Search Results: Titles starting with G from J & J Lubrano Music Antiquarians LLC

London: Welcker, 1775. Folio. Disbound. Violino primo: 1f. (title), [1] (blank), 2-12 pp.; Violino secondo: 1f. (title), [1] (blank), 2-12 pp.; Violetta: 1f. (title), [1] (blank), 2-12 pp.; Basso: 1f. (title), [1] (blank), 2-10 pp. Engraved. Publisher's catalogue to foot of each title. In C minor, B-flat major, D major, E-flat major, E major, and C major, respectively. "No. 27" in contemporary manuscript to head of each title. Some leaves detached; some browning and show-through; occasional stains and soiling, especially to titles. All parts incomplete: Violino primo lacks final leaf (p. 13; verso blank); Violino secondo lacks final leaf (p. 13; verso blank); Violetta lacks final blank leaf (music is complete); Basso lacks two final leaves (pp. 11-13); final verso blank. A later edition. Gérard p. 174. BUC p. 117. RISM B3114 (4 copies only in the U.S., at Yale, Vassar, the Eastman School of Music, and the University of North Carolina, Chapel Hill). "A prolific composer, particularly of chamber… Read More

London: John Kerpen, 1784. Folio. Disbound. Violino primo: 1f. (title), [1] (blank), 2-13, [i] (blank) pp.; Violino secondo: 1f. (title), [1] (blank), 2-13, [i] (blank) pp.; Viola: 1f. (title), [1] (blank), 2-13, [i] (blank) pp.; Violoncello: [1] (blank), 2-13, [i] (blank) pp. Engraved. Secondary pagination in ink. Soiled; some show-through and offsetting; closely trimmed; most leaves of Violino primo and outer bifolium of Violino secondo parts detached and frayed at spine; small ink stain to title and slight loss to outer margin of final leaf of Violino primo part just touching notation; Violoncello part lacking title, dampstained and frayed at outer edge with some loss to music, remnants of tape to first page. A later edition. Gérard p. 224. BUC p. 117. RISM B3140 (1 copy only in the U.S., at the University of North Carolina Chapel Hill). WorldCat (copies at Duke and the University of Missouri, Kansas City). Dating uncertain. Humphries and Smith note the publisher as active "c. 1782-85, or… Read More

Amsterdam: J.J. Hummel [PN 212], 1772. Folio. 20th-century plain yellow wrappers with typed contents label to upper. Violino (laid in): 1f. (title within decorative border), [1] (blank), 2-13, [i] (blank) pp.; [Clavecin]: [1] (title), 2-42, [ii] (blank) pp. Engraved. Watermark "J.Kool." From the collection of Walter Lebermann. Handstamp, "Lebermann Karlsruhe," to upper wrapper and both titles. Occasional show-through and offsetting; outer bifolium of [Clavecin] part soiled, repaired, and reinforced at spine, with large stain to center of title. A later edition. Gérard p. 34. Not in BUC. RISM B3030 (no copies in the U.S.). "The most important product of [Boccherini's] visit to Paris [in 1767] was the set of six sonatas for keyboard with violin accompaniment op.5, which Boccherini dedicated to the amateur keyboard player Anne Louise Boyvin d'Hardancourt Brillon de Jouy, and which was distributed in numerous copies and editions into the 19th century." Christian Speck in Grove Music Online.

Paris: Jce. Pleyel [PNs 933, 934], 1813. Folio. Sewn. Engraved. Vol. 1 ("[1ère] Livraison"): Violino 1o.: 1f. (title), [1] (blank), 2-19, [i] pp.; Violino 2o.: [1] (title), 2-15, [i] (blank) pp.; Viola: [1] (title), 2-8, [i] (blank), 10-15 pp.; Violoncello 1o.: [1] (title), 2-13, [i] (blank) pp.; Violoncello 2o.: 11, [i] (blank) pp.; Alto Violoncello: [1] (blank), 2-13, [i] (blank) pp. Vol. 2 ("2ème Livraison"): Violino 1o.: 1f. (title), [1] (blank), 2-14 pp.; Violino Secondo: [1] (title), 2-13 (with pp. 6 and 8 switched), [i] (blank) pp.; Viola: [1] (title), 2-14 pp.; Violoncello 1o.: [1], 2-13, [i] (blank) pp.; Violoncello 2o.: 9, [i] (blank) pp.; Alto Viola: [1] (title), 2-13, [i] (blank) pp. With publisher's facsimile signature handstamp to title of Violino primo part of both volumes; "livraison" number added i contemporary manuscript to all parts: as cardinal ("1" and "2") to Violino primo, as ordinal ("1ère" and "2ème") to other parts. Somewhat worn and soiled; quite dampstained and… Read More

