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An Annapolis Story [The Annapolis Story] (Original screenplay for the 1955 film)
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An Annapolis Story [The Annapolis Story] (Original screenplay for the 1955 film)

by Don Siegel (director); Daniel Ullman (screenwriter); John Derek, Diana Lynn, Kevin McCarthy (starring)

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Hollywood: Allied Artists Productions, 1954. Draft script for the 1955 film, here under the working title "The Annapolis Story." With small manuscript ink annotations throughout, mostly noting the scene entrances of different characters throughout the script. Two sibling cadets at the Annapolis Naval Academy fall for the same girl, creating a love triangle that can only be resolved by one brother's sacrifice for the other in the Korean War, in the tradition of "Wings" (1927). Director Don Siegel's first film starring Kevin McCarthy, followed by the sci-fi horror classic "Invasion of the Body Snatchers" (1956), which was considered to be a breakthrough picture for both. Set in Annapolis, Maryland. Yellow titled wrappers. Distribution page present, with receipt removed. Title page integral to the distribution page, with credits for screenwriter Dan Ullman, dated January 6, 1954. 121 leaves, with last page of text numbered 120. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Very… Read More
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Battle Hymn (Original screenplay for the 1957 film)
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Battle Hymn (Original screenplay for the 1957 film)

by Douglas Sirk (director); Charles Grayson, Vincent B. Evans (screenwriter); Rock Hudson (starring)

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Universal City: Universal Pictures, 1956. Second Revised Final Draft script for the 1957 film. Presentation copy belonging to producer, Ross Hunter, bound in navy full calf with gilt titles on cover and spine, with Hunter's name on the front board. Based on the 1956 autobiography of the same name by Colonel Dean E. Hess, a real-life United States Air Force fighter pilot in the Korean War. Hess was a technical advisor for the film and the gold flying helmet Rock Hudson wears was his personal possession. A poster for "Battle Hymn" appears outside the movie theater in the 1959 pilot episode of The Twilight Zone, "Where Is Everybody?" Set in 1950s Westhampton, Ohio and Seoul, shot on location in Seoul, South Korea and Nogales, AZ. Navy full calf binding without paper wrappers as issued. Title page present, noted as Second Revised Final, with credits for screenwriter Charles Grayson. 137 leaves, with last page of text numbered 123-A. Multilith duplication, with pink, blue, white, revision pages… Read More
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Dragonfly Squadron (Original screenplay for the 1954 film)

Dragonfly Squadron (Original screenplay for the 1954 film)

by Lesley Selander (director); John C. Champion (screenwriter); John Hodiak, Barbara Britton (starring)

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N.p.: N.p., 1954. Draft script for the 1954 film. With faint manuscript pencil annotations throughout. Set months before the beginning of the Korean War, an American Air Force instructor is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. Originally intended for release as a 3D film, and filmed in dual 53mm Polaroid 3-D, by the time the film premiered in 1954 public interest in 3D had declined, and the film was shown as a flat print. Set in South Korea and shot on location in California. Blue titled wrappers, with credits for screenwriter John C. Champion. Title page present, with screenwriting and story credits for John C. Champion. 126 leaves, with last page of text numbered 119. Typescript on onionskin, rectos only. Pages Very Good plus, wrapper Very Good plus, bound internally with three gold brads.
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Dragonfly Squadron (Original photograph of John Hodiak from the 1954 film)

Dragonfly Squadron (Original photograph of John Hodiak from the 1954 film)

by Selander (director); John C. Champion (screenwriter); John Hodiak, Barbara Britton, Bruce Bennett (starring)

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Glendale, CA: Allied Artists, 1954. Vintage photograph from the 1954 film. Promotional headshot of John Hodiak. Set months before the beginning of the Korean War, an American Air Force instructor Major Matt Brady (Hodiak) is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. Originally intended for release as a 3D film, and filmed in dual 53mm Polaroid 3-D, by the time the film premiered in 1954 public interest in 3D had declined, and the film was shown as a flat print. Set in South Korea and shot on location in California. 8 x 10 inches. Near Fine, with some light edgewear.
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The Eternal Sea [The Admiral Hoskins Story] (Original screenplay for the 1955 film)

The Eternal Sea [The Admiral Hoskins Story] (Original screenplay for the 1955 film)

by Sterling Hayden, Alexis Smith, Dean Jagger (starring); John H. Auer (director); William Wister Haines, Allen Rivkin (screenwriters)

