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San Francisco: Typographic Library and Museum of John Henry Nash, 1934.. [2],10pp. Printed wrapper, fore and bottom edges untrimmed. First edition. Soft vertical crease toward fore-edge, faint pencil erasures from front wrapper, otherwise fine.
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BOOKS DISTINGUISHED IN ENGLISH AND AMERICAN LITERATURE WITH FACSIMILES OF FIRST EDITIONS PRIVATELY PRINTED FOR WILLIAM ANDREWS CLARK, JR. BY JOHN HENRY NASH ...
by [Nash, John Henry]: Sanders, Cora Edgerton [ed]
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[Folio publicity pressbook for:] HELL-SHIP MORGAN
by [Nautical Potboiler by a Texan]: Shumate, Harold: [screenwriter]
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[Np]: Favorite Films Corporation, [nd but likely ca 1949].. [8]pp. Large folio sheet, folded to four panels, (43 x 28 cm). Illustrations and photographs. Horizontal fold, as issued, very good. A pictorial pressbook for this rerelease of D. Ross Lederman's 1936 Columbia Pictures production, starring George Bancroft, Ann Sothern, Victory Jory, and Fred 'Snowflake' Toones, based on an original story and script by Austin, Texas-born screenwriter Harold Shumate, whose screenwriting métier most often involved characters on horseback rather than shipboard.
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PÃJARO CASCABEL
by Nava, Thelma [editor]
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Mexico, D.F., May 1964 through May 1966.. Volume one, numbers 11,12/13,17,18 and volume two number 1, plus the separately printed index to numbers 1 to 14/15. Five issues (including one double number). Small folio. All but the last in printed self- wrappers or folded leaflets on stiff card, the last in decorated wrapper. Illustrations and plates. Spine of final number chipped, small paper flaw to upper sheet of #11, tanning to the lower edge and spine of 12/13, otherwise very good. Edited by Thelma Nava, et al. The first series spanned Sept 1962 through Sept/Nov 1965 in twenty bimonthly numbers or double numbers, most in the form, of folio leaflets on stiff card, often occasionally with inserts. Those published in the second series were more substantial, elegantly presented and well-illustrated, with some topical issues. In the case of II:1 present here, Venezuelan poets are featured. Contributors to this brief sample include Cardenal, Pacheco, M. Randall, Pavese, Paz, et al. Also present are…
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[Broadside]: TO THE FOOT FROM ITS CHILD [caption title]
by Neruda, Pablo
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Palo Alto: Free Poetry from Frog in the Well, [nd but ca 1975].. Oblong quarto broadside (20 x 25 cm). Pictorial vignette. First printing in this format of Alastair Reid's translation. Fine. OCLC: 21703992.
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MARCO POLO
by [New Directions]: Collis, Maurice
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London: Faber and Faber, [1959].. ix,[1],190pp. Pale red cloth. Frontis and plates. Cloth somewhat handsoiled (but see below). Fourth impression of the Faber printing, but the setting copy utilized by New Directions for the 1961 New Directions Paperbook edition. While the text was largely rendered photo offset from this edition, the prelims here are revised in pencil with appropriate imprint and copyright information, the list of Collis's UK publications is marked through and a there are a handful of pencil format alterations in the text. The upper cover is labeled in pencil: "Marked for Changes." The frontis and plates are marked to be omitted. HARRISON, NEWTH & CANDIDO, p.50 (ref).
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THE ABSOLUTION OF HAROLD LUBER
by Nieboer, Roger
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[San Francisco?]: The Author, [ca.1982-3].. [3],56 leaves. Quarto. Photomechanically reproduced typescript, printed on rectos only, punched and strip bound in flexible binder. Notes on title leaf in green felt-tip, otherwise fine. An unpublished musical play by Nieboer, then associated with the Bay-area Magic Theatre. The annotations on the title-leaf read: "N/p #2 82-83." Niebor's recent productions have been associated with the Stage North Theatre Company.
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THE BOOK COLLECTOR
by Nodier, Charles
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Cambridge, MA: [Privately Printed for Harvard College Library], 1951.. 23,[1]pp. Large octavo. Marbled paper wrapper, printed paper label. Fine. First printing in this format, with a Foreword by Philip Hofer. One of 750 copies printed at the Crimson Printing Company. Laid in is a 14 October 1951 t.l.s. from Hofer to Fred Hilles presenting the book and responding to a publication by Hilles. The letter is a bit tanned due to proximity to the verso of the marbled wrapper.
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PRELUDE TO A CHURCH
by Norman, Dorothy
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New York: An American Place, [February 1937].. [2],5,[1]pp. Large octavo. Printed self-wrappers. First edition. Fine. Issued as Number One of IT MIGHT BE SAID for the year.
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DUALITIES [caption title]
by Norman, Dorothy
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[ New York: An American Place, September 1933].. [4]pp. Large octavo folded leaflet. First edition. Functionally a prospectus for Norman's collection, made up of an essay by Evelyn Howard, issued as IT MUST BE SAID II:4. About fine.
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[Small Archive of Material for an Unproduced Film:] THE THIRD FORCE
by Nugent, Frank, and Curtis Kenyon [screenwriters]
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Los Angeles, Various dates but chiefly 1962 - 1963.. Two carbon typescripts, plus file of correspondence. Generally good to very good. A small but interesting file of material relating to this unproduced film project, a fictionalized treatment of UN Peace Keeping Forces drawing on their involvement in the Congo. The lot includes two variant drafts of a treatment, 99 leaves and 86 leaves, the latter in specially printed production binder, with several rather frayed revised inserts laid in, with scattered manuscript corrections and deletions. Also present is a file of a dozen pieces of correspondence relating largely to research, but as well to trying to place the project. The most significant item among the latter is a long, single-spaced typed letter to Nugent from Frank Capra, rather messily typed, with corrections, signed "Warmest regards, Frank," responding in enthusiastic detail after his reading of the treatment, but declining to get involved due to commitment to another project. He writes, in…
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LAND OF THE WILD "DAY OF THE EAGLE" PILOT SCREENPLAY BY ...
by Nugent, Frank S. [screenwriter]
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Hollywood: Selmur Productions, Inc., 26 October 1962.. [1],62 leaves. Quarto. Stapled mimeographed typescript, printed on rectos only. Title leaf detached from staple and a bit creased and chipped, staple corner of textblock bruised, with staple rust, An unproduced first draft screenplay by Nugent, better known for his screenwriting work for John Ford on such films as FORT APACHE (1948), TULSA (1949), THE SEARCHERS (1956), THE QUIET MAN (1952), etc. This was Nugent's retained copy, and a manuscript note, signed by Nugent's second wife (and frequent collaborator) in the extreme corner of the title leaf indicates it is a "TV Pilot - never made." At the time, Selmur Productions was fielding successful television series, such as "Combat" and "The New Breed." This script is set in 20th century Arizona cattle country.
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