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Culver City, CA: Columbia Pictures, 1999. Vintage satin-finish reference photograph of Joel Schumacher on the set of the 1999 film. In one of Schumacher'r most unapologetically dark films, private Investigator Tom Welles is hired by a wealthy widow to investigate a film, seemingly of a young girl brutally murdered, found in her deceased husband's safe. 10 x 8 inches. Near Fine. Destroy All Movies, The Complete Guide to Punks on Film. Grant US. Spicer US.
Search Results: German Cinema from Royal Books, Inc.
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8MM (Original photograph of Joel Schumacher from the set of the 1999 film)
by Joel Schumacher (director); Christine Loss (photographer); Andrew Kevin Walker (screenwriter); Nicolas Cage, Joaquin Phoenix, James Gandolfini (starring)
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Am Abend nach der Oper [In the Evening After the Opera] (Original program for the 1945 German film)
by Arthur Maria Rabenalt (director); Johanna Sibelius (screenwriter); Gusti Huber, Siegfried Breuer, Erich Ponto (starring)
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N.p.: N.p., 1945. Vintage program for the 1945 German film. Text and titles in German. After being released from prison for murdering his first wife, a factory owner remarries, but lives in fear of blackmail and the secret being exposed to his second wife. 7.25 x 10.5 inches. Bifold. About Near Fine.
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Am Ende der Welt [At World's End] (Original program for the 1947 German film)
by Gustav Ucicky (director); Gerald Menzel (screenwriter); Brigitte Horney, Attila Hörbiger, Trude Hesterberg, August Pünkösdy (starring)
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N.p.: N.p., 1947. Vintage program for the 1947 German film. Text and titles in German. A sawmill administrator at the center of a remote forest contends with the wishes of the factory heiress, who wishes to borrow an astronomical sum in order to open a nightclub in town. 7.25 x 10.5 inches. Bifold. About Near Fine.
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The American Friend [De amerikanische Freund] (Original photograph from the 1977 film)
by Wim Wenders (director, screenwriter); Patricia Highsmith (novel); Dennis Hopper, Bruno Ganz (starring)
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Grunwald, Germany: Bavaria Film, 1977. Vintage photograph from the 1977 film. With manuscript annotations on the verso. Based on the 1974 novel "Ripley's Game" by Patricia Highsmith, later adapted in 2002 under the original title, directed by Liliana Cavani and starring John Malkovich, Dougray Scott, and Ray Winstone. Nominated for the Palme d'Or at Cannes. 7 x 5 inches. Near Fine. Criterion Collection 793. Grant Germany.
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Angelika [Affairs of Dr. Holl] (Original pressbook for the US release of the 1951 German film)
by Rolf Hansen (director); Thea von Harbou (screenwriter); Maria Schell, Dieter Borsche, Heidemarie Hatheyer (starring)
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New York: Joseph Brenner, 1951. Vintage pressbook for the US release of the 1951 German film. The doctor of an invalid heiress marries her out of pity, not expecting her to live more than a few years after their marriage, but begins to fall in love with her. Shot in Rome and Naples, Italy, and in Bavaria, Germany. Single leaf, bifold, 10.5 x 13.5 inches. Very Good plus, with light edgewear.
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Assaf (Original screenplay for an unproduced film)
by Amos Kollek (novel); Wolfgang Petersen (director)
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Munich: Roxy, 1971. First Draft script for an unproduced film. Text in German. Based on the 1971 novel "Don't Ask Me if I Love" by Israeli director and writer Amos Kollek. The son of a wealthy military arms manufacturer intends to pursue a life as a writer after serving in the Israeli Army, in spite of his father's wishes that he become a politician. Set in Israel. Green titled wrappers. Title page present, with credits for author Amos Kollek and screenwriter Wolfgang Petersen. 138 leaves, with last page of text numbered 134. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, perfect bound.
