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Stamped illus. throughout on rectos. [7] leaves & colophon. Small 4to, stamped wrappers, staple-bound. Zoersel, Belgium: Guy Schraenen éditeur, 1978. One of 50 numbered copies (+ 5 "de luxe") of this rare stamped artist's book, signed by the artist on the colophon leaf. Gaglione (b. 1943) created a series of stamped poems with rubber stamps using blue ink and red ink type. This work was published by the collector and scholar Guy Schraenen (1941-2018). The "de luxe" copies came with an original typewriter poem. A fine copy. Ours is no. 23 and signed by Gaglione in pencil. WorldCat locates just two examples in North America.
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Typewriter Stamp Poems
by GAGLIONE, Bill
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Program flyer: Futurist Sound (29 September 1978)
by (GAGLIONE, Bill & BANANA, Anna)
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Black & white portrait, printed on one side only. Folded sheet, stamped on verso. Amsterdam: 1978. Rare program for a performance by Anna Banana (b. 1940) and Bill Gaglione (b. 1943) at Other Books and So's second location (259 Herengracht). Carrión's bookshop-cum-gallery closed several months later, and this was one of the final performances held there. The program lists nine acts for the duo's performances and the verso bears the shop's stamp in blue ink. Fine. ❧ Catalogue 237: Ulises Carrión (2022), p. 181.
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Textile Without Textile
by GALANTAI, György, editor
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[54] sheets (most A4 format), loose as issued, housed in orig. brown printed & stamped folder. Budapest: Artpool, 1980. One of 300 copies, the first Hungarian portfolio of assembled art. It was edited and designed by György Galántai (b. 1941) of the Artpool Art Research Center, a haven for Eastern European avant-garde movements established in 1979 in Budapest. Each artist contributed a pagework, there are a total of 52 contributions (two consist of two sheets), resulting in an astonishing range of creations. Interventions based on the titular prompt have been made with photographic prints, tears, folds, pencil and ink drawings, stamp impressions, collage, stencil, watercolor, photocopies, etc. It includes artists, many involved with the mail art network, from West Germany, Great Britain, Holland, Hungary, Italy, Romania, Poland, Switzerland, United States, Belgium, and Yugoslavia. Artists: John Furnival, Piet Franzen, Anikó Bajko, András Bán, Eva Fáy, György Galántai, Lujza Gecser, Judit…
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Announcement card: Minimal Art USA: Carl Andre, Bill Bollinger, Bob Breer, Donald Judd, Gary Kuehn, Gerald Laing, Sol LeWitt, Robert Morris, Fred Sandback (7-30 June 1968)
by GALERIE RENÃ BLOCK, dealer
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Beige paper card, printed on recto only. Berlin: 1968.<br /> <P> Scarce card announcing a famous trailblazing exhibition of minimalist art presented by René Block's gallery in Berlin. Block was one of the earliest gallerists to show American minimalist and conceptual artists in Europe. <br /> <P> Fine.<br /> <P> ⧠M. Babias, B. Eusterschulte, & S. Rollig, eds., René Block, Ich kenne kein Weekend. Ausstellungsprojekte, Texte und Dokumente seit 1964 (2015), p. 462 (pictured).
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Kunst Rai
by GALERIE A, dealer
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Unpaginated. 8vo, staple-bound. Amsterdam: 1998.<br /> <P> Catalogue compiled by Harry Ruhé's gallery for Kunst Rai 1998. Includes works by artists such as Abramovic, Armleder, Ay-O, Beuys, Boetti, Boltanski, Buren, Christo, Duchamp, Kienholz, Knowles, LeWitt, Nitsch, Paik, Roth, Saito, Serra, Sherman, Shiomi, Twombly, Vautier, etc. Fine.
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Announcement card: Brock: Mein Gott, Was Ist Los? (22 January 1965)
by GALERIE RENÃ BLOCK, dealer
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Green paper card, printed on recto only. Berlin: 1965.<br /> <P> Card announcing Block's third soirée, a performance by artist and critic Bazon Brock (b. 1936). Galerie René Block opened at FrobenstraÃe 18 in September 1964. This is a very early piece of ephemera distributed by the gallery. The card also lists other artists who part of Block's stable at the beginning: Brehmer, Hödicke, Lueg, Polke, Richter, Vostell, etc.<br /> <P> Fine.<br /> <P> ⧠M. Babias, B. Eusterschulte, & S. Rollig, eds., René Block, Ich kenne kein Weekend. Ausstellungsprojekte, Texte und Dokumente seit 1964 (2015), p. 458.