Paris: J. Pleyel [PN 1076], 1813. Folio. Sewn. Violino primo: 1f. (title), [1] (blank), 2-17, [i] (blank) pp.; Violino 2o.: [1] (title), 2-13, [i] (blank) pp.; Viola: [1] (title), 2-8, [i] (blank), 10-13, [i] (blank) pp.; Violoncello 1o.: [1] (title), 2-13, [i] (blank) pp.; Violoncello 2o.: [1] (title), 2-8, [i], 10-13, [i] (blank) pp.; Alto-Violoncello: [1] (title), 2-13, [i] (blank) pp. Engraved. Publisher's facsimile signature handstamp to foot of title of Violino primo part. Some soiling, foxing and dampstaining. An uncut copy. A later edition. Gérard p. 339. RISM B3185 (2 copies only in the U.S., at the Newberry and the Library of Congress, with title spelled "Quintetti"). First published in 1782 by Zatta in Venice (as op. 33). "A prolific composer, particularly of chamber music, with a distinctive and highly wrought style, [Boccherini] is the chief representative of Latin instrumental music during the Viennese Classical period." Christian Speck in Grove Music Online.

Paris: Ignace Pleyel [PN 102], 1802. Folio. Contemporary blue wrappers. Violino 1o.: 1f. (fine title-page incorporating a half-page pictorial engraving by J. Aubert), [1] (blank), 2-4, [i], 6-10, [i] (blank), 12-16, [i] (blank), 18-19, [i] (blank) pp.; Violino 2o.: [1] (blank), 2-13, [i] (blank) pp.; Viola: [1] (blank), 2-11 pp.; Violoncello 1o.: [1] (blank), 2-11, [i] (blank) pp.; Violoncello 2o.: [1] (blank), 2-11, [i] (blank) pp.; Alto Violoncello: [1] (blank), 2-11, [i] (blank) pp. Engraved. Publisher's facsimile signature handstamp to lower right corner of title. Overpaste of Benoit Pollet, Paris, to title. Early annotation, "Ch. Delisle, à Tours," in contemporary manuscript to blank p. [1] of each part. "Boccherini Quintetti [part name] 2e L[ivrais]on" in contemporary manuscript to each upper wrapper. Former owner's small handstamp (device with monogram "EG") to lower right corner of final page of each part. Wrappers somewhat worn and soiled. All parts except Violino 1o. slightly foxed; some… Read More

Paris: Calmann Lévy, 1884. Octavo. Quarter dark brown leather with marbled boards, raised bands on spine with title labels gilt. 1f. (recto half-title, verso publisher's advertisements), 1f. (recto title, verso blank), [i]-xiv (preface), 371, [i] (blank) pp., 1f. (recto contents, verso blank). Binding slightly worn, rubbed, and bumped. Uniform light browning; some foxing, heavier to outer margins.

Leipzig: Breitkopf & Härtel, 1919. Hardcover. Fair. 3 volumes. Original publisher's light brown cloth with titling to uppers and spine. viii, 495, [i]; 481, [i]; 224 pp. Bindings slightly worn, rubbed and bumped; Vol. II disbound, with some signatures loose. Some wear and browning.

Regensburg: Gustav Bosse, 1970. Hardcover. Very Good. Octavo. Original publisher's full mid-blue cloth with titling gilt to spine. 320 pp. With 4ff. illustrative plates and musical examples in text, some folding. In slightly worn dustjacket.

Bergamo: Italo d'Arti Grafiche, 1897. Softcover. Good. Folio. Wrappers illustrated by Hohenstein. 56 pp. Illustrated throughout with reproductions of photographs, autographs, etc. Wrappers somewhat worn. Minor soiling and browning.

