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1930. [complete in 7 magazine issues] A Novel. Illustrated by F.R. Gruger. In: The American Magazine. Springfield Ohio: The Crowell Publishing Company, April-October 1930 [together, seven issues]. Original color pictorial wrappers. First American Appearance of this historical romance, complete in these seven consecutive issues of The American Magazine, where the novel is illustrated by F.R. Gruger -- some full-page, some even double-page. It was in 1930 that the tale was also published in book form -- by Houghton Mifflin in the US and by Hutchinson (as THE MINION) in the UK. Condition is remarkably very good-plus (minor edge-wear, especially at the ends of the spines). The lower corner of all seven front covers bears the original mailing label -- which, amazingly, went to six different people! -- two in Illinois, plus one each in Maine, Massachusetts, North Dakota and Wisconsin. Quite a survival.
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THE KING'S MINION [complete in: The American Magazine]
by Sabatini, Rafael
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THE LAY OF THE LAST MINSTREL. A Poem. [inscribed by Scott]
by Scott, Walter Esq
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1805. [inscribed by Scott] The Second Edition. London: printed for Longman, Hurst, Rees, and Orme, and A. Constable and Co., Edinburgh, by James Ballantyne, Edinburgh, 1805. Original blue paper-covered boards, with later (but period-style) white cloth or vellum, with printed spine label. "The Second Edition," which consisted of 1500 copies, issued later in the same year as the 750-copy first printing. This narrative poem in six cantos, with the action taking place in mid-16th-Century Scotland, is quite "early Scott": in the exhaustive Todd & Bowden bibliography, this is the 14th of 259 titles, and it would be 1814 before Scott would venture into prose fiction -- first with WAVERLEY, followed by such titles as ROB ROY, IVANHOE, KENILWORTH and QUENTIN DURWARD. Remarkably, this copy is still in the original blue paper-covered boards, the endpapers are original, and the leaves are still uncut; however the spine and label -- though period-style -- are later (but not at all recent). Condition is…
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THE PIRATE. In Three Volumes
by [Scott, Walter]
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1822. By the Author of "Waverley, Kenilworth," &c. Edinburgh: printed for Archibald Constable and Co.; and Hurst, Robinson, and Co., London, 1822. Original drab paper-covered boards and spines, with printed labels. First Edition, published actually in December 1821. Scott had visited the Orkney and Shetland Islands in 1814, as a Northern Lighthouse Commissioner -- and there heard the tale of the "Orkney Pirate" John Gow of about a century earlier: pursued by authorities, Gow had returned to his native Orkneys and laid low for awhile, in the process courting a local lass who did not know who he really was. "THE PIRATE was an immediate success and remained one of Scott's most popular and most reprinted works throughout the nineteenth century" [Scott site]. As Todd & Bowden note, some copies were printed in Edinburgh and some in London (though the London printers are not noted as such in the volumes), due to the large numbers of advance orders for this romance; since the book was "an immediate…
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TALES OF MY LANDLORD, Fourth and Last Series... In Four Volumes
by [Scott, Walter]
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1832. Collected and Arranged by Jedediah Cleishbotham... Edinburgh: Printed for Robert Cadell / London: Whittaker and Co., 1832. Original drab paper-covered boards with purple spine cloth, with printed spine labels. First Edition of the last of the Waverley Novels -- actually consisting of "Count Robert of Paris (2½ volumes) and "Castle Dangerous" (1½ volumes), told as if narrated by a "landlord," Jedediah Cleishbotham. Scott wrote these two tales simultaneously in 1830-1831, in declining health that included two strokes. "Count Robert" is set in Byzantium at the time of the arrival of the First Crusaders (1096). "Despite his rapidly deteriorating health, Scott sought a challenge. He believed that there was great potential in describing the declining Byzantine Empire as it confronted both Western Christendom and the advancing Ottoman Empire." "Castle Dangerous," is set in 1306 during the time of Robert the Bruce and the Scottish Wars of Independence. As he worked on the [latter] novel, Scott…
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BLACK BEAUTY: His Grooms and Companions. The Autobiography of a Horse
by Sewell, Anna ("Translated from the Original Equine by")
