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Four random folding leaves in excellent facsimile of the Ming Yongle Dadian manuscript...
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Four random folding leaves in excellent facsimile of the Ming Yongle Dadian manuscript encyclopedia: juan 2,755:1; juan 10,458:2; juan 8,841:9; & juan 8,841:16

by YONGLE DADIAN FORGERY

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Folio (473 x 290 mm.), "orig." wrappers, "orig." title label on upper cover, stitched as issued. N.d.: n.p. [but probably somewhere in China sometime in the last century]. The Yongle Encyclopedia [Yongle Dadian], the world's largest encyclopedia, was completed in 1408 through the efforts of 2169 scholars working in the then capital of Nanking. It consisted of 22,877 manuscript fascicles (juan) and was bound in 11,095 volumes, with a total of about 370,000,000 characters. This manuscript was later lost in unknown circumstances but not before the Jiajing emperor (1507-67; r. 1521-67) had ordered a copy of the entire original manuscript be made; it was completed in 1567. This 16th-century copy was placed in the Hanlin Academy during the reign of Yongzheng (1678-1735; r. 1722-35). Scholars made free use of the manuscript and removed numerous volumes, so that by 1893, only ca. 600 volumes remained. In 1900, the Boxers set fire to the Hanlin Academy, and during the confusion, allied soldiers, officials,… Read More
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Xi Xia ji 西夏紀 [Record of the Western Xia]

by DAI, Xizhang 戴錫章

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Ten vols. 8vo, orig. printed wrappers, orig. stitching. [China]: Jing hua yin shu ju 京華印書局, 1924. First edition of this history of the Tangut kingdom. The Tanguts, known as the Xia or Western Xia in Chinese, ruled a powerful state on the northwestern periphery of the Chinese world from the 11th to the 13th century. As Zhao Erxun 趙爾巽 (1844-1927) wrote in his Preface to our book, "even though the Xia occupied a peripheral territory, they relied on their military power to withstand the Song, Liao, and Jin for over two hundred years." The Tanguts had a complete set of political institutions, but regrettably lacked a national history, Zhao wrote. "Attempts to synthesize a history of the Hsia [Xia] from all surviving Chinese sources" began in the 18th century; our book represents the culmination of that process. "The most recent attempt at this type of traditional historical synthesis was the Hsi Hsia chi [Xi Xia ji]...Unlike his predecessors, the author of this carefully compiled work… Read More
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[Title-page]: Fang yan shu zheng 方言疏證; title at beginning of text: You xuan shi zhe jue...
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[Title-page]: Fang yan shu zheng 方言疏證; title at beginning of text: You xuan shi zhe jue dai yu shi bie guo fang yan [The Imperial Light Carriage Emissary Explaining Discursively the Regional Words in Different States through the Ages]

by DAI, Zhen 戴震

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95 (including title printed on purple paper); 99 folding leaves. 13 juan in two vols. 8vo, orig. green wrappers, orig. block-printed title labels on upper covers, new stitching. [China]: Han qing yi, 1882. Philosopher, mathematician, and philologist, Dai (1724-77), was a pivotal figure in Qing intellectual history and the most noted Confucian scholar of the Qing dynasty. The present work is a noteworthy study of the Fangyan [Regional Words] by Yang Xiong (53 B.C.-18 A.D.). Yang Xiong's book, a kind of linguistic mirror of the Han empire, "collected synonyms taken from different dialects and languages, gathered by court messengers who had been sent to various regions of China. It is the oldest known Chinese documentation on languages other than Chinese" (Bottero, "Ancient China" 57). During the centuries following its completion, Yang's pioneering book was often cited and remained well known. Yet the text was corrupted over time, and available editions were not reliable. According to the… Read More
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Eimyo doseki [or] Yomei doseki [Ch.: Yongming Daoji; The Religious Activities of Yongming Yanshou]
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Eimyo doseki [or] Yomei doseki [Ch.: Yongming Daoji; The Religious Activities of Yongming Yanshou]

by DAHE (J.: DAIEI or DAIKAKU)