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Assaf (Original screenplay for an unproduced film)
by Amos Kollek (novel); Wolfgang Petersen (director)
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Munich: Roxy, 1970. Draft script for an unproduced film. Based on the 1971 novel "Don't Ask Me if I Love" by Israeli film director and writer Amos Kollek. The son of a wealthy military arms manufacturer intends to pursue a life as a writer after serving in the Israeli Army, in spite of his father's wishes that he become a politician. Set in Israel. Brown titled wrappers. Title page present, with credits for screenwriter and author Amos Kollek and director Wolfgang Petersen. 109 leaves, with last page of text numbered 107. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, with a silver prong binding.
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Assaf (Original screenplay for an unproduced film)
by Manfred Purzer (screenwriter); Amos Kollek (novel); Wolfgang Petersen (director)
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Munich: Roxy Film, 1970. Draft script for an unproduced film. Text in English. Based on the 1971 novel "Don't Ask Me if I Love" by Israeli film director and writer Amos Kollek. The son of a wealthy military arms manufacturer intends to pursue a life as a writer after serving in the Israeli Army, in spite of his father's wishes that he become a politician. Set in Israel. Housed in a gray envelope. Title page present, with credits for director Wolfgang Petersen, screenwriter Manfred Purzer, and novelist Amos Kollek. 109 leaves, with last page of text numbered 107. Xerographic duplication, rectos only. Pages Very Good, with a light tidemark to the left edge, unbound.
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Auferstehung (33 original photographs from the 1958 film)
by Rolf Hansen (director); Leo Tolstoy (novel); Wolfgang Brunjes (photographer); Renato Castellani, Juliane Kay (screenwriters); Horst Buchholz, Myriam Bru, Edith Mill, Ruth Niehaus (starring)
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Paris: Cinedis, 1959. Collection of 33 original borderless single weight still photographs from the 1959 French release (as "Resurrection") of the 1958 West German-Italian-French film. Action sequences, images of smoking women in brothels, and head-shots of starring actors throughout. Numerical annotations in manuscript pencil, and some in ink, on the versos. Based on Tolstoy's last novel, "Resurrection" (1899), a statement on the hypocrisy of the Church. Katjuschka (Bru) is a maid who's dalliance with military commander Nechljudoff (Buchholz) ruins her career, landing her on the street working as a prostitute. Later, she is accused of murder and Nechljudoff is on the jury. 7 x 9.25 inches, printed rectos on French "Gevaert" photo paper. Very Good plus overall, with light curling, and a few brief creases.
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The Beginner [Into the Spirit of Times, Past and Present] (Original screenplay for the 1985 German film)
by Sigi Rothemund (director); Mike Kruger, Thomas Gottschalk (screenwriters, starring); Anja Kruse, Gerd Baltus (starring)
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N.p.: N.p., 1985. Draft script for the 1985 German film, here under the English title "Into the Spirit of Times, Past and Present." With annotations in manuscript pencil on the first three pages regarding casting, noted as copy No. 112 in manuscript ink on the title page. Text and titles in English. The fourth and final entry in Mike Kruger and Thomas Gottschalk's "Super-Nose" comedy film series, preceded by "Piratensender Power Play" (1982), "Die Supernasen" (1983), and "Zwei Nasen tanken Super" (1984). The series followed the adventures and mishaps of two goofy, frequently time-traveling roommates. Missing front wrapper, with a yellow rear wrapper. Title page present, undated, with credits for screenwriters Mike Kruger and Thomas Gottschalk. 155 leaves, with last page of text numbered 151. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good, with a white prong binding.
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Bitte lasst die Blumen leben [Please Let the Flowers Live] (Original screenplay for the 1986 film)
by Duccio Tessari (director); Joachim Hammann (screenwriter); Johannes Mario Simmel (author); Klausjurgen Wussow, Gerd Bockmann, Hannelore Elsner, Birgit Doll (starring)
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Munich: Bayerischer Rundfunk, 1984. Draft script for the 1986 film. Text in German. A lawyer survives a plane crash and uses his new found lust for life to take on a new identity and start again. Based on a novel of the same title by Johannes Mario Simmel. Clear untitled wrappers. Title page present, dated October 12, 1984, with credits for screenwriter Johannes Mario Simmel. 146 leaves, with last page of text numbered 144. Xerographically duplicated. Pages Near Fine, wrapper Near Fine bound with white velo binding.
