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The Smithy

The Smithy

by Cameron, Sir David Young

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1896. Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x 253 mm), full margins. Signed and titled in pencil, lower margin. Third state (of 3). A dark and inky impression with rich burr, and with all the fine lines printing clearly. Minor handling wear, and soft light surfact soiling, consistent with age. [Rinder 234 iii/iii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall and James Guthrie), Young gained notoriety as an etcher, and by the 1890s he was internationally recognized, and had been elected to the Royal Society of Painter-Etchers. In 1899, having married, Cameron and his wife moved to the Scottish Highlands, where he switched his focus from interior scenes to architectural and… Read More
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Amboise

Amboise

by Cameron, Sir David Young

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1903. Etching on cream laid paper, 10 1/4 x 6 inches (261 x 153 mm), full margins. Age and light tone throughout, minor scattered soiling and minor loss of extreme lower left corner, and top right extreme corner. Paper tape remnants (archival) from a fomer mount on the top right and left corners, verso. A well inked impression with all the fine lines printing clearly. Second edition. [Rinder 352]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall and James Guthrie), Young gained notoriety as an etcher, and by the 1890s he was internationally recognized, and had been elected to the Royal Society of Painter-Etchers. In 1899, having married, Cameron and his wife moved to the Scottish Highlands, where he switched… Read More
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Old Houses, Byres Road, Partick

Old Houses, Byres Road, Partick

by Cameron, Sir David Young

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Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall and James Guthrie), Young gained notoriety as an etcher, and by the 1890s he was internationally recognized, and had been elected to the Royal Society of Painter-Etchers. In 1899, having married, Cameron and his wife moved to the Scottish Highlands, where he switched his focus from interior scenes to architectural and landscape compositions. His feathery line… Read More
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Ponte della Trinità
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Ponte della Trinità

by Cameron, David Young

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Used
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1902. Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall and James Guthrie), Young… Read More
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Almshouses, St. Cross

Almshouses, St. Cross

by Cameron, Sir David Young

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Glasgow: Walton's Compleat Angler, 1902. Etching on heavy Japan paper, 3 7/16 x 5 15/16 inches (80 x 149 mm), full margins. Initialed in pencil, lower left margin. Scattered significant foxing throughout image area, surface soiling, framing marks in pencil, printing smudges and adhesive residue, all on recto. Verso has linen tape residue, adhesive residue, and residual visible foxing. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall and James Guthrie), Young gained notoriety as an etcher, and by the 1890s he was internationally recognized, and had been elected to the Royal Society of Painter-Etchers. In 1899, having married, Cameron and his wife moved to the Scottish Highlands, where he switched his focus from… Read More
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Two Monks
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Two Monks

by Cameron, David Young

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Used
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Glasgow: W.B. Paterson, 1895. Etching on laid Japan paper with a deckle edge, 2 1/2 x 2 1/8 inches (64 x54 mm), full margins. Signed in pencil, lower right. In excellent condition with remnants from an archival mount at the top right and left corners, well outside of image area. No. 14 from the North Italian Set. [Rinder 218]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall and James Guthrie), Young gained notoriety as an etcher, and by the 1890s he was internationally recognized, and had been elected to the Royal Society of Painter-Etchers. In 1899, having married, Cameron and his wife moved to the Scottish Highlands, where he switched his focus from interior scenes to architectural and landscape… Read More
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Sylvie and Bruno & Sylvie and Bruno Concluded; With Forty-Six Illustrations by Harry Furniss
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Sylvie and Bruno & Sylvie and Bruno Concluded; With Forty-Six Illustrations by Harry Furniss

