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100 Rifles [One Hundred Rifles] (Original oversize photograph of Raquel Welch and Jim Brown from...

100 Rifles [One Hundred Rifles] (Original oversize photograph of Raquel Welch and Jim Brown from the 1969 film)

by Tom Gries (director, screenwriter); Robert MacLeod (novel); Clair Huffaker (screenwriter); Jim Brown, Raquel Welch, Burt Reynolds (starring)

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N.p.: N.p., 1969. Vintage oversize borderless satin-finish reference photograph of Jim Brown and Raquel Welch between takes on the set of the 1969 film. A Native American man robs a bank in the US in order to buy guns for his people who are being repressed by the government. A lawman quickly sets out into Mexico to capture him, but the two eventually create an alliance. Set in Mexico, shot on location in Spain. 11.5 x 9 inches. Near Fine. Pitts 2903.
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13 Hours by Air (Original photograph of Mitchell Leisen, Myrna Loy and John Howard from the...

13 Hours by Air (Original photograph of Mitchell Leisen, Myrna Loy and John Howard from the preview party of the 1936 film)

by Mitchell Leisen (director); Frank Mitchell Daze (short story); Bogart Rogers (short story, screenwriter); Fred MacMurray, Joan Bennett, Zasu Pitts (starring)

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Los Angeles: Paramount Pictures, 1936. Vintage press photograph of Mitchell Leisen, Myrna Loy, and John Howard from the preview party at Leisen's house for the 1936 film. Mimeo snipe on verso. What should be a routine transcontinental flight from New York to San Francisco is complicated by its shady passengers, which include three jewel thieves, a strange nobleman, and a beautiful socialite. Shot on location in Alhambra, California and Beaver Dam, Wisconsin. 10 x 8 inches. Near Fine.
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1900 (Original photograph on the set of the 1976 film)

1900 (Original photograph on the set of the 1976 film)

by Bernardo Bertolucci (director, screenwriter); Franco Arcalli, Giuseppe Bertolucci (screenwriters); Robert De Niro, Gerard Depardieu, Dominique Sanda, Francesca Bertini (starring)

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Los Angeles: Paramount Pictures, 1976. Vintage photograph on the set of the 1976 film, showing director Bernardo Bertolucci giving instructions to actors Robert De Niro, Gerard Depardieu, and Romolo Valli. Director Bernardo Bertolucci's epic film was a gargantuan undertaking, requiring the resources of three European countries and a trio of American movie studios. Set in the small town of Parma, the film follows two best friends born in 1901 whose lives diverge drastically as a result of their class differences and the rise of Fascism in Italy. Set in Parma, Italy, shot on location in Rome, Lombardia, and Campagnia, Italy. 6 x 4 inches. Near Fine. Eureka 135. Olive Films 345.
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4 [Four] for Texas (Original contact sheet from the 1963 film)

4 [Four] for Texas (Original contact sheet from the 1963 film)

by Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress, Charles Bronson, Victor Buono (starring)

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Burbank, CA: Warner Brothers, 1963. Vintage contact sheet from the 1963 film, showing six images of actors Frank Sinatra and Anita Ekberg during filming. Two sharpshooters duel over a large amount of cash carried by a railway official, and eventually settle their differences by opening a casino. Shot on location in Mojave and Cantil, California. 11 x 6.75 inches. Near Fine. Pitts 1422.
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The 400 Blows [Les Quatre Cents Coups] (Original photograph of François Truffaut and Guy...
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The 400 Blows [Les Quatre Cents Coups] (Original photograph of François Truffaut and Guy Decomble from the set of the 1959 film)

by François Truffaut (director, screenwriter); Andre Dino (photographer); Marcel Moussy (screenwriter); Jean-Pierre Léaud, Albert Remy, Claire Maurier (starring)

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Paris: les Films du Carrosse, 1959. Vintage borderless reference photograph, with bottom margin, of François Truffaut and Guy Decomble on the set of the 1959 film. "Les Quatre Cents Coups" and "Telerama" stamps on verso. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the following year. Set in and shot on location in Paris, France. 6.75 x 5 inches. Near Fine. Criterion Collection 5. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.
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The 5000 Fingers of Dr. T (Original photograph from the 1953 film)

The 5000 Fingers of Dr. T (Original photograph from the 1953 film)

by Dr. Seuss [Theodor Seuss Geisel] (story, conception, screenwriter); Roy Rowland (director); Van Pelt (photographer); Allan Scott (screenwriter); Peter Lind Hayes, Mary Healy, Hans Conried, Tommy Rettig (starring)