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Los Angeles: Republic Pictures, 1954. Final shooting script for the 1954 film. Manuscript annotations on the front wrapper reading "Revisions / Blue 9-28-54" and "part of 'Admiral John Hoskins.'" One of Republic's most elaborate productions of the 1950s, "The Eternal Sea" is the biography of American admiral John M. Hoskins. Sterling Hayden delivers a superbly understated performance as Hoskins, who continued to serve throughout WW2 despite the loss of a leg in the early phases of the conflict. The admiral's farsighted activities as commander of the aircraft carrier Princeton led to the development of the more sophisticated jet-aircraft carriers of the Korean War. The well-chosen supporting cast includes Alexis Smith as Hoskin's wife Sue, Dean Jagger as Admiral Thomas L. Semple, Morris Ankrum as Adm. Arthur Dewey Struble, and John Maxwell as Adm. William "Bull" Halsey (whose life story would serve as the basis for the 1960 film The Gallant Hours). Elmer Bernstein's soaring musical score is the icing… Read More
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Hell's Horizon (Original screenplay for the 1955 film)

Hell's Horizon (Original screenplay for the 1955 film)

by Tom Gries (director, writer); Wray Davis (producer); John Ireland, Bill Williams, Marla English (starring)

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Culver City, CA: Columbia Pictures, 1955. Draft script for the 1955 film. A crew of Air Force soldiers are called in for a difficult bombing mission on the border of Manchuria and North Korea, and while the mission is successful in the end it takes a hefty toll on the group. White untitled wrappers. Title page present, with credits for screenwriter Gries. 155 leaves, mimeograph duplication. Pages Near Fine, wrapper Near Fine bound with two gold brads.
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The Hook (Original screenplay for the 1963 film)

The Hook (Original screenplay for the 1963 film)

by George Seaton (director); Henry Denker (screenwriter); Kirk Douglas, Robert Walker, Jr., Nick Adams, Pancho Magalona (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1962. Revised Draft script for the 1963 film. Copy belonging to uncredited cast or crew member "Brokaw," with that name in manuscript pencil on the front wrapper, and marginal annotations throughout in manuscript ink. Shooting schedules bound in. Included is a vintage production photograph of Kirk Douglas from the film. Based on Vahe Katcha's 1957 novel, "L'hamecon." During the Korean War, a group of American soldiers capture an enemy pilot, and orders are to execute the prisoner. Sgt. P.J. Briscoe (Douglas) orders his men to kill the prisoner, but their reluctance forms a wedge in their allegiance. Shot on location in the Catalina Harbor. Goldenrod titled wrappers, noted as COMPLETE on the front wrapper, rubber-stamped copy No. 63, dated May 1, 1962, with a credit for screenwriter Denker. Title page integral with front wrapper. 165 leaves, with last page of text numbered "133-137," followed by 24 leaves bound upside down. Mimeograph duplication,… Read More
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The Hunters (Three original photographs from the 1958 film)
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The Hunters (Three original photographs from the 1958 film)

by Dick Powell (director); James Salter (novel); Wendell Mayes (screenwriter); Robert Mitchum, Robert Wagner, Richard Egan, May Britt (starring)

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Los Angeles: Twentieth Century-Fox, 1958. Three vintage studio still photographs from the 1958 film. A veteran World War II fighter ace is assigned to head a fighter squadron in the Korean War, where he engages in an illicit romance with one of his soldier's wives and clashes with a talented but foolhardy young pilot. Shot on location in Florida and Arizona. 8 x 10 inches. One Near Fine, two Very Good plus, with light wear to the bottom edge and several pinholes to the border.
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Little Shoes (Original manuscript for the 1951 short story)

Little Shoes (Original manuscript for the 1951 short story)

by Jack Lewis

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N.p.: N.p., 1951. Vintage manuscript for a short story, originally published in the December, 1951 issue of "The Link" magazine. With a few manuscript pencil annotations throughout addressing grammatical revisions. On Christmas Eve in South Korea, a soldier with tiny feet decides gives his new shoes to a small Korean boy who has been traveling with his outfit. Author Jack Lewis was best known for his work as a screenwriter on films such as "Outlaw Gold" (1950), "Whistling Hills" (1951), "The Amazing Transparent Man" (1960), and "Black Eagle of Santa Fe" (1965). Set in South Korea. White titled self-wrappers. Title integral to the first leaf, presumably as issued. 11 leaves, with last page of text numbered 11. Mimeograph duplication, rectos only. Pages Very Good plus, partially bound with a single paper clip.
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Matinee Theatre: A Woman Named Ruby (Original screenplay for the 1956 television episode)
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Matinee Theatre: A Woman Named Ruby (Original screenplay for the 1956 television episode)

by Johnny Crawford, John Conte, K.T. Stevens, Mary Webster (starring); Sherman Marks (director); Doris Gilbert, Christie Munro (screenwriters)