Bern: Hallwag Verlag, 1982. Octavo. Cloth boards. 564 pp. Edges slightly stained.

Paris: Choudens [PN A.C. 2260], 1871. Large octavo. Quarter dark brown morocco with marbled boards, spine in decorative compartments gilt, titling gilt, marbled endpapers. 1f. (recto title printed in dark brown, verso blank), [3] (contents), 4-39, [i] pp. Text in French and Latin. Lithographed. Performance markings in pencil to first number; minor annotatioins in ink to p. 15. Binding quite worn and rubbed, corners slightly bumped. Minor to moderate browning. First French edition (the Novello, Ewer & Co. edition most probably pre-dates the French edition). Bound with: Schubert, Franz Collection 40 Mélodies Choisies avec accompt. de Piano ... avec les Paroles Allemande s originales et une Traduction Française de Maurice Bourges et Emile Deschamps ... Prix 7f. net. Paris: Brandus et Cie. [PN B. et Cie. 5199], [after 1850]. 1f. (recto full-page half-length lithographic portrait of Schubert, verso blank), 1f. (recto title, verso blank), 1f. (recto contents, verso blank), 174 pp. Text in French and… Read More

Ljubljana: Slovenska akademija znanosti in umetnosti, 1991. Paperback. Very Good. Octavo. Wrappers. 288 pp. With numerous musical examples. From the collection of musicologist Stanley Boorman.

London: Universal Edition [PN UE 14679 L], 1969. Paperback. Very Good. Octavo. Wrappers. 3ff. (title, instrumentation, notes), 41 pp. Reproduced from the composer's manuscript. Wrappers slightly worn. First Edition, first issue.

Bern: Franke Verlag, 1973. Hardcover. Fine. Thick octavo. Full dark orange cloth with titling gilt to spine. 895 pp. With musical examples.

Varallo Sesia: Societa Conservazione Opere Arte Munumenti Valsesia, 1967. Softcover. Good. Octavo. Wrappers. 64 pp. With numerous plates.

London: Ascherberg, Hopwood & Crew [PN 3751], 1916. Quarto. Original publisher's illustrated wrappers. 1f. (recto title, verso printer's note), 1f. (recto cast list, verso contents), 211, [ii] (publisher's advertisements) pp. Composer's facsimile signature handstamp to title. Wrappers slightly worn and foxed; tape repair to lower outer corner of upper; spine lacking at head and tail and reinforced with tape; small French music seller's circular handstamp to upper. Some creasing to upper inner corners throughout; light foxing. Revised edition. "...The Geisha (1896) achieved enormous success not only in Britain but throughout Europe, where its popularity exceeded that of any other British operetta.... [Jones'] unassuming nature was reflected in his works, particularly The Geisha, which is full of charming numbers, its opening chorus in particular being worthy of Sullivan." Andrew Lamb in Grove Music Online.

London: Hopwood & Crew, 1897. Quarto. Flexible brown leather, titling to spine gilt. 1f. (recto title, verso blank), 1f. (recto cast list, verso contents), 206 pp. Composer's facsimile signature handstamp to title. Boards slightly worn. Browned; edges of some leaves worn. Revised edition. "...The Geisha (1896) achieved enormous success not only in Britain but throughout Europe, where its popularity exceeded that of any other British operetta.... [Jones'] unassuming nature was reflected in his works, particularly The Geisha, which is full of charming numbers, its opening chorus in particular being worthy of Sullivan." Andrew Lamb in Grove Music Online.

Softcover. Good. Octavo. Original publisher's dark orange printed wrappers. Teil 1: Die Nachlässe in den wissenschaftlichen Allgemeinbibliotheken. Berlin, 1959. 103 pp.; Teil 2: Die Nachlässe in wissenschaftlichen Instituten und Museen und in den allgemeinbildenden Bibliotheken ... unter Mitwirkung von Horst Wolf herausgegeben von Hans Lülfing und Ruth Unger. Berlin, 1968. 102 pp.; Teil 3: Nachträge, Ergänzungen, Register ... herausgegeben von Hans Lülfing und Horst Wolf. Berlin, 171. 248 pp. From the collection of musicologist and German professor William A. Little, with his signature to wrappers. Browned.

New York: Da Capo, 1970. Octavo. Full cloth. 159 pp.