Description:
Various cities: Prestel, 2014. First Edition. First Edition. Fine in a Fine slipcase, still in the publisher's shrinkwrap.
Search Results: Andy Warhol from Royal Books, Inc.
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Andy Warhol: The Complete Commissioned Magazine Work (First Edition)
by [Andy Warhol] Paul Marechal
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- ISBN 13
- 9783791349923
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- 3791349929
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Andy Warhol: Social Observer (First Edition)
by [Andy Warhol] Jonathan P. Binstock (editor)
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- ISBN 13
- 9780943836201
- ISBN 10
- 0943836204
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Philadelphia: Pennsylvania Academy of the Fine Arts [PAFA], 2000. First Edition. Softcover. First Edition. About Fine in wrappers.
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Andy Warhol at his 1971 retrospective at the Whitney Museum of American Art (Original photograph from the 1971 exhibition)
by Andy Warhol (subject); Jack Mitchell (photographer)
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N.p.: N.p., 1971. Vintage borderless photograph of Andy Warhol lying amongst his "Cow Wallpaper" (silkscreen on wallpaper, 1971), from his May 1971 retrospective at the Whitney Museum of American Art, New York. Photograph by Jack Mitchell. Mimeo snipe on verso. The Whitney Museum of American Art's 1971 Andy Warhol Retrospective was Warhol's first major retrospective, which opened on May 1, 1971. 6.75 x 10 inches. Near Fine.
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Andy Warhol: Piss and Sex Paintings and Drawings (First Edition)
by [Andy Warhol] Bruce Hainley (editor)
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- ISBN 13
- 9781880154823
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- 188015482x
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New York: Gagosian Gallery, 2002. First Edition. Softcover. First Edition. Near Fine in card wrappers with French flaps.
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Andy Warhol: Camouflage (First Edition)
by [Andy Warhol] Brenda Richardson, Bob Colacello (text)
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- ISBN 13
- 9781880154267
- ISBN 10
- 1880154269
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New York: Gagosian Gallery, 1998. First Edition. Softcover. First Edition. Exhibition catalogue produced in conjunction with the 1998 exhibition of fifty-eight variations of Andy Warhol's abstract "Camouflage Paintings" produced during 1986, a year before Warhol's death. About Fine in illustrated card wrappers.
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Andy Warhol: From the Sonnabend Collection (First Edition)
by [Andy Warhol]
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- ISBN 13
- 9780847832774
- ISBN 10
- 0847832775
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New York: Rizzoli / Gagosian Gallery, 2009. First Edition. Hardcover. Small folio. First Edition. Fine in black boards and printed cardboard slipcase as issued.
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Andy Warhol: From A to B and Back Again (First Edition)
by [Andy Warhol]
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- ISBN 13
- 9780300236989
- ISBN 10
- 0300236980
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New York: Museum of Modern Art [MOMA], 2018. First Edition. Hardcover. First Edition. Fine in a Fine dust jacket.
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Andy Warhol: A Retrospective (Original poster from the 1989 exhibition at the Art Institute of Chicago)
by [Andy Warhol] [Exhibition Catalogs]
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Chicago: Art Institute of Chicago, 1989. Vintage poster for the Andy Warhol: A Retrospective exhibit at the Art Institute of Chicago, from June 3 to August 13, 1989. 26.75 x 33 inches. Very Good plus, with faint creasing, and a spot of rubbing in the bottom margin.
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Andy Warhol: Shadow Paintings (First Edition)
by [Andy Warhol] Julian Schnabel (introduction)
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- ISBN 13
- 9780962434723
- ISBN 10
- 0962434728
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New York: Gagosian Gallery, 1989. First Edition. First Edition. One of 1000 unnumbered copies. Published in conjunction with an exhibition at Gagosian Gallery on November 3 through December 2, 1989. Fine and unread in illustrated card wrappers.
