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Salt Lake City, Utah:: Marnie Powers-Torrey,, 1999.. Edition of 15. 7.875 x 11"; 22 pages. Twentieth Century Medium Italic typeface. Handset and printed on an Asbern letterpress. Photographs gum bichromate prints, photolithographs, and intaglio prints from photopolymer plates. A cross-country road trip, recounted and pictured with bleary perception Marnie Powers-Torrey: "Visual and verbal snap shots taken through the lens of a car window by a twenty-something traveling across country. Individual stops are connected by the long road of the concertina spine. "
Search Results: Through the Lens of a Camera (October 2018) from Vamp & Tramp, Booksellers, LLC
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A Casual Commentary (Front Seat USA).
by Powers-Torrey, Marnie.
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Evidence.
by Powers-Torrey, Marnie.
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Hoover, Alabama, United States
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Salt Lake City, Utah:: Marnie Powers-Torrey,, 2000.. Edition of 15. 4.5 x 4.75"; 12 pages. Double-sided accordion structure. Handset Goudy Open. Photographs printed letterpress and intaglio from polymer plates and zinc cuts. Text printed from handset metal type on Alcantara papers.. Bound in boards with title on front board. Signed and numbered by the artist. Marnie Powers-Torrey: "This two-sided accordion is an homage to the diverse and awe-inspiring rocks found in Utah and to the stories, both historical and geological, that they tell. The warm intaglio prints imbed the intensity of the desert landscape midday, and the letterpress images present the artist's reflection on rocks as the desert cools.
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Family Resemblance: 50 Years of Florida Family Portraits
by Nettles, Bea.
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Urbana, Illinois:: Inky Press Productions / Bea Nettles,, 2007.. Edition of 10. 5.5 x 7.5"; 57 pages. Codex grey-green cloth bound, grey end sheets. Signed inside front. Over 75 family photos, predominately black-and-white. Includes index of photos with dates and locations. Bea Nettles: "My Grandmother Noble gave me my first camera when I was ten years old. She didn't purchase it, but had received it as a bonus of some sort. It was red plastic and took wide roll film. This was in 1956, so 2006 marks the fiftieth year that I have been making portraits of my family in Florida. Photography today is so easy and cheap that it is ubiquitous. Huge quantities of pictures are created, looked at, then deleted. In the fifties, film was expensive and I can remember planning and taking almost every shot. I still have all the negatives.
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Firesticks.
by [Larkspur Press] James Baker Hall.
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Monterey, Kentucky:: Larkspur Press,, 2008.. Edition of 26. 11.5 x 14.5" black cloth-covered portfolio case with ribbon ties. Paper letterfold adhered to back pastedown contains 3 photographs and 4 broadsides plus a sheet with the Colophon. Handset text in Cloister Lightface type. Letterpress printed with a hand-fed C & P onto Gampi Torinoko paper, handmade in Japan. Photographs giclée prints printed by James Baker Hall. Case handbound in Japanese bookbinding cloth and Curtis paper. A portfolio honoring rural Kentucky, Firesticks includes four broadsides of James Baker Hall's poems, printed by Larkspur Press, and three of Halls photographs printed by himself. A native Kentuckian, in 2001 Hall was named the Poet Laureate of the Commonwealth of Kentucky. He was a graduate if the University of Kentucky with a B.A. in English and received a Wallace Stegner Fellowship in Creative Writing at Stanford University. He began teaching at the University of Kentucky in 1973 and…
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Golden Gate Fog.
by [Midnight Moon Press] Ginger Burrell.
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San Jose, California:: Midnight Moon Press,, 2006.. Edition of 25. 11 x 9"; 34 leaves. Original photographs by the artist inkjet printed using archival inks onto acid free cardstock. Presented with soundscape recording by Greg Burrell. Post bound with black cloth over boards. Illustrated paper title on front board. Ginger Burrell: "Long an icon of San Francisco, the Golden Gate Bridge evokes the romance of a time of art deco beauty and the building of grand ideas. Viewed in fog, it becomes mysterious and hints of images and stories just out of reach. "In Golden Gate Fog, the viewer listens to the rhythmic music of the ocean and fog horn recorded while the photos were taken, while viewing San Francisco as seen through a silken curtain of fog. "Journey along the coast, through the Presidio, and to various viewpoints of the bridge as you imagine the feel of the cool fog on your skin.
