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Irvine, California:: Amandine Nabarra-Piomelli,, 2016.. Edition of 10, second printing. 8" diameter circular flexagon binding with magnet closure. 12 circular leaves with 2" diameter. Materials: Vellum, bristol, Mohab, Entrada, brass. Housed in white clamshell box with magnet closure and paper title label on lid. Blue paper wrapper with artist statement and colophon label adhered to interior of box. Flexagon laid inside wrapper. Signed and numbered by the artist on the colophon. Amandine Nabarra-Piomelli: "While watching clouds that were passing over the port of Genoa (Italy) I was inspired to create this artist's book. In the midst of thoughts about nature's forces and movements, tragic events in my life let me take stock of my existence. "The movement of the clouds creates an unpredictable and mysterious energy that colors our thoughts. In this atmospheric energy I found the strength to contemplate my past and imagine my future, I even glanced at my horoscope to…
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Tempus Fugit.
by Nabarra-Piomelli, Amandine.
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The Book Remembers Everything: The Work of Erica Van Horn
by [Coracle] Nancy Kuhl.
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Ballybeg, Grange, Clonmel, Tipperary, Ireland:: Coracle Books,, 2010.. [Edition of 1500]. 7.125 x 5.125"; 128 pages. Illustrated endpapers and pastedowns. Illustrated paper covered boards. Editorial design by Simon Cutts. Layout design by Colin Sackett. Introduction: "The Book Remembers Everything developed as a result of a 2010 exhibition of the outstanding collection of Erica Van Horn's work in the Yale Collection of American Literature at the Beinecke Rare Book and Manuscript Library at Yale University, including early works on paper, elaborately illustrated unique books, and printed and editioned works in a wide variety of formats. Like the exhibition, this book represents aspects of the artist's development over more than thirty years, exploring common elements throughout the extensive body of her work; it also extends the work of the exhibition by including new books and collaborations from Van Horn's recent work and additional examples of unique bookworks from early…
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Information Please.
by Neaderland, Louise Odes.
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Brooklyn, New York:: Louise Neaderland,, 2013.. Edition of 12. 11.25 x 17"; 52 single sheets. Each signed and dated by the artist. Printed on an Epson WF7510 on acid free cover stock. Laid in paper portfolio. Title page: "Each folio contains 52 signed image and text prints, which explore the purpose and meaning of life. They were created over the period of 1995-2013, by the artist founder and director of the International Society of Copier Artists." This folio represents the thoughts, reflections, paths, and detours of one woman's life. Part anecdote, part observation, part wail a continuous quest, half-glimpsed but fully lived.
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Information Please.
by Neaderland, Louise Odes.
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Brooklyn, New York:: Louise Neaderland,, 2013.. Edition of 14. 11.25 x 17; 56 pages. Inkjet printed. Spiral bound with clear cover page and black back page. Signed and numbered by the artist on the recto side of the prologue page. Prologue: "Begun in 1995 and finally completed in 2013, these 52 inkjet prints began as ink drawings on 11 x 17 faux parchment. Over the years I made many revisions of the text and images and with the advent of inexpensive, large format, ink jet printers I was able to revisit this project and print a limited edition of 12 Folios, each containing 52 ledger size prints. This is a letter size version of that Folio.
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Trump Wallpaper Borders.
by Neaderland, Louise.
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Brooklyn, New York:: Louise Odes Neaderland,, 2017.. Edition of 17. 4.5 x 4.25 x 2" paper box containing 2 scrolls (36" each extended). Copier art. Signed and numbered by the artist. Artist Louise Neaderland responds to President Trump's campaign promise to build a wall on the US-Mexico border. When unrolled, the two scrolls - one in black-and-white, the other in color - become paper walls decorated by with images of Trump and clowns (referencing an earlier work by Neaderland - Trump Circus) plus barbed wired across the top and immigrants streaming across the bottom.
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Black Holes
by Neaderland, Louise.
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Brooklyn, New York:: Bone Hollow Arts,, 1997.. [Edition of 200.]. 4.25 x 5.5"; 10 pages. Star carousel structure. Photocopy process. Louise Neaderland: "In open form the viewer can look into a black hole. By definition, a black hole cannot be seen, its presence must be detected through indirect evidence. Each page has different information about black holes with the cautionary note The search for the invisible requires sustained obsession.
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Natural Selections: 12 artists' books
by Neaderland, Louise.
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Brooklyn, New York:: Louise Odes Neaderland,, 2014.. 9.75 x 8.25 x 2.25" box containing twelve books for various sizes and constructions. Edition size unstated. Twelve books by Louise Neaderland: The Case for Gun Control; 23 Sins; Hazardous Waste; The Vanishing Act; American Ballet Theatre; Artist At Work; Brokers Study Vast Hole in Space; Open Roads Empty Nests; The Stones Roll On; The Heart of Lightness; alphagami; Where is Home?
