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11 Harrowhouse (Original screenplay for the 1974 film)
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11 Harrowhouse (Original screenplay for the 1974 film)

by Aram Avakian (director); Jeffrey Bloom (screenwriter); Charles Grodin, Candice Bergen, James Mason, Trevor Howard (starring)

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Beverly Hills, CA: EK / United Artists, 1974. Early Draft British script for the 1974 British heist film. Based on Gerald Browne's 1972 novel, adapted by Charles Grodin. Howard Chesser (Grodin) is a diamond merchant supervising the cutting of a large and rare diamond. When the diamond is stolen, he is blackmailed and pulled into a jewel heist at 11 Harrowhouse. Set in London, shot there on location and in Warwickshire, England. Burnt orange titled wrappers. Title page present, noted as Revised Screenplay, with credits for screenwriter Bloom. 130 leaves, with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine, bound with two gold brads. Lee, The Heist Film.
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12 [Twelve] to the Moon (Original screenplay for the 1960 film)

12 [Twelve] to the Moon (Original screenplay for the 1960 film)

by David Bradley (director); DeWitt Bodeen (screenwriter); Tom Conway, Ken Clark (starring)

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Los Angeles: Luna Productions, 1959. Shooting Final script for the 1960 film. A low-budget space exploration film, about a spaceship carrying a multinational group of scientists, engineers, and researchers to the moon, where they discover an entire civilization of peace-loving extraterrestrials. Though working with a pitiable budget, the producers at Luna Productions managed to hire noted cameraman John Alton, then nearing the end of his career. Alton worked on every manner of film, but is best remembered for his work in film noir, salient examples being "Hollow Triumph" (1948), "The Amazing Mr. X" (1948), "The Big Combo" (1955), and a number of important noir entries by director Anthony Mann. Red titled wrappers, noted as SHOOTING FINAL on the front wrapper, dated March 31, 1959. Title page present, dated March 31, 1959, with credits for screenwriter Bodeen, story writer/producer F. O. Gebhardt, director Bradley, and associate producer Fox. 104 leaves, mimeograph duplication. Pages about Fine,… Read More
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13 Hours by Air [Twenty Hours by Air] (Original screenplay for the 1936 film)
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13 Hours by Air [Twenty Hours by Air] (Original screenplay for the 1936 film)

by Mitchell Leisen (director); Kenyon Nicholson, Bogart Rogers (screenwriter); Fred MacMurray, Joan Bennett, Zasu Pitts (starring)

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Hollywood: Paramount Pictures, 1936. Continuity and Dialogue script (pre-production) for the 1936 film, here under the working title "Twenty Hours by Air." With faint manuscript pencil annotations throughout. Typescript in black and red type. What should be a routine transcontinental flight from New York to San Francisco is complicated by its shady passengers, which include three jewel thieves, a strange nobleman, and a beautiful socialite. Brown untitled wrappers, rubber-stamped Paramount Production No. 1801. Title page present, with credits for screenwriter Kenyon Nicholson. 146 leaves, with last page of text numbered 145. Black and red typescript on onionskin stock, rectos only. Pages Near Fine, wrapper Very Good plus with yapping on the front wrapper's right edge, bound with two gold brads.
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1600 Pennsylvania Avenue (Original screenplay for an unproduced television film)

1600 Pennsylvania Avenue (Original screenplay for an unproduced television film)

by Jack Lewis (screenwriter)

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N.p.: N.p., Unknown. Draft script for an unproduced television film. With a single manuscript pencil deletion to page I-7. An American Indian man arrives at the White House, claiming the land is rightfully his and demanding recompense for the years of missed rent. Screenwriter Jack Lewis was best known for "The Amazing Transparent Man" (1960) and for his prolific work in Western films, such as "Outlaw Gold" (1950), "Whistling Hills" (1951), and "Black Eagle of Santa Fe" (1965). Set in Washington, DC. Yellow untitled front wrapper, lacking rear wrapper. Title page present, with credits for screenwriter Jack Lewis. 31 leaves, with last page of text numbered I-29. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Good, bound with a paper clip.
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20,000 Bikinis Under the Sea (Original screenplay for an unproduced film)

20,000 Bikinis Under the Sea (Original screenplay for an unproduced film)

by Norman Maurer (writer)

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Hollywood: Self published, 1960. Treatment script for an unproduced film called "20,000 Bikinis Under the Sea." Maurer rose to some popularity after his brief stint as a comic book artist, notably for "Three Stooges" titles and the first 3-D comics, "Three-Dimension Comics," featuring Mighty Mouse. He also married Joan Howard, daughter of Stooge Moe Howard, and this association led him to managing the Stooges after their contract with Columbia, producing seven Stooge films as well as the television series, "The New 3 Stooges" (1965). An interesting take on beach party phase during the 1960s, where an inventor develops a sustainable way to live underwater. He eats, drinks, and gets married, all underwater. Gray titled wrappers. Title page present, undated, with a credit for writer Maurer. 45 leaves, with last page of text numbered 44. Mimeograph duplication. Pages and wrapper Very Good plus, bound with two gold brads.
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20,000 Men a Year (Original post-production screenplay for the 1939 film)

