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Signed Photograph and Program
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Signed Photograph and Program

by [P. D. Q. Bach] Schickele, Peter. (b. 1935)

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Used; Like New/Used; Like New. Photograph and concert program, each signed by the American composer, chiefly known as the inventor of P. D. Q. Bach and the music published under that name.  Photograph with the caption "P. D. Q. Bach" is an upright portrait of the fictitious composer wearing a Bach-style wig, inscribed "For Danny, Howie, Stacy,+ Lynne, who obviously can't tell good music from bad music / Peter Schickele"; imprint of Vanguard Records to lower right corner. It is not known whose face poses as P. D. Q. Bach's here (it is not Schickele's). 8 x 10 inches. Small pinholes to lower edge, mounting remnants and toning to verso, else in fine condition.  Together with a single page (recto/verso) from a 1967 NYC Lincoln Center "Eventing with P.D.Q Bach" program, featuring some of Schickele's most humorous works, including the "Schleptet," "Sonata for Violin Four Hands and Harpsichord" and "The Stone Guest (A Half-Act Opera)".  Left edge torn, else fine. 
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Gravure Portrait Print after Jean Auguste Dominique Ingres
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Gravure Portrait Print after Jean Auguste Dominique Ingres

by Paganini, Nicolò. (1782–1840)

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Used; Like New/Used; Like New. Gravure print of an illustrated portrait of the violin virtuoso, shown holding his instrument.  The title "Portrait de Paganini (Collection de M. Ach. Benouville)" is printed beneath the portrait, which is after an original work by Jean Auguste Dominique Ingres.  Printed by Eames for the Gazette des Beaux-Arts ca. 1880.  Mild toning to edges and small loss to upper right corner; overall in fine condition.  6.75 x 10.25 inches (17 x 26 cm.).
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Bronze Bust Portrait of Paganini - FROM THE CORTOT COLLECTION
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Bronze Bust Portrait of Paganini - FROM THE CORTOT COLLECTION

by Paganini, Nicolò. (1782–1840) [Cortot, Alfred. (1877–1962)] David d'Angers, Pierre-Jean. (1788 - 1856)

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Used; Like New/Used; Like New. A fine example of this celebrated portrait of the violinist-composer in profile, cast bronze with warm brown patina, 6 in. diameter, signed and dated 1834 at lower center, inscribed with sitter's name to left, and with foundry mark "Eck et Durand" to verso, stamped with the number 357 to the upper edge, with a later metal hanging loop soldered to verso, Christie's label affixed to verso. With remarkable provenance from the collection of Alfred Cortot, one of the great pianists of all time, as well as an important collector of antiquarian music and historical music memorabilia.In 1817, the young French sculptor Pierre-Jean David d'Angers caused a stir at the Paris Salon with his monument to a seventeenth-century French general. Its energetic composition and depiction of the hero in historical costume challenged neoclassical norms and helped to usher in the age of Romanticism. Lauded by Victor Hugo as the "Michelangelo of Paris," David became one of the most… Read More
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Grand Quatuor Pour Deux Violons, Alto et Basso [Quartet No. 7 in E major for violin, viola, cello...
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Grand Quatuor Pour Deux Violons, Alto et Basso [Quartet No. 7 in E major for violin, viola, cello and guitar, M.S. 34] - 1832 Copyist Manuscript with Interesting Provenance

by Paganini, Nicolò. (1782–1840)