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The Burning Secret (Original screenplay for an unproduced 1964 film)
by Robert Siodmak (director); Ben Arbeid and John Bradley (screenwriters); Stephan Zweig (novel)
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N.p.: N.p., 1964. Draft script for an unproduced 1964 British remake of Robert Siodmak's 1933 German-Austrian film (the remake directed by Siodmak as well), based on the 1913 novella "Brennendes Geheimmnis" by Stephan Zweig, and with Siodmak once again attached to direct. Copy belonging to screenwriter Arbeid, with his name in manuscript ink on the title page. The story of a boy who is befriended by a mysterious baron, only to become heartbroken and jealous when it turns out the baron has designs on his mother. Eventually remade in 1988, starring Faye Dunaway. Red wrappers with title window die cut in the British style. Title page present with credit for novelist Zweig and screenwriters Arbeid and Bradley. 142 leaves, with the last leaf of text numbered 140. Mimeograph duplication. Very Good. Dampstain to bottom of wrappers and corresponding lower page edges, bound internally with two silver brads. Greco, Joseph. The File on Robert Siodmak in Hollywood: 1941-1951. Dissertation.com, 1999. p. 212.
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The Butterfly (Two original photographs from the 1971 US release of the 1970 West German film)
by Alexis Neve (director, screenwriter); Anna Kristina, Marcel André, Frank Glaubrecht (starring)
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N.p.: Audubon Films, 1971. Two vintage studio still photographs from the 1971 US release of the 1970 West German film. A sexploitation film about a small-town girl who moves to the big city, where she begins a career as a sex worker, eventually falling in with a group of revolutionaries. 10 x 8 inches. Near Fine.
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The Cabinet of Dr. Caligari (Original oversize double weight photograph from the 1920 film)
by Robert Wiene (director); Willy Hameister (cinematographer); Conrad Veidt, Werner Krauss, Friedrich Feher, Lil Dagover (starring)
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Berlin: Decla-Bioscop AG, 1921. Vintage double weight matte finish reference photograph from the seminal 1920 silent film. Samuel Goldwyn discovered "Caligari" on a trip abroad, and released this film in the US in 1921, at which time 11 x 14 inch photos such as this one were printed on matte paper. Reference number "4" noted in manuscript pencil at the lower right corner of the recto and on the verso as well. The photograph depicts Werner Krauss as Dr. Caligari walking through the streets of the obtuse-appearing city, a prime example of the most basic elements of what would become known as German Expressionism. Producer Erich Pommer put the set design of the film in the hands of designer Hermann Warm and painters Walter Reimann and Walter Rohrig, whom he had met as soldiers while painting sets for a German military theater. When Pommer began to have second thoughts about how the film should be designed, the designers convinced him that it made sense to paint lights and shadows directly on set…
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Cabrio 174 (Original screenplay for an unproduced film, with autograph letter signed from screenwriter Lennart Kremser to Klaus Kinski)
by Lennart Kremser (screenwriter); Klaus Kinski (starring)
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Koln [Cologne]: N.p., 1982. Draft script for an unproduced German film. Laid in is a manuscript letter addressed to Kinski from Kremser, dated 1982, and signed by Kremser. The letter states that Kremser wrote the screenplay with Kinski in mind as the lead role, in a film that would be a "political science-fiction fairy tale." Both script and letter in German. Cream untitled wrappers. Title page present with title written in manuscript ink. 329 leaves, with last page of text numbered 368. Xerographic duplication, versos and rectos. Pages Very Good plus, wrapper Near Fine, perfect-bound. Letter Very Good plus, dated March 8, 1982.
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Caid Film-Bilder: Album 1 (Original German cigarette card album, circa 1933)
by [Cigarette cards] [Trading Cards] [Celebrities]
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N.p.: N.p., 1933. Vintage cigarette card album, featuring approximately 360 trading cards of contemporary film stars of the 1930s. Text and titles in German. The actors featured in the album include Maurice Chevalier, Greta Garbo, Marlene Dietrich, Conrad Veidt, Willi Forst, and many others. Very Good plus, with no dust jacket as issued. Contemporary gift inscription to the title page, and moderate wear and rubbing on the boards, with a diagonal chip affecting the bottom right corner of the front board. Glassine leaves between pages intact, as called for.
