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1964 Cannes Film Festival promotional folder and program for The World of Henry Orient, including...
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1964 Cannes Film Festival promotional folder and program for The World of Henry Orient, including programs for Black God, White Devil, The Price of Victory, Li mali mestieri, and "1, 2, 3...

by [Cannes Film Festival] George Roy Hill, Gianfranco Mingozzi, Gyula Macskassy and Gyorgy Varnai, Nobuko Shibuya, Glauber Rocha (directors)

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Cannes, France: N.p., 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival, the seventeenth one to be held, that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film, the name used until 1974 when it returned to its former title. French and English language. Films represented in the collection include George Roy Hill's "The World of Henry Orient," Gianfranco Mingozzi's "I mali mestieri" (1963 documentary of the city of Palermo), Gyula Macskassy and Gyorgy Varnai's "1, 2, 3..." (Hungarian short film on mathematics), Nobuko Shibuya's Grand Prix award winning "The Price of Victory" (Japanese volleyball documentary), Glauber Rocha's "Black God, White Devil" (a Brazilian Western). Also included is a credit sheet detailing a special showing of "Naissance du Cinema," a documentary about Louis Lumiere, held in the Grand Hall at the festival, presented on the centennial… Read More
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Archive of 103 vernacular photographs by documentary filmmaker Barnett Addis, circa 1950s-1960s
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Archive of 103 vernacular photographs by documentary filmmaker Barnett Addis, circa 1950s-1960s

by Barnett Addis (photographer, filmmaker)

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N.p.: N.p., 1960. Archive of 103 vintage vernacular photographs, a mix of double and single weight, by psychologist and documentary filmmaker Barnett Addis, circa 1950s-1960s. 21 photographs with his stamp on the verso, several of which also include brief manuscript pencil annotations noting the subject, location, or year. As a faculty member, and later director, of the Behavioral Science Media Laboratory at UCLA, Addis made numerous education and instructional films on subjects relating to mental health and psychological or developmental disorders. These include "Tourette's Syndrome: The Sudden Intruder" and "Nurse-Patient Interaction" (both 1976), and "Suicides" (1981). His best known films are two documentaries on Joseph Sullivan, "Infantile Autism: The Invisible Wall" (1967) and "Portrait of an Autistic Young Man" (1985), which were used extensively as research by Dustin Hoffman while preparing for his Oscar winning role in "Rain Man," and both Addis and Sullivan's mother worked as consultants… Read More
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Atomic Cafe (Collection of 10 original photographs from UK release of the 1982 documentary)
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Atomic Cafe (Collection of 10 original photographs from UK release of the 1982 documentary)

by Kevin; Rafferty Jayne Loader, Pierce Rafferty (directors, screenwriters)

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London: Mainline, 1982. Collection of ten photographs, comprised of five vintage studio still photographs and five vintage reference photographs, from the UK release of the 1982 documentary. Five photographs with a label from the film's UK distributor, Mainline Pictures, on the verso. A black satire documentary, presented without narration, tracking the beginning of the nuclear warfare era, compiling a wide range of archival material (including photographs, television footage, newsreel clips, advertisements, radio programs, and government-propaganda films) from the 1940s, 1950s, and early 1960s. 10 x 8 inches. Near Fine. National Film Registry.
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BBC: The Voice of Britain (Collection of 9 still photographs from the 1935 British documentary film)
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BBC: The Voice of Britain (Collection of 9 still photographs from the 1935 British documentary film)

by Stuart Legg (director); Henry Hall and his Orchestra (starring)

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London: British Broadcasting Corporation [BBC], 1935. Collection of seven vintage black-and-white still photographs and two double weight sepia photographs from the UK release of the 1935 British documentary film. Included is the original trasmittal envelope, with the printed label, "On His Majesty's Service." Featured in two of the photographs are Henry Hall and his Orchestra (a.k.a., the BBC Symphony Orchestra), the BBC "house band" in the 1930s. The earliest, and perhaps the first, documentary on the British Broadcasting Service, paying tribute to its technological greatness, the span of its reach, the people affected by it, and its diversity of news, humor, lifestyle reporting, and music. Featured in the documentary were many of the BBC's literary voices, including H.G. Wells, G.K. Chesterton, J.B. Priestley, and George Bernard Shaw. 8.5 x 6.5 inches. Near Fine.
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Beyond and Back (Collection of five original photographs from the 1978 film)
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Beyond and Back (Collection of five original photographs from the 1978 film)

by James L. Conway (director); Stephen Lord, Ralph Wilkerson (screenwriters); Brad Crandall, Vern Adix, Linda Bishop (starring)

