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LIGHT IN AUGUST

LIGHT IN AUGUST

by Faulkner, William

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New York: Harrison Smith & Robert Haas, [1932].. Large octavo. Rough woven tan cloth, lettered in blue and orange. A fine copy in equally fine and unusually bright and fresh pictorial dust jacket, with the very slightly chipped and tanned outer glassine wrapper carefully preserved. First edition, first printing, first binding. The first printing consisted of 8500 copies, a relatively small number of which appeared with blue stamping only (a characteristic of the bindings of the later impressions). The error "Jefferson" on p.340 has no bibliographic significance, as it reoccurs in the reprints. PETERSEN A13a. MASSEY 103.
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MISSISSIPPI QUARTERLY THE JOURNAL OF SOUTHERN CULTURE SPECIAL ISSUE[s] WILLIAM FAULKNER

MISSISSIPPI QUARTERLY THE JOURNAL OF SOUTHERN CULTURE SPECIAL ISSUE[s] WILLIAM FAULKNER

by [Faulkner, William]: Meriwether, James B. [ed]

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Summer 1973 and Summer 1975.. Two issues XXVI:3 and XXVIII:3. Printed wrappers. Wrappers slightly tanned, with faint water stains at toes of spines, otherwise very good. Edited by James Meriwether, the issue for 1973 with a signed presentation slip laid in, that for 1975 inscribed by him. The recipient in both cases was bookseller Margie Cohn, of House of Books.
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THE MANSION

by Faulkner, William

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New York: Random House, [1959].. Cloth. First edition, trade issue, of the concluding volume of the Snopes Trilogy. An excellent copy in bright, crisp dust jacket with only a trace of sunning to the spine panel.
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GEORGE PSYCHOUNDAKIS: A LETTER TO C.A. TRYPANIS BY...

by Fermor, Patrick Leigh

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Athens: The American College of Greece, 1999.. Large octavo. Printed wrapper over stiff wrappers. Minuscule mark on lower external flap fold, otherwise fine. First edition, wrapper bound issue. The text of this appreciation of the man and his works is printed in English and Greek, in an edition of 1250 copies, after a design by Matthew Jennett, of which three hundred were bound in boards, and 26 reserved for presentation.
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WITH TRUMPET AND DRUM
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WITH TRUMPET AND DRUM

by Field, Eugene

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New York: Charles Scribner's Sons, 1892.. Publishers quarter vellum and boards, t.e.g., others untrimmed. Binding somewhat soiled and worn, former owner's bookplate, otherwise a very good copy. Cloth folding box. First edition, limited issue. One of an unknown number of out of series copies, unnumbered, in addition to 250 numbered copies, signed by the publisher. In this copy, on a sheet of matching handmade paper inserted in place of the front free endsheet Field has neatly copied out his poem, "Little Boy Blue," in red and black ink, in his diminutive hand, with rubricated initials at the beginning of each stanza and two small hand-colored drawings (a toy soldier and a toy lamb) in the margins. Beneath the poem is his presentation inscription, which reads: "For My Dearest and Most Beautiful Julia, Ever yours devotedly, / Eugene Field." On integral blank leaves at the back of the volume the author has written out his poem, "Dutch Lullaby" (beginning "Wynken, Blynken and Nod one night / Sailed off in… Read More
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THE VINTAGE FESTIVAL A PLAY PAGEANT & FESTIVITIES CELEBRATING THE VINE IN THE AUTUMN OF EACH YEAR...

THE VINTAGE FESTIVAL A PLAY PAGEANT & FESTIVITIES CELEBRATING THE VINE IN THE AUTUMN OF EACH YEAR AT ST. HELENA IN THE NAPA VALLEY

by Field, Sara Bard

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San Francisco: Book Club of California, 1920.. Paper boards, printed spine label. Properly deaccessioned special collections duplicate, with bookplate bearing withdrawal stamp on pastedown. Spine label tanned, otherwise a very good copy of a fragile book. First edition. One of 500 numbered copies printed by John Henry Nash. A relatively early work by the radical poet, with a expansive 1921 presentation inscription from her on the half-title.
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LIBER LIBRORUM