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The Cassandra Crossing (Original screenplay for the 1976 film)
by George P. Cosmatos (director, screenwriter); Robert Katz, Tom Mankiewicz (screenwriters); Sophia Loren, Richard Harris, Martin Sheen, O.J. Simpson (starring)
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N.p.: ITC Entertainment, 1976. Draft script for the 1976 German-Italian-British film. A train traveling in Europe has been exposed to a deadly disease, and the passengers are forbidden to leave the train. Terrorism and disaster follow, with a star-studded cast, including Richard Harris, Martin Sheen, and producer Carlo Ponti's wife, Sophia Loren. Green titled wrappers. Title page present, dated 1976, with credits for director Cosmatos and screenwriter Mankiewicz. 121 leaves, with last page of text numbered 121. Xerographically reproduced. Pages Very Good plus, wrapper Near Fine, bound with a green Vello binding.
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Christiane F. [Christiane F. - Wir Kinder vom Bahnhof Zoo] (Original photograph of David Bowie from the 1981 film)
by David Bowie (starring); Uli Edel (director); Kai Hermann, Horst Reick (book); Natja Brunckhorst, Thomas Haustein (starring)
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N.p.: N.p., 1981. Vintage borderless reference photograph from the 1981 film, showing David Bowie performing onstage. Based on the 1978 book "Wir Kinder vom Bahnhof Zoo" ("We Children from Zoo Station") by Kai Hermann and Horst Rieck, in turn based on the sordid experiences of teenage runaway and heroin addict Christiane Vera Feischerinow. The Bowie performance used in the film actually took place in New York City, intercut with audience footage taken from an AC/DC concert in Germany. Set in west Berlin, shot on location in west Berlin and New York. 9.5 x 7 inches. Near Fine. Carlson and Connolly, Destroy All Movies.
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Christiane F. [Christiane F. - Wir Kinder vom Bahnhof Zoo] (Collection of ten original photographs of Natja Brunckhorst from the 1981 film)
by David Bowie, Natja Brunckhorst, Thomas Haustein (starring); Uli Edel (director); Kai Hermann, Horst Reick (book)
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N.p.: N.p., 1981. Collection of ten vintage borderless reference photographs from the 1981 film, all showing actress Natja Brunckhorst. Based on the 1978 book "Wir Kinder vom Bahnhof Zoo" ("We Children from Zoo Station") by Kai Hermann and Horst Rieck, in turn based on the sordid experiences of teenage runaway and heroin addict Christiane Vera Feischerinow. Set in West Berlin, shot on location in West Berlin and New York. 9.5 x 7 inches. About Fine. Carlson and Connolly, Destroy All Movies.
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Collection of eight original contact sheets from eight Lotte Reiniger films
by Lotte Reiniger (director, animator)
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N.p.: N.p., 1950. Collection of eight vintage photographic prints, produced in the 1950s, each with six illustrations from eight different films directed by noted German animator Lotte Reiniger. The films represented include "Sleeping Beauty" (1922), "Cinderella" (1922), "The Magic Horse" (1953), "Thumbelina" (1954), "The Three Wishes" (1954), "Caliph Stork" (1954), "The Gallant Little Tailor" (1954), "The Frog Prince" (1954), and "Hansel and Gretel" (1955). Reiniger was a pioneer of scherenschnitte, the German art of silhouette, heavily inspired by the ancient Chinese art of paper cutting and silhouette puppetry. She worked on over 40 films throughout her career, the most notable, "The Adventures of Prince Achmed" (1926), being the oldest surviving feature-length animated film. Eight photographic prints, each 6.5 x 8.5 inches (16.5 x 21.5 cm). All Near Fine, two with numeric annotations in manuscript ink on the recto and one with a diagonal dampstain affecting the left edge.
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