20,000 Men a Year (Original post-production screenplay for the 1939 film)

by Alfred E. Green (director); Lou Breslow, Owen Francis (screenwriters); Randolph Scott, Preston Foster, Margaret Lindsay (starring)

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Los Angeles: Twentieth Century-Fox, 1939. Post-production Continuity and Dialogue script for the 1939 film. With a single manuscript pencil notation on the front wrapper. A commercial pilot grounded for reckless flying decides to start his own flying school, which becomes the profitable hub of a new government-funded civilian pilots' training program. Blue titled wrappers, noted as CONTINUITY & DIALOGUE on the front wrapper, dated October 23, 1939. Title page present, with credits for director Alfred E. Green, screenwriters Lou Breslow and Owen Francis, and various other members of the cast and crew. 150 leaves, with last page of text numbered 149. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus with some yapping to the lower edges, bound with two gold brads.
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20,000 Men a Year (Original screenplay for the 1939 film)

20,000 Men a Year (Original screenplay for the 1939 film)

by Alfred E. Green (director); Lou Breslow, Owen Francis (screenwriters); Randolph Scott, Preston Foster, Margaret Lindsay (starring)

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Los Angeles: Twentieth Century-Fox, 1939. Final script for the 1939 film. With a single manuscript pencil notation on the front wrapper. A commercial pilot grounded for reckless flying decides to start his own flying school, which becomes the profitable hub of a new government-funded civilian pilots' training program. Blue titled wrappers, noted as FINAL on the front wrapper, rubber-stamped copy No. 13 and production No. 1856, dated August 22, 1939. Distribution page present, with receipt intact. Title page present, with credits for screenwriters Lou Breslow and Owen Francis. 158 leaves, with last page of text numbered 152. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 8/28/39 and 9/19/39. Pages Near Fine, wrapper Very Good plus with some minor tears and yapping to the right edge, bound internally with three gold brads.
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3 Part Harmony (Original screenplay for an unproduced film)

3 Part Harmony (Original screenplay for an unproduced film)

by Richard and Laurie Post Grand (screenwriter)

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N.p.: N.p.. Draft script for an unproduced film. Former Korean War vet and baseball player and current junkie has been completely out of his son's life as a father and only involved later on as a "friend" who happens to meet him on the street. His son is pursuing his dream of being a filmmaker while his father struggles to get clean and be a role model for his son. Set in Philadelphia and Los Angeles. Gray titled wrappers. Title page present, with credits for screenwriters Richard Grand and Laurie Post. 122 leaves, with last page of text numbered 109. Mechanical duplication. Pages Near Fine, wrapper Near Fine bound internally with a silver prong binding.
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4 for Texas [Two for Texas] (Original screenplay for the 1963 film)
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4 for Texas [Two for Texas] (Original screenplay for the 1963 film)

by Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress, Charles Bronson, Victor Buono (starring)

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Burbank, CA: Warner Brothers, 1963. Estimating Script for the 1963 film. Two sharpshooters duel over a large amount of cash carried by a railway official, and eventually settle their differences by opening a casino. An iconic Rat Pack film. Shot on location in Mojave and Cantil, California. Tan studio wrappers, noted as Estimating Script on the front wrapper, dated March 18, 1963. Distribution page present, with receipt intact. Title page present, dated 3-18-63, with credits for screenwriters Teddi Sherman and Robert Aldrich. 121 leaves, with last page of text numbered 119. Mimeograph duplication on yellow stock, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads. Pitts 1422.
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4 ft. 2 [Four Foot Two] [4 Foot 2] (Original screenplay for an unproduced film)

4 ft. 2 [Four Foot Two] [4 Foot 2] (Original screenplay for an unproduced film)

by J. Michael Nicholson (screenwriter)

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N.p.: N.p., 1973. Draft script for an unproduced film. Paul is a little person dealing with life the only way he knows how. He is typecast in Hollywood and frequently plays a ventriloquist's dummy and stared at when he is just trying to go about his day. He has great luck with women but not so much in forging close relationships. His only friends are other freaks and he hopes to hit it big at the horse races and on the stock market. Set in Hollywood. Title page present, with credits for screenwriter J. Michael Nicholson. 134 leaves, with last page of text numbered 118. Mechanical duplication, with blue revision pages throughout, dated variously between January 3, 1973 and November 21, 1973. Pages Near Fine, bound in a standard three ringed binder with an affixed title label on the front board.
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5 [Five] Branded Women [Jovanka and the Others] (Original screenplay for the 1960 film)
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5 [Five] Branded Women [Jovanka and the Others] (Original screenplay for the 1960 film)

by Martin Ritt (director); Urgo Pirro (novel); Ivo Perilli (screenwriter); John Michael (screenwriter); Peter Achilles (screenwriter)

