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Boston: A.F. Kern Company, Manufacturers, 1904. 4to., 128 pp., numerous illustrations. Color illustrated stiff wrappers, which are moderately soiled, chipped and worn; upper tip slightly bumped. Very good. A priced trade catalogue of picture and portrait frames, mat boards, pastel and watercolors, platinotype and carbon photographs, facsimiles of plain and hand-colored photographs, picture and room moldings, etc.
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THE A.F. KERN COMPANY MANUFACTURERS: SPRING AND FALL SEASON 1904..: CATALOGUE NO. 15, FIFTEENTH YEAR.
by A.F. Kern Company, Manufacturers
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BERENICE ABBOTT, AMERICAN PHOTOGRAPHER: Introduction by John Canaday. Commentary by Berenice Abbott.
by [ABBOTT] O'Neal, Hank
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NY: McGraw-Hill Book Co, 1982. First edition. Abbott, Berenice. Folio, 255 pp., over 250 photos. A fine, near new copy in the photo-illustrated dust jacket. A major retrospective look at this American photographer whose career started as an assistant to Man Ray in Paris, was instrumental in documenting New York City for the WPA, and spanned over 5 decades.
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PHOTOGRAPHY WITH EMULSIONS: A TREATISE ON THE THEORY AND PRACTICAL WORKING OF GELATINE AND COLLODION EMULSION PROCESSES.
by Abney, W. de W., Captain. [William de Wiveleslie]
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- Second American edition
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NY: Scovill Manufacturing Company, 1886. Second American edition. Abney. 8vo., vii, 192 pp., 36 pp. adverts, engraved illustrations. Printed stiff wrappers. The wrappers are lightly chipped, worn and stained; the first 75 pages have a small stain limited to the fore edge. Owner's ink stamp on the title page. A very good copy. A most important manual that covers all processes being practiced during this period with hundreds of emulsion processes and developers detailed in full. Also includes unusual approaches such as beer and coffee preservatives and how to color (safelight) darkroom windows. Abney made important contributions in the field, i.e. hydroquinone as developer [1880] and silver gelatino citrochloride printing-out paper. Roosens and Salu No. 3516 calls this the second edition and fails to note the 1883 Scovil printing, which is an exact replical of this edition.
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DANGEROUS GAMES
by Acland, Laurence
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Toronto: Magitsh Editions, 1984. First edition. 4to., [47] pp., fully illustrated with b&w plates from photographs. Photo-illustrated stiff wrappers. Signed by the photographer on the title page. Fine.
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ANSEL ADAMS AT 100: [An Exhibition Organized by the San Francisco Museum of Modern Art, August 4, 2001 - January 13, 2002].
by Adams, Ansel
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San Francisco: San Francisco Museum of Modern Art, 2001. First edition. Oblong 4to., 199 pp., fully illustrated. Photo-illustrated stiff wrappers. Fine, as new in the publisher's shrinkwrap. Text by John Szarkowski.
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TAOS PUEBLO: Photographs by Ansel Adams. Woodcut decorations by Valenti Angelo.
by [ADAMS, ANSEL]. Austin, Mary
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- Facsimile of 1930 edition
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Boston: NYGS, 1977. Facsimile of 1930 edition. Adams, Ansel. Folio, unpaged, 12 full-page duotone plates after photographs. Quarter tan leather and orange linen, blind titled in the leather on the front board. Housed in the publisher's plain orange linen slipcase. A fine copy. Limited to 950 numbered copies, SIGNED by Adams. The original edition, published in 1930 was limited to 108 copies and is the most expensive and rarest of his published works.
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BLACK & WHITE PHOTOGRAPHY
by Adams, Ansel
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- First English language edition
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Göteborg, Sveden: Victor Hasselblad Aktiebolag, 1980. First English language edition. 8vo., 28 pp., 13 plates from photographs, other illustrations in text. Stapled into photo-illustrated wrappers. Light wear. Very good. The contents are based upon Adams' five books in the Basic Photo Series. Text in English.