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Used; Like New/Used; Like New. Autograph manuscript copy of the complete parts for Paganini's Quartet No. 7 in E major for violin, viola, cello and guitar, M.S. 34, here transcribed for standard String Quartet (violin, violin, viola, cello).  8.5" x 13". 54 pages including front cover and individual cover pages. Outer wrapper spine reinforced with early paper tape over original threaded binding, scattered staining, overall very good. The title page and likely the manuscript entirely in the hand of Johann Christoph Bauriegel (1773 - 1851), German teacher and Biblical scholar who lived in Pulgar (near Leipsic), and who has signed lower right "Johs: Bauriegel / Pulgar 1832."  Cover and parts also inscribed and stamped by the composer and arranger, Carl Dietrich (1816 - 1875), and further by Friedrich Maximillian Bernhardt Fincke (1821 - 1906), noted German-born physician and homeopathic pioneer who was also well known as a musician. In all, Paganini wrote fifteen quartets for violin, viola,… Read More
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Surtout ne l'éveillez-pas!
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Surtout ne l'éveillez-pas!

by Panseron, Auguste Mathieu. (1796-1859)

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Used; Like New/Used; Like New. Upright quarto. Song by the eminent French voice teacher in the hand of an unidentified copyist. One bifolium with 16 staves to each page. Music begins on fol. 2v and continues on fol. 1r; other pages blank. For soprano, tenor and piano or harp. E-flat major, time signature C. Strophe 1 as text underlay, strophes 2 and 3 as residual text. 11.5 x 8.75 inches (29.3 x 22 cm). In fine condition.A nice manuscript copy of a romance published by Janet et Cotelle, Paris (no date; before 1836) as "Nocturne pour deux voix." The author of the text is unknown. Panseron was best known for his songs in his lifetime, but his work as a voice teacher, which includes pedagogical writings and exercises, proved to be his lasting legacy.
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Signed Photograph

Signed Photograph

by Parkening, Christopher. (b. 1947)

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Used; Like New/Used; Like New. Early signed photograph of the American classical guitarist, who has inscribed "To Paul, / All Best from / Christopher Parkening" in black ink to the left portion of the image.  Light surface creasing to center right and upper left corner, overall in fine condition.  8 x 10 inches (20.3 x 25.4 cm). Uncommon from this period. "Parkening's performances, recordings, and collaborations, which have included artists such as Kathleen Battle, Renée Fleming, Placido Domingo, Josh Groban, Jubilant Sykes, and composers/conductors John Williams and Elmer Bernstein, have received the highest worldwide acclaim.  A frequent soloist with leading orchestras, Parkening has performed at the White House and appeared on 20/20, The Today Show, The Tonight Show, Good Morning America, and The Grammy Awards." (www.parkening.com)From the collection of Paul McMahon, a critic, photographer and artist who worked for more than 13 years touring with Marlene Dietrich as the icon's stage… Read More
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L.A. Story—Signed Photograph

L.A. Story"—Signed Photograph

by Parker, Sarah Jessica. (b. 1965)

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Used; Like New/Used; Like New. Uncommon early signed promotional still of the American actress from the 1991 Tri-Star Pictures film.  Inscribed to Paul McMahon.  10 x 8 inches (25.5 x 20.2 cm).  In fine condition. In the romantic comedy L.A. Story, Parker took on the role of a ditzy aspiring spokesmodel (who goes by the outlandish name of SanDeE*) meeting a television meteorologist; both the film and her performance garnered positive reviews.From the collection of Paul McMahon, a critic, photographer and artist who worked for more than 13 years touring with Marlene Dietrich as the icon's stage manager, announcer, dresser, secretary and escort, and later spent 25 years as an arts and entertainment reviewer and photographer with Gay Community News, Esplanade, Tommy's Connection, The Mirror, Bay Windows and other publications.
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18th Century Painted Fan
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18th Century Painted Fan

by [Fan] [Pastoral]

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Used; Like New/Used; Like New. A remarkable hand-painted fan blade, ca.  early 18th century, finely painted with a pastoral hunting scene. General craquelure with some areas of more pronounced pigment loss, but overall quite bright and fine condition. Mounted under gray linen and set in a fine gilt wood frame: 28 x 19 inches (71.5 x 48 cm). out: 25 x 16 (63 x 41cm)
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Ceramic Mask
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Ceramic Mask

by Pattarino, Eugenio. (1885–1971)

