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ABC's Wide World of Mystery: The Deadly Volley (Original screenplay for the 1975 television episode)

ABC's Wide World of Mystery: The Deadly Volley (Original screenplay for the 1975 television episode)

by Margaret Armen (screenwriter); Beverly Garland, Marian McCargo, William Beckley (starring)

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Los Angeles: American Broadcasting Company [ABC], 1974. First Draft script for the 1975 episode "The Deadly Volley" from the television series "The Wide World of Mystery," first aired on January 27, 1975. An unliked professional tennis team owner is nearly murdered and the team members are all suspects. Blue titled wrappers. Title page present, dated 10/10/74, noted as SECOND DRAFT, with credits for screenwriter Margaret Armen. 92 leaves, with last page of text numbered 88. Mimeograph duplication, with pink and blue revision pages throughout, dated 10/10/74 and 10/11/74. Pages Fine, wrapper Near Fine, bound with two gold brads.
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Ali (For Your Consideration screenplay for the 2001 film)
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Ali (For Your Consideration screenplay for the 2001 film)

by Michael Mann (director); Stephen J. Rivele, Christopher Wilkinson, Eric Roth (screenwriters); Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles (starring)

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Culver City, CA: Columbia Pictures, 2001. For Your Consideration script for the 2001 film. Facsimile signature of director Michael Mann on the title page. A biography of boxing champion Muhammad Ali, from his famed 1964 match against Sonny Liston, criticism of the Vietnam War and subsequent banishment from boxing, to his return to the ring in 1974 for the Rumble in the Jungle fight. Shot on location in Florida, California, New York, Illinois, and Texas in the US, and in Ghana and Mozambique. Pictorial titled wrappers. Title page present, dated 8/7/2000, with credits for screenwriters Stephen J. Rivele, Christopher Wilkinson, Eric Roth, and Michael Mann. 131 leaves, with last page of text numbered 130. Xerographic duplication, rectos only. Pages Fine, wrapper Fine, with perfect binding.
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The All-American Boy [The All American Boy] (Original screenplay for the 1973 film)

The All-American Boy [The All American Boy] (Original screenplay for the 1973 film)

by Charles Eastman (screenwriter, director); John Voight, Anne Archer (starring)

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Burbank, CA: Warner Brothers, 1970. Revised Estimating script for the 1973 film. A key title in New Hollywood cinema. Searching for some direction in his life, Vic Bealer (Voight) fights his way to Olympic glory as an amateur boxer, void of emotion and feeling, using women, and taking advantage of everyone to get what he wants. Shot in six "sequences," with title cards to indicate the exact "round" of life Vic is in, affecting a silent-era homage. Tan titled wrappers, noted as REV. ESTIMATING SCRIPT on the front wrapper, rubber-stamped copy No. 114, dated March 18, 1970. Distribution page present, with receipt intact. Title page present, dated 3/18/70, with credits for screenwriter director Eastman. 137 leaves on yellow stock, mechanical duplication, with blue revision pages throughout, dated 3/25/70. Pages about Near Fine, wrapper Very Good plus bound internally with two gold brads.
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The American Arms Collector (Complete run of 8 magazine issues, one signed by the editors)
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The American Arms Collector (Complete run of 8 magazine issues, one signed by the editors)

by Benet, Jr., Hugh and William E. Codd, James L. Sangston, Norman W. Och, Ray Riling, Peter Copeland, Richard Randall, Jr., Robert Wheeler (editors, contributors)

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Towson, MD: The Collectors' Press, 1958. Complete run of 8 issues of the short-lived firearms enthusiast magazine, published in Maryland. Volume 1 Number 1 SIGNED on the Contents page by editors Benet and Codd in 1991. The magazine saw little light, had limited distribution, and only ran for a year and a half, but its content was amongst the most in-depth in its field, with interesting illustrations and close-up photography of firearms of all kinds. Book reviews, ads, and historical accounts all made for an excellent, albeit brief, encounter with rifles, pistols, Colts, swords, and war paraphernalia. Issues included: Volume 1, Number 1, January 1957; Volume 1, Number 2, April 1957; Volume 1, Number 3, July 1957; Volume 1, Number 4, October 1957; Volume 2, Number 1, January 1958; Volume 2, Number 2, April 1958; Volume 2, Number 3, July 1958; Volume 2, Number 4, October 1958. All issues 8.5 x 11 inches, saddle-stapled, printed color wrappers. Light rubbing and foxing overall, else Near… Read More
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Archive of working material belonging to Delta Associates founder Lynn Wineland, including...
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Archive of working material belonging to Delta Associates founder Lynn Wineland, including advertising art, production materials, and ephemera relating to motorcycling

