Search Results: Authors starting with L from L'Estampe Originale

1867. Lithograph. On Chine appliqué. Signed in the plate. Image: 11¼ x 8¼. Margins: 15 x 10¾.

Boston., New York Graphic Society., 1976. Boston., New York Graphic Society., 1976. 4to. Translated by Janet Seligman. Hardbound copy in linen with Dj. In good condition. 248pp.

1910?. Watercolor. Double watercolor on the recto and the verso. In blue tones in a traditional style. Verso: Expressionist Mountain Landscape on one side and a more traditional landscape on the other that includes a lonely figure. Beautiful sensitive image. Signed lower right. Image: 13 ¾ x 21. Please request photos. This is an original watercolor not a book.After an apprenticeship as a decorator, he became a pupil of the Kunstgewerbeschule in Dresden and then studied at the Otto Gussmann Academy of art. From 1919 he lived in Dresden, where, alongside Otto Dix, Conrad Felixmueller, Otto Schubert and Lasar Segall, he co-founded the Dresdner Sezession group, a short-lived collaboration of German Expressionism. The works of this new generation of disillusioned artists placed a much greater emphasis on political and social reformation through pacifistic means, rather than adopting the nihilistic social criticism and cynicism of their Die Brücke predecessors.
References Richard Stiller: Otto Lange.… Read More

Paris, Art Editions "The Target", 1920. Goncharova Natalia (1881-1962) and Mikhail Larionov [Russian Cubist Painter, (1881-1964). Khudojestvienoe izdatelstvo "Michen". [Art Editions "The Target"]. 13, rue Bonaparte. Paris. 1920. 8vo (24 x19,5 cm), (27) ff. : flexible printed card covers. Two plates by Gontcharova, six plates and a small illustration by Larionov, refined typography. Natalia Gontcharova (1881-1962) was one of the most famous artists of the Russian Avant-garde. Trained in Moscow where she met Larionov (1881-1964), he was to become her life companion. She contributed to a great number of important exhibitions and both Gontcharova and Larionov played a crucial role in the development of Russian art. They settled down in Paris shortly before the present edition, became French citizens in 1938 and got married in 1955. Larionov exhibited his Rayonnist works at The Target exhibition in 1913 in Moscou. . The illustrations by Larionov showed his freedom in changing from one style to… Read More

Paris, Dossier de L'Art, 2008. 4to. 94pp. Paper wraps. Exhibition Catalog for Galeries Nationales du Grand Palais, Paris, 9/25/2008-1/19-2009. The first exhibition of Nolde's paintings, watercolors and prints in France. Includes essays on Max Liebermann, Kirchner, Corinth Beckman Franz Marc, etc. GRAND PALAIS EXHIBITION catalog.

Hand colored Mezzotint. 1550.

PORTRAIT OF BARTOLOMEO RAMENGHI (D. 1542)LASINIO, CARLO (1759-1838) Hand-colored mezzotint. From the rare series of artists' self-portraits. Thieme-Becker XXII, 404. Image: 6¼ x 5¼. Margins: 7 x 6¼. Engraver, b. Treviso in 1759, to Florence by 1779, died Pisa. Trained by Gautier-d'Agoty in colour printing in 1782/3. 1790 set of artists' self-portraits from the series in the Uffizi. Professor of engraving in Florence; 1807 curator of the Campo Santo in Pisa (of which he published a set of the monuments in 1812: set kept at Blythe House). Also active as collector and dealer in Italian art.

c. 1900. Etching. Signed with pencil and numbered, from the edition of 9. Rare. Image: 13 x 17 . Margins: 17 x 24.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 46. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. 250.00

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 46. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 32. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 75. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 35. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 80. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 29. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 61. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

ARCHITECTURE) LAURO, GIACOMO. (ROMAN ARCHITECTURE). DE TEMPLUM DEAE VESTA (The Temple of the Vestal Virgins). As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 30. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 43. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 39. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. The Temple was built in 500BC on the site of an even older shrine dedicated to Saturn. It was reconstructed in 42BC by Lucius Munatius Plancus, a Roman Consul who was an officer in Julius Caesar’s army during the conquest of Gaul. He installed the Treasury of the Roman Republic here, where it remained until 28BC. It was destroyed by fire in 283AD, but later rebuilt. All that remains today are eight columns and a part of the pediment, which bears a Latin inscription. In English it reads: The Senate and the people of Rome restored what fire consumed. Saturn, who was the Roman equivalent of the Greek god Kronos, was the god of agriculture and the harvest (or of life and death). Like… Read More

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 61. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.