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Culver City, CA: Columbia Pictures, 1952. Vintage publicity photograph of Dr. Seuss (Theodor Seuss Geisel) and young actor Tommy Rettig from the 1953 film. The only feature film written by Geisel (Dr. Seuss), who wrote the story, co-wrote the screenplay and the lyrics to songs. A Technicolor musical fantasy about a boy (Rettig) who dreams he is a world ruled by a diabolical piano teacher, Dr. Terwilliker (Hans Conried), forever enslaving children and forcing them to play a piano so immense, it takes 500 children to play it. Nominated for one Academy Award. 8 x 10 inches. Near Fine. Rosenbaum 1000.
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The 5000 Fingers of Dr. T (Collection of eight original photograph from the 1953 film)
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The 5000 Fingers of Dr. T (Collection of eight original photograph from the 1953 film)

by Dr. Seuss [Theodor Seuss Geisel] (screenwriter); Roy Rowland (director); Van Pelt (photographer); Allan Scott (screenwriter); Peter Lind Hayes, Mary Healy, Hans Conried, Tommy Rettig (starring)

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Culver City, CA: Columbia Pictures, 1953. Collection of eight vintage reference photographs from the 1953 film. With printed mimeo snipes affixed to the verso, along with the stamp of Columbia Pictures and still photographer Van Pelt. A Technicolor musical fantasy about a boy who dreams he is a world ruled by a diabolical piano teacher who enslaves children and forces them to play a piano so immense, it takes 500 children to play it. The only feature film written by Theodor Geisel (Dr. Seuss), who co-wrote the screenplay and song lyrics. 10 x 8 inches. Near Fine. Rosenbaum 1000.
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55 Days at Peking (Original keybook photograph of director Nicholas Ray on the set of the 1963 film)

55 Days at Peking (Original keybook photograph of director Nicholas Ray on the set of the 1963 film)

by Nicholas Ray (director); Dennis Stock (photographer); Philp Yordan, Robert Hamer, Bernard Gordon (screenwriters); Charlton Heston, Ava Gardner, David Niven (starring)

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Glendale, CA: Allied Artists, 1963. Vintage black-and-white keybook photograph of director Nicholas Ray on the set of his 1963 film, "55 Days at Peking." Shot by still photographer Dennis Stock, and with a mimeograph snipe on the verso crediting Ray, screenwriter Philip Yordan, and actors Charlton Heston, Ava Gardner, and David Niven, and with a stamp crediting producer Samuel Bronston along with the above noted parties. Ray's last stand, an iconic image. The filming of the epic historical drama took place in and around Madrid, and Ray collapsed during shooting. It was completed by director Guy Green and the film's second unit director Andrew Marton, though Ray was given sole credit on the finished film. It would be the director's last major film. 8 x 10 inches (20.5 x 25.5 inches). With a 3-hole punch on an affixed tab at the left margin as called for. Near Fine.
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8 1/2 [Otto e mezzo] (Four original photographs from the 1963 film)
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8 1/2 [Otto e mezzo] (Four original photographs from the 1963 film)

by Federico Fellini (director); Claudia Cardinale, Marcello Mastroianni, Anouk Aimée (starring); Tullio Pinelli, Ennio Flaiano, Brunello Rondi (screenwriters); Tazio Secchiaroli (photographer)

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Various cities: Lynx / Roma Press Photo, 1963. Four vintage oversize borderless reference photographs from the 1963 Italian film, showing Federico Fellini directing actors Marcello Mastroianni and Sandra Milo on the set. Mimeo snipes on the versos, along with Lynx and Roma Press Photo stamps and the stamp of photographer Tazio Secchiarolli. Fellini's avant-garde, autobiographical masterpiece, about an aging Italian director who begins to retreat into his memories and fantasies while attempting to make his latest film. Winner of the Academy Award for Best Foreign Language Film, and nominated for three other awards, including Best Original Screenplay and Best Director. Set and shot on location in Rome. 10.75 x 8.25 inches. Near Fine, with a hint of edgewear. Criterion Collection 140. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 15. Scorsese, My Voyage to Italy.
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8MM (Original photograph of Joel Schumacher from the set of the 1999 film)

8MM (Original photograph of Joel Schumacher from the set of the 1999 film)

by Joel Schumacher (director); Christine Loss (photographer); Andrew Kevin Walker (screenwriter); Nicolas Cage, Joaquin Phoenix, James Gandolfini (starring)

