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A woman in jewels and a gossamer sari churns butter for ghee
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A woman in jewels and a gossamer sari churns butter for ghee

by Rajasthani School, 19th century

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1890. Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, 13 1/4 x 8 7/8 inches (336 x 226 mm). Toning, handling creases and minor scattered surface soiling throughout. There are scattered coeval inscriptions in ink on the recto and verso. A traditional Indian butter churn is operated by rapidly pulling a rope which turns a paddled spindle. The paddles churn cows milk inside a large jar until milk solids form. Ghee is made from cow milk butter, which is treated with low heat until the water evaporates, leaving behind milk solids. The solids are skimmed off or strained if needed. Ghee is a staple food on the Indian subcontinent, and as a cooking oil, it is the most widely used food in India, apart from wheat and rice. Because of its exalted status at Hindu weddings, ghee is expensive and in high demand. Male wedding guests are expected to compete with each other to see who can eat the most of it; consuming two pounds or more… Read More
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Shah Jahan in a shirt of mail and plate of armor
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Shah Jahan in a shirt of mail and plate of armor

by Rajasthani School, 19th century

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1890. Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in black ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and minor scattered surface soiling throughout. Scattered coeval Hindi inscriptions in ink on the verso, as well as the embossed blindstamp of the Treasury of Jaipur. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj, and they are still being issued to this day. Apart from issues for the whole of India, many princely states, provinces, and other states also had (or still have) their own revenue stamp issues. Before independence, Indian revenue stamps were closely modeled on similar designs from Great Britain, as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations, including rupees and annas. An anna (or ānna) was a currency unit formerly used in British India, equal to 1⁄16 of a rupee. It was subdivided into four… Read More
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Two Rajput noblemen on horseback
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Two Rajput noblemen on horseback

by Rajasthani School, 19th century

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A$1,087.87
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1890. Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in blue ink on the recto, as well as the Jaipur City Council blindstamp, 13 1/4 x 8 1/2 inches (335 x 215 mm). Toning, handling creases and minor scattered surface soiling throughout. There are scattered coeval inscriptions in ink on the recto and verso. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj, and they are still being issued to this day. Apart from issues for the whole of India, many princely states, provinces, and other states also had (or still have) their own revenue stamp issues. Before independence, Indian revenue stamps were closely modeled on similar designs from Great Britain, as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations, including rupees and annas. An anna (or ānna) was a currency unit formerly used in British India, equal to 1⁄16 of a rupee. It was subdivided… Read More
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Raja Mahan Singh Mirpuri
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Raja Mahan Singh Mirpuri

by Rajasthani School, 19th century

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1890. Ink and gouache with yellow heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in blue ink, 13 1/2 x 8 3/4 inches (343 x 222 mm). Toning, handling creases and minor scattered surface soiling throughout. There are scattered coeval Hindi inscriptions in ink on the recto. Raja Mahan Singh Mirpuri (1810 - 1844) was a famous general in the Sikh Khalsa Army. He was conferred by Maharaja Ranjit Singh the title of Raja for his conquests of Haripur, Nowshera and Peshawar. The town of Mansehra derives its name from him. Singh was murdered by his own soldiers in 1844, when mutiny broke out in the Sikh Khalsa Army. His death was avenged by his son, Chhattar Singh, who was himself killed soon after. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj, and they are still being issued to this day. Apart from issues for the whole of India, many princely states, provinces, and other states also had (or still have) their own revenue stamp issues.… Read More
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Nur Jahan seated with a painted spice jar
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Nur Jahan seated with a painted spice jar

by Rajasthani School, 19th century

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1895. Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in purple ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and minor scattered surface soiling throughout. A typed and signed court order dated 1891 (in reference to a landlord/tenant dispute) appears on the verso, as well as the purple blindstamp of the Treasury of Jaipur. There are scattered coeval Hindi inscriptions in ink on the recto. The following text appears typed on the verso: "Maloom order of 2nd July, 1891, and (5) party No. (b) applied to the P.I.B. Department for redress. The P.W. Member opined that party No. (b) is entitled to live in the quarters which had been continually occupied by them and party No.(a) should not interfere with the other party in respect of the quarters which should be restored to the latter. Resolution No.34. Resolved that the proposal of the P.W.Member be accepted. TRUE COPY Registrar, Mahakma Khas, Jaipur." The first revenue… Read More
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Turbaned man seated, smoking a hookah
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Turbaned man seated, smoking a hookah