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HIVE.
by [Broadfoot, Linda] Carol Ann Duffy.
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Hoover, Alabama, United States
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Atlantic Beach, Florida:: Linda Broadfoot,, 2014.. Edition of 30. Box 6.5 x 7 x 9.5" containing ten 5 x 7.5 x .5" double-sided panels. Poems letterpress printed on Hahnemühle Ingres paper using Perpetua type cast by Michael & Winifred Bixler. Text overprinted with a transparent honeycomb pattern. Archival pigment print images on Hahnemühle Photo Silk Baryta paper. Images and poems mounted on Russian birch plywood, foreedges coated with beeswax, and encased within a fabricated one-half scale maple Langstroth beehive box structure. Title and bee image engraved on the cover. Title page mounted on the interior side of the lid. Signed and numbered. Hive was produced over the course of two years and contains nine poems from The Bees by Carol Ann Duffy with images and design by Linda Broadfoot. Linda Broadfoot: "Hive was created to reveal the wonder of sunlit bees in the air and the mystery of the hive. The images and the physical structure of the book came from my…
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Imagination the Spy.
by [Papyrus Productions] Francois Deschamps.
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New Paltz, New York:: Papyrus Productions ,, 2010.. Edition of 10. 10.75 x 8.125"; 38 pages. Japanese stab binding. Photography. Imagination the Spy compares through photographs historic and contemporary representations of Oceania. Papyrus Productions: "One hundred years ago, the anthropologist Arthur Maurice Hocart worked and photographed on Lakeba and Rotuma, two remote Fijian islands. My own travels in Fiji from 1995 - 2001 took me to the same two remote islands. This book contrasts two responses to these similar experiences. Hocart's photographs, always on the left page, are housed in the Alexander Turnbulll Library, National Library of New Zealand, Te Puna Mâtauranga o Aotearoa. My own imaginative response to these Fijian islands results from my photographs, watercolors made in 1995-2001, and from a personal idiosyncratic collection of nineteenth century travel books.
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Mali Photo.
by [Papyrus Productions] Francois Deschamps.
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Hoover, Alabama, United States
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New York:: Papyrus Productions ,, 2013.. Edition unstated. 8.25 x 10.75"; 64 pages. Perfect bound. Glossy covers. Photographs of Francois Deschamps taken by Malian photographers. Each photograph of Deschamps is accompanied with a photograph of the photographer and his studio. Humane exchange and human relationships are a two-way street, or lane, or cart path. This give-and-give interaction is on display in this remarkable set of photographs.
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Nature Nurture.
by Harris, Lyall F.
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Charlottesville, Virginia:: Lyall F. Harris,, 2018.. Edition of 50. 8 x 6" closed; 30 panels with self wrapper. Accordion structure. Signed and numbered by the artist. In lightweight slip case. Lyall Harris: "Close-ups are paired in a series of photographs by the artist to illustrate similarities between objects from the natural world and her young children."
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On the Avenue.
by Mitchell, Margaretta K.
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Berkeley, California:: Elysian Editions,, 2018.. Edition of 10. 6 x 4.5"; 84 pages. Digital printing. Photography and text by Margaretta K. Mitchell. Binding by Virginia Phelps. Colors available for purse binding: black, gold, or silver. Printing by Irene Imfeld. Margaretta K. Mitchell: "The purse binding was created and made by Virginia Phelps, a book artist living in the San Francisco Bay Area. A chance meeting between Virginia and Margaretta Mitchell at the Antiquarian Book Festival was the beginning of a creative collaboration. When Virginia mentioned having made a book in the form of a loaf of bread, Margaretta immediately replied that she wanted to make a book of images in a purse-like form. Fast forward ... the results are 'On the Avenue'. "'On the Avenue' is a little book that lifts the spirits, bringing a smile to the lover of Manhattan's Fifth Avenue on a beautiful spring day, Easter Sunday 2006. Everyone is out on the street and in Central Park…
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Once.
by Murray, Charlotte.