by [Motorcycle culture] Lynn Wineland

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Alhambra, CA: Delta Associates, 1976. Large archive of original art, sketchbooks, illustrations, and advertising production materials, and a collection of catalogs, brochures, booklets, flyers, and magazines, all relating to the Southern California off-road motorcycle scene (and motorcycles in general) from Lynn Wineland and his "Delta Associates" design and advertising firm. A voluminous collection featuring dozens of pieces of production materials, art, and photographs, as well as over 50 pieces of printed motorcycle promotional materials of the period. The material in the archive dates from the late 1940s through the late 1970s, with the bulk from the late 1960s to mid 1970s, the peak of the SoCal off-road motorcycle scene. Complete details available on request, potentially interested buyers only please. Wineland's importance and influence on the West Coast hot rod and motorcycle scene is difficult to overstate. In the late 1930s, when Wineland was still a teenager, he built his first hot rod… Read More
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Archive of 40 vernacular photographs of the NASCAR World 600, 1965
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Archive of 40 vernacular photographs of the NASCAR World 600, 1965

by [Auto Racing] [NASCAR]

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N.p.: N.p., 1965. Archive of 40 vernacular photographs taken at the NASCAR World 600 race on May 23, 1965 at the Charlotte Motor Speedway in Concord, NC. Eight of the photographs with manuscript annotations on the verso, identifying the date and location, as well as drivers pictured. The photographs are primarily taken at track level, and feature shots of the pit, track, and car storage areas, indicating that the photographer was likely involved as more than a spectator, as either a member of a crew, a race official, or member of the press. A close up look at stock car racing, from a time when it was very much still a regional sport. 3.5 x 3.5 inches. Very Good plus overall.
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Archive of 27 oversize photographs of Indy race cars at the Indianapolis Motor Speedway, circa 1957
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Archive of 27 oversize photographs of Indy race cars at the Indianapolis Motor Speedway, circa 1957

by J.O. Wilson (photographer)

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N.p.: N.p., 1957. Archive of 27 oversize, double weight photographs of Indy race cars, taken at the Indianapolis Motor Speedway, circa 1957. Two photographs with the stamp of photographer J.O. Wilson on the verso. Each of the photographs is of a single car riding at high speed, taken at the same angle, making for great stylistic consistency within the set. 14 x 11 inches. Very slight curl to the edges, two photographs with glue stains on the verso from having been mounted. Some photographs are matte-finished (those being faded to a sepia tone), others are glossy (not faded), but all are oversize and clearly from the same archive.
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Archive of 63 original photographs relating to Southern California Midget Auto Racing and African...
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Archive of 63 original photographs relating to Southern California Midget Auto Racing and African American driver Rajo Jack

by [Auto racing] [Midget racing] [Rajo Jack]

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N.p.: N.p., 1938. Archive of 63 vintage vernacular and professional photographs, along with a number of newspaper and program clippings, all relating to midget auto racing in Southern California, circa 1937-1938. All materials housed in a string-bound scrapbook, with captions in manuscript ink adjacent to most photographs. Of particular note in the archive are five photographs of African American "outlaw" racer Rajo Jack, the first driver to integrate into the all-white sport-nearly two decades before Jackie Robinson broke the "color barrier" in Major League baseball in 1947. Born Dewey Gatson in 1905, Jack would never have been able to compete on a national level in the American Automobile Association (AAA) due to his race, so he instead competed in the American Racing Association (ARA), the largest racing body to allow him to compete-making him an "outlaw" racer in the eyes of the AAA, and largely restricting him to West Coast racing. A continual target of discrimination, Jack would frequently… Read More
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Archive of 148 original vernacular photographs of custom truck and tractor pulls
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Archive of 148 original vernacular photographs of custom truck and tractor pulls

by [Americana] [Tractor Pulls] Charles Watson (photographer)