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1877. [the tale of a horse, BY a horse] London: Jarrold and Sons, n.d.[1877]. 8 pp undated ads. Original green cloth decorated in black and gilt. First Edition of this classic tale, told in the first person by Black Beauty himself. He encounters masters both kind and cruel, and as a result the book came to be seen as the UNCLE TOM'S CABIN for animals' rights -- in fact, the first American edition, which came out thirteen years later, was published by the American Humane Society. The tale has been filmed numerous times, beginning in 1910 and continuing in 1946, 1971 and 1994. Anna Sewell (1820-1878)... had been crippled by a leg-injury since she was fourteen years of age [resulting in her constant need for horse-drawn carriages], and by the time she came to write BLACK BEAUTY [from 1871 until 1877], her one and only book, she was bedridden [and in declining health: she dictated most of the tale to her mother and, at the end too weak of voice for that, wrote on little slips of paper which her mother…
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SILENCE FARM
by Sharp, William
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1899. London: Grant Richards, 1899. 2 pp undated ads plus 12 pp ads dated 1899. Original purple cloth. First Edition of this largely autobiographical novel, documenting the tension between the protagonist's poetic self and his bourgeois parents. Sharp had grown up in the Scottish Highlands, where at an early stage he acquired a vein of mystic pantheism. His family kept trying to guide him along conventional paths, such as that of an attorney's clerk in Glasgow and a bank clerk in London, but he kept seeking to write poetry and to roam about the mystical forests. Ultimately (beginning a few years before SILENCE FARM was published), Sharp began writing his more poetic or romantic works under the pseudonym "Fiona Macleod"; it is widely surmised that after the turn of the century "Fiona" was no longer simply a pseudonym but rather had become a separate personality, a sexual alter-ego, within Sharp. SILENCE FARM is sought as the book that best conveys Sharp's own telling of the boyhood that resulted in…
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BACK TO METHUSELAH
by Shaw, Bernard
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1921. A Metabiological Pentateuch. London: Constable and Company, 1921. Original olive green cloth, with dust jacket. First English Edition of one of Shaw's best-known plays, beginning in the Garden of Eden and culminating in A.D. 31,920 ("as far as thought can reach"). Brentano's edition in New York was issued about three weeks earlier. This is a fine copy in an unsoiled, near-fine jacket (a couple of short tears at the end of folds). Laurence A161b.
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Autograph Post Card Signed, to "Wm. Earl Hodgson Jr.
by Shaw, G. Bernard
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1901. Text on one side of a post card imprinted with the address "10, Adelphi Terrace, W.C." Dated by hand "11th January 1901". Address on other side also written by Shaw (The Anglo-Saxon Review | 35 Great Cumberland Place W., altered by someone else to 127, Cambridge St. | Warwick Sq. S.W.) The text of this card reads as follows: I am afraid I shall not be able to manage it this quarter. There is a forest of belated work to be cut through just now. Don't depend on me. [signed] G. Bernard Shaw. This correspondence has to do with The Anglo-Saxon Review -- a short-lived "quarterly miscellany," created and edited by Lady Randolph Churchill (her son Winston served as an advisor), published by John Lane in handsome leather-bound volumes with elaborate gilt tooling. The new periodical sent out an appeal for original material to many prominent British and American authors; contributors included Henry James, Winston Churchill, George Gissing, Stephen Crane -- and George Bernard Shaw. The subscription list…
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CASHEL BYRON'S PROFESSION
by Shaw, George Bernard
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1901. Newly Revised with several prefaces and an essay on prizefighting. Also The Admirable Bashville. Or, Constancy Unrewarded. Being the novel of Cashel Byron's Profession done into a stage play in three acts and in blank verse. Chicago: Herbert S. Stone and Company, 1901. Original mottled brown cloth with pugilist in white. First Authorized American Edition of Shaw's first book, a prizefighting tale. It was first published in London in 1886, in wrappers, preceded only by a couple of Fabian tracts. Later that year, both Munro and Harper came out with American pirated editions, also in wrappers. This 1901 edition was issued simultaneously with the third English edition, so as to protect the American copyright of the dramatic version, "The Admirable Bashville" (hence its separate title page and copyright notice herein). This copy is in the primary binding, with the publisher's spine imprint all in capitals. This is an unusually clean, fine copy. Laurence A3f.
