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Alessandro Albrizzi (Two original photographs, circa 1950s)
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Alessandro Albrizzi (Two original photographs, circa 1950s)

by [Alessandro Albrizzi]

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Paris: William Morris Agency, 1950. ry Good Plus overall, with faint foxing and slight curling.
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Archive of five advertising signs for Samarkand Ice Cream designed by Wana Derge, circa 1933
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Archive of five advertising signs for Samarkand Ice Cream designed by Wana Derge, circa 1933

by Wiki and Wana Derge (designer team); Samarkand Ice Cream

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San Francisco: The Recorder Publishing Co, 1937. First Edition. Archive of five vintage advertising signs designed by noted Art Deco designer Wana Derge, circa 1933-1937. Signs intended for countertop or streetcar use, one with an unused cardboard display easel affixed to the verso. Included with the collection is a First Edition copy of Derge's posthumously published color and design theory book, "Color, Form and Composition" (1966). A collection of striking and vibrant serigraphs, designed by Derge specifically for the popular California ice cream manufacturer. Each of the signs feature Derge's distinctive signature discreetly printed within the primary color field. Wiki and Wana Derge were a highly successful mother and daughter Art Deco design team based in the Bay Area in the 1930s and 1940s. Wana taught art at the College Women's Club and the City Club of San Francisco beginning in 1931, and continued teaching through her home studio in Berkeley until her death in 1964. Examples of all five… Read More
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Archive of 77 original photographs from the Wagner Sign Service, circa 1950s-1960s
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Archive of 77 original photographs from the Wagner Sign Service, circa 1950s-1960s

by [Signage] [Americana]

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Chicago: Wagner Sign Service, Inc, 1960. Archive of 77 vintage black and white photographs from the Wagner Sign Service, circa 1950s-1960s. Each photograph features the name of the local manufacturer or installer, location, and the type of Wagner Sign assembly used, as well as Wagner Sign Service's Chicago address. Archive includes 69 single-image photographs, four composite photographs with two images each, and one composite photograph containing three images. A tremendous archive of photographs of novel marquee signage made during the midcentury American automobile boom of the 1950s and 1960s. Archive features photographs taken in over 20 states, with photographs of marquees for grocery stores, restaurants, motels, shopping centers, automobile dealerships, sports arenas, and a drive-in theater, among many other businesses. The marquees are usually comprised of a playful combination of neon and Wagner's signature plastic and metal copy letters. The Wagner Sign Service was founded in Chicago by… Read More
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Archive of ten vintage photographs of a full-size clay model Pontiac, circa 1970s
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Archive of ten vintage photographs of a full-size clay model Pontiac, circa 1970s

by [Automobiles] [Pontiac]

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N.p.: N.p., 1970. Archive of ten vintage photographs of a full-size clay car model, which appears to be a prototype of a mid-1970s second generation Pontiac Firebird. Two photographs with manuscript touch-up work to the images, all with annotations in manuscript pencil noting catalog numbers on the verso. The photographs in the archive do not explicitly identify the model, and the car's design has no precise match to any car in the Pontiac line, although the sporty front end and wrapped rear window bear a resemblance to the updated second-generation production model Trans Am in 1975. Just visible in the background of two of the photographs are several drawn designs for the car mounted on the wall. The Trans Am was a specialty package for the Firebird, which included upgrades to handling, suspension, and horsepower, and surface modifications such as unique hoods and spoilers, fog lights, and wheels. Four generations of the package were produced between 1969 and 2002. Eight photographs 8 x 10… Read More
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Archive of pressbooks designed by Saul Bass
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Archive of pressbooks designed by Saul Bass

by [Design] [Film] Saul Bass (designer); Otto Preminger (director)