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32 fine full-page woodcuts. 42 folding leaves. Large 8vo, orig. blue wrappers (wrappers rather rubbed, minor soiling), modern manuscript label on upper cover, new stitching. [Japan]: from the Japanese colophon on the penultimate leaf: "Nakano Zesui had the woodblocks carved & published this book mid-July 1655." First edition to be published in Japan, printed in Chinese with Japanese reading marks. Yongming Yanshou (J.: Eimei (or Yomei) Enju, 904-75), was a Chan master who had a profound impact on the development of Buddhism in East Asia. Yanshou was a widely influential proponent of a scripture-based Chan, in opposition to the rhetorical and iconoclastic Chan of the Linji school. He became the first master to teach both Meditation and Pure Land Buddhism, a synthesis that dominated Chinese Buddhism after the Song dynasty. This finely illustrated biography of Yanshou was written by the late Ming monk Dahe. It contains the later notes contributed by Yu Chunxi (jinshi 1583) and Huang Ruheng… Read More
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Manuscript on paper, entitled Sindo t'aeŭlgyŏng (or Sindo taeeulgyeong) 神道太乙經...
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Manuscript on paper, entitled Sindo t'aeŭlgyŏng (or Sindo taeeulgyeong) 神道太乙經 [Classic of the Great Unity of the Spirit Way] & other Daoist texts and talismans

by DAOIST TALISMANS & SPELLS, KOREAN

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Many illustrations in the text. Manuscript in accordion format. 36 pages (or panels), written on both sides. 8vo (204 x 98 mm.), orig. boards. [Korea?]: 18th or 19th century. A unique manuscript collection of Daoist texts and talismans, richly illustrated with diagrams and images. The manuscript is probably Korean, as we find another manuscript with the title Sindo t'aeŭlgyŏng held at Dongshin University library in Naju, South Korea. We find no copy of a work with this title in WorldCat, be it Chinese or Korean. This unique manuscript contains spells (Ko.: chu, Ch.: zhou 咒), registers (Ko.: nok, Ch.: lu 箓), diagrams (Ko. to, Ch.: tu 圖), and talismans (Ko.: pu, Ch.: fu 符) used in Daoist religious practice. Daoism refers to both a philosophical school in Chinese antiquity and a religious belief system and its practices from the Han dynasty onward. Some of the diagrams that were used in religious Daoism hark back to ancient precedent, but the very earliest such diagrams have been lost.… Read More
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Exhibition card: Hanne Darboven (opens 13 October 1972)

Exhibition card: Hanne Darboven (opens 13 October 1972)

by (DARBOVEN, Hanne)

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Printed on one side. Large card. Milan: Galleria Toselli, 1972. Announcement card for Darboven's 1972 show with Toselli. In fine condition. ❧ Germano Celant, ed., + spazi, Le gallerie Toselli (2019), p. 233 (installation photograph on pp. 250-51).
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Exhibition card: Hanne Darboven Das Jahr 1970 Bei Konrad Fischer (3-30 July 1970)

Exhibition card: Hanne Darboven "Das Jahr 1970" Bei Konrad Fischer (3-30 July 1970)

by (DARBOVEN, Hanne)

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Facsimile drawing to recto, details on verso. Large illustrated card. Düsseldorf: Konrad Fischer, 1970. The announcement card for Darboven's third show with Konrad Fischer, it was held at the same time as Donald Judd's only exhibition with Fischer. Darboven (1941-2009) presented the monumental piece Das Jahr 1970 (1970), which is now at Norway's National Museum (purchased in 2000). The recto reproduces some of the artist's handwritten calculations. Fine. ❧ D. Fischer, ed., Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 (Edition Marzona: 1993) 38.
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Exhibition postcard: Hanne Darboven (10 June-11 July 1970)
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Exhibition postcard: Hanne Darboven (10 June-11 July 1970)

by (DARBOVEN, Hanne)

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Facsimile illus. on recto, details on verso. Oblong postcard, mailed. Cologne: Galerie Michael Werner, 1970. Postcard invitation to an early solo Darboven (1941-2009) exhibition. The recto illustration reproduces one of the artist's drawings. A fine mailed copy. Sent to Galerie Borgmann in Cologne.
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Exhibition postcard: Hanne Darboven (18 April-23 May 1998)

Exhibition postcard: Hanne Darboven (18 April-23 May 1998)

by (DARBOVEN, Hanne)

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Color illus. on recto, details on verso. Pictorial postcard, mailed. Düsseldorf: Konrad Fischer Galerie, 1998. Postcard invitation to Darboven's 1998 exhibition with Konrad Fischer Galerie. One of the artist's works is reproduced on the recto. In fine condition. Mailed to Lily van Ginneken of Amsterdam. ❧ Ausstellungen bei Konrad Fischer / Konrad Fischer Galerie Düsseldorf: November 1992-Oktober 2007 (Navado Press: 2007) 358.
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Exhibition postcard: Hanne Darboven: Variante 42/59 (opens 4 May [1976])
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Exhibition postcard: Hanne Darboven: Variante 42/59 (opens 4 May [1976])

by (DARBOVEN, Hanne)

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Printed on both sides. Postcard, mailed. Paris: Liliane & Michel Durand-Dessert, [1976]. Postcard invitation for a Darboven solo exhibition, mailed to fellow dealer Rolf Preisig. In fine condition.
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Comme Septieme d'une Serie d'Expositions Organisee a Anvers Par MTL/Bruxelles et Art &...