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CAMERA AND LENS: THE CREATIVE APPROACH STUDIO, LABORATORY AND OPERATION
by Adams, Ansel
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- First revised edition
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Hastings-on-Hudson, NY: Morgan & Morgan, 1970. First revised edition. Adams, Ansel. 8vo., 304 pp., illustrated. Top edge slightly foxed; a very good copy in a slightly worn pictorial dust jacket. For those who still use film and the darkroom, an essential reference and manual. For those of the digital era, yes, even you can benifit from the master with this volume.
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PHOTOGRAPHS OF THE SOUTHWEST: Selected photographs made from 1928 to 1968 in Arizona, California, Colorado, New Mexico, Texas and Utah, with a statement by the photographer and an essay on the land by Lawrence Clark Powell.
by Adams, Ansel
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Boston: New York Graphic Society, 1976. First edition. Adams, Ansel. Oblong 4to., 128 pp., b&w photo-plates. A fine copy in the photo-illustraterd dust jacket.
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IMAGES 1923 - 1974: Foreword by Wallace Stegner.
by Adams, Ansel
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Boston: New York Graphic Society, 1974. First edition, first printing. Adams, Ansel. Oblong folio, 127 pp. 117 photos. A fine copy in the illustrated dust jacket. Housed in the publisher's slipcase, which has chalk mark on the rear, and a single droplet stain on the front; otherwise, fine. Signed and presented by Ansel Adams, and dated Carmel, 1981.
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IMAGES 1923 - 1974: Foreword by Wallace Stegner.
by Adams, Ansel
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Boston: New York Graphic Society, 1974. First edition, first printing. Adams, Ansel. Oblong folio, 127 pp. 117 photos. A fine, bright, as new copy in the illustrated dust jacket. Housed in the publisher's slipcase, which has a partial crack where the rear panel meets the spine; other, near fine. Signed by Ansel Adams and dated, Carmel, 1980.
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ANSEL ADAMS, PHOTOGRAPHS, 1923-1963: THE ELOQUENT LIGHT: Exhibition inaugurated at the M.H. de Young Memorial Museum, San Francisco and circulated by the Smithsonian Institution, Washington, D.C.
by [ADAMS, ANSEL] Newhall, Nancy
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[San Francisco]: [M.H. de Young Memorial Museum], 1963. First edition. Adams, Ansel. 4to., [16] pp., b&w illustrations from photographs. Pictorial stiff wrappers. Slight bump at the crown, faint foxing on the end papers; else, a good copy. Includes a chronology and selected bibliography.
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CREATIVE PHOTOGRAPHY, 1956
by Adams, Clinton, foreword
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Lexington, KY: Lexington Camera Club and the Department of Art, University of Kentucky, 1956. First edition. Bullock, Wynn. 8vo., 37 pp., 34 plates from photographs, including portraits of the photographers. Pictorial wrappers. Light usage; very good. This exhibit of seventeen photographers included: Ansel Adams, Ruth Bernhard, Reva Brooks, Wynn Bullock, Harry Callahan, Van Deren Coke, Larry Colwell, Ralph Eugene Meatyard, Arnold Newman, Don Ross, Charles Sheeler, Aaron Siskind, Doty Warren, Brett Weston, Edward Weston, Minor White, and Charles Wong; each represented with a portrait, statements and biographical notes.
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ONE HUNDRED LIES
by Adams, Mac and Patrick Bouvet
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Paris: Christophe Daviet-Thery, 2001. First edition. Adams, Mac. A titled black folder, 10.5 x 11 inches, which is photo-illustrated on the inside panels, containing 9 loose b&w photographic plates of varying size, with concrete poetry in both French and English on the reverse, each separated with a blank paper guard. Very light wear to the edges of the folder; else fine. The photographs of domestic scenes, and dolls are by Mac Adams, poetry by Patrick Bouvet. Limited to 500 copies. WorldCat locates only three copies: Whitney Museum; Getty Research Institute; Bibliotheque d'Art et d'Archeologie.
