Search Results: Titles starting with D from Kelleher Rare Books

Baile Atha Cliath, (Dublin): AN CLOCHOMHAR TTA, 1968. Book. Very Good +. Hardcover. 1st Edition. First Edition, First Printing. Pp. 126. B&W Plates including frontis. A very good plus copy clean unmarked with a tight binding, some dustiness to the top of the text block. The original jacket is very good plus and not price clipped. Tight binding, Light wear to the extremities. Uncommon.

London, United Kingdom: C. Arthur Pearson, 1895. Book. Very Good. Hardcover. 1st Edition. First UK Edition, First Printing. pp 128. 3pp advert to front and rear, Original Grey cloth boards, lettered in black on front with 1s price on binding. THE ISOBEL HANDBOOKS no 1, Preface dated February 1895. Clean pages, slight offsetting. Rare true first with all points correct..

London, United Kingdom: Little Brown, 2001. Book. Near Fine. Soft cover. 1st Edition. First UK Edition, First Printing. This is the true first edition, first printing (first impression) A Paperback original. Signed and Inscribed to a previous owner by Alan Glynn to the title page. A near fine unread copy, small scrape to fore edge of the text block, crease to corner. .

London, United Kingdom: Hodder & Stoughton, 1996. Book. Very Good +. Hardcover. Signed by Author(s). 1st Edition. First UK Edition and true first. This is a true first edition, first printing (first impression) copy, with full number line beginning with [1] to the copyright page. SIGNED by Simon Clark to the title page, the usual toning to the pages. light spotting to edges.. .

London, United Kingdom: Jonathan Cape, 2007. Book. Near Fine. Hardcover. Signed by Author(s). 1st Edition. First UK Edition, First Printing. This true first edition, first printing (first impression) with a full numberline beginning with the "1" to the copyright page to indicate a true first print in a near fine Dust Jacket.A unread copy with light toning to the pages. Signed by A.L. Kennedy to the title page. Costa Book of the Year award winner for 2007..

New York, USA: Random House, 1993. Book. Near Fine. Hardcover. Signed by Author(s). 1st Edition. First American Edition, First Printing. (first impression) with 'First Edition' and number line from 2-9 as called for to the copyright page in a near fine Dust Jacket which is not price clipped. Signed, Dated to the title page by the author. [Helen Prejean August 1993], publicity information from the publisher laid in loosely. .

London, United Kingdom: Collins, 1944. Book. Good. Hardcover. 1st Edition. First UK Edition, Third Printing. ( Reprinted 1946 ) Original red cloth with lettering on the spine in silver. The jacket is priced at 4s 6d, in fair condition with loss to the bottom of the spine and the corners, rubbing some closed tears. Internally clean small prize giving inscription to front end page, else clean. .

London, United Kingdom: J.F. Hope, 1857. Book. Very Good. Hardcover. 1st Edition. First UK Edition. First Print, 8vo. 207, [4 ] pp. Rebound in plain brown cloth.The pages are clean and the binding tight. A sprinkle of spotting to some pages. .

New York, USA: Henry Holt and Company, 2011. Book. Near Fine. Hardcover. Signed by Author(s). 1st Edition. First US Edition, First Printing. A true first American edition, first printing (first impression) with "First Edition 2011" and full numberline to the copyright page therefore indicating a true first print in a near fine Dust Jacket. Signed by the author to the title page [ B.Black ].

London, United Kingdom: Harvill Secker, 2012. Book. Fine. Hardcover. 1st Edition. First UK Edition, First printing. A first Edition with a full numberline beginning with '1' to the copyright page to indicate a true first printing. . The book itself is tight with unmarked pages and unread. Uncommon as a first printing. My Struggle: Book 1..

London, UK: Sinclair-Stevenson, 1992. Book. Very Good +. Hardcover. 1st Edition. First UK Edition, First Printing. This true first edition, first printing (first impression) with no reprint statement to the copyright page as called for to indicate a true first print in a very good plus Dust Jacket. Clean pages, tight binding. .

Cambridge, Massachusetts: Harverd University Press, 1983. Book. Very Good. Hardcover. 1st Edition. First Edition, First Printing.A true first edition, first printing (first impression) with the number "1" to the copyright page to indicate a true first print in a very good jacket, fade to spine. light edge wear, internally clean, unmarked..

London, United Kingdom: Andre Deutsch, 1966. Book. Very Good +. Hardcover. 1st Edition. First UK edition, First printing. Pp. 366. A true first printing with no reprint statement to the copyright page.Tight binding and clean pages, dusting to the top of the text block, light spotting. Jacket is not price clipped, light edge wear. .

London, United Kingdom: Andre Deutsch, 1959. Book. Very Good +. Hardcover. 1st Edition. First UK edition, First printing. Pp. 144. first state with publication date incorrectly printed as 1950 to the copyright page. Light spotting to the text block, otherwise clean, tight binding. No jacket. .

Wexford, Ireland: Lantern, 2013. Book. New. Hardcover. Signed by Author(s). 1st Edition. First Edition, First Printing. In original boards, lettering in gilt.. As new unread. Signed by the author to the dedication page [ The Cotton Tree, March 20th, Billy Roche ].

London, United Kingdom: Hodder and Stoughton Limited, 1921. Book. Illus. by Arthur Rackham. Very Good +. Hardcover. 1st Edition. First UK Edition, First Printing. n.d. [1921] Pp. 75. A true UK first. Original gray boards. lettered in brown, a very good plus copy with clean pages and tight binding, stain to top of text block near spine. All B&W illustrations and 3 tissue guarded colour plates present as called for. In a good jacket with loss to bottom front corner, some wear to the extremities and closed tears to the rear. .

London, United Kingdom: Gollancz, 1935. Book. Good. Hardcover. 1st Edition. First UK Edition THUS, First Printing of the 2/6 edition. Stated so on the copyright page with no further printings. A good clean tight copy, light spotting in a fair only jacket with wear and chipping to the edges and spine. Uncommon.

London, United Kingdom: Mantle, 2012. Book. Near Fine. Hardcover. Signed by Author(s). 1st Edition. First UK Edition, First Printing. This true first edition, first printing (first impression) with the number starting with [1] and a full number line to the copyright page to indicate a true first print in a fine as new jacket which is not price clipped. Small knock to the top fore edge of the textblock. SIGNED by C. J. Sansom to a special tipped in page which states [Limited edition of 1500 copies signed by the author] this is #1033..

Dublin, Ireland: Kamac, 1970. Book. Very Good. Soft cover. Signed by Author(s). 1st Edition. First Edition. First Print. 61pp. This is a true first edition, first printing (first impression) copy in very good condition, original pictorial wrappers have fade and light staining to the spine. Light creasing to the cover. internally clean unmarked pages. Very uncommon first issue. Signed by Anthony J Gaughan to the title page [With best regards, G.A. Gaughan].

London, United Kingdom,: Jonathan Cape, 1932. Book. Very Good +. Hardcover. Signed by Author(s). 1st Edition. First UK Edition , First Printing. Octavo. Pp. 290. A true first printing "First Published 1932" to the copyright page and no statement of reprint in a original dust jacket , not price clipped, It is average at best with tape repairs to the rear and loss to the corners, base and crown of the spine. Original end pages and decorated green boards. Owner name and address to the verso front end page, else clean pages, tight binding. Laid in loosely is a typed letter, signed by the author. on "Woman's Own" headed paper where she worked as an editor. The book itself is not signed .