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QUEEN MAB
by Shelley, Percy Bysshe
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1822. [in original boards] London: Printed and Published by R. Carlile, 1822. Original drab paper-covered boards. First Published Edition, second issue -- which is to say, the sheets of William Clark's 1821 pirated edition, with the 1822 cancel title leaf of radical publisher Richard Carlile. "Queen Mab, a Philosophical Poem [in Nine Cantos] with [Seventeen] Notes" -- Shelley's first major poetic work -- was first privately-printed in 1813. Since it was a radical and revolutionary vision of a utopian world (from an atheistic viewpoint), Shelley never intended it to go beyond his friends. But in 1821 a stash of the undistributed sheets was discovered by London bookseller William Clark, and the result was an 1821 pirated edition (with the help of the infamous book pirate Thomas Moses, whose monogram also appears here on the final page of text). Shelley tried to suppress this Clark/Moses edition, but was unsuccessful because the courts ruled that "books liable to conviction for blasphemy or sedition…
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MORGAN SAILS THE CARIBBEAN
by (Steinbeck, John - his copy) Braley, Berton
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New York: The Macmillan Company, 1934. Original black cloth lettered in gilt, with dust jacket. First Edition of this book-length ballad for which (per the preliminary "Acknowledgement") "The author's thanks and acknowledgements are gratefully tendered to John Steinbeck, author of "Cup of Gold," for his generous permission to use certain incidents from that novel." Berton goes on to quote in full a brief letter from Steinbeck giving that permission, saying "Please feel free to use what you wish of my work, subconsciously or consciously...". In this copy Berton Braley added to Steinbeck's printed letter, in ink, "With the further and personal thanks of [signed] Berton Braley." The front paste-down of this copy bears the ink-stamp "THIS BOOK BELONGS | TO CAROL AND | JOHN STEINBECK". Thus this copy must have been the one Braley sent to Steinbeck, with his "further and personal thanks" for permission to borrow from CUP OF GOLD. This volume's condition is very good-plus, with some wear at the head of the…
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ISLAND NIGHTS' ENTERTAINMENTS
by Stevenson, Robert Louis
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1893. Consisting of The Beach of Falesa / The Bottle Imp / The Isle of Voices. With Illustrations by Gordon Browne and W. Hatherell. London Paris & Melbourne: Cassell & Company, 1893. 16 pp ads dated Mar 1893. Original blue-grey cloth pictorially decorated in gilt. First English Edition, published five days after the American. "The Bottle Imp" is one of Stevenson's weirdest tales -- a supernatural blend of Aladdin's lamp, the monkey's paw, and a game of hot potato. As with most (if not all) copies, the book's price on the preliminary ad leaf was raised by hand. Some copies have ads dated as early as Sept 1892; however, since the book wasn't published until early April 1893, we would regard the ads in this copy as "primary." This is a bright, near-fine copy (light bubbling of the cloth near the top of each cover, front endpaper cracking). Beinecke 577; Princeton 53A, copies 2-3.
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THE MERRY MEN and Other Tales and Fables
by Stevenson, Robert Louis
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1887. New York: Charles Scribner's Sons, 1887. 4 pp undated ads. Original printed yellow wrappers. First American Edition of this collection of tales, some of which (like "Thrawn Janet" and "Markham") are along the same vein as JEKYLL AND HYDE -Â Stevenson called such stories his "creepers." This copy is in yellow wrappers (others were bound in red cloth and offered at a higher price). This is a very good copy, with minor soil, wrinkling and edge-wear of the very delicate wrapper -- rather remarkable condition, actually, for so fragile a volume. In our experience the American edition (in cloth or especially in wrappers) is much scarcer than the English one, even on this side of the Atlantic. Beinecke 413; Princeton 33A, copy 2.
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THE MASTER OF BALLANTRAE. A Winter's Tale
by Stevenson, Robert Louis
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1889. London, Paris, New York & Melbourne: Cassell & Company, 1889. 4 pp undated ads plus 16 pp ads dated July 1889. Original red cloth pictorially decorated in black. First Edition (published on the day before the Scribner's one), with the proper July ads. Stevenson freely acknowledged that his inspiration for this book was Robert Marryat's THE PHANTOM SHIP (1839), which he had recently read. RLS began writing BALLANTRAE in Saranac Lake in 1887 but did not finish it until his first South Seas voyage in 1889. The verso of this copy's front free endpaper lists only ten titles; some copies have a list of twelve or fourteen (priority unknown, but fewest should be best). A tough book to find in decent condition, this copy is very good-plus (spine a little faded and dull, minor soil) -- also the leaves were roughly opened, in one case affecting text. Beinecke 487 (cites only a copy listing 14 titles); Princeton 41A (copy [1] -- mentions copies with all three lists).