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Culver City, CA: Columbia Pictures, 1999. Vintage satin-finish reference photograph of Joel Schumacher on the set of the 1999 film. In one of Schumacher'r most unapologetically dark films, private Investigator Tom Welles is hired by a wealthy widow to investigate a film, seemingly of a young girl brutally murdered, found in her deceased husband's safe. 10 x 8 inches. Near Fine. Destroy All Movies, The Complete Guide to Punks on Film. Grant US. Spicer US.
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Accident (Original photograph from the set of the 1967 film)

Accident (Original photograph from the set of the 1967 film)

by Joseph Losey (director); Nicholas Mosley (novel); Harold Pinter (screenwriter); Dirk Bogarde, Stanley Baker, Jacqueline Sassard (starring)

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N.p.: N.p., 1967. Vintage reference photograph of director Joseph Losey in conversation with actors Dirk Bogarde and Stanley Baker on the set of the 1967 film. With a printed mimeo snipe in Spanish affixed to the verso. Based on the 1965 novel by Nicholas Mosley. A professor at Oxford University finds himself enamored with his beautiful, young student Anna, the fiancee of his other student, Michael. Their three lives become horribly entwined by a brutal car crash. The second of three legendary collaborations between director Joseph Losey and screenwriter Harold Pinter, the others being "The Servant" (1963) and The Go-Between" (1970). Shot on location in Oxford, London, and Middlesex, UK. 9.5 x 7.25 inches. Very Good plus.
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An Actor's Revenge [Yukinojo] (Original photograph of Kon Ichikawa and Kazuo Hasegawa on the set...

An Actor's Revenge [Yukinojo] (Original photograph of Kon Ichikawa and Kazuo Hasegawa on the set of the 1963 Japanese film)

by Kon Ichikawa (director); Daisuke Itô, Teinosuke Kinugasa (screenwriters); Shintarô Katsu, Ayako Wakao, Kazuo Hasegawa, Fujiko Yamamoto (starring)

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N.p.: N.p., 1963. Vintage borderless reference photograph of Kon Ichikawa directing actor Kazuo Hasegawa on the set of the 1963 Japanese film. Stamp in Japanese and annotations in manuscript ink on the verso, along with a printed mimeo snipe in English. A renowned kabuki actor seeks revenge on the three men who caused the double suicide of his parents. Meanwhile, he himself is being targeted by a swordsman. 6.5 x 4.75 inches. Very Good plus, lightly edgeworn. BFI 1291. Criterion Collection 912. Rosenbaum 1000.
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Adorable Sinner [Magnificent Sinner] [Katia] [Une Jeune Fille un Seul Amour] (Original photograph...

Adorable Sinner [Magnificent Sinner] [Katia] [Une Jeune Fille un Seul Amour] (Original photograph of Robert Siodmak and Curd Jurgens from the set of the 1959 French film)

by Robert Siodmak (director); Princesse Bibesco (novel); Georges Neveux, Charles Spaak (screenwriters); Romy Schneider, Curd Jurgens, Pierre Blanchar (starring)

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N.p.: N.p., 1959. Vintage borderless reference photograph of director Robert Siodmak and Curd Jurgens on the set of the 1959 French film. Based on the 1939 historical novel "Princess Mathe Bibesco," by Bibesco under the pseudonym Lucille Decaux. A remake of the 1938 French film "Katia," directed by Maurice Tourneur starring Danielle Darrieux and John Loder. Set in St. Petersburg, Russia and shot on location in Paris, France and Vienna, Austria. 5 x 7.25 inches. Near Fine.
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The Adventure of Sherlock Holmes' Smarter Brother (Original photograph from the 1975 film)

The Adventure of Sherlock Holmes' Smarter Brother (Original photograph from the 1975 film)

by Gene WIlder (director, screenwriter, starring); Madeline Kahn, Marty Feldman (starring)

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Los Angeles: Twentieth Century-Fox, 1975. Vintage borderless photograph from the set of the 1975 film, showing cinematographer Gerry Fisher behind the camera filming a scene between stars Gene Wilder and Madeline Kahn. Wilder's directorial debut from his own original script, a musical comedy about Sigerson Holmes, the younger brother of Sherlock, investigating missing government documents with the aid of a Scotland Yard detective (Marty Feldman) and a deceitful musical hall singer (Kahn). 10 x 8 inches. Near Fine.
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The Adventures of Arsène Lupin (Collection of six original photographs taken on the set of the...
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The Adventures of Arsène Lupin (Collection of six original photographs taken on the set of the 1957 film)

by Robert Lamoureux (starring); Jacques Becker (director, screenwriter); Albert Simonin (screenwriter)

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N.p.: N.p., 1957. Collection of six vintage reference photographs taken on the set of the 1957 French film, showing director Jacques Becker talking with cast and crew members. Annotations in manuscript pencil on the versos. Based on the popular Arsène Lupin mystery series created by Maurice Leblanc. Roguish gentleman thief Lupin outwits several prestigious jewelers, the prefect of police, and even Kaiser Wilhelm II. Set and shot on location in Paris. Three photographs 7.25 x 5 inches, three photographs 7.25 x 9.5 inches. Generally Near Fine.
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Affairs Within Walls [Kabe no naka no himegoto] (Original photograph of Kôji Wakamatsu on the...