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Trump Circus.
by Neaderland, Louise.
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Brooklyn, New York:: Louise Odes Neaderland,, 2017.. Edition of 24. 5.5 x 7.5" slider book consisting of a sleeve and two slide cards. Signed and numbered by the artist. Artist Louise Odes Neaderland responds to the Trump presidency: a cage-like sleeve provides frames for images of Trump, clowns, and wild animals as two interchangeable viewing cards slip through the structure.
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Dialogues
by Neaderland, Louise.
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Brooklyn, New York:: Bone Hollow Arts,, 1990.. 17 x 11"; 13 leaves. Spiral bound with illustrated cover and blank back cover. Louise Neaderland: "A monologue between one nesting doll and herself. 1. Face to face 2. Back to back 3. Side by side 4. Alone and in company 5. I confront myself 6. and take cold comfort 7. The dialogue between us 8. Like Chinese food 9. Fools then feeds 10. My hunger"Each page is the directly imaged doll with the exception of page 8 where there are two directly imaged Chinese food containers.
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Sadat's Journey
by Neaderland, Louise.
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Brooklyn, New York:: Bone Hollow Arts,, 2010.. Second edition. 9.5 x 8.5"; 4 pages. Accordion fold. Photocopy collage using two articles from The New York Times and a press photograph. A tribute to Anwar el-Sadat. Louise Neaderland: "Created from multiple copies of a photograph of Sadat in front of the pyramids shortly before his assassination. The book opens with the empty desert, the pyramids appear, Sadat appears then slowly disappears, the pyramids disappear, and the desert remains." The Egyptian president appears as a standing figure throughout the cinematic panorama until, at the end, his presence is a cut-out silhouette, an empty space where his likeness used to be.
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LENINGRAD: August 9th - 24th 1991 / ST. PETERSBURG: May - June 1903 1992
by Neaderland, Louise.
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Brooklyn, New York:: Bone Hollow Arts,, 1992.. Edition of 12. 8.5 x 5.5"; 88 pages. Stab binding. 11x 15" folded map laid in. Louise Neaderland: "The artist was visiting a friend in St. Petersburg in August of 1991 at the time of the coup. She managed to take many photographs of what was happening on the streets and came across a series of picture post cards of 1914 St. Petersburg. This book documents the scene in St. Petersburg during the coup of August 9, 1991, contrasts it with the 1914 images, and adds news clippings, conspicuously not from Russian news media, which barely mentioned what was going on.
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Life-Sense/License.
by Neaderland, Louise.
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Brooklyn, New York:: Louise Neaderland,, 1985.. Edition of 3. 12 x 6 x 1.5"; 11 leaves including title cover and back board. Photocopy pages dry mounted on boards set into an accordion binding. Louise Neaderland, catalog: "This form resembles a stepped pyramid, a memorial ... This book is about the artist's father. Each page shows him at a different stage in his life. The images of his driver's license grow larger and more important as he progresses from youth to old age. In his last years he refused to give up this iconic symbol of his independence. A shrunken old man now, he can barely see over the wheel of the car, but refuses to give up driving. He dies with that license in his wallet. In NY state, as long as an elderly person can read the eye chart, the State cannot refuse to renew his license regardless of his mental or physical condition."
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Orbital Debris Simulator.
by Neilson, Heidi.
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New York:: Women's Studio Workshop,, 2010.. Edition of 70. 10.25 x 8"; 24 pages. Letterpress printed with screenprinted images. Text printed in Future on Rives heavyweight paper. Viewable in 3D with enclosed anaglyph glasses. Bound with aluminum clovers and black cloth spine. Heidi Neilson: "Orbital Debris Simulator describes the phenomena of space junk in the earths orbit, showing points of interest between the moon and the earth such as geosynchronous orbit, medium earth orbit, and the International Space Station. Images of space toys spaceships and action figures from various science fiction universes as well as replicas of actual spacecraft are used as stand-ins for the orbital debris itself." Introduction: "Orbital debris consists of defunct objects in earth's orbit created by people in the process of space exploration, such as used rocket stages, defunct satellites, explosion and collision fragments, coolant…
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Place.
by Nettles, Bea.