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Used; Like New/Used; Like New. Signed, hand painted ceramic mask by the Italian artist known for his majolica sculptures of Roman Catholic influence, with his sculptures presented by the Vatican as gifts to foreign diplomats, including President John F. Kennedy. The mask features a glossy finish to the face and hair and bears accents in yellow around the eyes and eyebrows finished in blue. Signed to the reverse, ready to hang by wire. Light crazing and discoloration to white glaze; one chip to the yellow hair. Overall very fine. 8 x 9 x 4 inches.
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Advance Theatrical Shoe Co. ca. 1925 Publicity Photograph

"Advance Theatrical Shoe Co." ca. 1925 Publicity Photograph

by Pavlova, Anna. (1881-1931)

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Used; Like New/Used; Like New. Doubleweight sepia photograph of the legendary ballerina in her signature "Dragonfly" ballet, the photograph issued by the Advance Theatrical Shoe Co., signed and inscribed within the image (printed). A few small stains, else fine. 8 x 10 inch (20 x 25 cm).Anna Pavlova is believed to be the first to use supportive slippers for toe dancing, but in no way did she officially endorse this shoe company which appears to have traded on her image for publicity purposes without her authorization. Leo Harris is identified as a designer for Advance Theatrical Shoe Co., Chicago in a Dance Lovers ad, Oct. 1925 and apparently his idea was to make 2 pointe shoe styles: one with a low arch and one with a high arch. By 1928, Leo was advertising his "hollow arch" point shoe and the company continued to produce quality shoes into the late 1990s. It is no longer known for pointe shoes but rather for a line of dance wear produced under that label.
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Signed Photograph

Signed Photograph

by Perkins, Anthony. (1932–1992)

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Used; Like New/Used; Like New. Signed photograph of the American actor best remembered for his role as Norman Bates in Alfred Hitchcock's 1960 classic Psycho.  Perkins has inscribed "To Paul / Tony Perkins" in black ink.  Light creases to corners, tiny vertical tear along lower margin with image unaffected, toning to left edge of image, overall in fine condition.  8 x 10 inches (20.3 x 25.4 cm.).Perkins, a successful actor with a long and varied career, was always closely associated with his performance as Bates in Psycho and its three sequels.  Among his partners were actor Tab Hunter, dancer Rudolf Nureyev, and composer/lyricist Stephen Sondheim.  In 1973, he married photographer Berinthia "Berry" Berenson, with whom he had two children.  Perkins died of AIDS-related pneumonia at age 60 in 1992.From the collection of Paul McMahon, a critic, photographer and artist who worked for more than 13 years touring with Marlene Dietrich as the icon's stage manager, announcer, dresser, secretary… Read More
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Pensées musicales pour Piano et Violon, Op. 11...Cah[ier] I – Inscribed copy.
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Pensées musicales pour Piano et Violon," Op. 11...Cah[ier] I – Inscribed copy.

by Perkins, Charles Callahan. (1823–1886)

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Leipzig: Breitkopf & Härtel, [1855]. Used; Like New/Used; Like New. Disbound upright folio. Piano score and violin part. Engraved. 13.5 x 10.5 inches (34 x 27 cm). 23 + 7 pp. [PN] 9050. Inscription to head of title: "J.C.D. Parker from his dear [?] friend the composer." Blindstamp, "New England Conservatory of Music / Library" and shelf mark 78.721 /  P41" to title page and first page of violin part. The first of two "cahiers," or "Hefte" (as described in headers of first pages of music). It contains three pieces. The second "cahier" I lacking. Browned and frayed to edges and gutter; some pages detached, else in good condition.Perkins was a leading figure in Boston's arts scene from the 1850s to the 1880s. While better known for work in the visual arts and his writings on these, he was also an accomplished musician and won over the German publisher Breitkopf & Härtel to publish his chamber music, including the present collection, between 1853 and 1855. It was the first music by an American… Read More
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Signed Drawing
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Signed Drawing

by Perlman, Itzhak. (b. 1945) [Krishizki, George. (1924–2001)]