by Carroll, Lewis

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  • near fine
  • first
Condition
Used - Near fine
Edition
1st Edition
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London: Macmillan and Co, 1889. 1st Edition. Near fine. Harry Furniss. Two 8vo volumes (S&B, 1889; S&BC,1893); 7 x 4 3/4 inches (177 x 120 mm); vol. 1: xxiii, 400, (3); vol. 2: xxxi, advertisement sheet loosely inserted, 423, (6). With 46 illustrations (10 full-page) in each volume by Harry Furniss; frontispiece with original tissue guards. The two volumes are evenly bound in red morocco with 5 raised bands, decoratively paneled and lettered in gilt in compartments; gilt rules and scrolls on boards and board edges, gilt dentelles, patterned floral endpapers; a.e.g. Pages evenly toned and with no defects, front endpaper of vol. 1 is partly torn; spines somewhat sunned, and very lightly rubbed. Original cloth boards and spine bound in, with gold front and back gilt devices, rather worn for vol. 1, in excellent condition for vol. 2. ** Contains a RARE LOOSE SHEET CIRCULAR, printed on wove paper with no border or decorations, 4 3/4 x 3 1/3 (120 x 85 mm) in fine condition, dated Christmas 1893, by the… Read More
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Young man looking down to right, from Small Studies of Heads in Oriental Headdresses

Young man looking down to right, from Small Studies of Heads in Oriental Headdresses

by Castiglione, Giovanni Benedetto

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1640. Etching on tissue thin laid paper. 4 3/8 x 3 1/16 inches (110 x 78 mm), trimmed at plate mark. A very good, well inked impression. Only known state. Adhered at all four corners to archival wove paper. Minor discoloration at lower right and left corners from adhesive, otherwise in very good condition. [Bartsch 46.43].
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The Mountstuart Coat of Arms
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The Mountstuart Coat of Arms

by Catton, Charles

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Used
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London: T. Spilsbury & Son, 1790. Engraving on light-weight wove paper, 3 3/4 x 5 3/4 inches (950 x 145 mm), full margins at top and sides of sheet, lower portion of sheet trimmed. In fair condition with a yellow bow-shaped discoloration in the lower left sheet corner, as well as scattered handling creases; condition is consistent with age. Engraved by F. Chesham after a drawing by Charles Catton. From The English Peerage, by Charles Catton; printed By T. Spilsbury and Son, For G.G.J. and J. Robinson, Paternoster-Row, London & Boston, 1790.
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Worplesdon Lodge
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Worplesdon Lodge

by English School 19th century

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1860. Pencil on cream-colored oak tag, 10 1/4 x 5 3/8 inches (260 x 136 mm). Scattered light gray discoloration throughout, rubbing with some small areas of associated loss in the lower left image area, at the sheet edge. Inscriptions in pencil on the verso, including an illegible signature. This charming landscape features the structure now known as the Worplesdon Place Hotel, near Guildford, Surrey. The house is of notable historical significance, and it is registered to have been built in about 1845 by Sir William Bovill. Initially called Worplesdone Lodge, the grand manse served as a private residence for the next 100 years, and was owned by several notable people. In the 1950s it became a hotel and still operates in this manner today. Here we see the house soon after its completion, with St. Mary the Virgin Church seen on the hill in the distance.
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Organ Grinder and Beggar
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Organ Grinder and Beggar

by French School 19th Century

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Drypoint etching and aquatint in sepia on cream wove paper, 10 x 8 inches (254 x 201 mm), full margins. Signed in pencil, lower left. Minor toning with evidence of very minor moisture damage along the lower quadrant on the verso. Non-archival adhesive residue at the top corners on the verso, and nickel-sized area of minor skinning at the top left sheet edge, verso. Light pencil notation in the lower left corner, verso. Otherwise in good condition with rich inking. "Delteil 24" marked in pencil on verso.
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The Tiber, near Rome