Affairs Within Walls [Kabe no naka no himegoto] (Original photograph of Kôji Wakamatsu on the set of the 1966 film)

by Kôji Wakamatsu (director); Chûsei Sone, Takao Yoshizawa (screenwriters); Hiroko Fujino, Kazuko Kanô, Aya Mine (starring)

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Tokyo: Wakamatsu Production, 1966. Vintage borderless reference photograph from the 1966 pink film, showing director Kôji Wakamatsu helping arrange a half-nude actress' towel. Studio stamp specific to the film's German release on the verso. One of the first pink films to be shown outside Japan, about a voyeuristic, disaffected young student who observes his neighbors through a telescope. 5 x 7 inches. Near Fine.
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Africa: Texas Style (35 original photographs from the 1967 film)
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Africa: Texas Style (35 original photographs from the 1967 film)

by John Mills Hugh O'Brian (starring); Andrew Marton (director); Andy White (screenwriter); Tom Nardini, Adrienne Corri (starring)

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Los Angeles: Paramount Pictures, 1967. Collection of 35 vintage, borderless, double weight, reference photographs from the 1967 US-UK co-production. Seven photographs with images of director Andrew Marton, actors, and crew on the set. A British rancher hires two American cowboys to oversee his Kenyan estate. Basis for the American television show "Cowboy in Africa," starring Chuck Connors, which ran on ABC during the 1967-1968 season. Set and shot on location in Kenya. 8 x 10 inches. Very Good plus to Near Fine.
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The Age of Innocence (Original photograph of Martin Scorsese and Daniel Day-Lewis on the set of...

The Age of Innocence (Original photograph of Martin Scorsese and Daniel Day-Lewis on the set of the 1993 film)

by Martin Scorsese (director); Jay Cocks (screenwriter); Edith Wharton (novel); Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder (starring)

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N.p.: N.p., 1993. Vintage reference photograph from the set of the 1993 film, showing Martin Scorsese directing actor Daniel Day-Lewis between takes. Annotations in manuscript ink on the verso, identifying subjects in the photograph. Based on the 1920 novel by Edith Wharton, about a wealthy lawyer who begins to fall in love with his fiancée's cousin, a scandalously divorced countess. Nominated for four Academy Awards, winning one. Set in New York, and shot on location in Troy, New York.
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Alan Arkin, Art Garfunkel, and Martin Sheen on the set of Catch-22 (1969)
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Alan Arkin, Art Garfunkel, and Martin Sheen on the set of "Catch-22" (1969)

by Robert [Bob] Willoughby (photographer); Mike Nichols (director); Joseph Heller (novel); Buck Henry (screenwriter); Alan Arkin, Art Garfunkel, Martin Sheen (starring)

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N.p.: N.p., 1969. Vintage oversize double weight candid photograph of Alan Arkin, Art Garfunkel, and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot and struck by the film's still photographer, Bob Willoughby. The photographer has written at the top of the verso, in manuscript pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel, Alan Arkin, Martin Sheen." Also with Willoughby's ASMP rubber stamp for both his New York and Ireland addresses. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in… Read More
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Alex in Wonderland (Archive of five original photographs from the 1970 film)
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Alex in Wonderland (Archive of five original photographs from the 1970 film)

by Alan Pappe (photographer); Donald Sutherland, Ellen Burstyn (starring); Paul Mazursky (director, screenwriter); Larry Tucker (screenwriter)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1970. Archive of five vintage, oversize, double weight photographs from the 1970 film, four of which are borderless. One photograph SIGNED and dated 1969 by photographer Alan Pappe on the verso, all photographs with his stamp. All five photographs feature legendary Italian director Federico Fellini in his cameo role as himself, with one showing the director on the set with a clapboard and crew members in front of him, while a second features a manuscript pencil annotation describing Fellini and actor Donald Sutherland discussing a scene with an out-of-frame director Paul Mazursky. Pappe worked as a film still and press photographer for 30 years, photographing a who's who of film and music stars, including iconic images of Sharon Tate, Jimi Hendrix, and Liza Minnelli, as well as album cover for the "Grease" soundtrack album, and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of… Read More
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