the fact that it was not issued as a limited edition. From Manet to Hockney, 83. When, Who, Typography, Cologne: Konemann, 1998, p.274. Rebound in paper boards but is exactly like the hard cover edition in content and with the cover. This copy in good condition, with some restored damage to the soft covers.

London., John Camden Hotten., 1869. 80 full-page illus. drawn and colored after the originals by Thomas Rowlandson. Half calf. 8vo. Gilt spine. Bound in marble boards with marbled edges and end-papers. Worn edges and spine. Fine interior.

Marc Chagall (B. 1887, VITEBSK, RUSSIA; D. 1985, SAINT-PAUL-DE-VENCE, FRANCE) DRAWINGS FOR THE BIBLE as published for Verve. Verve Vol. X, no. 37/38. 1960. Text by Gaston Bachelard. Folio. With 24 original lithographs in color including the cover by Chagall and 96 reproductions in black and white. Complete as issued.

London., George Routledge and Sons Ltd.., 1891. 12mo. Half red cloth over colored paper boards. Black label on spine with gilt lettering. Spine somewhat faded, edges and corners rubbed, internally very clean and bright. 317pp. plus [1]p. of advertisements. Collection of comedic verses by Gilbert with several illustrations. The poems were originally published serially in Gilbert's column in the humor periodical FUN, Illustrated.

Paris., The Trianon Press. 1966. Folio. Loose within stiff wrappers. 135, xxivpp. Illustrated by Ben Shahn. The illuminated pages were reproduced by collotype and hand-stencil. The frontispiece and title-page are original lithographs, with color applied by hand through stencils. The frontispiece is signed by Shahn. This is the first edition of the Haggadah for Passover copied and illustrated by Ben Shahn published in a total edition of 292 copies, each bearing the artist's signature and cipher on the frontispiece. This edition is one of 20 copies numbered I to XX and is printed on Arches Grand Velin pure rag paper. It includes an extra set of the color plates on Arches Vergé paper; a set of the plates left uncolored, on Arches Vergé; and a proof state of the lithograph frontispiece all contained in separate folders. All contained in a full vellum folding box with brass latches. Fine condition.

Paris, H. Floury, 1927. Vol. 2, Dessins-Estampes-Affiches, published by H. Floury, Paris. 1927. 4to. 284 pp. With 272 text illustrations, 107 full-page plates of which 22 are lithographed color reproductions and one original drypoint (p. 144) initialed on the plate, Portrait de Monsieur X. 1898. Bound in a contemporary red cover with the original wrappers bound in.. A major monograph on Toulouse-Lautrec which includes a chronological catalogue of his drawings, prints and posters. Fine. Stamped 1579.

1898. Published by H. Floury, Paris. 4to. 284 pp. With 272 text illustrations, 107 full-page plates of which 22 are lithographed color reproductions and one original drypoint (p. 144) initialed on the plate, Portrait de Monsieur X. 1898. A major monograph on Toulouse-Lautrec which includes a chronological catalogue of his drawings, prints and posters. Contemporary binding with original wrappers bound in. Fine. Stamped 1579.

1898. Published by H. Floury, Paris. 4to. 284 pp. With 272 text illustrations, 107 full-page plates of which 22 are lithographed color reproductions and one original drypoint (p. 144) initialed on the plate, Portrait de Monsieur X. 1898. A major monograph on Toulouse-Lautrec which includes a chronological catalogue of his drawings, prints and posters. Contemporary binding with original wrappers bound in. Fine. Stamped 1579.