The Tiber, near Rome

by Italian School 18th Century

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Used
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Middletown, New York, United States
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Pen and sepia ink wash on cream laid paper, 4 1/8 x 6 3/16 inches (103 x 152 mm). In good condition with scattered areas of light brown discoloration, and uniform age tone. Condition consistent with age.
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Design for a plinth with three male figures and a daisy motif
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Design for a plinth with three male figures and a daisy motif

by French School 18th century

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Used
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Middletown, New York, United States
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A$194.26
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Pen and black ink on handmade, buff wove paper, 4 1/2 x 3 1/4 inches (115 x 81 mm). Two drips of translucent candle wax on the verso, scattered light surface soiling. Adhered at two corners to a paper mount. With pencil insciptions on the verso.
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History and Adventures of the Renowned Don Quixote; Translated from the Spanish of Miguel de...
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History and Adventures of the Renowned Don Quixote; Translated from the Spanish of Miguel de Cervantes Saavedra. To which is prefixed, Some Account of the Author's Life. By T[obias] Smollett, M.D. Illustrated with twenty-eight new copper-plates, designed by Hayman, and elegantly engraved. The third edition, corrected. In four volumes

by Cervantes, Saavedra Miguel de

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  • good
Condition
Used - Good
Edition
Third Edition
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London: T. Osborne, et al., 1765. Third Edition. Good. Hayman. 4 vols.; 8vo, 6 1/2 x 4 in. (165 x 102 mm) , vol. 1: (6), xl, 293; vol. 2: (1), 314; vol. 3: 910, xi, 331; vol. 4: 91), 322. With 28 copperplate engravings designed by F. Hayman and engraved by G. V. Neist; all are signed by both artist and engraver; all have "Vol" and "p." indications, except those for Vol. I., which have "p." indications only. Three-quarter tan calf binding with marbled paper, all edges stained yellow, gilt title, decorations and raised bands on spine. The antique bindings have a little expected aging or rubbing to the leather and a 1.5 cm chip to the head of vol. 3. Front hinges cracked in vols. 1 & 4, but all four bindings are sound and sturdy, the textblock lightly aged, with some occasional spotting and toning, but overall quite fresh. Bookplate of J. Arch & Mary B. MEARS on front pastedown of each volume, ffep for vol. 4. [Ashbee 53, p.27; ESTC T59494]. Don Quixote is one of those universal works which are read… Read More
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Au Souffle du Khamsîn; Poèmes décorés d'un frontispice par Georges Leroux et de vingt-six...
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Au Souffle du Khamsîn; Poèmes décorés d'un frontispice par Georges Leroux et de vingt-six inscriptions Arabes

by Chabal, Jeanne H.

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Condition
Used - Very Good+
Edition
Limited Edition
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Paris: Édourd Pelletan, 1911. Limited Edition. Very Good+. Georges Leroux. 16mo, 7 1/4 x 5 1/2 in. (185 x 140 mm); pp. x + 94 + colophon printed in black, red, and green ink, paper evenly toned throughout. Frontispiece by Georges Leroux. Beautiful Art Deco brown calf binding by Renee Kiefer with blind stamped Egyptian symbols highlighted in green ink; gilt title on spine, blind tooled fillets on turn-ins, double endpapers, marbled; t.e.g., original paper covers bound in; chip at head of spine, corners a little rubbed, front and back hinges expertly repaired. Presentation copy, Copy no. 42, on the limitation page. [BNF31922120]. This elegantly-printed and bound small volume is enhanced by an affectionate inscription by the author to her friend Mathilde Koehn, and a holograph poem of 4 stanzas, initialed and dated 1917. The Khamisin, or Kamseen, is dry, hot, sandy local wind affecting Egypt and the Levant, and it is the inspiration for author Jeanne Chabal dedicated these impressions of Egypt to… Read More
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Ponte dei Baratteri, Venice