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N.p.: N.p., 1979. Archive of 148 photographs of custom truck and tractor pulls, taken by amateur photographer Charles Lloyd Watson, circa 1978-1979. Many photographs with developer dates of 1978 and 1979 on the versos. A former racetrack photographer, Watson was a prolific amateur motorsports photographer from Jeffersonville, Indiana. Included in the archive are 142 standard color snapshot prints, five standard black-and-white snapshot prints, and one 8 x 10 color print. The photographs capture several indoor and outdoor events, and were likely taken in the Indiana area. Truck and tractor pulls became popular in the midwest and southern regions of the United States in the 1950s and 1960s. Pulls generally consisted of tractors in varying weight classes competing in towing a drag, which was either composed of dead weight or a group of people stepping onto a sled at fixed positions in order to increase resistance as the pull continued. The late 1970s would prove to be a seminal and transitional… Read More
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Babe (Original photograph from the 1975 television movie)

Babe (Original photograph from the 1975 television movie)

by Buzz Kulik (director); Babe Didrikson Zaharias (novel); Joanna Lee and Harry Paxton (screenwriter); STARS (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1975. Vintage black-and-white studio still photograph from the 1975 television movie. With MGM front folding snipe attached to the verso. Based on the autobiography of famous female athlete Babe Didrikson Zaharias, who competed in the 1932 Olympics and won two gold medals in track and field. The film won a Golden Globe for Best Motion Picture made for Television. Babe is played by actresses Susan Clarke, pictured in the studio still. 8 x 10 inches. Near Fine.
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The Babe (Original screenplay for the 1992 film)

The Babe (Original screenplay for the 1992 film)

by Arthur Hiller (director); John Fusco (screenwriter, producer); John Goodman, Kelly McGillis, Trini Alvarado, Bruce Boxleitner (starring)

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Universal City, CA: Universal Pictures, 1990. Revised script for the 1992 film. A biography of famed baseball legend Babe Ruth, who was born in Baltimore and given to an orphanage there by his father. He soon demonstrates his amazing hitting ability and adopted by a scout who has him play for the Orioles until he is sold to the Red Sox, and consequently angers the owner and is sold to the Yankees, for whom he helps win the 1932 World Series. He is soon pushed out of the spotlight by Lou Gehrig and eventually sold to the Braves. At the end, a boy he met at the start of his career is all grown up and reminds him that Ruth is still his hero and that he's the best. Set in Baltimore, New York, Boston, Pittsburgh, Chicago, shot on location in Chicago and California. Title page present, dated November 22, 1990, noted as Revised, with credits for screenwriter John Fusco. 132 leaves, with last page of text numbered 131. Later generation photocopy. Pages Very Good plus, wrapper missing bound with two gold brads. Read More
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Babe Ruth's Big Book of Baseball (First Edition)

Babe Ruth's Big Book of Baseball (First Edition)

by Babe Ruth

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Chicago: Reilly and Lee, 1935. First Edition. First Edition. Lightly rubbed at the corners, else about Near Fine in wrappers.
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The Bad News Bears in Breaking Training (Original photograph from the 1977 film)

The Bad News Bears in Breaking Training (Original photograph from the 1977 film)

by William Devane, Clifton James, Jackie Earle Haley (starring); Michael Pressman (director); Paul Brickman, Bill Lancaster (screenwriters)

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Hollywood: Paramount Pictures, 1977. Vintage studio still photograph from the 1977 film. Paper snipe affixed to the verso and folded around the front of the image. Chris Barnes reprises his role as the foul-mouthed Tanner Boyle in this 1977 sequel to the sports-drama "The Bad News Bears." Shot on location in California and Texas. 8 x 10 inches. Near Fine with a red manuscript pencil notation to the verso.
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Badger's Green (Original screenplay for the 1949 film)

Badger's Green (Original screenplay for the 1949 film)

by John Irwin (director); William Fairchild (screenwriter); R.C. Sherriff (play); Barbara Murray, Brian Nissen, Garry Marsh (starring)

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London: Highbury Studios, 1948. Shooting script for the 1949 film. Based on the 1930 play. Inhabitants of a sleepy British village rise up in protest when a large corporation announces a plan to build a large development on their cricket field. The matter is appropriately settled through a cricket match. Set in Britain. Green titled wrappers, noted as SHOOTING SCRIPT on the front wrapper. Title page present, noted as SHOOTING SCRIPT. 100 leaves, with last page of text numbered 95. Mimeograph duplication, rectos only, with three undated revision pages printed on white stock laid in. Pages Very Good plus, wrapper Very Good, side stapled.
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The Baltimore Colts Story (First Edition, signed by 40 team members and staff from the 1962-64...
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The Baltimore Colts Story (First Edition, signed by 40 team members and staff from the 1962-64 season)