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Urbana, Illinois:: Bea Nettles,, 2013.. 4 Booklets: each 9 x 9", opening to 9 x 18". Digital offset printing. In a 9.5 x 9.5" illustrated slipcase. Signed by Nettles on the case. Bea Nettles: "Poems about American history have been written using the last names from gravestones that are nouns, verbs, and adjectives. The stories are arranged chronologically from the regions earliest days and end with stories of families being reunited or going home." The stories are managed through a set of four booklets which represent place by dividing the country into quadrants - North, South, East, and West. Colophon: "Place is a manifestation of my continued fascination with descriptive family names that are nouns, verbs, and adjectives, my own nettles included. How did such names become attached to people and what might be their effect? Do people notice? Many names are explained by occupation (rider, roper, master), physical characteristics (brunette, dimple, blush),…
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Stonecipher: A Book of Seasons.
by Nettles, Bea.
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Hoover, Alabama, United States
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Urbana, Illinois:: Bea Nettles,, 2011.. Open Edition. 4.5 x 11" opens to 4.5 x 17". Double-sided accordion. Color Xerox on 90lb coated stock. Printed paper bandoleer slipcase. Bea Nettles: "A four section double-sided accordion fold that alludes to the seasons in poetry created from headstones that are nouns, verbs, and adjectives."
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Hawk Dove.
by Nettles, Bea.
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Hoover, Alabama, United States
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Urbana, Illinois:: Bea Nettles,, 2013.. Trade Edition. 5.25 x 9.5" closed, extends to 38"; four fold. Dos-a-dos. Bound in grey museum board. Paper title HAWK on one board and paper title DOVE on the other. Digitally printed on cotton rag paper. Laid in a white paper wrapper. Signed by the artist. Bea Nettles: "Recently I have photographed the last names of veterans in national cemeteries. My latest book is a dos-a-dos (a reversible book telling two stories) that contains poems about war & peace written with these names. The text mirrors itself in places, including contrasting images of real battles (war)and pillow battles (peace)." Colophon: "The sheer number of individuals who have dedicated their efforts, and in many cases given their very lives, is extraordinarily moving. Several of the graves documented in this book date back to the Civil War and the beginnings of our national cemetery system, and some as recent as this year, 2013.
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An Oxbow ABC.
by Nettles, Bea.
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Urbana, Illinois:: Bea Nettles,, 2011.. Unnumbered open Edition. 4.5 x 3" closed, extends to 72"; 14 pages. Accordion structure. Epson colored prints. Bound in museum board with title label on front board. Board bound version of the original edition of 6 in leather. Bea Nettles: "This alphabet was created during a Paper and Book Intensive Conference at Oxbow in Saugatuck, Michigan. The letters were found in tree forms in the forest and on the edge of the lagoon.
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R Suntop's Sunspots.
by Nettles, Bea.
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Hoover, Alabama, United States
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Urbana, Illinois:: Bea Nettles,, 2008.. Edition of 5. 3.75 x 5.25"; single 8 x 10" sheet folded into covers. Image printed by an Epson Ink Jet printer. Suminagashi [literally "spilled ink," traditional Japanese paper marbling] paper over boards with cloth spine. Illustrated paper title on front board. Bea Nettles: "[This book] opens to reveal a drawing of sunspots made by my daughter as a young child during the 1980s at Montessori School.
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Family Resemblance: 50 Years of Florida Family Portraits
by Nettles, Bea.
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Hoover, Alabama, United States
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Urbana, Illinois:: Inky Press Productions / Bea Nettles,, 2007.. Edition of 10. 5.5 x 7.5"; 57 pages. Codex grey-green cloth bound, grey end sheets. Signed inside front. Over 75 family photos, predominately black-and-white. Includes index of photos with dates and locations. Bea Nettles: "My Grandmother Noble gave me my first camera when I was ten years old. She didn't purchase it, but had received it as a bonus of some sort. It was red plastic and took wide roll film. This was in 1956, so 2006 marks the fiftieth year that I have been making portraits of my family in Florida. Photography today is so easy and cheap that it is ubiquitous. Huge quantities of pictures are created, looked at, then deleted. In the fifties, film was expensive and I can remember planning and taking almost every shot. I still have all the negatives.
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Springs Victory: Kore Comes Back.
by Nettles, Bea.
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Urbana, Illinois:: Bea Nettles,, 2019.. Edition of 12. 4.5 x 11.5 x .25" closed, extends to 23.5"; 8 pages. Accordion structure. Digitally printed on Tyvek. Bound in cloth covered boards with pictorial paper title label on front cover. Laid in a cloth covered box with pictorial paper title on top cover. Colophon adhered to interior base. Signed and numbered by the artist. Bea Nettles: "During my travels to cemeteries, I have photographed over six thousand surnames that are parts of speech that I find on headstones. For sometimes obvious, but also curious reasons, people have been named for places, occupations, plants, animals, colors and personalities. Using these words I have created several books and card decks that investigate language, mythology, history, and some of life's major events. "The inspiration to write my version of the myth of Persephone (also known as Kore by the Greeks) occurred to me because I had already located the surnames of Demeter, her mother…
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