by Rajasthani School, 19th century

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1890. Ink and gouache with yellow heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, and the Jaipur State Council Stamp dated June 5 1894, and the 1889 Jaipur State Council stamp in black ink on the verso, 12 1/2 x 9 inches (318 x 230 mm). Toning, handling creases and minor scattered surface soiling throughout. There are scattered coeval Hindi inscriptions in ink on the recto. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj, and they are still being issued to this day. Apart from issues for the whole of India, many princely states, provinces, and other states also had (or still have) their own revenue stamp issues. Before independence, Indian revenue stamps were closely modeled on similar designs from Great Britain, as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations, including rupees and annas. An anna (or ānna) was a currency unit formerly… Read More
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Shah Jahan taking tea with a concubine
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Shah Jahan taking tea with a concubine

by Rajasthani School, 19th century

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1890. Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and minor scattered surface soiling throughout. Scattered coeval Hindi inscriptions in ink on the recto and verso. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj, and they are still being issued to this day. Apart from issues for the whole of India, many princely states, provinces, and other states also had (or still have) their own revenue stamp issues. Before independence, Indian revenue stamps were closely modeled on similar designs from Great Britain, as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations, including rupees and annas. An anna (or ānna) was a currency unit formerly used in British India, equal to 1⁄16 of a rupee. It was subdivided into four (old) Paisa or twelve pies (thus there were 192 pies in a… Read More
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Rajput Ragamala miniature of a woman with a bell and rattle
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Rajput Ragamala miniature of a woman with a bell and rattle

by Rajasthani School, 19th century

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1890. Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in gray ink, and the 1889 Jaipur State Council stamp in black ink, 13 1/4 x 8 3/4 inches (335 x 222 mm). Toning, handling creases and minor scattered surface soiling throughout. There are scattered coeval Hindi inscriptions in ink on the recto. "A ragamala, translated from Sanskrit as "garland of ragas," is a series of paintings depicting a range of musical melodies known as ragas. Its root word, raga, means color, mood, and delight, and the depiction of these moods was a favored subject in later Indian court paintings. The celebration of music in painting is a distinctly Indian preoccupation. Ragamalas were first identified as a specific painting genre in the second half of the fifteenth century, but their ancestry can be traced to the fifth- to seventh-century Brihaddeshi treatise, which states: "A raga is called by the learned that kind of composition which is adorned with musical notes . . .… Read More
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Three hunters; two with a spear and dagger, and the third unarmed
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Three hunters; two with a spear and dagger, and the third unarmed

by Rajasthani School, 19th century

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1890. Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink, 12 5/8 x 8 9/16 inches (320 x 217 mm). Toning, handling creases and minor scattered surface soiling throughout. Scattered coeval Hindi inscriptions in ink on the recto and verso. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj, and they are still being issued to this day. Apart from issues for the whole of India, many princely states, provinces, and other states also had (or still have) their own revenue stamp issues. Before independence, Indian revenue stamps were closely modeled on similar designs from Great Britain, as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations, including rupees and annas. An anna (or ānna) was a currency unit formerly used in British India, equal to 1⁄16 of a rupee. It was subdivided into four (old) Paisa or twelve pies (thus there were 192 pies in a… Read More
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A Rajput prince with a sword and dagger, holding a lotus blossom
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A Rajput prince with a sword and dagger, holding a lotus blossom

by Rajasthani School, 19th century

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1890. Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, 12 1/2 x 9 inches (318 x 230 mm). Toning, handling creases and minor scattered surface soiling throughout. There are scattered coeval inscriptions in ink on the recto and verso. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj, and they are still being issued to this day. Apart from issues for the whole of India, many princely states, provinces, and other states also had (or still have) their own revenue stamp issues. Before independence, Indian revenue stamps were closely modeled on similar designs from Great Britain, as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations, including rupees and annas. An anna (or ānna) was a currency unit formerly used in British India, equal to 1⁄16 of a rupee. It was subdivided into four (old) Paisa or twelve pies (thus there… Read More
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Three Rajput noblemen on horseback
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Three Rajput noblemen on horseback