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Burbank, CA: National Broadcasting Company [NBC], 1956. Draft script for the 127th episode of season one of the 1955-1958 television series, which originally aired on April 26 on NBC. Copy belonging to actor Johnny Crawford, with his manuscript ink and pencil annotations throughout. Incomplete as issued. An invalid boy's mother begins to suspect her son's nurse of mistreatment and deceit, although nobody else in her family notices the deception. Brown titled card wrappers, dated April 26, 1956 in manuscript ink annotation. Missing title page, possibly as issued. 83 leaves, with last page of text numbered III-31. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, bound internally with three gold brads.
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Matinee Theatre: Son of Thirty-Seven Fathers (Original screenplay for the 1957 television episode)

Matinee Theatre: Son of Thirty-Seven Fathers (Original screenplay for the 1957 television episode)

by Jack Lewis (screenwriter)

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N.p.: N.p., 1956. Draft script for the ninth episode of the third season of the anthology series "Matinee Theatre," which originally aired on September 12, 1957 on NBC. With two manuscript pencil annotations to the title page. During the Korean War, a young Korean boy whose family has been killed in a recent bombing is informally adopted by a US military outfit. When an important map goes missing, the commanding officers jump at the chance to blame the boy, forcing the soldiers to debate whether his ethnicity alone is enough to condemn him. Screenwriter Jack Lewis was best known for "The Amazing Transparent Man" (1960) and for his prolific work in Western films, such as "Outlaw Gold" (1950), "Whistling Hills" (1951), and "Black Eagle of Santa Fe" (1965). Set in Korea. Orange titled wrappers, with credits for screenwriter Jack Lewis. Title page present, with credits for screenwriter Jack Lewis. 67 leaves, with last page of text numbered 66. Mimeograph duplication, rectos only. Pages Near Fine,… Read More
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Mission Over Korea (Original photograph from the 1953 film)

Mission Over Korea (Original photograph from the 1953 film)

by Fred F. Sears (director); Richard Tregaskis (story); Martin Goldsmith, Jesse Lasky Jr., Eugene Ling (screenwriter); John Hodiak, John Derek, Audrey Totter (starring)

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N.p.: Robert Cohn Productions, 1953. Vintage studio still photograph from the 1953 film. B-film about the Korean War starring John Hodiak. Fred F. Sears used a combination of stock footage and live action to form his picture. Shot on location in South Korea. 10 x 8 inches. Fair, with a large crease to the bottom right corner and blue manuscript annotations to the verso.
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Not With My Wife, You Don't (Original British front-of-house card from the 1966 film)

Not With My Wife, You Don't (Original British front-of-house card from the 1966 film)

by Norman Panama (director, screenwriter); Larry Gelbart and Peter Barnes (screenwriters); Tony Curtis, Virna Lisi, George C.Scott, Carroll O'Connor (starring)

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London: Warner-Pathe Distributors, 1967. Vintage full-color British front-of-house card from the UK release of the 1966 US film. Set during the Korean War, about an Italian nurse (Lisi) who falls in love with two fighter pilots (Curtis and Scott). 8 x 10 inches. A vertical crease to the middle, else Near Fine.
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The Rack (Original screenplay for the 1956 film)
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The Rack (Original screenplay for the 1956 film)

by Arnold Laven (director); Stewart Stern (screenwriter); Paul Newman, Wendell Corey, Walter Pidgeon (starring)