LIBER LIBRORUM

by [Fine Press Bibles]: Bennett, Paul A., et al. [eds]

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[Stockholm], 1955.. Folio. Octavo explanatory pamphlet, accompanied by 42 printed specimens in various formats (plus one duplicate). The whole enclosed in linen and decorated boards folder. Folder a bit smudged, a few specimens show light foxing, light pencil checkmarks in index volume, but very good or better. One of 1500 sets. In celebration of the 500th anniversary of the Gutenberg Bible, an array of the world's best living typographers printed one or more separate specimens illustrative of their own solutions to the issues presented by printing the Bible. Among the contributors are Bruce Rogers, Hermann Zapf, Joseph Blumenthal, Jan Tschichold, Jack Stauffacher, Jan van Krimpen, Hans Schmoller, Grant Dahlstrom, et al. Although Maximilien Vox (a member of the editorial board) is included in the list of contributors, he missed the deadline for inclusion. The printing by the Sequoia Press is present in duplicate.
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HERBERT HODGSON PRINTER WORK FOR T.E. LAWRENCE & AT GREGYNOG

HERBERT HODGSON PRINTER WORK FOR T.E. LAWRENCE & AT GREGYNOG

by [Fleece Press]: Hodgson, Herbert

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[Netherton, Wakefield, West Yorkshire]: Fleece Press, [1989].. 43,[3]pp. Octavo. Quarter cloth and pastepaper over boards, printed spine label. Portrait. Small bookplate on front free endsheet. Fine. First edition. Introduction by Richard Knowles. One of 340 copies printed on mould made paper. Includes the first publication of Hodgson's recollections of working with TEL on the 1926 Cranwell Subscribers' SEVEN PILLARS OF WISDOM.
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LEO WYATT'S LITTLE BOOK OF ALPHABETS

LEO WYATT'S LITTLE BOOK OF ALPHABETS

by [Florin Press]: Wyatt, Leo

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[Biddenden, Kent]: The Florin Press, 1985.. Small octavo. Half calf and vellum over boards, gilt label. Fine in slipcase. First edition. Introduction by Michael Taylor. Copy #57 of 150 numbered copies with the twelve alphabets printed in colors by hand from the original wood blocks on specially made Barcham Green handmade paper. The introductory text is handset in Janson Antigua, and the binding was rexecuted by Smith Settle.
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[Partial Corrected Typescript of:] THE COLLECTOR.
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[Partial Corrected Typescript of:] "THE COLLECTOR."

by Ford, Jesse Hill

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Humboldt, TN, 20 September 1967.. Three closely typed leaves, on rectos only of three 8.5 x 17" (43.5 x 21 cm) folded sheets of yellow paper. Very good. Captioned at top edge of first sheet: "Rush revision 20 September 1967 -- Humboldt, Tennessee pages 1-9 top." Closely typed, with frequent revisions and omissions marked in ink. The story was published in the Feb. 1968 issue of THE ATLANTIC.
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VALUABLE SECRETS, CONCERNING ARTS AND TRADES. OR, APPROVED DIRECTIONS FROM THE BEST ARTISTS, FOR...

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Boston: From J. Bumstead's Printing Office, 1798.. xxiv,[25]-264pp. 12mo. Contemporary calf, rebacked, with slightly too flashy spine label. Scattered and significant browning and foxing, occasional marginal nicks and chips, a few scattered light stains, 1802 gift inscription on somewhat stained blank prelim, private name stamp in upper margin of title; just a good, sound copy. Denoted the "Third American Edition" of an English translation of SECRETS CONCERNANT LES ARTS ET METIERS, published originally in London in 1775. ESTC records a Norwich, CT printing in 1795, but no other North American printing that would serve as the other precedent. The usual substantial collection of recipes for edibles and drinkables, formulae for painting, etching, cleaning, dying and other household needs, along with modes of preserving fruits. ESTC locates 14 copies. ESTC W28501. EVANS 34913. RINK 157.
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SIXTY-THREE UNPUBLISHED DESIGNS...