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Announcement card: Berlin: 100 Ereignisse - 100 Minuten - 100 Stellen... (10 November 1965)
by GALERIE RENÃ BLOCK, dealer
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Thick green paper card, printed on recto only. Berlin: 1965.<br /> <P> Scarce René Block announcement card for a Wolf Vostell performance. Near fine; a bit sunned.<br /> <P> ⧠M. Babias, B. Eusterschulte, & S. Rollig, eds., René Block, Ich kenne kein Weekend. Ausstellungsprojekte, Texte und Dokumente seit 1964 (2015), p. 459.
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Exhibition postcard: Knoebel, Palermo, Richter (23 April-14 June 1975)
by GALERIE LOEHR, dealer
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Printed on both sides. Postcard. Frankfurt am Main: Galerie Loehr, 1975. Postcard invitation to a group exhibition with Imi Knoebel, Blinky Palermo, and Gerhard Richter, hosted by Dorothea Loehr's gallery. In excellent condition.
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Selbstportraits: Brehmer, Hödicke, Polke, Lueg, Richter, Vostell; Weekend: Beuys, Brehmer, Hödicke, Hutchinson, Köpcke, Polke, Vostell (September 1972)
by GALERIE RENÃ BLOCK, dealer
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Black & white illus. throughout. [32] pp. 12mo, printed wrappers. Berlin: 1972.<br /> <P> Uncommon Galerie René Block exhibition catalogue; from an edition of 1000 copies. Block's 16th catalogue.<br /> <P> In fine condition.<br /> <P> ⧠Not in M. Babias, B. Eusterschulte, & S. Rollig, eds., René Block, Ich kenne kein Weekend. Ausstellungsprojekte, Texte und Dokumente seit 1964 (2015).
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Announcement card: Diter Rot: Schimmelhaufen (9 November-5 December 1968)
by GALERIE RENÃ BLOCK, dealer
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Yellow paper card, printed on recto only. Berlin: 1968.<br /> <P> Card distributed by Galere René Block to announce an early show of Diter Rot's work. Also advertises Rot's Die gesamte ScheiÃe for 48 DM.<br /> <P> In fine condition.<br /> <P> ⧠M. Babias, B. Eusterschulte, & S. Rollig, eds., René Block, Ich kenne kein Weekend. Ausstellungsprojekte, Texte und Dokumente seit 1964 (2015), p. 463 (pictured).
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Announcement card: Wolf Vostell: "Phänomene", Verwischungen, Partituren (9 February-27 April 1965)
by GALERIE RENÃ BLOCK, dealer
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Yellow paper card, printed on recto only. Berlin: 1965.<br /> <P> Rare card for Block's fourth soirée, an appearance by Vostell (1932-98) to open his exhibition at the gallery. This was Vostell's first solo show with Block's fledgling gallery.<br /> <P> Fine.<br /> <P> ⧠M. Babias, B. Eusterschulte, & S. Rollig, eds., René Block, Ich kenne kein Weekend. Ausstellungsprojekte, Texte und Dokumente seit 1964 (2015), p. 458.
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Centiloquium Circini Proportionum. Ein newer Proportional-Circkel, von vier, fünff, sechs oder mehr Spitzen, mit hundert schönen, ausserlesenen, nutzlichen Fragen und Exempeln gezieret und erkläret...wie auch Petri Apiani Organon Catholicum, &c...