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Used; Like New/Used; Like New. An original pen and ink illustration of the great violinist playing his instrument by artist George Krishizki, boldly signed by Perlman and additionally signed, dated and titled by Krishizki: "Georges / 1987 / Itzhak Perlman playing Sonata in G minor by J.S. Bach." 12 x 9 inches. In fine condition, an especially fine and unusual signed piece from the violinist.The Russian-Polish-American illustrator George 'Georges' Krishizki came to the U.S. in 1949; his on-the-spot drawings of musicians in performance attracted an appreciative audience. In a 1973 article published in conjunction with two simultaneous exhibitions, the artist explained the genesis of his long-running engagement with the concert hall: "I've always enjoyed going to concerts, and one day I decided it would be fun to combine my interests in music and art and make sketches of musicians during performances."Perlman, Itzhak, [Krishizki] Signed Drawing 22194
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Signed Promotional Brochure
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Signed Promotional Brochure

by Persichetti, Vincent. (1915–1987)

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Used; Like New/Used; Like New. Signed brochure promoting the American composer on the occasion of the composer's 70th birthday.  Issued by Elkan-Vogel, Inc., ca. 1972 and including biographical material and works list.  Inscribed, "For Steve Suscik with good wishes / Vincent Persichetti" to back cover.  8.5 x 5.5 inches (21.5 x 14 cm).  In fine condition."Although Persichetti made substantial contributions to many musical genres, his piano works are worthy of particular mention. Comprising a sizable portion of his output, these provide a microcosmic representation of his work as a whole, while offering a comprehensive survey of contemporary piano techniques. Also important are his works for wind band, which reveal a natural affinity for the medium. The Symphony no.6 has become a staple of the band repertoire."  Walter G. Simmons in Grove Music Online
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Signed Photograph

Signed Photograph

by Peters, Bernadette. (b. 1948)

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Used; Like New/Used; Like New. Signed portrait of the American singer and actress in a nearly revealing pose, by Harry Langdon (b. 1935).  Inscribed to Paul McMahon.  10 x 8 inches (25.4 x 20.3 cm).  In fine condition.A very fine photograph of one of Broadway's all-time greats who won two Tony awards and participated in four cast albums winning Grammy awards and who has been present on stage for seventy years.From the collection of Paul McMahon, a critic, photographer and artist who worked for more than 13 years touring with Marlene Dietrich as the icon's stage manager, announcer, dresser, secretary and escort, and later spent 25 years as an arts and entertainment reviewer and photographer with Gay Community News, Esplanade, Tommy's Connection, The Mirror, Bay Windows and other publications.
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Signed Photograph

Signed Photograph

by Petri, Egon. (1881-1962)

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Used; Like New/Used; Like New. Signed Kriegsmann Mitchell of NY photograph of the great Dutch-American pianist and pedagogue who studied with Carreno and Busoni and who counted John Ogdon and Earl Wild among his own many accomplished students. Inscribed to Harry Friedgut (1901-1975), managing director of the New York City Center of Music and Drama,  and dated Feb. 16th, 1942. Some small creases along the left edge, else fine, a particularly attractive example. 8 x 10 inches (20.6 x 25 cm).
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Celui qui devient un grand homme n'est plus un homme - Autograph Aphorism

Celui qui devient un grand homme n'est plus un homme" - Autograph Aphorism

by Picabia, Francis. (1879 - 1953)