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N.p.: N.p., 1965. A dazzling collection of 10 original pressbooks designed by Saul Bass, documenting the majority of the famed title and ad designer's work with director Otto Preminger in the 1950s, 60s, and 70s. Several of the pressbooks typically defy the existing conventions of pressbook design, utilizing a wild variation of size and dimension, with several of the items literally molded to represent the films they represent: "Advise and Consent" is shaped like a briefcase, "In Harm's Way" is designed as a dossier with a string tie, "The Cardinal" as a parcel, and "Bunny Lake is Missing" as a newspaper. Other key Bass designed titles include "Anatomy of a Murder," "Bonjour Tristesse," and "The Man with the Golden Arm." For most of the pressbooks in this collection, we have never seen another example. A fascinating example of the advertising work done by the premiere title and ad designer of the twentieth century. Various sizes, ranging from Very Good to Near Fine condition. Complete details… Read More
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Archive of working material belonging to Delta Associates founder Lynn Wineland, including...
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Archive of working material belonging to Delta Associates founder Lynn Wineland, including advertising art, production materials, and ephemera relating to motorcycling

by [Motorcycle culture] Lynn Wineland

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Alhambra, CA: Delta Associates, 1976. Large archive of original art, sketchbooks, illustrations, and advertising production materials, and a collection of catalogs, brochures, booklets, flyers, and magazines, all relating to the Southern California off-road motorcycle scene (and motorcycles in general) from Lynn Wineland and his "Delta Associates" design and advertising firm. A voluminous collection featuring dozens of pieces of production materials, art, and photographs, as well as over 50 pieces of printed motorcycle promotional materials of the period. The material in the archive dates from the late 1940s through the late 1970s, with the bulk from the late 1960s to mid 1970s, the peak of the SoCal off-road motorcycle scene. Complete details available on request, potentially interested buyers only please. Wineland's importance and influence on the West Coast hot rod and motorcycle scene is difficult to overstate. In the late 1930s, when Wineland was still a teenager, he built his first hot rod… Read More
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Archive of 26 original die-cut wax-based advertising stickers, circa 1980s
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Archive of 26 original die-cut wax-based advertising stickers, circa 1980s

by [Advertising]

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Racine, Wisconsin: S.C. Johnson, 1980. Archive of 26 vintage wax-based die-cut stickers advertising S.C. Johnson products. The S.C. Johnson company was founded in 1886 in Racine, Wisconsin, primarily selling wax for parquet flooring. The company would expand throughout the twentieth century, eventually departing from wax-based products in 1955 with the launch of Raid insecticide, accompanied over the next three years by a new suite of products, including Off! insect repellent, Pledge cleaner, and Glade air freshener. The company continues to operate today as one of the oldest family-owned businesses in the United States. The stickers on offer here were likely created for distributors' use, and advertise a wide variety of Johnson products, including Agree shampoo and conditioner, Glade aerosol spray, Edge shaving gel, Off! insect repellent, Shout laundry spray, Befresh toilet bowl deodorizer, Scrunge sponge, and more. The archive also includes four sale signs for use during spring, summer, autumn,… Read More
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The Attic Expeditions (Two original screenplays for the 2002 film, housed in a production binder...
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The Attic Expeditions (Two original screenplays for the 2002 film, housed in a production binder belonging to costume designer Judith Brewer Curtis)

by Seth Green, Jeffrey Combs, Ted Raimi, Alice Cooper (starring); Jeremy Kasten (director, screenwriter); Rogan Russell Marshall (screenwriter)

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Los Angeles: Tse Tse Fly Productions, 2001. Two Final Draft scripts for the 2002 film. Scripts belonging to costume designer Judith Brewer Curtis, with her annotations in manuscript ink throughout, and housed in her production binder with wardrobe test photographs and ephemera relating to costuming for the film. Binder includes an eight page shooting schedule, an eight page continuity breakdown, four pages of Curtis' xerographically duplicated costume design sketches, and 29 Polaroid wardrobe test shots. An amnesiac wakes up in an asylum for the criminally insane, discovering that he has been found guilty of murdering his girlfriend-a crime he does not recall. As his fellow inmates begin showing up dead, he begins to wonder if the murder is somehow linked to the asylum's sinister director. Shot on location in Los Angeles. Final Draft, no revisions: Title page present, undated, noted as Final Draft, with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves, with last… Read More
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Avant Garde magazine, Issues 3, 7, 8, 13, and 14 (Collection of five issues of the 1968-1971 art...
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Avant Garde magazine, Issues 3, 7, 8, 13, and 14 (Collection of five issues of the 1968-1971 art magazine)

by [Avant Garde] Ralph Ginzburg (editor, publisher); Herb Lubalin (art director)