by GALGEMAIR, Georg
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Each title within the same architectural woodcut border, two folding woodcut plates in the second part (the 2nd plate is numbered p. 33), & numerous woodcuts in the text of geometrical & surveying problems. 8 p.l., 88 pp.; 2 p.l., 33 pp. Two parts in two vols. Small 4to, modern vellum-backed paste-paper boards. Nuremberg: S. Halbmayer, colophon dated "1626." First edition, and complete with both parts, of this posthumously published work. Galgemair (1564-1619), who had been a student of both Apian and Mästlin at Tübingen, wrote a series of books on scientific instruments. The first part of this book describes the precursor to the sector and proportional compass that is today known as the reduction compass; a full-page woodcut of the instrument appears on A2r. There are 100 examples of the uses of the instrument, most with illustrations. The first examples provide geometric solutions to problems of a more abstract nature, while the latter address practical…
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L'Art de conserver les Grains, par Barthelemy Inthiery. Ouvrage traduit de l'Italien, par les soins de M. D.N.E. [Louis Joseph Bellepierre de Neuve-Église], ancient Officier de Cavalerie
by [GALIANI, Ferdinando]
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Seven folding engraved plates. 1 p.l., iv, [2], 103 pp. 8vo, cont. mottled sheep (head & foot of spine a little defective), spine gilt. Paris: Saugrain le jeune, 1770. First edition in French of the great economist's Della Perfetta conservazione del Grano. Discorso (Naples: 1754). Like the first edition, ours was published under the name of Bartolommeo Intieri (1676-1757), economist, engineer, and mathematician, who had furnished his friend Galiani with the ideas on methods to prevent grain from being contaminated by insects. Intieri proposed that grain be dried in a heated kiln. This process would dissipate bad odors, eliminate humidity, kill most insects, and check the disposition of the grain to germinate and ferment while in storage or in transit. Although Galiani wrote the text, he had Intieri's name placed on the title-page to properly honor the aged and nearly blind scientist for his invention of the kiln stove in 1728. In spite of this, it was widely known that…
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Jiangcun xiao xia lu 江邨銷夏錄 [Records from Yangzi River Village's [Herb Hall], made to Pass the Summer]
by GAO, Shiqi 高士奇
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225 folding leaves. Three juan in one vol. 8vo, orig. yellow silk over wrappers, new stitching. . [Japan]: Prefaces dated 1693, but a facsimile edition published in Japan, [1800]. This is a record of paintings and calligraphy by Gao Shiqi 高士奇 (1645-1703), who completed it in the summer of 1693 in the main hall (caotang 草堂 or Herb Hall), of his refurbished old mansion in Pinghu, Zhejiang. Gao, a Zhejiang man of relatively humble origins, had literary talents that earned him a job in the civil bureaucracy in Beijing, where he came to the attention of important figures and subsequently of the Kangxi emperor himself. For several years, Gao was part of the emperor's literary entourage, accompanying him on his travels outside the Great Wall, from which he left several valuable accounts. Embroiled in factional struggles, he was persona non grata at court for a time, during which he wrote this book. The year after it was finished, Gao was summoned back to court to serve as one of Kangxi's personal…
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Li chao ji shi ben mo qi zhong 歷朝紀事本末七種 [Seven Works on the Beginnings & Ends of Recorded Events of Past Dynasties]
by GAO, Shiqi 高士奇; YUAN, Shu 袁樞; CHEN, Bangzhan 陳邦瞻; et al.