Comme Septieme d'une Serie d'Expositions Organisee a Anvers Par MTL/Bruxelles et Art & Project/Amsterdam (12 March-6 April 1974)

by DARBOVEN, Hanne

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Manuscript facsimile throughout. [4] pp. Single folded A3 sheet. Amsterdam & Brussels: 1974. A "bulletin" jointly issued by MTL (Fernand Spillemaeckers) and Art & Project for a show by Darboven (1941-2009). Her drawings are reproduced within. In excellent condition. Mailed to Karl Heinemann of Mönchengladbach. ❧ Art & Project. A History (2023) E111.
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Exhibition postcard: Hanne Darboven (1-30 April 1972)
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Exhibition postcard: Hanne Darboven (1-30 April 1972)

by (DARBOVEN, Hanne)

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Printed on both sides. Postcard. Bremerhaven: Kabinett für aktuelle Kunst Bremerhaven, 1972. The postcard invitation for Darboven's first show at Jürgen Wesseler's Kabinett für aktuelle Kunst. In fine condition. ❧ Exhibition installation pictured in Vorhut aus dem Hinterland (Neues Museum Weserburg Bremen: 1992).
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On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in...

On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life

by DARWIN, Charles

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Folding lithographed diagram. 8vo, orig. pale green cloth (head & foot of spine with slightest chipping, occasional unimportant foxing), covers stamped in blind, spine lettered in gilt. New York: D. Appleton, 1860. First American edition, "second issue" with three quotations on verso of half-title. A very good and bright copy preserved in a slip-case. ❧ Freeman 378. For the first edition, see Horblit 23b; Dibner, Heralds of Science, 199; and Printing & the Mind of Man 344b.
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Choix de Tableaux Modernes de la Galerie de son Altesse Royale Mme. La Duchesse de Berry, extrait...

Choix de Tableaux Modernes de la Galerie de son Altesse Royale Mme. La Duchesse de Berry, extrait des Annales du Musée. Par C. P. Landon..

by (DUCHESSE DE BERRY)

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26 lithographed plates (one folding). 6, [1] p. 8vo, ornate red sheep maroquiné, decorated borders in gilt, gilt coat-of-arms to both covers, gilt title on spine, a.e.g. Paris: Imprimerie Royale, 1823. Superbly bound copy, from the Duchesse de Berry's library, with her gilt coat-of-arms and ex-libris of the Bibliothèque de Rosny. This separate edition is a description of the Duchesse de Berry's collection of paintings, composed by Charles P. Landon (1760-1826), a respected art critic responsible for the Annales du Musée, a long-running journal on fine art published in the first several decades of the 19th century. This is a single volume from that series. An excellent copy; a bit foxed. With the ownership inscription of the important Leipzig collector Max v Speck Sternburg (1776-1856), who has written on the title-page that he purchased this from the sale of the Duchesse de Berry's library in 1828 and further notes in Sternburg's hand on the end-papers.
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Two 17th-century manuscript inventories describing the considerable estate of the deceased Damoiselle Agnès de Het, wife of Jacques Lecouvreur, seigneur of Renancourt. Ink on paper, the first dated 11 January 1649, the second 23 November 1649, both in fine secretarial hands

by (DE HET, Agnès)

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54; 7 leaves (final blank). Folio (both ca. 300 x 210 mm.), orig. stitching. [Amiens]: 1649. A rare survival on the market, two mid-17th-century inventories describing the estate of Agnès de Het, wife of a feudal lord, who was councillor to the king. They lived on the outskirts of Amiens. We have found a record of de Het's husband, Lecouvreur, agreeing to rent land in 1688, but we are not able to find any record of de Het's life. These two manuscripts provide an exhaustive listing of a 17th-century noble family's numerous possessions. The first document (54 leaves), signed on the final leaf by Lecouvreur, is a complete inventory of this family's belongings. It lists not only household items, but also a variety of luxury items, such as a golden coffeepot, a necklace holding fourteen diamonds, a golden ring encrusted with a diamond, two pearl necklaces, a silver clock, etc. Also recorded are tables, tablecloths, napkins, a mirror, clothing, carpets, several chests,… Read More
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Musée de l'Impressionnisme (Salles du Jeu de Paume des Tuileries), Guide du Visiteur, par..