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Hollywood: Paramount Pictures. Final Draft script for the 1955 film. Actor Van Heflin's copy, with his name on the front wrapper and his manuscript annotations throughout. Based on the novel "Jovanka e le altre" by Urgo Pirro. Once branded himself by the House Un-American Activities Committee, award-winning director Martin Ritt focuses on the cruel branding of five women in this wartime drama. Some of his better-known films (The Spy Who Came In from the Cold, Norma Rae) also deal with the question of social and ethical choices in the face of pressure. In this story, the savagery of the Yugoslav partisans as they fight off Nazi occupation forces is also vented on five women accused of Nazi sympathies because of their sexual association with one German officer. The women (played by Silvana Mangano, Vera Miles, Barbara Bel Geddes, Jeanne Moreau, and Carla Gravina) have their heads shaved in order to brand them as traitors. (Eleanor Mannikka, AllMovie) Filmed on location in Italy and Austria. Orange… Read More
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5th Avenue Slavechild [Fifth Avenue Slavechild] (Original screenplay for an unproduced film)

5th Avenue Slavechild [Fifth Avenue Slavechild] (Original screenplay for an unproduced film)

by Benny Tao (screenwriter)

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N.p.: N.p., 1985. Second Draft script for an unproduced film. Laid in are two pages: a synopsis, and a handwritten manuscript note, dated March 3, 1985, from the screenwriter. A British pedophile and heroin addict travels to Singapore to adopt a young child, which he secretly plans to imprison and torture, in exchange for financially supporting the child's family. Set in Singapore and England. Beige untitled wrappers. Title page present, dated April 19, 1985, noted as 2ND DRAFT, with credit for screenwriter Benny Tao. 126 leaves, with last page of text numbered 121. Xerographically reproduced, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.
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6 Hours to Live [Six Hours to Live] (Original screenplay for the 1932 film)
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6 Hours to Live [Six Hours to Live] (Original screenplay for the 1932 film)

by William Dieterle (director); Morton Bartaux, Gordon Morris, Bradley King (screenwriters); Warner Baxter, Miriam Jordan (starring)

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Hollywood: Fox Film Corporation, 1932. Final Shooting script for the 1932 film, here under the working title "Six Hours to Live." With manuscript pencil annotations on the front wrapper. By way of a scientific experiment, a murder victim is revived from death, but has only six hours to find his killer. An early directorial effort by the great William Dieterle, foreshadowing the dark elements that would eventually define his work in film noir. Green titled wrappers, noted as FINAL SHOOTING SCRIPT on the front wrapper, rubber-stamped production No. 607, dated 8/5/32, with credits for screenwriters Gordon Morris, Morton Barteaux, and Bradley King. Title page present, with credits for screenwriters Gordon Morris, Morton Barteaux, and Bradley King, director William Dieterle, and various crew members. 116 leaves, with last page of text numbered 109. Mimeograph duplication, rectos only, with carbon typescript revision pages on onionskin stock throughout, dated variously between 8-8-32 and 8/9/32. Pages… Read More
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7 [Seven] Faces of Dr. Lao (Original screenplay for the 1964 film)
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7 [Seven] Faces of Dr. Lao (Original screenplay for the 1964 film)

by George Pal (director); Charles G. Finney (novel); Charles Beaumont (screenwriter); Tony Randall, Barbara Eden, Noah Beery Jr. (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1963. Draft script for the 1964 film. MGM File Copy, with two interoffice communications, a three page cast list, and a casting note bound in before the script, and a script department sleeve containing a check-out card affixed to the front wrapper verso. Based on the 1935 novel "The Circus of Dr. Lao" by Charles G. Finney. A small western town is transformed by the arrival of a mysterious traveling circus, led by the titular wise old Chinese gentleman. A campy, well-loved family classic, featuring stop-motion animation by noted animator and director George Pal, in his final directorial effort. Script by noted speculative fiction author (and screenwriter of many classic "Twilight Zone" episodes) Charles Beaumont. Winner of an Academy Award for outstanding makeup achievement, the first film awarded with an honorary Oscar for makeup. Set in turn-of-the-century Abalone, Arizona. Goldenrod titled wrappers, rubber-stamped copy No. 192 and production No.… Read More
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77 Sunset Strip: The Gang's All Here (Original teleplay script for the 1962 television episode)

77 Sunset Strip: The Gang's All Here (Original teleplay script for the 1962 television episode)

by James Komack (director, screenwriter); Efrem Zimbalist Jr, Edd Byrnes, Louis Quinn, Jacqueline Beer, Sammy Davis Jr. (starring)