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Culver City, CA: MGM, 1955. Composite script for the 1956 film. With occasional copied handwritten annotations throughout, but made from a master, with machine hole punches and no hole shadows, and rainbow revisions throughout. A Korean War veteran returns home, only to be swiftly court-martialed for collaboration with the Chinese while in captivity as a prisoner of war. One of Paul Newman's first starring film appearances, and an early exploration of the horrors of psychological torture and brainwashing-a predecessor to films such as "Time Limit" (1957), "The Manchurian Candidate" (1962), and "Telefon" (1977). Goldenrod titled wrappers, noted as VAULT COPY / COMPOSITE SCRIPT / COMPLETE on the front wrapper, rubber-stamped copy No. 173 and production No. 5630, dated 10-25-55, with credits for director Arnold Laven and screenwriter Stewart Stern. 214 leaves, with last page of text numbered 108. Mimeograph duplication, rectos only, with pink and white revision pages throughout, dated variously… Read More
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Return From the Sea [Home From the Sea] (Original screenplay for the 1954 film)
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Return From the Sea [Home From the Sea] (Original screenplay for the 1954 film)

by Lesley Selander (director); George Waggner (screenwriter); Jacland Marmur (journalist); Jan Sterling, Neville Brand, John Doucette, Paul Langton (starring)

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Glendale, CA: Allied Artists, 1954. Draft script for the 1954 film. Copy belonging to Robert Arthur, who played Porter, with his character's name on the front wrapper in manuscript pencil and profuse manuscript pencil annotations to his scenes throughout. Chuck MacLish (Brand) is having a tough time readjusting to civilian life after a life in the Navy, until he meets a lonely waitress (Sterling) who loves him and hopes to change his ways. Set in Korea and America, shot on location in San Diego, USA and the Pacific Ocean. Orange titled wrappers. Distribution page present, with receipt removed. Title page present, dated February 23, 1954, with credits for screenwriter George Waggner, and author Jacland Marmur. 118 leaves, with last page of text numbered 111. Mimeograph duplication, with blue, and pink revision pages throughout, dated variously between February 24, 1954 and March 15, 1954. Pages Very Good plus, wrapper Very Good bound with two gold brads.
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Return from the Sea (Three original photographs from the 1954 film)
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Return from the Sea (Three original photographs from the 1954 film)

by Lesley Selander (director); Jacland Marmur (novelette); George Waggner (screenwriter); Jan Sterling, Neville Brand, John Doucette (starring)

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Glendale, CA: Allied Artists, 1954. Three vintage studio still photographs from the 1954 film, all three with Jan Sterling, two including Neville Brand and one including John Doucette. Chuck MacLish (Brand) is having a tough time readjusting to civilian life after a life in the Navy, until he meets a lonely waitress (Sterling) who loves him and hopes to change his ways. Set in Korea and America, shot on location in San Diego, USA and the Pacific Ocean. 8 x 10 inches. Near Fine, some light creasing.
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Ride the High Iron (Collection of five original photographs from the 1956 film)
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Ride the High Iron (Collection of five original photographs from the 1956 film)

by Sally Forrest, Raymond Burr, Don Taylor (starring); Don Weis (director); Milton S. Gelman (screenwriter)

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Culver City, CA: Columbia Pictures, 1956. Collection of five vintage studio still photographs from the 1956 film: three studio stills (two with Don Taylor and Sally Forrest and one with Raymond Burr, Don Taylor and Sally Forrest), and two studio stills of Don Taylor. Originally made as a 74-minute pilot episode of a proposed 1956 TV anthology "Command Performance" which was not taken up. "Ride the High Iron" was then released theatrically by Columbia Pictures. Young soldier Hugo Danielchik (Taylor) just returned home from the Korean war and gets a job with dubious publicist Ziggy Moline (Raymond Burr) to publicize the socialite debutante Elise Vanders (Sally Forrest) and keep her recklessness out of the newspapers. 8 x 10 inches. Near Fine, some light creasing. Don Taylor photographs lightly toned.
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A Stranger in My Arms (Original post-production script for the 1959 film)

A Stranger in My Arms (Original post-production script for the 1959 film)

by Helmut Kautner (director); Peter Berneis (screenwriter); Robert Wilder (novel); June Allyson, Jeff Chandler, Sandra Dee (starring)

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Universal City: Universal International Pictures, 1958. Post-production Continuity and Dialogue script for the 1959 film. Based on the 1951 novel "And Ride a Tiger." After his jet crashes during the Korean War, an Air Force pilot suffering post-traumatic stress flashbacks meets the family of his navigator, who was killed in the crash, and finds himself falling for his friend's widow. White titled self wrappers, noted as CONTINUITY & DIALOGUE on the front wrapper, dated November 3, 1958, with credits for actors June Allyson, Jeff Chandler, Sandra Dee, and other cast members. 118 leaves, with last page of text numbered REEL 5AB PAGE 11. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.
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