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Andy Warhol: Diamond Dust Shadow Paintings (First Edition)
by [Andy Warhol] Rosalind Krauss (editor)
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New York: Gagosian Gallery, 2000. First Edition. Softcover. First Edition. Exhibition catalog accompanying a 2000 retrospective exhibition of Andy Warhol's abstract "Diamond Dust" works at Gagosian Gallery. Near Fine in wrappers.
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Andy Warhol Treasures (First UK Edition)
by [Andy Warhol] Geralyn Huxley, Matt Wrbican (editors)
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- ISBN 13
- 9781847960047
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- 1847960049
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London: Goodman, 2009. Hardcover. First UK Edition, preceding all others. Very Good plus, with no dust jacket as issued, with a few small bumps to the corners.
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Archive of material belonging to Belgian American actress Monique van Vooren
by [Monique van Vooren]
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N.p.: N.p., 2000. Archive of material belonging to Belgian American actress, singer, and socialite Monique van Vooren, composed primarily of annotated sheet music from her lengthy stage career as a nightclub singer. Material dated variously between the 1950s and the 2000s, although the balance is dated from the late 1950s and 1960s. Nearly 2 linear feet of material in all. Archive contains hundreds of pages of sheet music, with over 70 distinct compositions represented, dating between 1954 and 1972, many including parts for several instruments. Most compositions are annotated in manuscript pencil and ink, often with amendments made in van Vooren's hand to adjust tempo, lyrics, pitch, etc. Also included are two books, the first being in French, inscribed by van Vooren, noting that this is the "first book [she] ever read in English". Additionally included is a small program from van Vooren's performances at the St. Regis-Sheraton in 1969. Finally, the archive includes manuscript notes in van…
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Archive of photographs of the New York Counterculture scene, 1967 (Collection of eight original photographs and 3 essays from 1967)
by Jerry Bauer (photographs, essays); Andy Warhol's Factory, The Fugs, Greenwich Village, League for Spiritual Discovery "LSD" (subjects)
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1967. Archive of eight vintage borderless photographs, three typescript essays, and a carbon typescript of the first essay and first page of the second, by photographer Jerry Bauer, circa 1967, with the photographs corresponding to the topics of the essays. Bauer was an American photographer best known for his photographic portraits of writers, with his portraits of Samuel Beckett being held in particularly high regard. Much of his work resides in the collection of the National Portrait Gallery in London. The first essay, "The American Underground: Mind Expansion, A Messiah, 'Love'," is an examination of Timothy Leary and the "League for Spiritual Discovery" (LSD), a communal organization carrying out studies in the religious use of psychedelic drugs, as well as the effects of LSD. Two photographs are of the New York Millbrook estate, mentioned in the essay, one of the centers for the group, one photograph of the estate itself, and the other of two participants on the porch. Another photograph…
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Archive of photographs, newspaper clippings, and ephemera regarding automobiles and automobile accidents, 1963-1966
by [Automobile accidents]
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N.p.: N.p., 1966. Archive of photographs, newspaper clippings, and various ephemera belonging to a Kenny Aumont Brown (1943-2016), of Burlington, North Carolina, largely relating to automobiles and automobile accidents, 1963-1966. The archive, assembled by Brown when in his early twenties, documents his preoccupation with automobiles, automobile accidents, and racing, at a time when Brown was first employed as a tow truck driver for Cobb Motor Company, and later as part of a rescue unit (as seen in one of the newspaper clippings). In his later years, Brown would serve as an Alamance County Deputy Sheriff for 34 years. A copious and insightful vernacular documentation of the relationship of Southern culture and automobiles in the early to mid 1960s. The archive contains 37 standard size black and white photographs, one 8 x 10 inch black and white photograph, four color photographs, 25 newspaper clippings, two newspaper issues, and twelve various documents, all housed in a photo album. The archive…
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Bike Boy (Original poster for the 1967 film)
by Andy Warhol (director, screenwriter); Joseph Spencer, Brigid Berlin, Ingrid Superstar, Viva (starring)
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New York: Andy Warhol Film, 1967. Vintage poster for the 1967 film. The film originally screened at the Hudson Theater in a 95-minute version, although this cut is considered lost. A 109-minute version would screen in 1968 as the first film shown at the New Andy Warhol Garrick Theater, renamed as such after Warhol recovered from being shot by Valerie Solanas. One of several sexploitation influenced films made by Warhol, an episodic story of a biker who has no bike, and is both eroticized by the camera and emasculated by various Warhol superstars throughout. 19 x 25 inches, rolled. Near Fine with some light soil, and an almost imperceptible professional repair to a tear at the top edge. Murphy, The Black Hole of Cinema. Warholstars.