by Rajasthani School, 19th century

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1890. Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in black ink on the recto, as well as the Jaipur City Council blindstamp, 13 5/8 x 8 7/8 inches (345 x 226 mm). Toning, handling creases and minor scattered surface soiling throughout. There are scattered coeval inscriptions in ink on the recto and verso. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj, and they are still being issued to this day. Apart from issues for the whole of India, many princely states, provinces, and other states also had (or still have) their own revenue stamp issues. Before independence, Indian revenue stamps were closely modeled on similar designs from Great Britain, as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations, including rupees and annas. An anna (or ānna) was a currency unit formerly used in British India, equal to 1⁄16 of a rupee. It was subdivided… Read More
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Krishna with his beloved, Radha; An illuminated page from the epic of Mahabharata
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Krishna with his beloved, Radha; An illuminated page from the epic of Mahabharata

by Rajput School, 17th century

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1690. Gouache and ink with gold heightening on cream laid paper, 9 3/4 x 5 3/4 inches (247 x 145 mm), with margins. Some scattered insect damage, along with age related toning and some handling creases, minor edge tears and losses, and scattered inscriptions. Condition issues are largely in the area of the margins, outside of the image area. Extensive inscriptions in red and black ink on the verso. The color is exceptionally fresh, rich, and saturated. The scene depicts Vishnu in the form of Krishna, seated with his beloved Radha, being seranaded by two Gopis playing music, one playing a drum, and the other a sitar.
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Of Gardens; Four Books, First Written in Latine Verse by Renatus Rapinus and now made English by...
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Of Gardens; Four Books, First Written in Latine Verse by Renatus Rapinus and now made English by J. E.

by Rapin, René (1621-1687) and Evelyn, John (the Younger 1655 -1699), translator

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Used - Very Good
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First Edition in English, First Issue
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London: Thomas Collins, 1672. First Edition in English, First Issue. Very Good. Small 8vo; 6 1/2 x 4 1/8 inches (165 x 104 mm); [40], 237 [1] pp., with the errata at the beginning of the table of contents, table misbound after dedication, C1 with tear to lower margin, not affecting text, some light marginal browning. Etched garland and cornucopia arms of Lord Arlington on both title and dedicatory page. Later brown calf binding, decorative blind stamp on covers, title in gilt on spine; trimmed, marbled edges; stamp of the Maynard and Outram Smith Library on f.e.p. and previous owner's signature dated 1770 at head of dedication page. Internally clean and bright with consistent toning on the edges; spine a little faded and light rubbing to spine ends and corners; firmly bound. Provenance: Tho. Boston Alnwick 1770 (ink inscription). [Keynes 181; ESTC 006089128]. John Evelyn the Younger's first book, RARE FIRST ISSUE with title date 1672. We can trace no example of this issue for sale and only 6… Read More
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Photographies / Photographs 1920-1934 Paris; Avec un portrait par Picasso - textes de André...
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Photographies / Photographs 1920-1934 Paris; Avec un portrait par Picasso - textes de André Breton, Paul Éluard, Rrose Sélavy [Marcel Duchamp], Tristan Tzara - Préface par Man Ray

by Ray, Man

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  • first
Condition
Used - Very good +
Edition
First Edition, second issue
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Hartford, Connecticut / Paris: James Thrall Soby / Cahiers d'Art, 1934. First Edition, second issue. Spiral bound. Very good +. Large 4to, 12 1/8 x 9 /14 inches (308 x 235 mm), spiral bound in original stiff color pictorial wrappers with plastic "comb" spine; creasing and generally light wear at edges of wrappers, some dust smudging to back wrapper, top two "fingers" and the bottom most "finger" of plastic "comb" spine defective - otherwise intact. Light internal creasing at corners, very occasional, minor internal finger smudging. Complete. Text in English and French. 104 black and white plates of which 84 photographs and 20 rayographs by Nab Ray. " "Deuxieme Edition [but first edition, second issue]." Man Ray made several different studies for the cover, and finally settling on this image of his own bust looking down on a blue-eyed blonde contemplating a plaster hand cradling a fragile lightbulb that mirrors a catching toy ( a ball on a peg) [Roth 101 p. 80-81], "First edition; one of an unknown… Read More
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Bearded man in turban and fur
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Bearded man in turban and fur

by Rembrandt van Rijn, follower of, Moniker IL

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Etching on cream wove paper, 4 3/4 x 3 3/4 inches (120 x 95 mm), wide margins. Scattered light surface soiling, unevenly trimmed wide margins, all consistent with age. Likely printed 18th century.
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The Gatehouse, St. Mary Abbey, York
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The Gatehouse, St. Mary Abbey, York

