Search Results: Titles starting with E from Schindler-Graf Booksellers

Hardcover. Very Good. 1909 First Edition. Paper-covered boards backed with red cloth. No marks or writing in book. Spine a little sunned. Endpapers age-toned. Illustrated with portraits of Victorian personages and images of campus landmarks.

Hardcover. Fine. Hardcover in glossy dust jacket. Like new in presentable, unread condition, with no marks or flaws. 271 pages; profusely illustrated. Significant scholarly analyses of major Netherlandish paintings.

Hardcover. Good. First Edition. Hardcover in dust jacket. Top edge of boards lightly sunned. Jacket is nice, but does have a few short closed tears and some edgewear. No remainder marks; no writing in book. Clean copy.

Hardcover. As new. Robert Miller Gallery / Leo Castelli; 1987. Hardcover. 52 pages, illustrated (20 in color.) Still sealed in publisher's shrink wrap. Never opened. As new.

Softcover. Very Good. Softcover bound with plastic comb binding. 202 pages, plus supplementary documents and 36 plates, some in color. Signed by the author, and also by the subject - Edris Eckhardt (her signature in purple ink.) Both signatures dated in the year of publication. No other writing in book. Some light age-toning and foxing spots to edges and covers. Very hard to find, especially autographed by the artist.

Softcover. Very Good. Softcover exhibition catalogue, published 1998 by the Institute of Contemporary Art, Nagoya. No marks or writing in book. Light rubbing wear to edges of covers. Otherwise almost Fine condition.

Hardcover. Fine. Hardcover in glossy dust jacket. 1996 publication, in like-new condition with no wear or distress. 202 pages including extensive bibliography; has black & white illustrations.

Hardcover. Good. Edward Elgar Publishing, 2003. Hardcover in dust jacket. 339 pages. Like new except for a discreet ownership stamp to front end-paper. Otherwise Near Fine in Fine dust jacket.

Softcover. As new. Slim, stapled exhibition brochure. Signed boldly by the artist on the title page. 20 pages. Illustrated in black & white.

Hardcover. As new. Softcover, like new. Signed by the artitst on the title page. No marks or defects.

Hardcover. Very Good. Hardcover in dust jacket. Personally inscribed and signed by the author on the front end-paper. No other marks or writing in book. Jacket flap is price-clipped; otherwise Fine.

Hardcover. Very Good. Hardcover in glossy dust jacket. No marks or writing in book. Text and captions are in Russian. Over 100 pages of color plates have no text - just gorgeous.

Hardcover. Very Good. Hardcover in dust jacket, with no marks or writing in book. Clean copy in a lightly rubbed dust jacket, now protected under a clear mylar sleeve. Otherwise almost like new.

Fine.

Hardcover. Very Good. Hardcover in dust jacket. No marks or writing in book. Pages and plates are very fresh. The dust jacket has a few closed tears and one area of loss at lower edge of rear panel. Now under clear mylar, it remains bright and presentable. Text is fully in German.

Hardcover. Very Good. Bright, fresh 2013 hardcover in dust jacket. 347 pages, illustrated. No marks or flaws. No sign of distress. Faint wear to very edges of dust jacket. With bright, white text pages, book is like-new in nearly like new dust jacket.

Softcover. Very Good. Softcover photography catalogue focusing on the relationship between 19th century photography and the art world. 192 pages; profusely illustrated. No marks or writing in book. Light signs of prior handling. Includes original 1996 price list. Excellent reference book.

Hardcover. Good. Hardcover published 1995, bound in Navy cloth stamped in gilt. 154 pages, illustrated. Text is in French. No marks or writing to book. Lacks a dust jacket. Otherwise, Near Fine.

Hardcover. New.

Leather. Very Good. St. Louis, MO, earlier printing of 1890. Leather binding, with some wear to spine ends. Very Good, in a vintage black slipcase with a few chips and wear to corners. 563 pages. All edges gilt. The original owner's name - Wilhelm Stumps, and date, 1893 - is stamped in bright gilt on the front board in the center of a blind-stamped baroque design with ruled gilt margins Gilt title of ""Evangelisches Gesangbuch"" and fancy floral decoration fill most of the spine's space. The rear board also is stamped in blind. Endpapers decorated in an olive floral pattern. Musical scores and lyrics fill 465 pages, followed by a renumbered 1-98 pages of ""Episteln und Evangelien"" and other text. Indexed at the end, pp. 92-98.A later owner penned his name to the free front endpaper in 1960. 6"" high x 4-1/4"" wide x 1"" thick. Bound at the C B Woodward book bindery, St. Louis. All text is in German gothic Fraktur typeface.