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New York: Avant Garde, 1971. Collection of five issues of the seminal 1968-1971 art magazine. Represented in the set are issues 3, 7, 8, 13, and 14. "Avant Garde" magazine was founded by publisher Ralph Ginzburg and noted graphic designer Herb Lubalin in New York in 1968. The publication was the pair's third collaboration, following "Eros" magazine (1962) and "Fact" magazine (1964-1967). A provocative endeavor, "Avant Garde" used satire and caustic imagery to criticize American society and government, making liberal use of crude language and sexual imagery throughout its four year run. The periodical spanned 14 issues, ultimately folding as a result of Ginzburg losing a federal obscenity lawsuit for his prior, more openly prurient publications, and subsequently being sentenced to five years in prison. "Avant Garde" is perhaps best remembered today as the originator of the eponymous geometric, sans serif typeface, designed by Lubalin for the magazine's logo font. All five issues 11 x 11.25 inches,… Read More
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Blonde Fever [Blond Fever] (Concept art sketches for advertisements promoting the film's original...

Blonde Fever [Blond Fever] (Concept art sketches for advertisements promoting the film's original release)

by Richard Whorf (director); Mary Astor, Gloria Graham (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1944. Seven original preliminary advertising concept art sketches for the release with Gloria Graham's first credited role. Title written as both "Blonde Fever" and "Blond Fever" between ads. Executed variously in graphite, charcoal, and gouache on a single sheet of onion skin paper, mounted on to white paper stock, some with annotations at the margins. 15 x 18 inches. Very Good plus with faint horizontal creasing and light signs of use.
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The Caper of the Golden Bulls [Carnival of Thieves] (Original storyboards for the 1967 film)
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The Caper of the Golden Bulls [Carnival of Thieves] (Original storyboards for the 1967 film)

by Stephen Boyd, Yvette Mimieux, Giovanna Ralli, Vito Scotti (starring); William P. McGivern (novel); Russell Rouse (director); David Moessinger, Ed Waters (screenwriters);

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N.p.: N.p., 1967. Two sets of original storyboards for the 1967 film, both bound in script format. Based on the 1966 novel by William P. McGivern. A former bank robber is blackmailed by his former partner into helping her steal millions from the Spanish National Bank of Pamplona. Set and shot on location in Madrid and Pamplona, Spain. Brown wrappers, with titles written in manuscript ink annotation on the front wrapper. One set approximately 150 leaves, the other set approximately 170 leaves. Xerographic duplication, rectos only. Wrappers and contents Near Fine, bound internally with a silver prong. Lee, The Heist Film.
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The Climax (Concept art sketch for advertisement promoting the film's original release)

The Climax (Concept art sketch for advertisement promoting the film's original release)

by George Waggner (director); Curt Siodmak, Lynn Starling (screenwriters); Boris Karloff (starring)