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Everett, Washington:: Charlotte Murray,, 2009.. Edition of 25. 6.25 x 5"; 16 unnumbered pages. Images printed on Epson Ultra Premium Photo Paper Luster with an Epson Stylus Photo R2880 printer with pigment based inks for maximum permanence. Book block constructed with Canson Mi-Teintes paper. The covers are 2-ply acid-free board, wrapped with Canson Mi-Teintes paper. Embossing by Murray. Eight photographs that incorporate in various way the Blue Moon - signs, objects, diagrams, even moonsMi-Teintes paper.
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Paper Boats.
by Harris, Lyall F. and Patricia Silva.
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Hoover, Alabama, United States
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Florence, Italy:: Lyall F. Harris and Patricia Silva,, 2017.. Edition of 150. 8.5 x 8.75"; 144 pages. Printed digitally. Perfect bound. Paper-covered boards. In illustrated paper slipcase. Signed and numbered by both artists. Paper Boats is a collaborative book project by Italian artist Patricia Silva and American artist Lyall Harris. Originally it was produced in an edition of 2 as part of their book art project "Meeting Places." This is the digital version in an edition of 150. Artist statement: "A photo-documentary illustrates the distressing loss of identity taking place in contemporary mass immigration to Europe. The visual rhythm of the book works something like a meditation (vs. a political statement) - there are 100 images of hands with boats, interspersed with about 25 quotes (some in Italian) and 10 "portraits," total page count is 144 - and we think it brings this content home in a striking way." Lyall Harris: "In creative…
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Photo-Rapide.
by [Papyrus Productions] Francois Deschamps.
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Hoover, Alabama, United States
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New Paltz, New York:: Samuel Dorsky Museum of Art,, 2013.. Edition not stated. 8.75 x 10.75"; 116 pages. Perfect bound. Colophon: "Published on occasion of the exhibition Photo-Rapide: Francois Deschamps. Curated by Daniel Leers; on display from January 23-April14, 2013 in the Alice and Horace Chandler Gallery of the Samuel Dorsky Museum of Art at the State University of New York at New Paltz." Claire Lambe, "Malian Portrait Photography" and "Photo-Rapide": Francois Deschamps at the Samuel Dorsky Museum of Art: "Deschamps riffs off the tradition of the photo studio in ways that are particularly interesting. While in Bamako, he created a studio complete with a hand-painted sign and rubber stamps, but he also went out into the community to find subjects for his project. The title Photo-Rapide comes from the fact that he carried with him a digital printer not much bigger than an iPhone so that, when he found a subject, he could immediately give them a copy…
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Sanctus Sonorensis.
by [Spaceheater Editions] Phil Zimmermann.
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Hoover, Alabama, United States
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Tucson, Arizona:: Spaceheater Editions,, 2009.. Edition 1000. 8.25 x 10.75 x 1.5"; 90 pages. Four-color offset lithography. Gilded edges. Self-covering. Philip Zimmermann: "Four-color offset lithography printed book was created as a series of two page board book spreads that minimize the visual distraction of a 'gutter' on the panoramic view of each skyscape. The edges of the book are rounded and gilded in the fashion of religious breviaries or missals. "This is a book of border beatitudes. This work comments on the complicated attitudes of Americans on illegal immigration from Mexico. The cover shows a photograph of the area of Southern Arizona which is the most active in terms of migration across the Sonoran desert, and where thousands have lost their lives in the deadly desert heat. The interior pages show the progression of a typical high desert day from dawn to sunset with a single line of text on each two page spread." Zimmerman (Blog), March 8, 2010:…
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Six Jugs: of Bill Culbert with interleavings by Simon Cutts
by [Coracle] Simon Cutts.