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Utah: Sunn Classic Pictures, 1978. Collection of five vintage studio still photographs from the 1978 film. With the stamp of a Canadian film distributor on the verso, and a stamp noting production No. 78-740 on the bottom right corner of the recto. A collection of interviews regarding (and dramatizations of) people's near-death experiences, focusing on visions of the Christian afterlife. A low-budget film which received limited release, mainly in drive-in movie theaters in smaller towns and rural areas. Shot on location in Park City, Salt Lake City, and Heber, Utah. Approximately 8 x 10 inches. Four Very Good plus, one Very Good, with pinholes to the top edge and light ink residue on the center of the image.
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Beyond and Back (Four original color photographs from the 1978 film)
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Beyond and Back (Four original color photographs from the 1978 film)

by James L. Conway (director); Stephen Lord, Ralph Wilkerson (screenwriters); Brad Crandall, Vern Adix, Linda Bishop (starring)

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Utah: Sunn Classic Pictures, 1978. Collection of five vintage color studio still photographs from the 1978 documentary film. One with the stamp of a Canadian film distributor on the verso, and three with handwritten ink annotations noting production No. 78-740 on the bottom right corner of the recto. A collection of interviews regarding (and dramatizations of) people's near-death experiences, focusing on visions of the Christian afterlife. A low-budget film which received limited release, mainly in drive-in movie theaters in smaller towns and rural areas. Shot on location in Park City, Salt Lake City, and Heber, Utah. 10 x 8 inches. Near Fine.
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Black Rodeo (Collection of eleven original photographs from the 1972 film)
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Black Rodeo (Collection of eleven original photographs from the 1972 film)

by Jeff Kanew (director, screenwriter); Muhammad Ali, Woody Strode (starring)

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Los Angeles: Cinerama Releasing, 1972. Collection of eleven vintage studio still photographs from the 1972 documentary film. A documentary capturing the first performance of an all-black rodeo in Harlem and the varied audience reactions to seeing African Americans participating in what was widely considered a white sport. Featuring appearances by Muhammad Ali, who rides a horse down 125th Street, and noted Western actor Woody Strode. Set and shot on location in Harlem. 10 x 8 inches. Near Fine.
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Canal Zone (Original publicity photograph of Frederick Wiseman from the 1977 film)

Canal Zone (Original publicity photograph of Frederick Wiseman from the 1977 film)

by Frederick Wiseman (director)

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N.p.: N.p., 1977. Vintage publicity photograph from the 1977 film, showing director Frederick Wiseman. A documentary about the inhabitants of the Panama Canal Zone, examining the operation of the canal from a variety of perspectives, and its impact on the people who work and live near it. Shot on location in central America. 8 x 10 inches. Fine.
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Celebration at Big Sur (Original press kit for the 1971 documentary film)
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Celebration at Big Sur (Original press kit for the 1971 documentary film)

by Baird Bryant, Johanna Demetrakas (directors); Joan Baez, David Crosby, Graham Nash, Stephen Stills, Neil Young, Joni Mitchell (starring)

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Los Angeles: Twentieth Century-Fox, 1971. Vintage press kit for the French release of the 1971 documentary film. Full-color illustrated pocketed folder, containing five black and white photographs, and three pages of promotional reading material. A documentary following the star-studded 1969 Big Sur Folk Festival, which featured Crosby, Stills, Nash, and Young, Joan Baez, Joni Mitchell, and many others. Shot on location in Big Sur. Folder, photographs, and promotional material Near Fine.
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Chronicle: The Treasure of Porto Santo (Original screenplay for the 1977 television episode)

Chronicle: The Treasure of Porto Santo (Original screenplay for the 1977 television episode)

by Robert Stenuit (screenwriter, starring); Ray Sutcliffe (producer)

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London: Preview Two, 1977. Draft script for the 1977 television episode, which originally aired on November 24, 1977 on BBC Two. An investigation of early diving practices, narrated by Belgian underwater archaeologist Robert Stenuit, who explored the underwater ruins of the Dutch merchant ship Slot Ter Hooge, which had previously been explored by English diver John Lethbridge in 1725 using a primitive "diving engine." Self wrappers. Title page present, undated, with credits for screenwriter and actor Robert Stenuit, narrator Derek Jones, and other crew members. 34 leaves, with last page of text numbered 32. Xerographic duplication, rectos only. Pages Near Fine, partially bound with a single staple at the top left corner.
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Chuck Berry: Hail! Hail! Rock 'n' Roll (Original promotional photograph of director Taylor...