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Used; Like New/Used; Like New. An intriguing autograph aphorism, ca. 1920, by the Dadaist painter and poet. 1 pp. 8vo (8.25 x 10.5 inches; 21 x 27 cm). Ink on paper. In French, "Celui qui devient un grand homme n'est plus un homme." (He who becomes a great man is no longer a man." Rare. Inventor of the "machinist painting" and carrier of the Dada movement to New York and Paris, Francis Picabia was editor of the journal 391 and author of numerous books of poetry and prose, along with manifestos, aphorisms, and scenarios for ballets and films. While now better known for his paintings, Picabia was also an important Dadaist poet, though prior to the 2012 publication of a collection of his writings, most of his poetry was not available in English. "Anybody called Francis is elegant, unbalanced, and intelligent," Gertrude Stein opined. Tristan Tzara wrote that "Picabia has destroyed 'beauty' and built his work with the leftovers," while André Breton noted his "impulse toward sabotage." Picabia himself… Read More
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La Danse du Berger, 1959
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La Danse du Berger, 1959

by Picasso, Pablo. (1881–1973) [After]

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Used; Like New/Used; Like New. Original lithograph print after Picasso's La Danse du Berger, 17 November, 1959  (cf. Zervos, vol. 19, no. 82). Signed and numbered VI/VIII in pencil, one of eight impressions outside of the edition of 200. Unexamined out of frame but in apparently fine condition. NB: IN IMAGE SHOWN, BLOCKS OF APPARENT TONING ARE CAMERA ERROR.  Sight 20.5 x 27.5 inches (52 x 70 cm.). Signed and dated "17.11.59" on the stone. On wove paper by Arches (with watermark). 63.5 x 50 cm (25 x 19.6 in. Sheet: 69 x 53 cm (27,1 x 20,8 in). The motif was also used for a poster (cf. Czwiklitzer 368).
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Portrait of Igor Stravinsky in Profile, 31 December 1920 - SIGNED BY STRAVINSKY
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Portrait of Igor Stravinsky in Profile, 31 December 1920" - SIGNED BY STRAVINSKY

by [Picasso, Pablo. (1881–1973)] Stravinsky, Igor. (1882–1971)

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Used; Like New/Used; Like New. Complete program from a performance of the Montreal Symphony Orchestra, 10/11 December, 1946, guest conducted by Igor Stravinsky and signed in fountain pen "I Stravinsky" above a reproduction of a portrait of the composer by Picasso.  Orig. printed wrappers, 8vo, 20 pp. Horizontal and vertical creases, somewhat toned, else fine.Both pioneers within their own movements, Picasso and Stravinsky became friends in Italy just before the First World War in 1917, brought together by Sergei Diaghilev, the savvy impresario of the Ballets Russes who was toying with the idea of commissioning a ballet. The two men immediately hit it off and spent a great deal of time immersing themselves in the popular culture of Rome and Naples. They continued their friendship by exchanging small pieces of art and music by mail, and the present portrait is one of three made of the composer by Picasso during this time. Eventually, they collaborated together on 'Ragtime' and, two years later,… Read More
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Pablo Casals to Pablo Picasso - Autograph Note Signed
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"Pablo Casals to Pablo Picasso" - Autograph Note Signed

by [Picasso, Pablo. (1881–1973)] Casals, Pablo. (1876–1973)

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Used; Like New/Used; Like New. Autograph note from the great Spanish composer, conductor, and cellist, one of the most influential musicians of the 20th century, boldly signed "Pablo Casals to Pablo Picasso" and inscribed in Spanish "With my greetings, admiration and best wishes" in blue ink to a loose leaf.  In fine condition.  10.5 x 8 inches (26.5 x 20.5 cm.). Provenance: From the Estate of Richard de Grab,  Czech photographer known especially for his many fine portraits of performing artists. We have been unable to find any information about the circumstances of the present inscription linking the two artists, Picasso and Casals, both of whom were deeply committed to advocating for peace and humanitarianism. Casals definitely did not appreciate some of the art of the Picasso.  Kirk (p. 548) quotes from an interview of Casals in Musical America:  "Do not tell me that anyone can understand Picasso when he paints a woman with five noses protruding from different parts of her body.  How… Read More
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