Ponte dei Baratteri, Venice

by Chahine, Edgar

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Condition
Used
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Middletown, New York, United States
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1923. Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Third state (of 3). Laid down to non archival board with mat tone, and scattered adhesive residue around the sheet perimeter on the recto, outside of the image area. Inking is rich with good burr. [Tabanelli 375 (iii/III)].
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La Mort de Venise; Illustré de vingt-six eaux-fortes originales
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La Mort de Venise; Illustré de vingt-six eaux-fortes originales

by Chahine, Edgar & Maurice Barrès

  • Used
  • Signed
Condition
Used
Edition
Limited Edition
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Paris: Société Nouvelle des Éditions d'Art Devambez, 1926. Limited Edition. Edgar Chahine. 4to, 13 x 10 3/4 inches (330 x 250 mm); 112 pp. Copy number XXIV of 30 HC copies on papier japon ancien with 26 plates, (frontispiece, title vignette, 5 in-text and 19 full-page). Each plate appears in 3 states: first state, final state with remarques, final state. This is one of 30 copies with roman numerals reserved for the artist and his friends ("Imprimé pour l'artiste et ses amis") from an edition limited to 230 special copies; our copy also includes 4 additional plates (also in 3 states), an original drawing in reddish-orange crayon, signed by Edgar Chahine, and a signed copper etching plate for one of the illustrations. Superb red morocco binding by H. Blanchetière, signed at foot of front turn-in. Covers with inlaid strapwork border of scarlet and turquoise morocco and elaborately tooled in gilt with scrolls and hatched decoration; spine titled in gilt with 3 strapwork compartments and 4 raised… Read More
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La Marchande des Quatre-Saisons

La Marchande des Quatre-Saisons

by Chahine, EdgarL11

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Used
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1900. Etching with drypoint on cream wove paper, 11 3/4 x 13 3/4 inches (297 x 347 mm), full margins. Signed in pencil and numbered 32/40, lower margin. Minor mat tone and several small losses in the left sheet edge, and one small loss at the top left sheet edge, all well outside of image area. Unobtrusive but long diagonal crease extending through from the top center sheet edge across the image and into the left sheet edge. A beautiful, dark, and inky impression of this very scarce print. [Tabanelli 49].
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The Hospital, Santa Cruz, Toledo

The Hospital, Santa Cruz, Toledo

by Chamberlain, Samuel

  • Used
Condition
Used
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The Print Club of Albany, 1938. Etching with aquatint printed in brownish black ink on watermarked BFK Rives cream wove paper, 9 1/2 x 7 11/16 inches (240 x 193 mm), full margins. Signed in pencil and numbered 79/100. Generally in good condition with scattered light point of foxing (unobtrusive), and moisture toning along the top sheet edge, especially visible on the verso, and well outside of image area.
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The Complete Works of Geoffrey Chaucer; Edited From Numerous Manuscripts By The Rev. Walter W. Skeat
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The Complete Works of Geoffrey Chaucer; Edited From Numerous Manuscripts By The Rev. Walter W. Skeat

by Chaucer, Geoffrey

  • Used
  • near fine
Condition
Used - Near fine
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Oxford: The Clarendon Press, 1920. Near fine. 8vo, 7 1/2 x 5 1/2 in. (190 x 133 mm); pp xxiv +732 + 149 Glossarial Index; illustrated frontispiece with tissue guard. Bound in 3/4 brown morocco over tan cloth, gilt fillets on boards, 5 raised bands, with gilt decoration and titles on spine; blue-grey endpapers, t.e.g. Spine somewhat sunned but interior clean and bright, with square and tight binding. Stamped with "Hatchards J87 Piccadilly" to front end paper. Widely considered the "father of English literature", Geoffrey Chaucer (1340s - 1400) is best known for The Canterbury Tales. He is seen as crucial in legitimising the literary use of Middle English when the dominant literary languages in England were still Anglo-Norman French and Latin. Among Chaucer's many other works are The Book of the Duchess, The House of Fame, The Legend of Good Women, and Troilus and Criseyde. Chaucer also achieved fame in his lifetime as a philosopher, an astronomer, a civil servant, diplomat, and member of Parliament.… Read More
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