by JEU DE PAUME

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34 pp. 8vo (215 x 136 mm.), orig. pictorial wrappers (corners a trifle worn), staple-bound. [Paris]: Editions des Musées Nationaux, 1951.<br /> <P> The updated French edition of this scarce museum catalogue. The Jeu de Paume was opened in 1947 for the exhibition of Impressionist artworks. Its earliest shows were organized by René Huyghe (1906-97), paintings curator at the Louvre, and one of the figures responsible for the safeguarding of France's artistic treasures during the German occupation. Huyghe's assistant curator, Jean Leymarie (1919-2006), edited the present catalogue. It proceeds room by room, updating earlier versions of the catalogue with the new arrangement of pictures.<br /> <P> In very good condition; staples rusted and edges a bit worn.
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Announcement card: New Multiples & Graphics (4-25 September 1971)

Announcement card: New Multiples & Graphics (4-25 September 1971)

by (DE SAINT PHALLE, Niki)

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Black & white illus. on recto, exhibition details on verso. Amsterdam: Seriaal, 1971.<br /> <P> Rare card produced by Wies Smals's gallery Seriaal for a Niki de Saint Phalle exhibition. In fine condition.
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Mot pour Mot/Word for Word: Les images quotidiennes du pouvoir, On Kawara au jour le jour/The...

Mot pour Mot/Word for Word: Les images quotidiennes du pouvoir, On Kawara au jour le jour/The daily images of power, On Kawara from day to day [Issue no. 1]

by DENIZOT, René, editor

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Black & white illus. throughout. 121 pp. 8vo (210 x 150 mm.), orange softcover, perfect-bound. Paris: Yvon Lambert, 1979. The first issue of Yvon Lambert's short-lived journal, Mot pour Mot. A pioneering Parisian gallerist, Lambert was one of the first European dealers to exhibit American Minimalist and conceptual artists such as LeWitt, Kawara, Robert Barry, Agnes Martin, Andre, Ryman, etc. This inaugural issue was entirely devoted to the works of On Kawara. It is a fascinating early survey of the artist's practice, with several essays translated from Japanese and French. The illustrations and facsimiles show Kawara's studio and pieces from his I am still alive, Date Paintings, I Went, I Met, and I Read series. These include telegrams and postcards sent to Lambert. The issue is printed in parallel French and English. Fine copy. WorldCat: Stanford and Bard's Center for Curatorial Studies.
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Description des Objets d'arts qui composent le Cabinet de...[12 February 1827 & following days]
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Description des Objets d'arts qui composent le Cabinet de...[12 February 1827 & following days]

by (DENON, Vivant, baron)

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Engraved vignette with profile of Denon on title. 2 p.l., vi, 8 pp. price-list, 216, 14, 2nd title-leaf, 26 pp. 2 vols. in one. 8vo (222 x 144 mm.), red sheep maroquiné-backed marbled boards by "L. Hulpiau", spine gilt. Paris: Duchesne aîné, 1826 & 1827. Scarce and important auction catalogue - complete with the Supplément, printed price-list and rare list of vacations - dispersing the vast cabinet and library of Vivant Denon (1747-1825), first director of the Louvre, archeologist, diplomat, and talented engraver. A total of 801 & 66 lots (the last 26 pp. are a bound-in supplement). A near fine copy; marginal dampstaining towards the end and spine a little scuffed. ❧ Lugt 11164 & 11353.
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L'Atelier d'un Peintre.  Scènes de la Vie privée

L'Atelier d'un Peintre. Scènes de la Vie privée

by DESBORDES-VALMORE, Marceline

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viii, 370 pp.; 2 p.l., 314 pp. Two vols. 8vo, cont. half-calf & marbled boards (minor foxing), spines stamped in blind & gilt, green leather lettering pieces on spines. Paris: Charpentier & Dumont, 1833. First edition. Desbordes-Valmore (1786-1859), poet, novelist, actress, and singer, is one of the founders of French romantic poetry. Her friend Balzac used her as the model for the title character of La Cousine Bette. She had a difficult and complicated life which is reflected in this autobiographical novel based on her stay, in 1808, with her uncle, the painter Constant Desbordes, in the old Capuchin monastery that he shared with other artists among whom were Girodet de Toussy-Trioson and François Gérard. Fine and attractive set from the Wittelsbach library of the dukes and kings of Bavaria. &#10087; N.B.G., Vol. 45, cols. 95-97.
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