Chuck Berry: Hail! Hail! Rock 'n' Roll (Original promotional photograph of director Taylor Hackford from the 1987 film)

by Taylor Hackford (director); Chuck Berry, Keith Richards, Eric Clapton, Roy Orbison, Etta James, Linda Ronstadt, Joe Walsh (starring)

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Universal City: Universal Studios, 1987. Vintage promotional photograph of director Taylor Hackford from the 1987 film. Provenance stamp of collector, historian, and author "Frank Driggs" on verso. Hackford's documentary of two 1986 concerts on October 16, 1986 at the Fox Theatre in St. Louis, celebrating Chuck Berry's 60th birthday. Featuring performances and interviews with a multitude of musicians, spanning musical genres and generations, including Keith Richards, Eric Clapton, Robert Cray, Linda Ronstadt, Etta James, Steve Jordan, and others. Set in and shot on location in the Fox Theater, St. Louis, Missouri. 8 x 10 inches. Near Fine.
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Chung Kuo, China (Original photograph of Michelangelo Antonioni on the set of the 1972 film)

Chung Kuo, China (Original photograph of Michelangelo Antonioni on the set of the 1972 film)

by Michelangelo Antonioni (director, screenwriter); Andrea Barbato (screenwriter)

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N.p.: N.p., 1972. Vintage borderless reference photograph of Michelangelo Antonioni on the set of the 1972 film. Cropping annotations in manuscript pencil and "Collection" stamp, obscured, struck with manuscript pencil, on verso. In 1972, during China's Cultural Revolution, Antonioni was invited by the People's Republic of China to direct a documentary on the "New China." The final film, at 220 minutes, was divided into three parts. The first focusing on Beijing, the second Suzhou, and the third Shanghai. In each section Antonioni focuses primarily on the faces of the people. Mao Zedong was reportedly so displeased with the film Antonioni was charged with being anti-Chinese and counterrevolutionary. Shot on location in Beijing, Henan, Jiangsu, and Shanghai, China. 6.75 x 10 inches. Very Good plus, with very light creasing and a tiny bruise on mid right edge.
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Collection of 17 original photographs from a promotional film about the British General Post Office
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Collection of 17 original photographs from a promotional film about the British General Post Office

by [General Post Office] [GPO Film Unit]

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N.p.: N.p., 1950. Collection of 17 vintage reference photographs from promotional films about the British General Post Office (GPO), likely produced by the GPO Film Unit. 15 with stamps specific to a film's UK release on the verso, 5 with mimeo snipes, and several with handwritten ink annotations. From the collection of noted British film producer John Palmer. The GPO served as the state postal system and telecommunications carrier of the UK from 1660 until 1969, when it was replaced by The Post Office. The GPO Film Unit was created in 1933, taking on the responsibilities of the Empire Marketing Board Film Unit, and was later renamed the Crown Film Unit during World War II, when it was integrated into the Ministry of Information. The group produced sponsored documentary films and short informational films. 15 photographs 8.5 x 6.5 inches, 1 photograph 6.25 x 6.25 inches. Very Good plus, some with brief wear to the corners.
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Collection of 19 original photographs relating to the Princeton Film Center, circa 1948
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Collection of 19 original photographs relating to the Princeton Film Center, circa 1948

by [Princeton Film Center] [Gordon Knox]

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Princeton, NJ: The Princeton Film Center, 1948. Collection of 19 vintage photographs relating to the Princeton Film Center (PFC), including five photographs of the custom vehicles used by the studio for on-location shooting, twelve photographs of the studio interior, one photograph of the studio exterior, and one photograph of a scale model of the studio. Nine photographs with PFC stamps on the verso. The PFC was founded in 1941 in Princeton, New Jersey, by Texan-born filmmaker Gordon Knox. Focusing on documentary short and feature films, the studio was heavily active during World War II, when it produced a number of educational films for the US Armed Forces, state and federal government agencies, nonprofit organizations, and private sector clients including Boeing. Initially operating out of the sunroom of Knox's home, the studio would relocate twice, ultimately settling into a state-of-the-art facility five miles from Princeton, equipped with a massive sound stage, a theater, a commissary for the… Read More
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Compañeras and Compañeros (Archive of ten original photographs from the 1970 film)
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Compañeras and Compañeros (Archive of ten original photographs from the 1970 film)

by Adolfas Mekas, Barbara Stone (directors)

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New York: Contemporary Films, 1970. Archive of ten vintage reference photographs from the 1970 film. Printed mimeo snipe affixed to the verso, along with the stamp of Israel Film Archive. From the collection of film historian Joel Finler. A documentary about the Cuban revolution, told through interviews with activists, workers, students, and others. Co-director Adolfas Mekas was the brother of Jonas Mekas, a film critic, filmmaker, and essentially father figure of the avant-garde New American Cinema of the 1960s, which in turn spawned the underground film movement that continued into the 1970s. Shot on location in Cuba. Photos 8 x 10 inches. Near Fine.
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The Concert for Bangladesh (Original photograph of George Harrison and Bob Dylan from the 1972 film)

