Search Results: Authors starting with F from L'Estampe Originale

SF, Dewing Publishing Co., 1888. After a painting by W.M. Cary. Signed in plate. Image: 11¾ x 7 . Margins: 12 x 9¼. Published in Picturesque California. John Muir, editor, PICTURESQUE CALIFORNIA AND THE REGION WEST OF THE ROCKY MOUNTAINS FROM ALASKA TO MEXICO (VOLUME 1 ONLY), J. Dewing Publishing Company, New York and San Francisco, 1887. Folio, hard bound, 192 pages plus numerous unpaginated plates. Plates include numerous photogravures (photo-gravure) and SIX ORIGINAL ETCHINGS. The etchings are Half Dome View from Moran Point by Thomas Moran; Interior of California Forest by Mary Nimmo Moran; Cathedral Rocks, Yosemite by James Fagan; University of California, Berkeley by George Spiel, After a Good Day's Sport by Stephen J. Ferris; Head Waters (headwaters) of the Sacramento by James Fagan; Trinity Peaks by Julian Rix.

1913. Color Lithograph. As published in Le Rire. Image: 8 x 7 . Margins: 12¼ x 9 . The legend reads "The Analysis is 10ff, and for 12ff I will tell you that you don't have anything..

Lithograph in colors. 1913 Color Lithograph As published in Le Rire Image: 8 x 7 Margins: 12¼ x 9 The legend reads "The Analysis is 10ff, and for 12ff I will tell you that you don't have anything. Paris. As published in Le Rire..

Lithograph. As published in L'Artiste, 1892. Hediard 93 ii/ii. Prov. Maroni, Lugt 1506. Image: 7¼ x 5½. Margins: 10¼ x 7½.

Lithograph. 1892. From the edition issued in L'Artiste, 1895. H. 104 iv/iv. Image: 6 1/4 x 5". Margins:10 1/2 x 7 3/8.

2001. Small 4to. GUIDE DES COLLECTIONS, MUSEE D'ART MODERNE DE LILLE METROPOLE, VILLENEUVE D'ASCQ. 2001. 8mo. Paperback. Includes paintings by Picasso, Braque, Leger, Miro, Kandinsky. Modigliani. Primarily composed of donations given by Geneviéve and Jean Masurel. In good condition.

Los Angeles, California., LACMA, 1976. 238pp. Richly illustrated. (3)

1917 Sohn 118. Woodcut, on Japan paper. Signed and numbered "24" in pencil of 100. h: 11.8 x w: 11.8 in / h: 30 x w: 30 cm. In very good condition.

GEBÃœRT (BIRTH). 1917. Sohn 118. Woodcut, on Japan paper. Signed and numbered "24" in pencil of 100. h: 11.8 x w: 11.8 in / h: 30 x w: 30 cm. RARE. In very good condition.
Friedrich W. Heckmanns, Conrad Felixmüller: Das druckgraphische Werk 1912 bis 1976 (Düsseldorf: Kunstmuseum Düsseldorf, 1986); Gerhart Sohn, Conrad Felixmüller: Das Graphische Werk 1912-1974 and 1975-1977. 2 vol. (Düsseldorf: GS Editions, 1987); Heinz Spielmann, Conrad Felixmüller: Monographie und Werkverzeichnis der Gemalde (Cologne: Wienand, 1996)
Printmaker, painter. The youngest of a second generation of Expressionists who emerged in Dresden in the wake of the Brücke artists. By age eighteen, was working as an independent artist and had taught himself the various printmaking techniques. In 1915 began making regular visits to Berlin, where he shared a studio with Ludwig Meidner, frequented Expressionist soirées, and, in 1916, exhibited at the Galerie Der Sturm.
In 1917–18 worked as a medical orderly; war, and… Read More