by Fraser, Claud Lovat

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London: First Edition Club, [nd. but ca. 1924].. Small octavo. Cloth and decorated boards. Spine a shade sunned, minute wear at edges, one lower fore-corner bruised, else very good. First edition. One of five hundred copies printed at the Curwen Press. Introduction by Holbrook Jackson. The illustrations were undertaken for an edition of A SHROPSHIRE LAD that never saw fruition (see Millard 228).
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CANAL STREET

CANAL STREET

by Frazier, Ian, and Saul Steinberg [illustrator]

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New York: Library Fellows of the Whitney Museum of American Art, 1990.. [51]pp. Frontis and one other tipped-in color wood-engravings and 16 mounted lithographs (some color). Folio (34.5 x 29 cm). Quarter publisher's morocco and canary yellow cloth. Fine in slightly tanned plain card slipcase. First edition. One of 160 copies printed and bound by hand at the Stamperia Valdonega, under the supervision of Martio Mardersteig. Illustrated with Signed by Frazier and Steinberg (with initials) on the colophon, and again by Steinberg (with initials) and numbered by him in the lower margin of the first of the two original color wood engravings. The wood engravings were printed under the artist's supervision by Michael Berden. The production was designed by Katy Homans, and it was issued as the first publication in the series "Artists and Writers: American Journals," edited by May Castleberry.
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INVICTUS ... MILESTONES IN THE HISTORY OF THE JEW
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INVICTUS ... MILESTONES IN THE HISTORY OF THE JEW

by Friedlander, Isac

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[New York: The Artist, ca. 1943?].. Five original wood engravings, image size approximately 28 x 21.5 cm, plus margins, in wood frames under plexi (ca. 45.5 x 40 cm), with wood engraved captions carefully affixed to back of each frame, accompanied by the original stiff paper folder (a bit worn) with wood-engraved caption title, and inner folder with mounted index to images and limitation statement. A couple of scuffs to frames, otherwise very good, the prints themselves very good or better. Copy "T" of an unknown number of lettered copies, in addition to 100 numbered suites, with each print signed in the lower margin. The constituent images are: "Moses"; "Bar Kochba"; "15th Century Spain"; "The Battle of the Warsaw Ghetto"; and "Toward the New Day." The ascribed date for the portfolio's publication varies widely, occasionally as early as the mid-1930s. However, the subject of the fourth image ("The Battle of the Warsaw Ghetto") suggests a somewhat later date, in the 1940s. Isac Friedlander (1890-… Read More
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[Autograph Manuscript of:] A WILLFUL HOMING.

[Autograph Manuscript of:] "A WILLFUL HOMING."

by Frost, Robert

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[Np], [ca. 1938 or slightly later].. One page, in ink, on recto only of oblong sheet (15.5 x 20.5 cm) of plain paper. Tanning from former mounting strips on verso visible on recto at extreme edges, vertical fold across middle neatly reinforced on verso, otherwise a good example. Formerly from the Charles Feinberg collection. Thirteen lines plus full signature at end, ca. 120 words. A good manuscript example of one of Frost's "dark" poems, beginning: "It is getting dark and time he drew to a house,[/] But the blizzard blinds him to any house ahead...." It was first published in the SATURDAY REVIEW OF LITERATURE, February 1938, and then was collected in book form in Frost's Pulitzer- winning collection, A WITNESS TREE, in 1942, with the title slightly altered from "Willfull Homing," as it appears in this draft, to "Wilful Homing."
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I SEEM TO BE A VERB

I SEEM TO BE A VERB

by Fuller, R. Buckminster; Jerome Agel, and Quentin Fiore

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[New York, London & Toronto]: Bantam Books, [1970].. 12mo. Pictorial metallic finish stiff wrapper. Heavily illustrated throughout, printed in black and green. Very minor use to wrapper, otherwise a near fine copy of this title. Paperbound original Y6305 (later printings featured a less innovative wrapper design). A touchstone for its era, and perhaps beyond, with parallel inverse texts, one printed in black, one in green. Uncommon in decent condition, as here.
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