Search Results: Authors starting with C from J & J Lubrano Music Antiquarians LLC

Bologna: Forni, 1973. Hardcover. Very Good. 2 volumes. Octavo. Boards. 465; 291 pp. In dustjackets. Reprint of the 1854 edition. Slightly browned.

Middletown, CT: Wesleyan University Press, 1974. Quarto. Wrappers. 217 pp. Illustrated throughout. Wrappers slightly worn.

Middletown, Connecticut: Wesleyan University Press, 1975. Small quarto. Wrappers. x, 167 pp. Wrappers slightly worn and rubbed. Faint creasing to spine.

Cambridge, Mass: The M.I.T. Press, 1967. Small quarto. Wrappers. xii, 276 pp. Wrappers slightly worn and spotted; faint crease to spine. Light uniform browning.

Middletown: Wesleyan, 2014. Hardcover. Very Good. Oblong octavo. Boards. 225 pp. With numerous photographs.

New York: Praeger, 1973. Hardcover. Fine. Octavo. Boards. 328 pp. In dustjacket.

Oxford: Clarendon Press, 1985. Paperback. Very Good. Octavo. Illustrated wrappers. 125 pp.

Oxford: Clarendon Press, 1990. Hardcover. Very Good. Octavo. Boards. 275 pp. In dustjacket. Ex-library.

München u. Regensburg: Druck und Verlag d. Verlagsanstalt, vorm. G.I. Manz Buch u. Kunstdruckerei AG, 1907. Tall narrow folio (12-1/4" x 6-1/4"). 18ff. Printed in 4 colors after designs by Otto Hupp. Wrappers slightly worn, chipped, and creased; upper with tear repaired with archival tape to verso. Light uniform browning. Highly decorative calendar exhibiting a mixture of Gothic, Renaissance, and heraldic influences in the style of the "Münchener Bewegung." Hupp (1859-1949) was a German graphic artist.

München: Im Selbstverlage des Central-Vereins für Kirchenbau, 1886. Tall narrow folio (12-1/4" x 6-1/4"). 18ff., printed in 4 colors after designs by Otto Hupp. Highly decorative calendar exhibiting a mixture of Gothic, Renaissance, and heraldic influences in the style of the "Münchener Bewegung." Hupp (1859-1949) was a German graphic artist. Slightly worn and browned.

70 x 89 mm. Quite a strong impression on good quality paper. A reverse, pirated version of Lieure 390. One of the 24 plates from the series Balli di Sfessania; the original background with additional figures, a house and tree are not represented in the present version. An important figure in the development of the old master print, Callot executed more than 1,400 etchings chronicling early 17th century life featuring an array of characters including soldiers, clowns, drunkards, Gypsies, and beggars as well as subjects depicting court life.

85 x 109 mm. + wide margins. On unwatermarked wove paper. Moderate foxing to margins, slightly affecting image. An important figure in the development of the old master print, Callot executed more than 1,400 etchings chronicling early 17th century life featuring an array of characters including soldiers, clowns, drunkards, Gypsies, and beggars as well as subjects depicting court life.

1600. Extracted from a contemporary publication. Narrow strip of mounting tape to upper margin of verso. A strong impression, in near-fine condition. MGG Vol. 2, cols. 675/676 (a similar image). Calvisius, a German music theorist, composer, teacher, chronologist and astronomer, "was one of the most influential German theorists of his time and prominent in the musical and intellectual life of Leipzig ... He had a wide circle of scholarly friends, including the astronomer Johannes Kepler, Michael Praetorius and the music theorists Abraham Bartolus, Henricus Baryphonus, Nikolaus Gengenbach and Johannes Lippius." Adam Adrio and Clytus Gottwald in Grove Music Online.

Extracted from a contemporary publication; trimmed; small edge tears. MGG Vol. 2, cols. 675/676 (a similar image). Calvisius, a German music theorist, composer, teacher, chronologist and astronomer, "was one of the most influential German theorists of his time and prominent in the musical and intellectual life of Leipzig... He had a wide circle of scholarly friends, including the astronomer Johannes Kepler, Michael Praetorius and the music theorists Abraham Bartolus, Henricus Baryphonus, Nikolaus Gengenbach and Johannes Lippius." Adam Adrio and Clytus Gottwald in Grove Music Online.

240 x 167 mm. Uniformly browned; partially lined; a few small abrasions; trimmed to within platemark. Calvisius, a German music theorist, composer, teacher, chronologist and astronomer, "was one of the most influential German theorists of his time and prominent in the musical and intellectual life of Leipzig ... He had a wide circle of scholarly friends, including the astronomer Johannes Kepler, Michael Praetorius and the music theorists Abraham Bartolus, Henricus Baryphonus, Nikolaus Gengenbach and Johannes Lippius." Adam Adrio and Clytus Gottwald in Grove Music Online.

London: Oxford University Press, 1925. Hardcover. Fair. Small octavo. Dark ivory boards. 88 pp. Signed by the British music educator Ernest Read (1879-1965) opposite half-title. Binding worn; endpapers browned. Edges worn.

London: Oxford University Press, 1923. Hardcover. Very Good. Octavo. Boards. 148 pp. Endpapers browned, with signature ("Ernest Read").

New York: Dover, 1981. Softcover. Very Good. Folio. Wrappers. 125 pp.

4 pp. of a bifolium. Ca. 114 x 180 mm. Dated London, July 22, 1875. In black ink on mourning stationery. In Italian (with translation). Campanini complains about a potential engagement in St. Petersburg, which he may not be able to accept because his contact, [Gaetano?] Ferri, may not be in charge of the theatre, and because he may not receive adequate pay and recognition. He then lambasts two prominent singers, Ernest Nicolini (1834-1898) and Victor Capoul (1839-1924), whom the directors favor simply because they are French. "... I think it is almost useless to discuss the Petersburg affair (I'll explain why now)... As for the salary, it will be a somewhat difficult thing to arrange because I know that Ferri would want to pay me as a debutant, and if they do not grant me 80,000 francs, I will not go to Russia... Nicolini, what a horror, he has a voice that rumbles like a paralytic and he also sings out-of-tune quite well, and for this they grant him everything because he is French... If you want to… Read More

No binding. Very Good. For Vivian & George my dearest wishes Judy Campbell" written in ink to lower border. Ca. 198 x 131 mm. Trimmed, not affecting inscription or signature. Together with 2 small original full-length photographs of Campbell in her older years standing in front of the entrance of a home. With deckled edges. Ca. 63 x 89 mm. Some minor cracking, soiling, and wear.