1917. Sohn 118. Woodcut, on Japan paper. Signed and numbered "24" in pencil of 100 h: 118 x w: 118 in. h: 30 x w: 30cm In very good condition. GEBÃœRT (BIRTH). 1917. Sohn 118. Woodcut, on Japan paper. Signed and numbered "24" in pencil of 100. h: 11.8 x w: 11.8 in / h: 30 x w: 30 cm. RARE. In very good condition. Friedrich W. Heckmanns, Conrad Felixmüller: Das druckgraphische Werk 1912 bis 1976 (Düsseldorf: Kunstmuseum Düsseldorf, 1986); Gerhart Sohn, Conrad Felixmüller: Das Graphische Werk 1912-1974 and 1975-1977. 2 vol. (Düsseldorf: GS Editions, 1987); Heinz Spielmann, Conrad Felixmüller: Monographie und Werkverzeichnis der Gemalde (Cologne: Wienand, 1996) Printmaker, painter. The youngest of a second generation of Expressionists who emerged in Dresden in the wake of the Brücke artists. By age eighteen, was working as an independent artist and had taught himself the various printmaking techniques. In 1915 began making regular visits to Berlin, where he shared a studio with Ludwig Meidner,… Read More

Virginia., The Ephemera Society of America, Inc., 1994. Rectangular 4to.publisher:New Castle, DE, U.S.A.: Ephemera Society of America., 1994. Silky black cloth hardcover stamped in gilt, in color photographic dust jacket depicting Reward of Merit cards, with pictorial endpapers. 224 pages amply illustrated with examples of these delightful little collectibles. The first (and only) book on this topic, issued by the Ephemera Society of America. 'Tokens of a child's progress and a teacher's esteem as an enduring aspect of American religious and secular education.' A wonder peek into the methods and elegance of rewarding scholarship in times past. Many of the cards are as lovely as Victorian Trading Cards. Often they were included in books to be awarded to outstanding students. This book is in as-new condition in a protective wrapper. First Edition. Hard Cover. Fine Condition/Fine DJ. Illus. by B&W and Color Illustrations. . 224 pages . In fine condition with the dust jacket.

Mississippi., University Press of Mississippi., 1995. 4to.Paperbound. In Fine condition.

New York., Hudson Hills Press, Inc., 1980. 4to.

New York, Alfred A. Knopf, 1980. Lrg. 4to. Metropolitan Museum of Art; Hard Cover. Book Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. 4to - over 9¾" - 12" tall. Cloth, gilt, xv, 386 pp., illus. (some col.), folded map (inserted), biblio.; 31 cm. Catalogue of an exhibition to be held at the Metropolitan Museum of Art, New York, and at four other cities during the period, 1980-1981. Catalogue by Robert W. Bagley, Jenny F. So, Maxwell K. Hearn. Firm binding, clean inside copy. Age toning. Dust jacket, with light edgewear, protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. Artifacts, chiefly terracottas and bronzes, from the Qin-Han dynasties, 221 B.C.-220 A.D. Exhibition Catalogue.

New York., Alfred A. Knopf, Inc., 1980. An exhibition from the People's Republic of China.

New York., Harry N. Abrams, Inc., 1969. 4to. Large Folio. 216pp, 24 foldouts.: An important survey of the Fontainelbeau prints illustrated with tables of concordances,. Zerner discusses the origins and influence of the Fontainebleau School, and of Italian artists brought to France by Francois Ier [among them, Leonardo da Vinci]. Discussed here is the work of Fantuzzi, Jean Mignon, the Master L.D., Geoffroy Demoutier, Leonard Limosin, the supposed Juste de Just and the engravers Pierre Milan and Domenico del Barbiere. First US Edition. Cloth. In fine condition.

New York, Bonanza Books, 1985. Lrg 4to. Hard Cover with DJ. Book Condition: Very Good. 9¾" - 12" tall. AL5 -. Revised and annotated by J. P. Brooke-Little, Norroy and Ulster King of Arms.

Chester Springs, Pa., Dufour Press, 1969. 4to. 240 pp. In fine condition with dust jacket in perfect condition. LOC 69-18426

New York., Crown Publishers., 1977. A unique collection of Chinese Prints and Poems devoted to the Art of Love.

New York., The Penguin Group., 2000.