Search Results: Art from Robert Wright Books, ABAC / ILAB

(Hayle, Cornwall: Printed by Rowe the Printers, 1988) 20.5 cm x 15 cm, card covers, unpaginated; numerous black and white illustrations. Signed "Segal"on the front free endpaper. Bump to top of spine and upper corner of text leaving a small corner crease through text block, else very good. .

Berkeley: University of California Press, 1983. First American edition. Quarto, blue cloth, pp. 224; illustrated in colour and b&w. Adhesive label on title page, apparently presenting the book (signed by Hans L. Larsen). Uncommon ethnographic study. Spine slightly leaned, else very good or better in dust jacket [some wear along bottom edge of rear panel]. Heavy book, extra postage may apply..

Companhia do Metropolitano de Sao Paulo / Governo Do Estado de Sao Paulo, (1994). Oblong quarto, black boards with small pictorial label inset on upper board, pp. 153; colour illustrations. Subway art. Near fine in dust jacket. Heavy item, may require extra postage..

Kent: Kent State University Press, (1995). First edition. 26 cm x 18.5 cm, navy blue cloth, pp. xiv, 197; illustrated. Includes letters relating to Cox's illustrated edition of Rossetti's Blessed Damozel. Fine in dust jacket..

New York: Coward-McCann, 1935. First edition. Frontispiece in Full Colour and Six Black and White Reproductions of Water Colours by Jacob Epstein. Fine in a spine-sunned, price-clipped dust jacket, with a couple of small chips. With a supplied mylar dust jacket protector..

(London): Thames & Hudson, (1968). First edition, cloth issue. Octavo, rust cloth, pp. 216; illustrated. A volume in The World of Art Library, Artists series. The frenchman Georges Braque, who helped define the Cubism. Small smudge on endpaper, otherwise fine in dust jacket, with slight peeling of lamination at the top edge. Very nice copy..

Toronto: Van Nostrand Reinhold Ltd., (1981). First edition. Trade paperback format, pp. 192; illustrated. Inscribed by Warner. An excellent guide to the subject. Corners of covers slightly worn, else very good..

(The Toy and Miniature Museum of Kansas City, 1988). Oblong quarto, pictorial card covers with folding flaps, pp. 120; pagination includes numerous colour plates. Bi-lingual text in Japanese and English, detailed explanations of the pieces are to be found in pages 111 to pages 118. A deluxe catalogue, printed in Japan, produced to promote this impressive collection. Covers show light wear and minor creasing, with slight bowing to the lower front corner, else veasily very good or better condition. Very scarce..

Toronto: Dunkelman Gallery, (N.d). Octavo, card covers. Two page introduction, 77 black and white illustrations. Chronology of the artist's life at end of plates, last date given being 1961. Printed in London. Covers are slightly rubbed with some creasing especially to the lower corner of the rear cover, otherwise very good..

(Greenwich): New York Graphic Society, (1969). First American edition. 11" x 8.5", tan cloth stamped in black with pictorial design on upper board, pp. [314]; illustrated in colour and b&w. Page edges a bit tanned, embossed ownership seal and non-authorial inscription on front free endpaper with some parts of inscription blacked out with a marker, else very good in a dust jacket with a few small edge nicks, and a very tiny chip to the rear panel. [Oversize*].

Philadelphia: David MacKay, (N.d). 17.5 cm x 10 cm, blue-green cloth, pp. 160; "numerous engraving and diagrams". Previous owners name/place in pencil on endpaper, else very good..

Providence: Museum of Art, Rhode Island School of Design, 1968. 25.3 cm x 21.7 cm, printed card covers, unpaginated, [but ca. 100 pages]; illustrated in black and white. Very good internally; covers are sound but are a little creased and slightly dinged on the front..

New York: Harcourt Brace & Company, (1996). Appears to be the third printing. Quarto, pictorial boards, unpaginated; illustrated in colour. Signed by Winter on the title page. A children's story inspired by Mexican clay folk artist, Josefina Aguilar. Laid into the book are seven colour snapshot photographs, relating to Mexican clay artists; many of these show the painting of ceramic figures. One corner a bit bumped, else near fine in dust jacket..

Kent: Kent State University Press, (1989). First edition. Fine in dust jacket..

London: Sir Isaac Pitman & Sons, Ltd., (1958). First edition. 25.2 x 19 cm, green cloth, pp. xi, 116; illustrated. Tape stains on pastedowns, else very good in a used, tape-stained dust jacket..

Washington, DC, U.S.A.: Smithsonian Institution Press, 1996. Quarto, brown cloth, pp. x, 181; illustrated in colour and b&w. [Oversize*].

New York: George Braziller, (1983). First American edition. Fine in a price-clipped dust jacket..

(No place: No publisher, No date). Small light brown card sleeve, containing five white cards printed in black. Two tiny tears in sleeve, else very good..

London: Published Privately by Genevieve Restaurants, 1970. Squarish octavo, pictorial boards titled in gilt, pp. 31[only]. Illustrated with 13 illustrations by Ayrton. Lightly rubbed along the edges of the spine, else a near fine copy..

London: Alan Tiranti, 1969. First edition, casebound issue. 21.5 cm x 17 cm, pp. 107; illustrated in colour and b&w. Very good in price-clipped dust jacket, with a few tiny spots and a small, faint stain to the top edge of the front panel..