by John F. Steadman

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Baltimore: Press Box, 1958. First Edition. First Edition. SIGNED by 40 team members of the most legendary Colts lineup, including Johnny Unitas, Jim Parker, Raymond Berry, Tom Matte, Don Shula, and many others. Also laid in is a posted envelope, dated December 1965, signed by 6 members of the coaching staff, including Gene "Big Daddy" Lipscomb (who died in May 1963), Don Shula, Charley Winner, Don McCafferty, and John Sanduskey. Very Good plus in a Very Good plus dust jacket. An uncommon book in jacket, but we find it reasonable to assume that there may not be another copy with even half as many autographs.
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Bang The Drum Slowly (Original screenplay for the 1973 film)
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Bang The Drum Slowly (Original screenplay for the 1973 film)

by Robert De Niro, Michael Moriarty (starring); John Hancock (director); Mark Harris (novel, screenwriter)

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N.p.: N.p., 1972. Draft script for the 1973 film. Copy belonging to sound technician Les Lazarowitz, with his name in manuscript ink on the title page, as well as an annotation noting copy No. 89. Included with the script is a baseball signed by many of the actors in the film, including Robert De Niro, Phil Foster, Tom Signorelli, Andy Jarrell, Tony Major, Donny Burks, and Vincent Gardenia, with a manuscript letter of provenance signed by Lazarowitz. Based on the 1956 novel by screenwriter Mark Harris, about a developmentally disabled baseball catcher with a terminal illness, and his friendship with the team's star pitcher. Shot on location in New York, Washington DC, and Florida. Light blue titled wrappers, with credit for novelist and screenwriter Mark Harris. Title page present, copyrighted 1972, with credit for novelist and screenwriter Mark Harris. 126 leaves, with last page of text numbered 125. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two… Read More
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Bang the Drum Slowly (Signed First Edition)
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Bang the Drum Slowly (Signed First Edition)

by Mark Harris

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New York: Alfred A. Knopf, 1956. First Edition. First Edition. SIGNED by the author on the front endpaper. Basis for the acclaimed 1973 movie starring Robert De Niro. Near Fine in a Very Good plus dust jacket. Book lightly faded along the spine. Jacket lightly rubbed at the extremities, with faint toning on the spine panel.
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Bang the Drum Slowly (Original banner poster from the 1973 film)

Bang the Drum Slowly (Original banner poster from the 1973 film)

by Mark Harris (novel); John D. Hancock (director); Michael Moriarty, Robert De Niro, Vincent Gardenia (starring)

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Los Angeles: Paramount Pictures, 1973. Vintage banner poster from the 1973 film. Based on the 1956 novel by screenwriter Mark Harris, about a developmentally disabled baseball catcher with a terminal illness, and his friendship with the team's star pitcher. Shot on location in New York, Washington DC, and Florida. 81 x 24 inches. Very Good plus, with light rubbing and faint creasing overall, with several closed tears to the margins and a half inch chip in the top center margin, otherwise bright and unfaded.
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Bang the Drum Slowly (Original poster for the 1973 film)

Bang the Drum Slowly (Original poster for the 1973 film)

by Michael Moriarty, Robert De Niro, Vincent Gardenia (starring); Mark Harris (novel); John D. Hancock (director)

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Los Angeles: Paramount Pictures, 1973. Vintage one sheet poster for the 1973 film. Based on the 1956 novel by screenwriter Mark Harris, about a developmentally disabled baseball catcher with a terminal illness, and his friendship with the team's star pitcher. Shot on location in New York, Washington DC, and Florida. 27 x 41 inches. Very Good plus, folded as issued, with light wear and creasing.
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Below the Belt (Three original photographs from the 1980 film)
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Below the Belt (Three original photographs from the 1980 film)

by Robert Fowler (director, screenwriter); Rosalyn Drexler (novel); Sherry Sonnet (screenwriter); Regina Baff, John C. Becher, James Gammon (starring)

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N.p.: Aberdeen, 1980. Three vintage black-and-white reference photographs from the 1980 film. Based on Rosalyn Drexler's 1972 novel "To Smithereens." A scrappy sports arena waitress is scouted by a wrestling promoter, who believes she has what it takes to become a champion. 10 x 8 inches. Near Fine, with faint wear to the corners.
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