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VIRGINIBUS PUERISQUE and Other Papers
by Stevenson, Robert Louis
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1881. London: C. Kegan Paul & Co., 1881. 32 pp ads dated July 1881. Original orange cloth decorated in black, beveled. First Edition, first issue, of Stevenson's first volume of collected essays (which had appeared in periodicals such as The Cornhill during the late 1870s). These essays epitomize Stevenson's early expository style. It is good to have been young in youth and, as years go on, to grow older... These papers are like milestones on the wayside of my life... [from this book's dedication to W.E. Henley] The title essay (Latin for "For Girls and Boys"), which he wrote in 1876 (as his relationship with Mrs. Sitwell was waning, before he met Fanny Osbourne), is largely upon the subject of marriage. The first issue is identifiable by the "C. Kegan Paul & Co." at the foot of the spine -- the same as on the title page; later copies bound up read "Kegan Paul, Trench & Co.," reflecting the firm's change of name, and still later copies read "Chatto & Windus" after that firm bought up Kegan Paul. The…
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ACROSS THE PLAINS. With Other Memories and Essays
by Stevenson, Robert Louis
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1892. London: Chatto & Windus, 1892. Original very dark blue cloth, beveled. First Edition (English -- published on the same day as the American). This volume consists largely of Stevenson's thoughts as he journeyed by train in 1879 from New York to San Francisco, in pursuit of the American woman he had recently met on the Continent (and who was to become his wife). Also included are his subsequent impressions of the city of Monterey. This is a near-fine copy (endpapers cracking, but scarcely any other wear); the front paste-down bears the small leather bookplate of Clara & Irwin Strasburger. Beinecke 546; Princeton 48.
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ISLAND NIGHTS' ENTERTAINMENTS
by Stevenson, Robert Louis
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1893. Consisting of The Beach of Falesa / The Bottle Imp / The Isle of Voices. With Illustrations by Gordon Browne and W. Hatherell. London Paris & Melbourne: Cassell & Company, 1893. 16 pp ads dated Mar 1893. Original blue-grey cloth pictorially decorated in gilt. First English Edition, published five days after the American. "The Bottle Imp" is one of Stevenson's weirdest tales -- a supernatural blend of Aladdin's lamp, the monkey's paw, and a game of hot potato. As with most (if not all) copies, the book's price on the preliminary ad leaf was raised by hand. Some copies have ads dated as early as Sept 1892; however, since the book wasn't published until early April 1893, we would regard the ads in this copy (March 1893) as "primary." This is a near-fine copy (minor cracking of the rear endpaper, spine very slightly darkened). Beinecke 577; Princeton 53A, copies 2-3.
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THE EBB TIDE [in unbound signatures]
by Stevenson, Robert Louis & Osbourne, Lloyd
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1895. [in unbound gatherings] A Trio & Quartette. Chicago & Cambridge: Stone & Kimball, 1895. Original unbound folded signatures. First Edition, fourth printing, published on October 5, 1895 (the publishing history is itemized on the copyright page). This copy is still in its printed but unbound state -- in fourteen folded gatherings, the first being the preliminary couplet of half title plus title leaves. Condition is near-fine (a few very minor marks, shadow of writing on the final sheet). Quite uncommon in this state. See Beinecke (Yale) 599 and Princeton 56. Housed in a custom cloth slipcase with leather labels and inner chemise.
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VAILIMA LETTERS
by Stevenson, Robert Louis
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1895. Being Correspondence addressed by Robert Louis Stevenson to Sidney Colvin November 1890 - October 1894. London: Methuen & Co., 1895. Original pinkish-tan buckram decorated in gilt. First English Edition, domestic issue (with title page in red and black), published about a week after the two-volume Chicago edition. "Vailima" ("five rivers") was the name Stevenson gave to the home he and his family made for themselves in Samoa. This copy is fine except that (as always with this color cloth) there is some fading of the spine. Beinecke (Yale) 613; Princeton 60B (copy 2 - no ads, as with this copy).
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VAILIMA LETTERS [in unbound signatures]
by Stevenson, Robert Louis
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1895. [1/100, in unbound signatures] Being Correspondence addressed by Robert Louis Stevenson to Sidney Colvin. November 1890 - October 1894. In Two Volumes. Chicago: Stone & Kimball, 1895. Original folded unbound signatures. First Edition, Large Paper Issue, consisting of 100 numbered copies on John Dickinson & Co. paper -- this copy unnumbered, and in fact still in its unbound signatures. VAILIMA LETTERS was published in Chicago in late October 1895, about a week before the London edition, in the year following Stevenson's death; "Vailima" ("five rivers") was the name Stevenson gave to the home he and his family made for themselves in Samoa. This is a remarkable, never-issued copy, a complete set of the folded sheets which never went to the binder -- where the two volumes would have been bound in grey paper-covered boards, and where each volume would have had a frontispiece inserted (here absent). Condition is just about fine (one small damp-mark at the top edge of the first couplet of Vol I).…
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