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Blood for Dracula (Two original oversize color photographs from the 1974 film)
by Andy Warhol (producer); Paul Morrissey (director, screenwriter); Udo Kier, Joe Dallesandro, Vittorio De Sica (starring)
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N.p.: N.p., 1974. Two vintage oversize borderless color reference photographs from the 1974 film. Printed labels specific to the film's French release affixed to the verso. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink, but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films (the other being "Frankenstein," released the same year on a double bill), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy, shot on location in Italy and Serbia. 11.5 x 8.5 inches. Very Good plus, with light wear at the corners. Severin Films 721. Criterion Collection 28.
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Blood for Dracula (Collection of five original lobby cards from the 1974 film)
by Andy Warhol (producer); Paul Morrissey (director, screenwriter); Udo Kier, Joe Dallesandro, Vittorio De Sica (starring)
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Amsterdam: Meteor Film, 1974. Collection of five vintage lobby cards from the Dutch release of the 1974 film. Stamps of Meteor Film on the versos, and all six with blindstamps on the corners. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink, but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films (the other being "Frankenstein," released the same year on a double bill), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy, shot on location in Italy and Serbia. 11 x 9 inches. Very Good plus, with pinholes and light wear at the corners. Criterion Collection 28. Severin Films 721.
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Blood for Dracula [Andy Warhol's Dracula] (Original photograph from the 1974 film featuring Roman Polanski)
by Paul Morrissey (director, screenwriter); Bram Stoker (character); Paolo Pettini (photographer); Udo Kier, Joe Dallesandro, Vittorio De Sica (starring)
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N.p.: Bryanston Pictures, 1974. Vintage studio still photograph from the 1974 film featuring Joe Dallesandro and Roman Polanski (uncredited in the role of 'man in tavern'), here under the working title "Andy Warhol's Dracula," title visible through paper tape covering byline in bottom margin. One of Warhol's two horror films (the other being "Frankenstein," released the same year on a double bill), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde film circles. Attempts to court commercial markets included rating the film X, and director Paul Morrissey, very much influenced by the look of the Hammer horror films of the 1960s, gave the films a lurid, shocking appeal. Set in Italy, and shot on location in Italy and Serbia. 9.75 x 8 inches. Slight diagonal trim on upper left side margin, else Near Fine. Criterion Collection 28.
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Blue Movie (Four original photographs from the 1969 film)
by Andy Warhol (director, screenwriter); Viva, Louis Waldon (starring)
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Munich: Constantin-Film, 1969. Four vintage borderless reference photographs from the 1969 German release of the US film. With printed mimeo snipes on the verso. Andy Warhol's final film, an attempt to represent sex between a man and a woman (Warhol superstars Louis Waldon and Viva, respectively) as naturalistically as possible. A groundbreaking, influential production insofar as it was the first adult film to receive wide theatrical release in the US. Set and shot on location in New York. 7 x 5 inches. Near Fine.
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Cast a Cold Eye: The Late Work of Andy Warhol (First Edition)
by [Andy Warhol] Vincent Fremont, Boris Groys (texts)
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- First Edition
- ISBN 13
- 9781932598377
- ISBN 10
- 1932598375
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A$315.22FREE shipping to USA
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New York: Gagosian Gallery, 2006. First Edition. First Edition. Published in conjunction with an exhibition at Gagosian Gallery on October 25 through December 22, 2006. Fine and unread in stiff boards with white quarter cloth binding with no dust jacket as issued. Still in publisher's shrinkwrap.
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