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Universal City, CA: Universal Pictures, 1944. Original preliminary advertising concept art sketch for the release of the 1944 Universal horror film from the director of "The Wolf Man." Executed in graphite, charcoal, and gouache on onion skin paper, and mounted on to white paper stock. 11.5 x 16 inches. Very Good plus with light wear to right margin and a single horizontal crease, faint tape residue at upper margin. Weaver, Universal Horrors.
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Collection of 15 original photographs of production designs used during the 1978 exhibition,...
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Collection of 15 original photographs of production designs used during the 1978 exhibition, "Designed for Film: The Hollywood Art Director," at the Museum of Modern Art

by [Production] [Art Direction] [Design] The Museum of Modern Art

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New York: The Museum of Modern Art [MOMA], 1978. Collection of 15 vintage photographs of design sketches, paintings, and storyboards displayed during the exhibition "Designed for Film: The Hollywood Art Director," held at the Museum of Modern Art (MOMA) from May 11 to October 10, 1978. Ten with printed mimeo snipes affixed to the versos, and almost all with MOMA stamps on the versos. From the archive of film historian and author Joel Finler. Represented are designs from the following films: "Intolerance" (1916), "Madam Satan" (1930), "The King of Jazz" (1930), "Frankenstein" (1931), "King Kong" (1933), "Top Hat" (1935), "Mary of Scotland" (1936), "Gone With the Wind" (1939), "The Private Lives of Elizabeth Essex" (1939), "Rebecca" (1940), "Shanghai Gesture" (1941), "Citizen Kane" (1941), "The Birds" (1963), and "Klute" (1971). 10 x 8 inches. Generally Very Good plus, with some light edgewear and creasing.
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Collection of seventeen original photographs of Yamaha home audio equipment, circa 1981-1982
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Collection of seventeen original photographs of Yamaha home audio equipment, circa 1981-1982

by [Electronics] [Home Audio]

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N.p.: Yamaha Corporation, 1982. Collection of seventeen vintage photographs of Yamaha "Natural Sound" home audio equipment, circa 1981-1982. Seventeen promotional product photographs, issued by Yamaha Corporation, showcasing six receivers, five amplifiers, four tuners, a turntable, and a cassette tape deck, all with Yamaha's period design, featuring Yamaha's signature "Natural Sound," with silver and black brushed stainless steel, l.e.d. displays, and then state of the art circuit boards. All of the products found here were manufactured by Yamaha between 1980 and 1983, with 1981 and 1982 being the only years all seventeen products were being manufactured, likely their entire line of home audio equipment offered. Yamaha first used the marketing term "Natural Sound" to describe the realistic, well-balanced sound of their NS-20 speakers in 1967, and still use the term today. Full list of all models available upon request. 10 x 8 inches. Near Fine.
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Collection of 22 original photographs of the Flxible [Flexible] Land Cruiser motorhome, circa 1954
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Collection of 22 original photographs of the Flxible [Flexible] "Land Cruiser" motorhome, circa 1954

by [Transportation] [Mid-Century Modern Design]

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Loudonville, OH: The Flxible Company, 1954. Collection of 22 vintage photographs of the Flxible "Land Cruiser" motorhome, circa 1954. Of the 22 photographs in the collection, 17 bear stamps on the versos, six bear annotations noting serial number and descriptions, and eleven bear stamps noting the serial number, model, and company. The collection includes one photograph of the exterior of the motorhome and 21 photographs of the very mid-century modern interior, frequently with models in various positions demonstrating the vehicle's comfort and luxury. Eight of the photographs note a serial number beginning with "B53" and one photograph notes a serial number beginning with "B54," likely indicating production in 1953 and 1954. Founded in 1913 in Loudonville, Ohio, Flxible was a manufacturer of motorcycle sidecars, funeral cars, ambulances, intercity coaches, and transit buses. In 1948 Flxible introduced its "Land Cruiser" model, a standard 29 passenger "Clipper" shell with an elaborately furnished… Read More
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Collection of 48 original publicity photographs of the 1969 Chevrolet lineup of cars and trucks
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Collection of 48 original publicity photographs of the 1969 Chevrolet lineup of cars and trucks

by [Automobiles] [Chevrolet]