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Metal movable type. 566 juan in 48 vols. 8vo, orig. wrappers, orig. stitching. Shanghai: Shanghai shuye gongsuo Chongde tang 上海書業公所崇德堂, 1888. An important collection of classic Chinese historical texts, all written in the jishi benmo 紀事本末 style, in which particular historical events are arranged around certain central themes. The collection comprises: 1. Zuozhuan jishi benmo 左轉紀事本末 [Beginnings and Ends of Recorded Events in the Zuo Tradition (of the Spring and Autumn Annals)] by Gao Shiqi (1645-1703), collated and punctuated by Min Cuixiang 閔萃祥 (1849-1904), and with a Preface by Han Tan 韓菼 (1637-1704) dated 1690. 2. Tong jian ji shi ben mo 通鑑紀事本末 [Beginnings and Ends of Recorded Events in the "Comprehensive Mirror (of Aid in Government)"] by Yuan Shu (1131-1205), with "explanations" (lunzheng 論正) and a Preface by Zhang Bo 張薄 (1602-41). Gu Yingtai's Preface to Ming jishi benmo, for which see below, has been erroneously…
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De Vita et Moribus Epicuri Libri Octo
by GASSENDI, Pierre
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Woodcut printer's device on title & one engraved plate with a port. of Epicurus. 4 leaves, 5-236, [18] pp. 4to, cont. French sheep (head & foot of spine neatly repaired, several signatures lightly browned), single gilt fillet round sides, spine richly gilt, red morocco lettering piece on spine. Lyons: G. Barbier, 1647. First edition of an important book; this life of Epicurus, which emphasized his philosophy of physics, was the foundation of Gassendi's Epicurean atomism. His atomic theory was applied to chemistry by Boyle and adopted by Newton in his new mechanical philosophy. "Before Galileo and Descartes had succeeded in combining mathematics with mechanics, the chief refuge of hard-headed opponents of scholastic verbalism and Renaissance Platonism was the tradition of Greek atomism...Its chief representative during the period of Cartesian domination was Gassendi, who stands both as the climax of Epicurean atomism of the Renaissance in its accommodation to a mathematical…
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Gauguin et ses Amis
by (GAUGUIN, Paul)
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8 black & white illus. [16] pp. 8vo, beige printed wrappers, staple-bound. Paris: Galerie Kléber, n.d. Uncommon catalogue for a group exhibition of Gauguin and his contemporaries and friends, including Bonnard, Denis, Pissarro, Redon, Schuffenecker, Serusier, Vuillard, etc. With an introduction by art historian and Gauguin expert Maurice Malingue. 112 works were displayed. Near fine; spine a trifle worn. Four examples in the US, according to WorldCat (as of September 2022).
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Theorematis Fundamentalis in Doctrina de Residuis Quadraticis Demonstrationes et Ampliationes Novae
by GAUSS, Carl Friedrich
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20 pp. Large 4to, attractive antique boards.. Göttingen: H. Dieterich, 1818. First separate edition, offprint issue with new pagination from the Comm. Recent. Soc. Gott., Vol. IV (1816-18). In this important memoir Gauss provided a fifth and sixth demonstration of his great law of quadratic reciprocity, a "gem" of higher arithmetic. It perfected and completed the work on this subject in his Disquisitiones Arithmeticae (1801). Fine copy. ❧ Cajori, A History of Mathematics, pp. 435-36. Poggendorff, I, 854-57.
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Demonstratio Nova Theorematis Omnem Functionem Algebraicam Rationalem Integram unius Variabilis in Factores Reales Primi vel Secundi Gradus resolvi posse
by GAUSS, Carl Friedrich
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One engraved plate (somewhat browned). 39, [1] pp. 4to, cont. half-calf & marbled boards. Helmstadt: C.G. Fleckeisen, 1799. First edition of Gauss's first book for which he received his doctorate degree; in this rare work Gauss gave the first rigorous proof of the fundamental theorem of algebra. This theorem, which states that every algebraic equation in one unknown has a root, was expressed by Albert Girard, Descartes, Newton, and Maclaurin. Attempts at a proof were made by d'Alembert, Euler, and Lagrange, but Gauss was the first to furnish a rigorous demonstration. This is Gauss's first great work and marks the beginning of an extraordinary ten years which saw the publication of his Disquisitiones Arithmeticae (1801) and his calculation of the orbit of the newly discovered planet Ceres. "Gauss ranks, together with Archimedes and Newton, as one of the greatest geniuses in the history of mathematics."-Printing & the Mind of Man, p. 155. A very good copy. Library…
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Principia Generalia Theoriae Figurae Fluidorum in Statu Aequilibrii
by GAUSS, Carl Friedrich
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1 p.l., 53 pp. Large 4to, attractive modern marbled boards, red morocco lettering piece on spine. Göttingen: Dieterich, 1830. First separate edition, originally published in the Comm. recent. Soc. Gött., Vol. VII (1828-32). This is Gauss's "one contribution to capillarity and an important paper in the calculus of variations, since it was the first solution of a variational problem involving double integrals, boundary conditions, and variable limits."-D.S.B., V, p. 305. Fine copy. ❧ Poggendorff, I, 854-57.
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