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Burbank, CA: Warner Brothers Television, 1962. Revised Draft script for the Episode 41 of Season 4 of the television series. Copy belonging to Sammy Davis Jr, who played the cashier and Kid Pepper in this episode, with his signature on the first page, and annotations in manuscript ink and pencil throughout. Two private investigators work on the south side of the Sunset Strip, next to Dean Martin's actual nightclub, Dino's Lodge. Each episode was an hour long and featured two hardboiled detectives and an aspiring PI working next door as a valet. The actor's first appearance in a show that hewed so closely to his "Rat Pack" persona (though he had appeared in a few other television dramas and Westerns as early as 1952). Set in Los Angeles. Bound in a homemade sewn binding with a card wrapper, black endpapers, and binding sealed with tan paper tape. Title page present, dated March 1, 1962, noted as Revised. 147 leaves, with last page of text numbered 71. Mechanical duplication, with green, blue,… Read More
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99 Women in 3D (Original treatment script for an unproduced film)

99 Women in 3D (Original treatment script for an unproduced film)

by Peter Welbeck (screenwriter)

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Nassau, Bahamas: Film Accounting Services, 1982. Treatment script for an unproduced film. A proposed reboot of the 1969 film "99 Women" (also written by Peter Welbeck), with the same plot, but now in 3D. A woman arrives at a penal colony on an island, where she is controlled by a cruel lesbian who oversees all the prison's functions. Black blank wrappers with die cut title window in the British style. Title page present, dated February 6, 1983, with credits for screenwriter Peter Welbeck. 13 leaves, with last leaf of text numbered 11. Mechanical duplication. Pages Near Fine, wrapper Near Fine bound internally with two silver brads.
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99 and 44/100% Dead (Original screenplay for the 1974 film)
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99 and 44/100% Dead (Original screenplay for the 1974 film)

by John Frankenheimer (director); Robert Dillon (screenwriter); Richard Harris, Edmond O'Brien, Bradford Dillman (starring)

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Los Angeles: Twentieth Century-Fox, 1973. Final Draft script for the 1974 neo-noir film. A satirical neo-noir following a professional hit man who is contracted by a local mob boss to take out the competition, but soon finds himself the target of several personal attacks in retaliation. Shot on location in Seattle, Washington and Silver Springs, Florida. Blue titled wrappers, noted as FINAL and copy No. 332 on the front wrapper, dated JUNE 8, 1973. Title page present, dated June 8, 1973, noted as FINAL, with credits for screenwriter Robert Dillon. 135 leaves, with last page of text numbered 129. Mimeograph duplication on eye-rest green stock, rectos only, with rainbow revision pages throughout, dated variously between 8/1/73 and 9/10/73. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Spicer US Neo-Noir.
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!: A Fishy Tale (Original screenplay for an unproduced film)

!: A Fishy Tale (Original screenplay for an unproduced film)

by Nan Crawford (screenwriter)

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N.p.: N.p., 1980. Draft script for an unproduced film. A discontented, isolated writer befriends and falls in love with a mermaid named Merda. Set in California. Green titled wrappers. Title page present, undated, with credits for screenwriter Nan Crawford. 189 leaves, with last page of text numbered 188. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.
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A.J. Oliver's Private School (Original screenplay for an unproduced film)

A.J. Oliver's Private School (Original screenplay for an unproduced film)

by Luther Davis (screenwriter)

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N.p.: N.p., 1970. First Draft script for an unproduced film. A group of celebrities and wealthy elites all meet at a remote mansion in order to learn how to avoid being kidnapped for ransom. Pink untitled wrappers. Title page present, noted as FIRST DRAFT, with credit for screenwriter Luther Davis. 150 leaves, with last page of text numbered 149. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, with a silver prong binding.
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ABC's Wide World of Mystery: The Deadly Volley (Original screenplay for the 1975 television episode)

ABC's Wide World of Mystery: The Deadly Volley (Original screenplay for the 1975 television episode)

by Margaret Armen (screenwriter); Beverly Garland, Marian McCargo, William Beckley (starring)

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Los Angeles: American Broadcasting Company [ABC], 1974. First Draft script for the 1975 episode "The Deadly Volley" from the television series "The Wide World of Mystery," first aired on January 27, 1975. An unliked professional tennis team owner is nearly murdered and the team members are all suspects. Blue titled wrappers. Title page present, dated 10/10/74, noted as SECOND DRAFT, with credits for screenwriter Margaret Armen. 92 leaves, with last page of text numbered 88. Mimeograph duplication, with pink and blue revision pages throughout, dated 10/10/74 and 10/11/74. Pages Fine, wrapper Near Fine, bound with two gold brads.
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