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Hoover, Alabama, United States
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Ballybeg, Grange, Clonmel, Tipperary, Ireland:: Coracle,, 2011.. Edition of 125. 5 x 7.5"; 24 pages. Inkjet and letterpress on Canaletto paper. Casebound. Numbered. Coracle: "The images of six jugs of Bill Culbert from 1980 used in miniature. They exist both as objects and photoworks in their original format and here are placed alongside interleavings by Simon Cutts." Bill Culbert works in sculpture, installation, and photography. He has collaborated with Simon Cutts on several books including "Some More Notes on Writing and Drinking."
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UMBRA: me and my shadow
by [Murray, Charlotte] John Hastings; Charlotte Murray.
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Hoover, Alabama, United States
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Everett, Washington:: John R. Hastings,, 2011.. Edition of 25. 5 x 4"; 24 pages. Created in Adobe InDesign CS4. Printed on an Epson Stylus Photo 2880 printer. Printed with ultrachrome pigment inks on Epson Premium Presentation paper matte double sided. Coptic bound. Photography by Hastings and Murray. The poem is by John; the book design by Charlotte; the images by both. Shadow images of the couple on their travels accompanied by verses of the poem.
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Virtual Reality.
by [Midnight Moon Press] Ginger Burrell.
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Hoover, Alabama, United States
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San Jose, California:: Midnight Moon Press,, 2009.. Edition of 25. 11.75 x 9"; 21 leaves. Original images and haiku by the artist. Text printed using Footlight MT Light font. Archival inkjet printing on Rives BFK. Japanese stab binding. Paper covered boards with illustrated paper title tipped on front board. Ginger Burrell: "Virtual/Reality began with a discussion with my niece about the amazing landscapes along the Northern California coast. She told me, 'I don't need to go there, I can just look at pictures on my computer.' In Virtual/Reality haiku, paired with original photographs, argues that virtual will never replace reality." Is the irony intentional?
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Zeit/Temps/Time.
by Ketelhodt, Ines von.
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Flörsheim, Main, Germany:: Ines von Ketelhodt,, 2015.. Edition of 45. 24 x 14.2 cm (9.4 x 5.6") closed, extends to 183 cm (72"); 30 pages. Double-sided accordion. Digital printing. Photography, design, and bookbinding by Ines von Ketelhodt. Bound with cloth-over-boards. Embossed label on front board. Signed and numbered by the artist. Ines von Ketelhodt: "This accordion book shows two photographic series of two different motifs, taken in Vienna's Prater amusement park. Both motifs, which alternate rhythmically in the concertina book, address the themes of movement, circles, and time. The photographs include a text passage from Act One of Hugo von Hofmannsthal's play 'The Cavalier of the Rose' (1911), in the original German version, as well as a French and an English translation: 'Die Zeit, die ist ein sonderbares Ding / Le temps est subtil comme un poison / Time - how strangely does it go its ways'. "The texts come in various sizes and levels…
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se souvenir.
by Lovett, Ann.
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Hoover, Alabama, United States
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New Paltz, New York:: Ann Lovett,, 2006.. Edition of 16. 3.9 x 5.75"; 48 pages. Pigmented ink jet print on rag paper. Coptic binding sewn through accordion-pleated sheets. Rice paper endsheets. Bound in green silk-wrapped hard covers. Ann Lovett: "The title, with obvious reference to the souvenir, means to remember in French. Se Souvenir is about Normandy, France, and the memorials and beaches commemorating the D-Day invasion during the second World War. Its also about Max, my ex-father-in-law, whom I never met. He was wounded in the second wave of the invasion and survived, and the old photographs are of him as a soldier. "The photographs of Max maintain the fiction that all is well, presenting a smiling uniformed soldier who looks healthy and whole. Like most family photographs, the agenda here is to show life as you want it to be, orderly, stable, rich with family and friends, and service to country, not necessarily as it is. Little in these pictures speaks of the…
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