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ANSEL ADAMS, VOLUME 1, THE ELOQUENT LIGHT
by [ADAMS]. Newhall, Nancy
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San Francisco: Sierra Club, 1963. First edition. Adams, Ansel. Folio, 175 pp., b&w plates. Gilt-embossed cloth. A very good copy in the illustrated dust jacket that is lightly toned, has one small closed tear on the rear panel and is price-clipped. Biography of Adams, illustrated with his photographs.
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TO MAKE IT HOME: PHOTOGRAPHS OF THE AMERICAN WEST, 1965-1986
by Adams, Robert
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NY / Philadelphia: Aperture, in association with The Philadelphia Museum of Art, 1989. First edition. Adams, Robert. 4to., 175 pp., illustrated with full-page b&w photos. A fine copy in the near fine photo-illustrated dust jacket. Published in conjunction with a major retrospective exhibition.
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PHOTOGRAPHIC INSTRUCTOR, FOR THE PROFESSIONAL AND AMATEUR
by Adams, W.I. Lincoln and Charles Ehrmann
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- Sixth edition, eighth thousand
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NY: Scovill and Adams, 1897. Sixth edition, eighth thousand. 8vo., 215 pp., illustrations in text. Publisher's decorative illustrated paper wrappers. Previous owner's neat stamp on the title page; a small sliver is lacking from the blank rear wrapper; else near fine. This manual leads the reader through darkroom procedures, printing on albumen and pigmented papers, manipulation of images in printing, photographic techniques in landscape work, stereo, photomicrography, etc. Roosens and Salu No. 6435.
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PHOTOGRAPHIC INSTRUCTOR, FOR THE PROFESSIONAL AND AMATEUR
by Adams, W.I. Lincoln and Charles Ehrmann
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- Fourth edition
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NY: Scovill and Adams, 1892. Fourth edition. 8vo., 215 pp., illustrations in text, plate with tissue guard. Newly bound in paper over boards, with printed label on front. Slight foxing especially at edges, faint stains, a few tips creased; else very good. This manual leads the reader through darkroom procedures, printing on albumen and pigmented papers, manipulation of images in printing, photographic techniques in landscape work, stereo, photomicrography, etc. Roosens and Salu No. 6435.
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PLACE: NEW ENGLAND PERAMBULATIONS [cover title]
by [ADDISON GALLERY OF AMERICAN ART] Corp Author; Sheldon, James L., curator
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Andover, Massachusetts: The Addison Gallery of American Art, 1982. First edition. Square 8vo., 27 pp., illustrated from b&w and color photographs. Stapled wrappers. Light wear and soiling to the wrappers. Very good. Catalogue for the exhibition held September 24 - November 28, 1982. Photographs and statements by: Jed Devine, Barnaby Evans, Len Jenshel, Jerome Liebling, Peter Moriarty, Bart Parker, Neil Rappaport, Barbara Shamblin, Sage Sohier, Joel Sternfield. Includes photographers' biographies and exhibition checklist.
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LET US NOW PRAISE FAMOUS MEN: THREE TENANT FAMILIES
by Agee, James and Walker Evans
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Boston: Houghton Mifflin Company, 1941. First edition. Evans, Walker. 8vo., [2], xvi, 471 pp. and 31 full-page b&w plates from photographs. Publisher's black cloth, spine titled in silver, lightly rubbed at the spine ends; small neat bookseller's ticket on the rear free endpaper. The dust jacket has had minor restoration at the folds, bottom edge of the front panel, and spine ends; it is possibly married to this copy. This is a near fine book in a very good or better dust jacket that was professionally restored; housed in a clamshell box of brown morroco and cloth, titled in gilt on the spine. This copy is inscribed and presented by James Agee to his friend, photographer Florence Meyer Homolka on the front free endpaper, " Flo, with love - Jim, December 11, 1948." Florence Meyer Homolka was born in New York City, January 22, 1911, the eldest daughter of Eugene Meyer, financier and publisher of the Washington Post, and Elizabeth (Ernst) Meyer. She studied dance and acting in Paris and Berlin,…
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