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Detroit: General Motors, 1969. Collection of 48 vintage black and white publicity photographs of the Chevrolet lineup of cars and trucks for 1969. The collection appears to be the entire Chevrolet lineup of vehicles for 1969, and were likely for use in print advertising. One, the Chevrolet Impala Sport Coupe, has annotations in manuscript orange wax pencil to the recto, likely specifications for print, and manuscript pencil annotations on the verso. The photographs feature 25 side views, 20 3/4 front views, two 3/4 rear views, and one overhead view. The Chevelle SS 396 Sport Coupe features a 3/4 front view as well as a side view, and the Custom El Camino includes a duplicate 3/4 view photograph. Uncommon to find in such a large grouping, the collection includes three convertibles coupes, ten sedans, one convertible sedan, six station wagons, two Suburbans, two vans, four pickup trucks, four cab trucks, and three utility vans. Some of the most popular muscle cars ever made were manufactured by… Read More
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A Communications Primer (Original fold-out flyer for the 1953 short film)

A Communications Primer (Original fold-out flyer for the 1953 short film)

by Ray Eames, Charles Eames (directors); Elmer Bernstein (composer); Claud Shannon (book)

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N.p.: N.p., 1953. Vintage promotional flyer for the 1953 short film. A short film based on the semantics of communication as outlined in Claude Shannon's 1949 book "The Mathematical Theory of Communication." Legendary modernist designers Charles and Ray Eames produced 125 short films between 1950 and 1982, using the medium as a vehicle for experimentation and education. The best-remembered of these, the 1968 and 1977 "Powers of Ten" films, were selected for preservation in the National Film Library in 1998. 22 x 8.5 inches unfolded, folded five times and measuring 3.75 x 8.5 inches when folded. Very Good, with silverfish damage along one fold and light creasing at the corners.
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Comptoir général de la bimbeloterie (Original French toy and home goods catalogue)
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Comptoir général de la bimbeloterie (Original French toy and home goods catalogue)

by J. Du Serre (director)

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Paris: Self-published, 1962. Vintage French toy and home goods sales catalogue, published for the Comptoir general de la bimbeloterie ("supplier of trinkets"), representing years 1961-1962. The CGB sold toys and goods starting in the early 1900s, and remained in operation until the mid-1970s. This catalogue represents the company at what appears to have been a considerably successful point, judging by the lush color photographs on the wrapper showcasing their sales floors and massive inventory. 8.75 x 11.75 inches in side-stapled color wrappers. 52 pages, rectos and versos. Very Good plus, lightly edgeworn.
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Darda Racetrack Illustrations (Two original product illustrations, circa 1986)
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Darda Racetrack Illustrations (Two original product illustrations, circa 1986)

by [Toys] Ken Zaruba (illustrator); Darda (manufacturer)

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N.p.: N.p., 1986. Two vintage product illustrations for toy racetracks made by German manufacturer Darda, both by illustrator Ken Zaruba, circa 1986. The two track illustrations presented here are variants on Darda's track sets, "Raketenbaum" (Rocket Car) (with an annotation on the overlay of "Rollercoaster Roadway"), and "Bahn mit Tankstille" (Track with Gas Station), both manufactured in 1986, each signed by the artist, one with a Zaruba Studio label on the overlay. Popular in Europe and the US during the 1980s and 1990s, the Darda motor was invented by Helmut Darda in 1970, and feature a unique pullback motor, winded by rolling the cars back and forth, which then propel the cars to speeds up to 30 mph, requiring no batteries or electricity. While the cars can be run on any surface, Darda designed brightly colored tracks for the vehicles, incorporating loops, jumps, curves, and crossovers, which can be combined to create elaborate circuits, which run both vertically and horizontally. Darda cars… Read More
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Design for Life: Our Daily Lives, the Spaces We Shape, and the Ways We Communicate, As Seen...

Design for Life: Our Daily Lives, the Spaces We Shape, and the Ways We Communicate, As Seen Through the Collections of Cooper-Hewitt, National Design Museum (First Edition)

by Susan Yelavich

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ISBN 13
9780910503631
ISBN 10
091050363X
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New York: Cooper-Hewitt National Design Museum Smithsonian Institution, 1997. First Edition. First Edition. Fine and unread in a Fine dust jacket.
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