by Richardson, Thomas Miles Sr

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1840. Ink and wash in sepia and brown on heavy wove paper, 5 13/16 x 8 1/2 inches (146 x 215 mm). Scattered uniform age tone and discoloration throughout. Brown ink spot with associated spots in the lower right image area. Provenance: Exhibited by Guy Peppiat Fine Art in association with Charles Nugent, "The Watercolors and Drawings of Thomas Miles Richardson, Sr. (1784-1848)," 16th - 30th January, 2012, Duke Street, St. James, London, catalog #43.
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The Market
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The Market

by Riche, Henri Le

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Used
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1910. Stone lithograph in black ink on tissue-thin wove Japon paper, 9 x 11 1/4 inches (228 x 285 mm), full margins. Signed and numbered 43/125 in pencil in the lower margin. Overall moderate toning, some extremely minor scattered pinpoint size spots of light yellow discoloration.
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Rider's (1726) British Merlin; Adorned with many delightful Varieties and Useful Verities, for...
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Rider's (1726) British Merlin; Adorned with many delightful Varieties and Useful Verities, for the Year of our Lord God, 1726

by Rider, Cardanus

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London: E. and R. Nutt / Company of Stationers, 1726. 32mo, 5 x 2 7/8 in. (127 x 78 mm). Maroon morocco with elaborately gilt covers and spine, of the two metal clasps only one half is present; marbled endpapers, a.e.g.; covers and hinges worn and somwhat cracked, notations in brown ink, dated 1726 and 1727, on the first two of 13 blank sheets at the beginning of the book; blank sheets also interspersed between months and at the back of the book for notations, some scribbled in brown ink; custom stamps to title-page. The title page also reads: It being the second after Bissextile or Leap-Year; Fitted for all Capacities within the Islands of Great Britain and Ireland. Also Chronological Observations of Principal Use, with Notes of Husbandry and Physick, Fairs and Marts. Also Directions and Tables for Many good Purposes. Made and compiled for his Country's Benefit, By Cardanus Rider. [ESTC T171165]. Rider's British Merlin was a pioneering and popular almanac, first printed in 1656 and then through… Read More
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Rider's British Merlin 1774 + The Court and City Register
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Rider's British Merlin 1774 + The Court and City Register

by Rider, Cardanus

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  • very good
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Used - Very Good
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London: R. and M. Brown / Company of Stationers & J. Jolliffe, G. Woodfall, and J. Walter, et al., 1774. Very Good. 12mo; 5 1/4 x 2 7/8 in. (134 x 77 mm); almanac and calendar bound into one volume. 1. Rider's Merlin, 60 pp. + 13 blank sheets for notes and a woodcut "Anatomical Man," printed in black and red ink; 2. Court and City Register, vi + 282 pp. printed in black ink. Title pages of both are mounted in succession at the beginning of the book. Contemporary red morocco with flap, elaborate gilt decoration, four raised bands, black morocco title label to spine, white metal clasp; Dutch gilt endpapers, a.e.g.; green silk pocket to contain cards etc. on the back of the book is torn and partially missing. Binding worn and soiled, as is typical of an object of daily use, but binding is tight and square, and pages clean and bright, a few tightly cropped. Calendar 1: Rider's British merlin: For the year of Our Lord God 1774. Being the second after bissextile or leap-year. Adorned with many… Read More
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Femme a l'Estampe
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Femme a l'Estampe

by Robbe, Manuel

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Used
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1906. Edition of 100. Color aquatint and etching, 21 x 14 7/8 inches (531 x 376 mm), wide margins (full). Signed in pencil, lower left image area. Light toning, otherwise in very good condition. An excellent impression with bright colors. [Merrill-Chase 35]. Manuel Robbe was highly influenced by the most important French artists of the nineteenth century: Degas, Renoir, Legrand, Chahine and Lautrec, who were his elder contemporaries, all had major impacts on his composition. Robbe delighted in depicting women. He focused on highlighting their individuality and interests, while also celebrating their beauty. His prints chronicled the emerging status of women as decision-makers and connoisseurs, as well as having the ability to judge and appreciate art. Throught this lense of respect and appreciation he was able to show their sensuality, sociability, and the ability of the modern women to elegantly enjoy the simple pleasures in life, while also assuming a status and position in the arts once only… Read More
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