The Concert for Bangladesh (Original photograph of George Harrison and Bob Dylan from the 1972 film)

by Saul Swimmer (director); George Harrison, Ravi Shankar, Bob Dylan, Ringo Starr, Eric Clapton, Leon Russell (starring)

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N.p.: N.p., 1972. Vintage borderless satin-finish double-weight reference photograph from the 1972 documentary film, showing musicians George Harrison and Bob Dylan performing together. One of the first large-scale humanitarian aid rock concerts, The Concert for Bangladesh featured a plethora of 1960s pop and rock musicians performing to raise relief funds for the refugees of the 1971 Bangladesh Liberation War-related genocide, spearheaded by Harrison and Indian sitar player Ravi Shankar. The event was filmed in its entirety, as well as made into a successful album by Apple Corps, but performance rights and tax issues led to funds raised from the film and album (speculated to total anywhere from $8 to 10 million) being held in an IRS escrow account for over a decade. Shot on location over two days at Madison Square Garden in New York. 9.5 x 7 inches. Near Fine.
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The Concert for Bangladesh (Original double weight photograph from the 1972 documentary film)

The Concert for Bangladesh (Original double weight photograph from the 1972 documentary film)

by Saul Swimmer (director); George Harrison, Bob Dylan, Ravi Shankar, Ringo Starr (starring)

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Los Angeles: Twentieth Century-Fox, 1972. Vintage black-and-white double weight still photograph from the 1972 film, featuring a wailing George Harrison playing his guitar. Harrison arranged a concert to benefit the people of Bangladesh (at the behest of Ravi Shankar), and staged the show in New York's Madison Square Garden in 1971. Bob Dylan, Eric Clapton, Ravi Shankar, and many others performed alongside Harrison, and it is considered one of the first foreign-aid benefit concerts. 7 x 9.25 inches, with no borders as issued. A hint of rubbing to the corners, else Near Fine.
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The Corbett-Fitzsimmons Fight (Original 63mm film fragments from the 1897 film)
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The Corbett-Fitzsimmons Fight (Original 63mm film fragments from the 1897 film)

by Enoch J. Rector (director); James J. Corbett, Bob Fitzsimmons (subjects)

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N.p.: Veriscope, 1897. Two vintage fragments from a 63mm film print of the 1897 boxing match between "Gentleman" Jim Corbett and Bob Fitzsimmons. The first fragment consists of six frames depicting the fighters in a clinch, while the second consists of four frames depicting the fighters in the center of the ring about to trade punches. At over 100 minutes, the film is the first feature length release anywhere, and, with an aspect ratio of 1.65:1, the first widescreen film ever produced. Though fragments such as this survive, the film in its entirety is considered lost. A five frame fragment is held the National Media Museum in the UK, and approximately 19 minutes are available for viewing, but OCLC locates no fragments in institutions. The heavy weight title bout took place on March 17, 1897 in Carson City, Nevada, which legalized boxing specifically to host this fight, beginning the long and storied relationship between the Silver State and the sweet science. Boxing was already a popular… Read More
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Cuba Si (Collection of five original oversize photographs from the 1961 French film)
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Cuba Si (Collection of five original oversize photographs from the 1961 French film)

by Chris Marker (director, screenwriter); Nicolas Yumatov (narrator)

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N.p.: N.p., 1961. Collection of five vintage borderless oversize reference photographs from the 1961 film. Printed labels affixed to the versos. Considered overly sympathetic to the newly formed communist government, the documentary was banned in France for two years. An early effort by director Chris Marker, one of the French New Wave's few film essayists. 12 x 9.5 inches. Very Good, with moderate edgewear.
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Das Todesmagazin oder: Wie werde ich ein Blumentopf [Death Magazine: or How to Be a Flowerpot]...

Das Todesmagazin oder: Wie werde ich ein Blumentopf [Death Magazine: or How to Be a Flowerpot] (Original German poster for the 1979 film)

by Rosa von Praunheim (director, screenwriter); Al Goldstein, Helen Adam, James Chance (starring)

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N.p.: Verleih Filmwelt, 1979. Vintage German A1 poster for the 1979 film. Documentary by famed German gay activist and filmmaker Rosa von Praunheim, about the ill-conceived and short lived "Death" magazine, founded by "Screw" magazine founder and publisher Al Goldstein. Goldstein, who reveled in his sleaze image, launched his most outrageous publication, "Death" magazine, in 1979, but a tasteless, squalid magazine on the subject was a hard sell, and folded after four issues. 23.5 x 33.25 inches. Folded, as issued. Near Fine.
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